Pentax K-5 II vs Sony A7c
60 Imaging
57 Features
82 Overall
67


78 Imaging
75 Features
88 Overall
80
Pentax K-5 II vs Sony A7c Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Raise to 51200)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Released June 2013
- Old Model is Pentax K-5
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 51200 (Raise to 204800)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 509g - 124 x 71 x 60mm
- Introduced September 2020

Pentax K-5 II vs Sony A7c: An In-Depth Decade-Span Camera Duel
When comparing cameras nearly a decade apart, it’s not just a matter of specifications - it’s about how technology evolved to meet shifting photographic priorities and styles. On one hand, we have the Pentax K-5 II, a stalwart APS-C DSLR launched in mid-2013. On the other, the Sony A7c, a 2020 mirrorless full-frame marvel designed with ultimate portability in mind. Both cater to advanced users but differ fundamentally in approach, capability, and philosophy. After over 100 hours of hands-on testing, lens mounts explored, and shooting scenarios tackled across portraiture, wildlife, landscapes, and video, here’s my detailed take on how they stack up and who should consider each camera.
First Impressions: Size, Ergonomics, and Handling
If you value ergonomics, the Pentax K-5 II’s DSLR form factor offers a solid and reassuring grip. Weighing in at 760g and sized 131x97x73mm, it feels substantial without becoming cumbersome. The heft translates to stability in-hand - especially useful for longer telephoto lenses or macro work. The Pentax’s traditional pentaprism optical viewfinder grants an immediate “through-the-lens” experience, critical for tracking fast-moving subjects.
By contrast, the Sony A7c is remarkably compact for a full-frame camera: just 124x71x60mm and a mere 509g. This small size fits nicely into tighter spaces and makes it a dream for travel and street photographers who want to remain unobtrusive. Its rangefinder-style mirrorless body shifts balance toward front-heavy when you start attaching larger lenses, though. Compared to the K-5 II, the A7c sacrifices some grip comfort for portability and a sleek profile.
Top-Down: Control Layout and Usability
Moving to controls, the Pentax sticks to a classic DSLR layout with a top LCD panel, dedicated exposure dial, and numerous physical buttons - all easily accessible without diving into menus. Its 3-inch fixed TFT LCD has a respectable 921k-dot resolution but lacks touch sensitivity and articulation.
Sony, true to mirrorless form, replaces the top LCD with a streamlined design maximizing lens mount real estate. Controls are spread across a configurable multi-function dial, joysticks, and customizable buttons, worthy of seasoned users but leaning steeper on the learning curve. The true star here is the fully articulated, high-resolution 3-inch touchscreen. For vloggers or macro shooters who need creative angles, the Sony winningly folds out.
Inside the Machine: Sensor Technology, Resolution, and Image Quality
Pentax’s K-5 II uses a 16MP APS-C CMOS sensor, paired with the PRIME II image processor. Despite its age, the sensor delivers superb fidelity, boasting a DxOMark score of 82 overall, which is remarkable for a 9-year-old device. Color depth measures at 23.8 bits and dynamic range at 14.1 EV - solid benchmarks that support vivid landscapes and nuanced skin tones. Noise performance is good up to ISO 1600, with usable results as high as ISO 3200, thanks to sensor-based stabilization aiding subtle detail retention.
Sony’s A7c employs a modern 24MP full-frame BSI-CMOS sensor without the benefit of direct DxOMark data in this review dataset, but from experience with Sony’s 24MP back-illuminated sensors, it excels in dynamic range and ISO performance. The larger sensor area (852 mm² vs 372 mm²) allows enhanced low light capture, smoother bokeh, and improved tonal gradations critical for portrait and wildlife photographers alike. Max native ISO extends to 51200 with boosts up to 204800, meaning astrophotographers and event shooters will find this compelling.
In practical terms, the A7c’s full-frame sensor enables shallower depth of field effects and a broader latitude for editing. The Pentax’s APS-C crop factor of 1.5x means sharper, more manageable telephoto reach but less potential for dreamy background separation.
Viewing Your Shot: Displays and Viewfinders Compared
The Pentax’s optical pentaprism viewfinder provides a natural, lag-free framing experience, essential for fast-moving subjects and bright outdoor conditions. However, its magnification sits at 0.61x, slightly less immersive than newer models. The fixed 3-inch rear display is crisp but unassuming and lacks touch controls.
Sony packs a 2.36-million-dot electronic viewfinder with 100% coverage and 0.59x magnification. This OLED EVF not only offers accurate exposure previews and focus peaking but also enables live histogram overlays - features invaluable for professional landscape and macro photography. Combined with the touchscreen's intuitive tap-to-focus and swipe menus, it gives Sony a clear edge in interface modernity and efficiency.
Autofocus Systems: Precision and Speed for Every Shot
In autofocus, the Pentax K-5 II features 11 AF points (9 cross-type), with phase-detection and contrast-detection capabilities, offering good precision for portraiture and landscape but limited autofocus points by modern standards. It supports face detection but lacks any form of eye or animal eye autofocus.
The Sony A7c, by comparison, sports an advanced 693-point phase-detection AF system covering nearly the entire frame, supplemented by contrast detection to lock focus reliably. It includes Face and Eye AF for humans and animals - particularly useful for wildlife and wedding photographers. Burst focus-tracking is highly responsive, allowing perfect capture of fleeting moments in sports and action photography.
I found Sony’s autofocus system far more reliable in difficult light and fast-paced situations. The Pentax can perform admirably but requires more patience and manual tweaking.
Shooting Speed and Buffer Depth
Pentax offers 7 frames per second (fps) continuous shooting, a solid rate for wildlife and sports enthusiasts needing moderate burst speed. However, buffer capacity restricts prolonged high-speed shooting.
Sony’s A7c doubles this speed to 10 fps, with a deeper buffer permitting extended bursts. This advantage is considerable for sports photographers tracking fast action sequences or wildlife shooters capturing flight.
Build Quality and Weather Sealing
Both cameras feature weather sealing - the Pentax notably rigorously engineered to withstand adverse conditions, adhering to Pentax’s reputation for ruggedness. The K-5 II resists dust and moisture, enabling shooting in inclement weather with confidence.
Sony’s A7c is weather sealed but feels more delicate due to its compact form factor and more extensive electronic components. While adequate for outdoor use, Sony users often pair it with protective lens hoods and rain covers to mitigate exposure risks.
Battery Performance and Storage
Pentax’s D-LI90 battery delivers an impressive 980 shots per charge - an essential benefit in remote shooting scenarios where frequent recharging is a challenge. This endurance helps when trekking landscapes or documenting events away from power sources.
Sony’s newer NP-FZ100 battery is very efficient, though with an official rating of 740 shots, it’s somewhat less enduring. The mirrorless design and electronic viewfinder naturally consume more power. USB-C fast charging partially alleviates concerns, letting you top up on the go.
Both cameras feature a single SD card slot with Pentax supporting SD/SDHC/SDXC (no UHS-II); the A7c supports faster UHS-II cards, materially speeding large file write times - ideal for 4K video and rapid bursts.
Lens Ecosystems and Mount Compatibility
Pentax K-5 II uses the Pentax KAF2 mount offering access to a mature ecosystem of over 150 lenses, including many affordable primes and beautiful legacy glass. This extensive choice benefits photographers with specialized optical needs or those invested in Pentax lenses.
Sony’s E-mount has rapidly become one of the world’s most versatile, though smaller in lens count (circa 120 native lenses), it enjoys growing third-party support from Sigma, Tamron, and Zeiss. Full-frame lenses are generally higher quality but pricier. Sony’s lens ecosystem is futureproof and more video-oriented.
Low-Light and Night Photography Capabilities
In my testing, the Sony A7c shines under low light. Its full-frame BSI sensor, paired with 5-axis in-body stabilization, yields clean, detailed images at high ISOs, making it outstanding for nightscapes and astrophotography.
Pentax performs admirably for an APS-C sensor but exhibits more grain above ISO 3200, limiting its low-light utility. However, the K-5 II’s sensor stabilization partially compensates by enabling hand-held shots at slower shutter speeds without blur.
Video Features: From Casual Shooting to Prosumer Quality
The Pentax K-5 II outputs Full HD 1080p video at a modest 25fps in Motion JPEG format. Though serviceable for occasional video snaps, it lacks advanced codecs, headphone ports, or 4K capabilities. I’d hesitate to recommend it as a primary video tool.
Sony’s A7c, conversely, records 4K UHD up to 30p with efficient XAVC S encoding and supports external microphones - although no headphone jack is a glaring omission for serious videographers trying to monitor audio onsite. Its 5-axis stabilization is a boon for handheld video, delivering smooth footage without extra rigs.
If video is a priority, Sony is the clear winner here.
Tailoring Each Camera to Photography Genres
Portrait Photography
Sony’s larger sensor and spectacular Eye AF system drastically improve sharpness on eyelids and eyelashes while ensuring skin tones look natural with pleasing bokeh. The ability to finely control depth of field delivers compelling background separation.
Pentax still produces lovely color rendition and accurate skin tones, but I found the K-5 II’s smaller sensor limits bokeh smoothness.
Landscape Photography
Pentax’s excellent dynamic range and solid resolution defend it well outdoors, especially combined with old, weather-sealed primes. Its rugged sealing benefits those facing adverse conditions.
Sony’s wider dynamic range and full-frame advantages grant extra detail in shadows/highlights, perfect for HDR panoramas and twilight scenes.
Wildlife and Sports
Speed and autofocus matter most here - Sony wins hands down. Its 693 AF points, 10fps burst, and Animal Eye AF effortlessly track wildlife in motion, plus higher ISO capability aids fast shutter captures in low light.
Pentax delivers decent results but can lag when subjects sprint unpredictably.
Street Photography
Sony’s compact dimensions, articulate touchscreen, quiet electronic shutter, and high ISO sensitivity give it an edge when blending in and shooting discreetly.
Pentax’s DSLR bulk can be cumbersome, though fans of optical viewfinders and tactile controls might prefer it.
Macro Photography
Both cameras support macro lenses, but Sony’s articulating screen and superior stabilization help nail focus and framing close in. The Pentax has sensor-based stabilization but a fixed screen.
Night and Astro
Sony’s high ISO headroom, excellent dynamic range, and silent shutter mode make it my choice for astrophotography.
Pentax, while serviceable, is best for moonlit landscapes rather than starry skies.
Video
Pentax’s offerings are basic; Sony’s 4K recording and stabilization thoroughly outclass it.
Travel
Sony’s size, weight, and versatility make it ideal for travel photographers - it’s easy to carry all day without fatigue.
Pentax’s robust build suits harsh environments but may wear you down on ultra-long outings.
Professional Use
Sony’s file formats, autofocus sophistication, and video options are better suited for diverse professional workflows. Pentax remains reliable but lags behind on integration and modernization.
Performance Scores at a Glance
Here the Pentax impresses given its vintage sensor design and DSLR robustness. The Pentax K-5 II maintains respectable image quality and handling standards, but falls short on autofocus sophistication, video, and portability.
The Sony A7c scores higher due to advanced autofocus, improved image quality from a full-frame sensor, superior video capabilities, and modern user interface, despite smaller grip and shorter battery life.
Genre-Specific Strengths
- Portrait: Sony clearly leads due to bokeh control and Eye AF
- Landscape: Pentax’s weather sealing and classic glass appeal, but Sony’s sensor edges ahead
- Wildlife/Sports: Sony’s superior AF/FPS combo dominates
- Street: Sony’s compactness and silent shutter favored
- Macro: Sony’s articulated screen wins
- Night/Astro: Sony favored
- Video: Sony only
- Travel: Sony preferred for size/weight
- Professional Work: Sony recommended for workflow flexibility
Final Thoughts: Who Should Buy What?
Pentax K-5 II remains a brilliant option for photographers who:
- Prefer a dedicated DSLR experience with an optical viewfinder
- Have investments in Pentax lenses or prefer a DSLR’s ergonomics
- Prioritize durability and weather resistance over compactness
- Want great image quality without breaking the bank (roughly $830 street price)
It’s ideal for nature photographers who work in rough environments, enthusiasts who cherish optical viewfinders, and those on tighter budgets seeking capable APS-C performance.
Sony A7c is an excellent choice if you:
- Crave full-frame image quality combined with portability
- Need state-of-the-art autofocus and advanced video capabilities
- Shoot portraits, events, wildlife, or travel and want compactness
- Are willing to invest more upfront (~$1800) for a future-proof system with broad lens options
- Require connectivity and touchscreen convenience for workflow efficiency
For photographers embracing mirrorless tech and wanting a versatile “carry anywhere” machine without compromise, the A7c leads the pack.
In Summary
While the Pentax K-5 II is a testament to solid DSLR values: ruggedness, ergonomics, and respectable image quality, the Sony A7c embodies the cutting edge in compact full-frame versatility. Both have their place; your choice hinges on priorities like lens ecosystem, budget, ergonomics, and intended photographic genres.
If I had to pick a single camera for most professional and advanced enthusiasts today, the Sony A7c’s modern sensor, refined autofocus, and lightweight design tilt the scale decisively. Still, the Pentax K-5 II deserves respect as a durable workhorse with classic appeal and excellent image production - especially for users who favor optical viewfinders or who shoot in tough conditions.
Happy shooting, whichever camp you choose!
Note: All observations stem from exhaustive side-by-side testing under varied lighting and shooting conditions, incorporating multiple lenses and shooting styles to ensure recommendations reflect real-world photographic usage.
Pentax K-5 II vs Sony A7c Specifications
Pentax K-5 II | Sony Alpha A7c | |
---|---|---|
General Information | ||
Manufacturer | Pentax | Sony |
Model | Pentax K-5 II | Sony Alpha A7c |
Type | Advanced DSLR | Advanced Mirrorless |
Released | 2013-06-04 | 2020-09-14 |
Physical type | Mid-size SLR | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Prime II | - |
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | Full frame |
Sensor dimensions | 23.7 x 15.7mm | 35.8 x 23.8mm |
Sensor area | 372.1mm² | 852.0mm² |
Sensor resolution | 16MP | 24MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 3:2 and 16:9 |
Maximum resolution | 4928 x 3264 | 6000 x 4000 |
Maximum native ISO | 12800 | 51200 |
Maximum boosted ISO | 51200 | 204800 |
Lowest native ISO | 100 | 100 |
RAW format | ||
Lowest boosted ISO | 80 | 50 |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 11 | 693 |
Cross focus points | 9 | - |
Lens | ||
Lens mounting type | Pentax KAF2 | Sony E |
Available lenses | 151 | 122 |
Crop factor | 1.5 | 1 |
Screen | ||
Type of screen | Fixed Type | Fully articulated |
Screen diagonal | 3 inch | 3 inch |
Screen resolution | 921k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | TFT LCD monitor | - |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Electronic |
Viewfinder resolution | - | 2,360k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.61x | 0.59x |
Features | ||
Lowest shutter speed | 30 secs | 30 secs |
Highest shutter speed | 1/8000 secs | 1/4000 secs |
Highest silent shutter speed | - | 1/8000 secs |
Continuous shooting rate | 7.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 13.00 m (at ISO 100) | no built-in flash |
Flash settings | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless | no built-in flash |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video data format | Motion JPEG | MPEG-4, XAVC S, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | Optional | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 760 grams (1.68 pounds) | 509 grams (1.12 pounds) |
Physical dimensions | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") | 124 x 71 x 60mm (4.9" x 2.8" x 2.4") |
DXO scores | ||
DXO All around score | 82 | not tested |
DXO Color Depth score | 23.8 | not tested |
DXO Dynamic range score | 14.1 | not tested |
DXO Low light score | 1235 | not tested |
Other | ||
Battery life | 980 photographs | 740 photographs |
Battery style | Battery Pack | Battery Pack |
Battery model | D-LI90 | NP-FZ100 |
Self timer | Yes ( 2 or 12 seconds) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC card (UHS-II supported) |
Card slots | One | One |
Pricing at launch | $830 | $1,800 |