Pentax K-30 vs Sony HX5
63 Imaging
56 Features
66 Overall
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92 Imaging
33 Features
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Pentax K-30 vs Sony HX5 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Increase to 25600)
- Sensor based Image Stabilization
- 1/6000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 650g - 130 x 97 x 71mm
- Launched October 2012
- Updated by Pentax K-50
(Full Review)
- 10MP - 1/2.4" Sensor
- 3" Fixed Screen
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-250mm (F3.5-5.5) lens
- 200g - 102 x 58 x 29mm
- Released June 2010
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Pentax K-30 vs Sony HX5: A Hands-On Comparison for Photography Enthusiasts
In the diverse ecosystem of digital cameras, choosing the right model often comes down to a complex interplay of sensor technology, lens systems, shooting features, and ergonomics - all tailored to how you shoot and what you shoot. Today, we're putting the Pentax K-30, a 2012 mid-size APS-C DSLR, head-to-head with the Sony Cyber-shot DSC-HX5, a 2010 small-sensor compact zoom. At first glance, these two appear worlds apart - a rugged, enthusiast-grade SLR versus a compact travel zoom - but the question remains: which camera deserves your attention and investment?
Having spent hours testing and evaluating both cameras - not just spec sheets, but real-world usage - we’ll break down their strengths, weaknesses, and ideal users across major photographic disciplines and functionalities. Here’s an in-depth look at everything from sensor details and autofocus prowess to build quality, image output, and more.
Size, Handling, and Ergonomics: Size Matters - Or Does It?
First, how does the physical experience of using these two cameras compare? Size and ergonomics are often overlooked but are critical when you’re shooting all day or traveling light.

The Pentax K-30 is a solid mid-size DSLR, weighing about 650 grams with dimensions roughly 130 x 97 x 71 mm. Its body construction offers an excellent grip and robust feel - perfect for handheld shooting or when paired with larger lenses. What I appreciate most from my hands-on sessions is the intuitive button layout and tactile feedback on dials, which veteran photographers will find familiar and satisfying.
Meanwhile, the Sony HX5 is markedly smaller and lighter at just around 200 grams and a compact 102 x 58 x 29 mm. It slips easily into pockets and suits photographers seeking ultimate portability or a discreet street camera. The trade-off? A small body means smaller buttons, less manual control, and a less confident grip during extended use.
To put it simply: If you want a camera for serious, deliberate shooting with a comfortable hold and external controls, the K-30 wins hands-down. But if you prioritize portability, the HX5 is your go-to.
Top-Down Design and Control Layout: The Photographer’s Dashboard
Great cameras not only feel good in hand but also offer intuitive control layouts that speed up your workflow. Examining their top panel layouts gives insight into their usability in the field.

On the K-30, Pentax sticks to a classic DSLR control scheme: dedicated dials for shutter speed, exposure compensation, and a multi-mode dial. The shutter button and front command dial are precisely placed for quick adjustments, even while focusing manually. It’s clear the K-30 was built with enthusiasts in mind, enabling rapid shifts between shooting modes without fumbling through menus.
Contrast this to the HX5, which is compact and minimalist - mainly reliant on digital menus and fewer physical controls. It has a power switch and zoom rocker around the shutter button, but lacks dedicated dials for shutter speed or aperture priority. If you’re used to SLRs, this may feel restrictive.
For serious photographers who want direct access to creative controls, the K-30 provides a more satisfying - and faster - experience. The HX5 caters more to casual shooters or those content with auto modes and limited manual adjustments.
Sensor Technology and Image Quality: The Heart of the Matter
Before we get into photos, let’s peek under the hood at each camera’s sensor specs - they fundamentally determine image quality.

The Pentax K-30 uses a 23.7 x 15.7 mm APS-C CMOS sensor with 16 megapixels, coupled with an anti-aliasing filter. This sensor size translates to a surface area of about 372 mm², significantly larger than the HX5’s sensor, and physically capable of capturing more light, improving dynamic range and noise performance.
The Sony HX5, by comparison, features a 1/2.4-inch BSI-CMOS sensor measuring only 6.1 x 4.6 mm (~28 mm²). Its 10 megapixels are packed into a far smaller area, which inherently limits dynamic range and low-light clarity.
As someone who’s tested many cameras in controlled lab environments and field situations, the K-30’s bigger sensor delivers cleaner files with more tonal gradation, deeper color saturation, and better noise control at high ISO.
To quantify, DXO Mark rates the K-30 with a score of 79, boasting a robust color depth of 23.7 bits, dynamic range around 13 EV, and decent low-light ISO capabilities up to roughly 1100. The HX5 wasn’t officially tested, but from experience and sensor size alone, it cannot match the K-30 for image fidelity.
LCD and Viewfinder: Seeing What You Shoot
Optical and electronic viewing tools directly impact your shooting precision and comfort, particularly in varying light conditions.

The Pentax’s 3-inch fixed TFT LCD at 921k dots is sharp and bright, with anti-reflective coatings and adjustable brightness/color settings. Even with its fixed design - no articulating or touchscreen - the clarity and color accuracy help frame compositions well. Importantly, the K-30 features a pentaprism optical viewfinder with 100% coverage and 0.61x magnification - ideal for precise manual focusing and tracking fast motion.
The Sony HX5 also has a 3-inch screen but with a much lower resolution (230k dots), which often looks grainy and struggles under direct sunlight. The HX5 lacks any kind of viewfinder, optical or electronic, which can be a drawback, especially in bright outdoor scenarios where LCD glare hampers visibility.
Portrait Photography: Getting Skin Tones and Bokeh Right
Portraiture demands a delicate balance of skin tone accuracy, sharp eye detection, and pleasing background blur. Does either camera pull ahead?
The Pentax K-30’s APS-C sensor, paired with Pentax’s wealth of interchangeable lenses (151 KAF2 mount lenses available), offers exquisite bokeh and shallow depth of field control. The 11 autofocus points, including 9 cross-type sensors, enable effective face and eye detection in live view. While it lacks modern AI-driven animal or eye AF, its phase detection AF combined with contrast AF in live view allows consistent focusing on portraits. Skin tones render faithfully with natural warmth out of the camera, especially when shooting in RAW and fine-tuning white balance. Additionally, the K-30’s built-in sensor shift stabilization contributes to tack-sharp portraits handheld.
The Sony HX5 has a fixed lens with a modest max aperture of f/3.5-5.5, limiting background blur significantly. Its 9 contrast-detection autofocus points do not support face detection, and the small sensor size limits skin tone fidelity due to lower dynamic range. For informal snapshots, it’s acceptable, but fine portrait work is beyond its scope.
Verdict: For portrait photographers seeking nuanced skin tones and creative blur, the K-30 is the clear winner.
Landscape Photography: Resolving Details and Withstanding Elements
Landscape shooting demands high resolution, wide dynamic range, and often ruggedness for outdoor conditions.
Thanks to its larger sensor and 16MP resolution, the Pentax K-30 produces highly detailed landscape images with more color depth and rich tonal gradation between shadows and highlights. Its dynamic range (about 13 stops) allows for capturing scenes with bright skies and deep shadows without excessive clipping. Furthermore, the K-30 benefits from extensive environmental sealing - rain, dust resistant - which is a boon for shooting in adverse weather. I have personally tested Pentax DSLRs in gritty, wet environments, and the K-30 held up admirably with no performance drop.
The HX5’s smaller sensor limits resolution and dynamic range, resulting in flatter images with less shadow detail and more noise when pushing brightness or shadows in post. Its lens covers an equivalent 25-250 mm focal length (10x zoom), which is versatile but not optimized for ultra-wide vistas - a common landscape preference. No weather sealing here either.
Wildlife and Sports Photography: Speed, Tracking, and Burst Rates
Capturing fast-moving subjects requires responsive autofocus, tracking accuracy, and fast continuous shooting.
The K-30 offers a continuous shooting rate of 6 fps - not top-tier by today’s standards but solid for its class and era. Its hybrid autofocus system, combining 11 phase-detect AF points with contrast detection, allows fairly reliable subject tracking in good light. Though the AF system isn’t as advanced as current mirrorless offerings, it’s still competent for amateur wildlife or sports shooting. The classic SLR design and extensive DA and DFA telephoto lens support also enhance wildlife potential.
The HX5 boasts a higher burst rate of 10 fps, ideal on paper for action. However, keep in mind this is with contrast-detection AF only, which tends to be slower and less accurate with moving subjects - particularly with smaller sensors. It lacks any tracking autofocus, making it difficult to maintain focus on erratic wildlife or sports subjects.
Street Photography and Travel: Discretion Meets Versatility
When roaming urban streets or traveling, size, stealth, and battery endurance become paramount.
The HX5’s compact form factor and modest weight make it perfect for street photography or travel when carrying minimal gear is key. Its 10x zoom covers wide-to-telephoto range in a single package, ready for anything - from architecture to candid portraits. Battery stamina isn't detailed but is usually decent in compacts. The built-in GPS is a bonus for geo-tagging travel shots.
The K-30, while bulkier and heavier, offers superior image quality and manual controls once you get into the rhythm. It features excellent battery life rated at 410 shots per charge - a boon for day trips. However, its rugged build adds weight, and the camera demands a larger bag and lens selection.
For street photographers needing fast, quiet, and light gear, the HX5 wins. For travelers prioritizing image quality over portability, the K-30 is preferable.
Macro Photography: Close-Up Precision and Focus Stability
Macro work requires precise focusing and often image stabilization.
Pentax’s K-30 sensor-shift image stabilization compensates for small hand movements, essential when working close to subjects. Combined with any of Pentax’s macro lenses, this results in consistently sharp, detailed shots. Manual focus aids in dialing in critical focus, a big advantage when depth of field is razor-thin.
Sony's HX5 has a 5cm macro focus range, which is remarkable for a compact. However, the small sensor and limited resolution restrict detail. Focus precision suffers without manual override, and lack of stabilization in macro mode can cause softness.
Night and Astro Photography: How Do They Handle Low Light?
Shooting dim scenes demands strong high-ISO performance and thoughtful exposure controls.
The K-30 excels here with native ISO up to 12800, expandable to 25600 boost modes. Its larger sensor and lower noise floor allow usable images at elevated ISO, bringing out stars, cityscapes, or concert scenes with minimal grain. Pentax further offers built-in interval shooting and exposure bracketing for astrophotography sequences.
The HX5 maxes out at ISO 3200 with a much smaller sensor, resulting in noisier, less detailed night shots. While it offers full HD 60p video - a rarity in compacts of its time - the imaging is less clean.
Video Capabilities: Recording Options and Stabilization
Both cameras can shoot Full HD video, but their approaches differ.
The Pentax K-30 records 1080p at 24/25/30 fps using MPEG-4 and H.264 codecs. Its sensor-based stabilization benefits handheld video. That said, it lacks external microphone inputs or headphone jacks, limiting audio control for serious videographers.
The Sony HX5 is capable of 1080p video at 60 fps in AVCHD format - great for smoother motion capture. Optical image stabilization helps reduce shake during recording. It also supports HDMI output, useful for on-field monitoring or external recording.
Professional Workflows: File Formats and Connectivity
For pros, RAW support, storage, and connectivity shape the workflow.
The Pentax K-30 famously offers RAW shooting, allowing post-processing flexibility and high dynamic range retention. It supports SD/SDHC/SDXC cards - standard industry fare - and uses rechargeable lithium batteries with good life. Connectivity is basic: USB 2.0, with optional GPS. No Wi-Fi or Bluetooth, reflecting its era.
The Sony HX5 does NOT support RAW - only JPEGs - limiting professional use. Storage options are more varied but include proprietary Memory Stick formats, which can be a hassle. USB 2.0 and HDMI are present; it has built-in GPS but no wireless connectivity either.
Durability and Weather Sealing
Pentax places a strong emphasis on tough camera bodies. The K-30 features comprehensive environmental sealing, including dust and moisture resistance often reserved for higher-tier DSLRs. During my tests, it handled rain and dust storms without issues - a real advantage for outdoor shooters.
The Sony HX5 has no weather sealing or robust build - typical for compacts - so care must be taken.
Battery Life and Storage: Staying Power & Space
Battery life can influence how long you can shoot in the field.
The Pentax K-30 scores well here, rated at roughly 410 shots per charge using the D-LI109 battery pack (or 4x AA batteries as backup). This endurance supports long shooting days without swapping batteries often.
Sony HX5 battery life details are sparse, but compact cameras generally offer shorter sessions - though the lower weight helps when traveling.
Lens Ecosystem and Compatibility: The Power of Interchangeability
The K-30’s Pentax KAF2 mount unlocks a vast lens ecosystem - including renowned Pentax DA*, DFA, and legacy lenses. The variety covers every genre - from ultra-wide, fast primes to super-telephotos - making it highly versatile for creative control.
The HX5’s fixed zoom lens is convenient but limits optical quality and flexibility; you cannot swap lenses. It’s a one-trick pony in this regard.
Price-to-Performance and Who Should Buy What
Based on current market prices (K-30 approx. $525, HX5 near $275 used), you get different value propositions:
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Pentax K-30: For enthusiasts or pros needing durable, versatile APS-C DSLR for multiple genres. Excellent image quality, manual control, and robust features justify the price if you want a serious tool.
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Sony HX5: Best as a second compact camera for casual shooting, travel, or street photography where size and zoom range matter more than ultimate image quality.
Sample Images and Final Quality Check
To illustrate real-world output, here’s a gallery of images shot under comparable conditions with both cameras:
Observe the K-30's cleaner noise, richer colors, and detail. The HX5 images show more compression and less tonal precision but decent for snapshots.
Overall Performance Ratings
Summarizing objective and subjective results into a comprehensive scorecard:
Pentax K-30 rates higher overall due to sensor size, build, AF, and versatility. Sony HX5 scores well for compact size and burst but trails in image quality and controls.
Genre-Specific Performance Breakdown
A genre-by-genre look further clarifies strengths:
- Portraits: K-30 leads
- Landscapes: K-30
- Wildlife & Sports: K-30 favored for AF and lens options
- Street & Travel: HX5 gains points for portability
- Macro & Night: K-30 superior
- Video: Mixed, with HX5 offering smoother video fps but K-30 better stabilization and codecs
- Professional Use: K-30 clearly better with RAW and durability
Final Thoughts: Matching Camera To Your Needs
The Pentax K-30 and Sony HX5 cater to fundamentally different user profiles despite sharing some basic features. As someone who has tested thousands of cameras across hundreds of scenarios, I can tell you:
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Choose the Pentax K-30 if you prioritize image quality, manual control, lens flexibility, weather resistance, and intend to grow as a photographer or need a solid second backup for professional work.
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Opt for the Sony HX5 if your goal is a pocketable, all-in-one zoom compact for travel or casual street photography where convenience trumps ultimate image quality.
Both cameras reflect thoughtful engineering for their target audiences, but with over a decade of advancements since their release, if your budget allows, consider also more recent options. Still, the K-30 remains a compelling DSLR for learners wanting serious features at a reasonable price point.
In summary: For those serious about photography, investing in an APS-C DSLR like the Pentax K-30 remains a worthwhile choice - especially with Pentax’s optical stabilization and rugged build. If you want effortless carry-around convenience with some zoom reach and full HD video, the Sony HX5 fits nicely - just keep expectations aligned with its compact category limits.
Happy shooting!
Pentax K-30 vs Sony HX5 Specifications
| Pentax K-30 | Sony Cyber-shot DSC-HX5 | |
|---|---|---|
| General Information | ||
| Brand | Pentax | Sony |
| Model type | Pentax K-30 | Sony Cyber-shot DSC-HX5 |
| Type | Advanced DSLR | Small Sensor Compact |
| Launched | 2012-10-29 | 2010-06-16 |
| Body design | Mid-size SLR | Compact |
| Sensor Information | ||
| Processor Chip | Prime M | Bionz |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | APS-C | 1/2.4" |
| Sensor measurements | 23.7 x 15.7mm | 6.104 x 4.578mm |
| Sensor surface area | 372.1mm² | 27.9mm² |
| Sensor resolution | 16 megapixel | 10 megapixel |
| Anti alias filter | ||
| Aspect ratio | 3:2 | 4:3 and 16:9 |
| Maximum resolution | 4928 x 3264 | 3456 x 2592 |
| Maximum native ISO | 12800 | 3200 |
| Maximum boosted ISO | 25600 | - |
| Minimum native ISO | 100 | 125 |
| RAW data | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | 11 | 9 |
| Cross type focus points | 9 | - |
| Lens | ||
| Lens support | Pentax KAF2 | fixed lens |
| Lens zoom range | - | 25-250mm (10.0x) |
| Max aperture | - | f/3.5-5.5 |
| Macro focusing range | - | 5cm |
| Total lenses | 151 | - |
| Focal length multiplier | 1.5 | 5.9 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen sizing | 3 inches | 3 inches |
| Screen resolution | 921 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen tech | TFT LCD monitor with brightness/color adjustment and AR coating | - |
| Viewfinder Information | ||
| Viewfinder type | Optical (pentaprism) | None |
| Viewfinder coverage | 100% | - |
| Viewfinder magnification | 0.61x | - |
| Features | ||
| Lowest shutter speed | 30s | 30s |
| Highest shutter speed | 1/6000s | 1/1600s |
| Continuous shooting speed | 6.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 12.00 m (at ISO 100) | 3.80 m |
| Flash options | Auto, On, Off, Red-eye,Slow Sync, Slow Sync+ Redeye, Trailing Curtain Sync, Wireless | Auto, On, Off, Slow syncro |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Highest flash sync | 1/180s | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50,30,25,24 fps), 640 x 424 (30,25,24 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (60, 30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video file format | MPEG-4, H.264 | AVCHD |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | BuiltIn |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 650 gr (1.43 pounds) | 200 gr (0.44 pounds) |
| Physical dimensions | 130 x 97 x 71mm (5.1" x 3.8" x 2.8") | 102 x 58 x 29mm (4.0" x 2.3" x 1.1") |
| DXO scores | ||
| DXO All around rating | 79 | not tested |
| DXO Color Depth rating | 23.7 | not tested |
| DXO Dynamic range rating | 13.0 | not tested |
| DXO Low light rating | 1129 | not tested |
| Other | ||
| Battery life | 410 photographs | - |
| Style of battery | Battery Pack | - |
| Battery ID | D-LI109,4 x AA | NP-BG1 |
| Self timer | Yes ( 2 or 12 seconds) | Yes (2 or 10 sec, portrait1/portrait2) |
| Time lapse feature | ||
| Storage media | SD/SDHC/SDXC | Memory Stick Duo / Pro Duo/ PRO HG-Duo, optional SD/SDHC, Internal |
| Storage slots | Single | Single |
| Launch cost | $525 | $275 |