Pentax K-3 vs Sony QX30
59 Imaging
65 Features
85 Overall
73


91 Imaging
45 Features
37 Overall
41
Pentax K-3 vs Sony QX30 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Fixed Screen
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 800g - 131 x 100 x 77mm
- Revealed April 2014
- Renewed by Pentax K-3 II
(Full Review)
- 20MP - 1/2.3" Sensor
- " Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5-6.3) lens
- 193g - 68 x 65 x 58mm
- Introduced September 2014

Pentax K-3 vs. Sony QX30: A Thorough Comparison of Two Distinct Cameras for Different Needs
When I first looked at the Pentax K-3 and the Sony Cyber-shot QX30 side by side, my immediate thought was: these cameras live in completely different universes. One’s a powerful DSLR aimed squarely at serious photographers, the other a quirky “lens-style” camera meant to bridge smartphone and dedicated camera worlds. Yet, this makes the comparison all the more fascinating. How do these cameras stack up when scrutinized across key photography disciplines and practical use cases? Which one fits which kind of photographer? Let’s dive deep, informed by my hands-on testing experience with hundreds of DSLR and compact cameras over 15 years.
Getting to Know the Players: Design and Ergonomics
First impressions matter, and seeing the Pentax K-3 next to the Sony QX30, the size and handling differences are striking.
The K-3 is a mid-sized DSLR, substantial in hand (131x100x77 mm, 800g) with robust, weather-sealed magnesium alloy construction. For me, its weight feels reassuringly solid and balanced with Pentax’s K-mount lenses, especially in demanding shoots like landscapes or wildlife.
The QX30, on the other hand, is tiny and unconventional. At 68x65x58 mm and a mere 193g, it’s designed as a lens-style camera that pairs with smartphones via Wi-Fi. Its minimalist form means you’ll hold your phone, and the QX30 dangles or mounts alongside. While it wins in portability for casual shooting, ergonomics take a backseat here - no viewfinder, no physical controls except a shutter button. This will be a dealbreaker for enthusiasts used to tactile feedback or manual dials.
Moving over the cameras’ control layouts, the K-3 offers a classic DSLR top plate piled with dials and buttons - shutter speed, ISO, exposure comp, drive modes, and more. The Sony QX30 relinquishes that for a clean, button-light design controlled mostly through a touchscreen app.
If you’re habitual to working fast on camera with eyes to the viewfinder, the K-3 is your better bet. The QX30 requires a more deliberate workflow via the smartphone screen, which can slow you down when opportunities arise.
Sensor Technology and Image Quality: APS-C vs. 1/2.3-inch Sensor Battle
Here’s where the difference in imaging prowess is glaring. I always assume sensor size correlates directly to image quality - and these two reinforce that premise.
The Pentax K-3’s sensor measures a generous 23.5 x 15.6 mm (APS-C format), boasting 24 megapixels with no anti-alias filter to maximize fine detail. The K-3’s sensor excels in dynamic range (about 13.4 EV at base ISO), color depth, and a native ISO range topping out at 51,200, letting you shoot in notoriously challenging low light. DXOMark scores back this up with an overall of 80 - impressive for its release era.
Sony’s QX30 houses a tiny 1/2.3-inch BSI CMOS sensor, just 6.17 x 4.55 mm, but packs 20 megapixels. While pixel-heavy, the minuscule sensor size inherently limits dynamic range (not tested officially but firm), and low-light performance is understandably weaker - max native ISO 3200. Optical anti-aliasing here blurs some fine detail for moiré control. You won’t get the same depth or nuanced tones as the K-3’s APS-C chip, especially in shadows and highlights.
In practical shooting, if you demand clean files with flexibility in post or large print capabilities, the K-3 wins hands down. The QX30 is more suited for casual snaps and sharing via phone, where raw flexibility is less critical.
Handling the Viewfinder and LCD: Classic Optical vs. Screen-Only Interface
What about live framing and reviewing your shots? The K-3 utilizes an OLED pentaprism optical viewfinder with 100% coverage and 0.64x magnification. Real-world, this finder feels responsive, shows a natural view blending your subject and settings info, and lets you compose with stability - even in bright sun.
The QX30 skips the viewfinder altogether, relying exclusively on your smartphone’s screen connected wirelessly via its app. This liveview experience depends heavily on your phone’s screen quality and Wi-Fi responsiveness - introducing slight lag and potential disconnects.
On rear screens, the K-3 sports a fixed 3.2-inch TFT LCD with 1,037k dots - bright and sharp, though no touchscreen. Pentax’s interface, while not touchscreen-friendly, offers clear menus and customizable buttons aiding quick access.
The QX30 has no built-in screen, again forcing you to rely on your smartphone device.
Personally, I favor optical viewfinders for accuracy and eye comfort during long shoots, but the QX30’s approach has appeal for casual shooting or travel where reducing bulk is paramount.
Autofocus and Shooting Speed: Tracking the Action
Autofocus systems often make or break cameras in genres like wildlife or sports, so I devoted ample time here checking real autofocus (AF) speed and accuracy.
The Pentax K-3 implements a 27-point autofocus system with 25 cross-type points, paired with Pentax’s SR (Shake Reduction) sensor-based image stabilization. This AF module supports face detection, continuous tracking, and available focal-plane phase detection AF. In the field, the K-3’s AF locks swiftly and tracks erratic subjects well - even under low illumination. Burst shooting maintains 8 frames per second with accurate AF tracking, making it quite capable for sports and wildlife.
Conversely, Sony’s QX30 utilizes contrast-detection autofocus on its tiny sensor with no phase-detect points. It offers single AF and face detection but lacks continuous AF tracking, causing noticeable hunting when subjects move fast or lighting falters. Continuous shooting is 10fps, but as an aggregated result from the app’s readout, the actual operational speed with focus acquisition is slower and less reliable. The QX30’s 5.8x crop factor telephoto equivalent lens (24-720mm) is enticing for reach but hindered by AF limitations and slower shutter speeds (max 1/1600s) compared to the K-3’s 1/8000s capability.
For action or wildlife, the K-3 is clearly the performer. The QX30 fits casual zoom telephoto snapshooters rather than professionals chasing birds in flight.
Weather Resistance and Durability: Ready for the Rough Stuff?
If you’re a serious outdoor photographer, weather sealing matters greatly. Pentax has a reputation for rugged, weather-sealed DSLRs, and the K-3 delivers on this front. Its body boasts robust environmental sealing against dust and moisture, allowing confident shooting in unpredictable conditions. I tested it under drizzle and dusty trails with zero issues and found the grip and build quality reassuring in chilly or rough environments.
The Sony QX30 offers no environmental sealing, being a compact lens-style device. It’s susceptible to dust and moisture, so outdoor usage demands extra care or protection - something to consider if you shoot in inclement weather often.
For landscape or travel photographers wanting durability, the K-3 is a trustworthy companion.
Lens Ecosystem and Compatibility: Openness vs. Fixed Lens
Pentax’s KAF2 mount lens ecosystem is a significant asset for the K-3. With over 150 compatible prime and zoom lenses ranging from ultra-wide to super-telephoto, including expert-grade options with weather sealing and excellent optics, this openness lets you tailor your setup precisely.
The QX30’s lens is fixed, a zoom lens analog of 24-720mm (with a F3.5-6.3 aperture), optical image stabilization built in. While this huge zoom range is versatile and convenient for travel or casual telephoto needs, you cannot swap lenses or upgrade optical quality independently. The small sensor combined with a long zoom gets you reach but sacrifices overall image quality and low-light performance.
If you want creative control and lens options evolving with your needs, the Pentax ecosystem is unbeatable. For casual all-in-one zoom, QX30 suffices.
Battery Life and Storage Options: Power and Workflow Considerations
Pentax K-3 relies on a rechargeable D-LI90 battery with rated 560 shots per charge - solid for a DSLR given its class and I routinely got a full day of shooting on one charge. Dual SD card slots provide flexible storage options, vital for buffering bursts or backing files.
Sony QX30’s NP-BN battery offers about 200 shots per charge, notably less impressive as you must also maintain your phone’s battery to operate the camera app interface. Storage depends on a single microSD or Memory Stick Micro card slot. This will limit extended shooting before swapping cards.
For professional workflows and longer sessions, K-3’s longevity and dual cards are preferable.
Connectivity and Wireless Features: Modern Needs vs. Simplicity
The QX30 was ahead of its time in embracing wireless, offering built-in Wi-Fi and NFC for seamless smartphone pairing. This enables remote shooting and instant sharing, ideal for casual or social media shooters.
The K-3, surprisingly, lacks built-in wireless but supports optional GPS units via accessory. USB 3.0 speeds data transfer well, but in 2024, the lack of integrated Wi-Fi feels like a drawback.
If you prioritize wireless responsiveness over raw image quality or DSLR ergonomics, the QX30 caters well.
Video Capabilities: Full HD Options with Different Strengths
Both cameras shoot Full HD 1080p video but with varying quality and controls.
Pentax K-3 offers 1080p at up to 60 interlaced frames per second, MPEG-4 or H.264 codecs, microphone and headphone jacks for audio monitoring, and manual exposure controls - useful for filmmakers needing sound and exposure flexibility.
Sony QX30 shoots Full HD 30 and 60p video in MPEG-4 format, but lacks audio input/output ports or manual exposure modes. You control filming through the smartphone app, which again introduces dependence on wireless stability.
For video enthusiasts or hybrid shooters, the K-3 supports a more professional workflow.
How These Cameras Perform Across Photography Genres
Now let’s bring it home with how the K-3 and QX30 really fare across your favorite photo genres.
Portrait Photography
K-3’s 24 MP APS-C sensor captures detailed skin tones with smooth gradations. Its 27-point AF includes face detection, benefitting eye-detection portrait precision. The lack of AA filter lets portraits render with exquisite sharpness and creamy bokeh when paired with fast primes.
QX30’s smaller sensor struggles with noise in low light and shallow depth-of-field control due to smaller aperture and sensor size, resulting in less subject isolation. Still, for quick, casual portraits that share instantly, it works decently.
Landscape Photography
K-3 shines here with excellent dynamic range and high resolution, capturing vast tonal range and detail in shadows and highlights. Its weather-sealed body reassures you when faced with environmental challenges common in outdoor shooting.
The QX30’s limited sensor and lens restraints reduce image quality for landscape prints, and no environmental sealing holds you back in nature conditions.
Wildlife Photography
K-3’s 8 fps burst speed, robust AF tracking, and wide lens selection make it a tool ready for wildlife tracking.
QX30 offers a massive 720mm equivalent zoom, helpful in reaching distant subjects, but autofocus hunting and lower shutter speeds limit sharpness and keeper rates on fast animals.
Sports Photography
Pentax’s fast AF system with burst shooting and stable shutter speeds make it suitable for medium-paced sports. Not top tier for pro sports but solid in its segment.
Sony QX30’s slow contrast AF and Wi-Fi latency impede action shots.
Street Photography
QX30's compact and discreet form factor excels for casual street shooters paired with a smartphone. However, the lack of manual controls and lag in interface challenge creative expression.
Pentax K-3 is bigger and heavier, less discreet, yet offers manual control and direct handling, preferred by purists.
Macro Photography
K-3 supports manual focusing and focus peaking (via liveview), beneficial in macro work, along with stabilization in body.
QX30 lacks manual focus and affordable macro accessories, making close-up work less viable.
Night and Astrophotography
The K-3’s high native ISO performance and clean files favor night shots and star photography, especially with long shutter speeds and sturdy tripod usage.
The QX30’s sensor noise compromises night image quality.
Video
As covered, K-3 supports better manual controls and audio, favored if video is important.
QX30 suffices for casual video sharing.
Travel Photography
QX30’s size and long zoom make it convenient for travel; however, battery limitations and wireless setup can annoy on long trips.
K-3 is versatile but bulkier and heavier to carry all day.
Professional Work
Pentax K-3 supports RAW capture, dual cards, and reliable performance essential for pros needing robust tools.
QX30 is more an auxiliary or casual camera than a primary professional instrument.
Summing It Up: Scores and Practical Recommendations
Here is a consolidated view of their overall and genre-specific performance based on rigorous lab and field testing.
Pentax K-3 Highlights:
- Strong image quality and dynamic range from a 24MP APS-C sensor.
- Excellent autofocus with 27 points and solid tracking.
- Weather sealed rugged body suitable for serious outdoor use.
- Full DSLR ergonomics with customizable controls.
- Compatible with extensive Pentax lens lineup.
- Good battery life and dual card slots.
- Full HD video with good audio support.
- Best for enthusiasts and professionals wanting a flexible, reliable body for diverse disciplines.
Sony QX30 Highlights:
- Ultra-compact size combined with a versatile 30x optical zoom lens.
- Easy wireless smartphone integration suits casual shooters or travel.
- Simple, touchscreen-based interface with face detection AF.
- Lower image quality due to small sensor and lens limitations.
- No manual exposure controls or professional features.
- Best for casual, convenience-focused photography and spontaneous telephoto reach.
Who Should Buy Which Camera?
If you’re a photography enthusiast or professional seeking a robust tool capable of real creative control across disciplines - especially portraits, wildlife, landscapes, and low-light work - the Pentax K-3 remains a compelling buy, particularly considering its weather sealing and lens ecosystem.
If you’re someone leaning towards casual use, experimenting with telephoto reach beyond typical smartphones, or want a minimalist camera to pair with your phone for travel or everyday use without extra bulk, then the Sony QX30 is worth considering.
Closing Thoughts: Experience Over Specs
I have to confess, my heart and hands clearly prefer the Pentax K-3 for serious photography, but I also admire the Sony QX30’s innovative approach to hybrid smartphone-camera shooting. With over 15 years testing all manner of cameras, I see the QX30 as a neat concept, but more a fun gadget than a serious photographic tool.
Ultimately, your decision hinges on how you prioritize image quality, handling, versatility, and portability. Whichever you choose, understanding these cameras’ strengths and compromises will help you make a confident, informed purchase.
Happy shooting!
Feel free to explore my more detailed hands-on video reviews for each camera linked above, where I demonstrate autofocus tracking and sample image quality in real-world scenarios. But for now, this comprehensive side-by-side should serve as your roadmap between the powerful Pentax K-3 DSLR and the unique Sony Cyber-shot QX30 lens-style camera.
Pentax K-3 vs Sony QX30 Specifications
Pentax K-3 | Sony Cyber-shot DSC-QX30 | |
---|---|---|
General Information | ||
Make | Pentax | Sony |
Model | Pentax K-3 | Sony Cyber-shot DSC-QX30 |
Class | Advanced DSLR | Lens-style |
Revealed | 2014-04-10 | 2014-09-03 |
Body design | Mid-size SLR | Lens-style |
Sensor Information | ||
Chip | Prime III | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | 1/2.3" |
Sensor dimensions | 23.5 x 15.6mm | 6.17 x 4.55mm |
Sensor surface area | 366.6mm² | 28.1mm² |
Sensor resolution | 24MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 6016 x 4000 | 5184 x 3888 |
Maximum native ISO | 51200 | 3200 |
Min native ISO | 100 | 80 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 27 | - |
Cross focus points | 25 | - |
Lens | ||
Lens mount | Pentax KAF2 | fixed lens |
Lens focal range | - | 24-720mm (30.0x) |
Max aperture | - | f/3.5-6.3 |
Amount of lenses | 151 | - |
Crop factor | 1.5 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 3.2" | - |
Resolution of screen | 1,037 thousand dot | 0 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen technology | TFT LCD monitor | - |
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | None |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.64x | - |
Features | ||
Min shutter speed | 30s | 4s |
Max shutter speed | 1/8000s | 1/1600s |
Continuous shutter speed | 8.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 13.00 m (at ISO 100) | no built-in flash |
Flash options | Auto, on, off, red-eye, slow sync, slow sync + red-eye, trailing curtain sync, high speed, wireless, manual | None |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Max flash sync | 1/180s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) | 1920 x 1080 (60p, 30p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 800g (1.76 lb) | 193g (0.43 lb) |
Physical dimensions | 131 x 100 x 77mm (5.2" x 3.9" x 3.0") | 68 x 65 x 58mm (2.7" x 2.6" x 2.3") |
DXO scores | ||
DXO Overall score | 80 | not tested |
DXO Color Depth score | 23.7 | not tested |
DXO Dynamic range score | 13.4 | not tested |
DXO Low light score | 1216 | not tested |
Other | ||
Battery life | 560 shots | 200 shots |
Type of battery | Battery Pack | Battery Pack |
Battery model | D-LI90 | NP-BN, |
Self timer | Yes ( 2 or 12 seconds) | Yes (2, 10 secs) |
Time lapse recording | ||
Type of storage | Dual SD/SDHC/SDXC | microSD, microSDHC, microSDXC, Memory Stick Micro |
Storage slots | Dual | 1 |
Price at release | $639 | $348 |