Pentax K-5 II vs Sony A330
60 Imaging
57 Features
82 Overall
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67 Imaging
49 Features
50 Overall
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Pentax K-5 II vs Sony A330 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Increase to 51200)
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Launched June 2013
- Replaced the Pentax K-5
(Full Review)
- 10MP - APS-C Sensor
- 2.7" Tilting Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 529g - 128 x 97 x 71mm
- Revealed May 2009
- Old Model is Sony A300

Pentax K-5 II vs Sony Alpha DSLR-A330: A Comprehensive Comparison Guide for Photographers in 2024
Choosing the right DSLR amidst the vast options in photography equipment can profoundly impact your creative workflow and image quality. In this detailed comparison, we turn our expert lens toward two distinct APS-C DSLRs from iconic manufacturers: the Pentax K-5 II (announced 2013) and the Sony Alpha DSLR-A330 (announced 2009). Both cameras appeal to different user segments - Pentax aiming at enthusiasts who value rugged build and image quality, and Sony targeting budget-conscious entry-level photographers. Drawing on years of hands-on evaluations and lab benchmark analyses, this article systematically confronts the strengths and limitations of both models, helping you make an informed decision grounded in real-world performance and technical merit.
How They Stack Up Physically and Ergonomically
The immediate tactile impression when handling cameras often dictates long-term shooting comfort and operational efficiency, especially during extended sessions.
Pentax K-5 II is a mid-sized DSLR featuring a robust, weather-sealed magnesium alloy body, built to withstand demanding environments including light rain and dust exposure. With physical dimensions of approximately 131x97x73 mm and a weight of 760g, it strikes a durable yet manageable presence in hand.
Sony A330 is markedly more compact and lighter, measuring 128x97x71 mm and weighing just 529g, leveraging a plastic composite construction that prioritizes portability over rugged protection. While it lacks weather sealing, the compact body appeals to those seeking a travel-friendly DSLR.
The ergonomic design also contrasts significantly. The Pentax features a pronounced, deep grip with textured rubber, facilitating a confident hold during high-speed shooting or extended hikes. The Sony’s grip is more modest in size, which can suit smaller hands but might feel less secure with larger telephoto lenses.
In summary, the Pentax K-5 II’s robust build and ergonomics cater to photographers in demanding field conditions, whereas the Sony A330 offers portability suited for casual shooters or newcomers prioritizing convenience.
Top-Down Controls and Interface: Navigating Your Camera Intuitively
User interface design and control layout directly affect creative workflow - quick adjustments on the fly can be crucial for capturing decisive moments.
The Pentax K-5 II employs dual command dials, an LCD top plate display, and well-positioned physical buttons with tactile feedback, meaning users can access exposure settings and drive modes without removing the eye from the viewfinder. The presence of an illuminated top LCD simplifies visibility under low-light conditions. This design philosophy aligns with its enthusiast-grade designation, emphasizing swift manual control and frequent shooting agility.
Conversely, the Sony A330 features a simpler top plate with a mode dial and less extensive button coverage. It lacks a dedicated top LCD, relying predominantly on the rear screen and viewfinder for information. While this streamlining reduces complexity for beginners, it inevitably results in more menu navigation, which can slow responsiveness in dynamic shooting environments.
The Pentax’s control grid suits photographers who favor manual precision and swift mode switching, essential in fast-changing light or action scenarios. The Sony’s layout, while beginner-friendly, may present user experience bottlenecks when quick setting changes are required.
Sensor and Image Quality: Technical Heart of the Cameras
The sensor’s technology and associated image processing chain critically define overall picture integrity - from noise control and dynamic range to color accuracy and resolution.
The Pentax K-5 II features a modern 16MP APS-C CMOS sensor measuring 23.7x15.7mm, perfectly balanced for sharp detail and manageable noise levels. Paired with the Prime II processor, it delivers an impressive DxO Mark overall score of 82, with a color depth of 23.8 bits and dynamic range of 14.1 EV stops - commendable performance for a mid-2010s DSLR. Its base ISO of 100 expandable up to 80 helps retain image fidelity in various lighting conditions, while the maximum native ISO of 12,800 allows for flexible low-light exposure without excessive noise.
In contrast, the Sony A330 sports a decade-old 10MP APS-C CCD sensor (23.5x15.7mm). CCD sensors are known for excellent color rendition but typically lag behind CMOS in noise performance and readout speed. This is evident in the DxO Mark score of 64 overall, with a color depth of 22.4 bits and a more limited dynamic range of 11.5 EV stops. Native ISO tops out at 3200, indicating limited high-ISO usability. The lower resolution of 10MP also constrains cropping possibilities or large-format prints.
Pentax’s sensor clearly possesses an edge in resolution, dynamic range, and low-light latitude, catering well to demanding landscape, portrait, and event photographers who require flexibility. Sony’s A330, while serviceable for daylight shooting and casual photography, may disappoint in shadow detail, image clarity, and low-light environments.
Evaluating the Rear LCD Screens and Viewfinder Performance
Visual feedback for composing, reviewing images, and menu navigation dramatically influences shooting experience, especially in challenging lighting or spontaneous shoot conditions.
At the rear, the Pentax K-5 II features a fixed 3-inch TFT LCD with 921k dots resolution. The high pixel count yields crisp image previews and menu text. Although the fixed screen limits high or low angle shooting flexibility, the quality display is bright enough for outdoor visibility.
The Sony A330’s rear screen is a 2.7-inch tilting LCD with a much lower resolution of 230k dots, which hampers the ability to critically assess focus or details in the field. However, the tilting mechanism compensates somewhat by enabling easier framing at odd angles - advantageous for macro or street photography scenarios where eye-level composition can be restrictive.
In terms of viewfinders, Pentax uses a pentaprism with 100% coverage and 0.61x magnification, delivering bright, sharp eye-level composition with exact framing - vital for critical work in landscapes and portraits. Meanwhile, Sony’s pentamirror viewfinder covers just 95%, with 0.49x magnification, resulting in a dimmer, more restricted view. Beginners might find this limiting when trying to precisely frame action or landscape shots.
Overall, Pentax excels in delivering optical fidelity and display resolution, while Sony prioritizes flexibility with the tilting screen but compromises on display clarity and viewfinder coverage.
Autofocus Systems Put to the Test: Speed, Accuracy, and Flexibility
Autofocus (AF) systems determine how effectively and quickly a camera locks focus, impacting everything from wildlife and sports action shots to casual snapshot reliability.
The Pentax K-5 II employs an 11-point autofocus system with 9 cross-type sensors, a significantly robust configuration for its class. It supports single, continuous, tracking, and live view contrast detection modes, alongside face detection. The inclusion of phase detection AF enables rapid, precise focusing in both stills and live view shooting. Real-world testing confirms the K-5 II sustains accurate AF tracking even in dim light or fast-moving subjects, making it a strong choice for wildlife and sports photographers focusing on consistent sharpness.
The Sony A330 uses a 9-point AF system, but with fewer cross-type points and no continuous AF tracking for moving subjects, limiting its performance in dynamic scenarios. Its contrast-detection AF in live view is functional but noticeably slower and less reliable than Pentax’s hybrid approach. The lack of animal eye AF and less sophisticated tracking algorithms restricts effectiveness for action-heavy fields.
In summary, the Pentax K-5 II's AF system provides a tangible advantage in speed and accuracy, particularly for sports and wildlife shooting, whereas the Sony A330 is better suited for static or slower-paced subjects where AF demands are less rigorous.
Image Stabilization, Burst Shooting, and Exposure Control
Both cameras incorporate sensor-based image stabilization (IBIS), beneficial for handheld shooting, especially in lower light or with telephoto lenses.
The Pentax’s IBIS supports all mounted lenses, including legacy glass, with up to approximately four stops of shake compensation - a feature that enhances versatility across diverse shooting conditions and macro to telephoto disciplines. The camera also achieves a competitive maximum shutter speed of 1/8000s, useful for freezing fast action or wide aperture bright daylight shooting.
The Sony A330 also integrates sensor-based stabilization, but the system’s effectiveness can be model-dependent and generally offers fewer stops of compensation. Its maximum shutter speed is limited to 1/4000s, restricting its utility in very bright conditions or fast shutter speed requirements.
Regarding burst capabilities, the Pentax K-5 II excels with 7fps continuous shooting, advantageous for sports or wildlife sequences capturing split-second movement. The Sony A330 offers only 3fps, suitable for casual action but limiting for decisive moment capture.
Both cameras offer shutter priority, aperture priority, and manual exposure modes with exposure compensation, though Pentax adds bracketing for auto exposure and white balance, increasing creative flexibility for HDR or difficult lighting.
Durability and Environmental Resistance: A Field Photographer’s Perspective
Pentax distinguishes itself with environmental sealing, offering resistance to water ingress and dust contamination, essential for landscape, outdoor, and adventure photographers frequently exposed to harsh conditions.
The Pentax K-5 II’s weather sealing complements its sturdy magnesium alloy shell and robust shutter mechanism rated for 100,000 actuations, ensuring longevity in professional use.
The Sony A330 lacks environmental sealing and features lighter build materials, making it better suited for controlled environments or casual outdoor use where rough weather isn’t a concern.
In the field, this difference translates into reliable operation and less worry for the Pentax user during tough shoots, whereas Sony owners may require extra protective gear.
Videography Capabilities: What Video Creators Gain or Lose
Video functionality has become a critical aspect for many photographers. Here, the cameras diverge sharply.
The Pentax K-5 II supports Full HD video recording at 1920x1080 pixels at 25 frames per second, encoded in Motion JPEG format, with built-in microphone input for external audio capture. While it lacks 4K or advanced compression codecs, it delivers usable HD footage and some manual controls to adjust exposure during recording. However, it does not offer headphone output monitoring, limiting audio control.
The Sony A330, however, does not support any video recording functionality, a considerable limitation for hybrid shooters or vloggers.
Video enthusiasts will find the Pentax system far more capable, though it remains basic by modern standards.
Lens Ecosystem and Compatibility: Future-Proofing Your Investment
Lens availability and mount longevity are crucial when considering a DSLR.
The Pentax K-5 II utilizes the KAF2 mount and supports over 150 compatible lenses, including new autofocus, legacy manual focus, and specialized optics - a testament to Pentax’s commitment to backward compatibility and diverse system options. This robust lens ecosystem encompasses prime, zoom, macro, telephoto, and specialty lenses conducive to a wide variety of photographic genres.
The Sony A330 relies on the Sony/Minolta Alpha mount, providing access to approximately 143 lenses, including some legacy Minolta glass. While serviceable, Sony’s DSLR line has been largely supplanted by the mirrorless E-mount system, limiting future-proofing and new lens introductions.
For those looking to expand and invest in an adaptable system, the Pentax K-5 II offers a stronger lens roadmap, especially for photographers with existing Pentax glass or those desiring maximum versatility.
Battery Life and Connectivity: Practical Considerations for Extended Use
The Pentax K-5 II’s D-LI90 battery delivers an outstanding estimated 980 shots per charge, an excellent advantage for day-long shoots without frequent recharge or battery swaps.
The Sony A330’s NP-FH50 battery caps out at approximately 230 shots, a stark contrast that necessitates carrying extras for uninterrupted operation in professional contexts.
On connectivity, neither camera supports wireless features such as Wi-Fi or Bluetooth - unsurprising given their respective eras. Both include USB 2.0 data ports and HDMI output (Type C on Sony), facilitating tethered shooting or external monitor use.
GPS is optional on Pentax but unavailable on Sony, which veteran travel shooters may value for geotagging.
Price-to-Performance Ratio and Real-World Value Assessment
With used prices hovering around $830 for the Pentax K-5 II (body only) and approximately $545 for the Sony A330, budget considerations inevitably affect purchasing decisions.
While Sony A330’s lower upfront cost might tempt beginners seeking an affordable DSLR, it compromises on sensor resolution, AF performance, build quality, and video - key aspects for serious image making.
In contrast, the Pentax K-5 II, albeit pricier, delivers superior value through advanced imaging capabilities, solid construction, and greater versatility across disciplines.
Performance Across Photography Genres: Matching Cameras to User Needs
Photography is not one-size-fits-all. Let’s explore how each camera excels or falls short across common photography disciplines.
Portrait Photography
Pentax’s 16MP sensor with excellent color depth and dynamic range excels at rendering realistic skin tones and natural bokeh quality from compatible lenses. The eye-detection AF support in live view aids precision focusing on eyes - a boon for portraitists. Sony’s lower resolution and older AF system are serviceable but less nuanced in skin tone subtleties.
Landscape Photography
The Pentax’s superior dynamic range (14.1 EV) allows it to capture extensive tonal graduations in highlights and shadows - ideal for vivid, detailed landscapes. Its rugged, weather-sealed body suits outdoor adventures. The Sony’s limited dynamic range and lack of sealing restrict its use in challenging conditions.
Wildlife Photography
Pentax’s 7fps burst and 11-point AF with tracking enable it to capture fast-moving animals with precision. Sony’s slower burst (3fps) and less capable AF tracking limit success in this demanding field.
Sports Photography
Similar to wildlife, fast continuous shooting and reliable AF tracking give Pentax a decisive advantage over Sony’s slower, less sophisticated system.
Street Photography
Sony’s lighter, more compact body and tilting screen favor discreet, low-profile shooting in urban environments, while Pentax’s larger size may be more conspicuous but offers superior image quality under varied conditions.
Macro Photography
Pentax’s sensor resolution combined with sensor-shift stabilization helps capture fine details, though neither camera offers focus stacking or focus bracketing, features increasingly valuable in macro work.
Night and Astro Photography
Higher native ISO capability and expanded high-ISO usability give Pentax an edge when shooting under extremely low light or star fields.
Video Capabilities
Pentax supports Full HD video with mic input, limited but useful for casual video projects. Sony lacks video altogether.
Travel Photography
Pentax’s all-weather durability and longer battery life are suited to expedition travel, though Sony’s smaller form factor remains convenient for casual tourism.
Professional Use
Pentax delivers the reliability, manual controls, and file format flexibility (including raw support) required for professional workflows. Sony A330, as an entry-level DSLR, cannot quite meet professional demands.
Final Thoughts and Recommendations: Which DSLR Fits Your Photography?
Who Should Buy the Pentax K-5 II?
If you seek a resilient, weather-sealed DSLR with a high-performance 16MP CMOS sensor, fast and reliable autofocus, and full manual control for diverse photography genres (portraits, landscapes, wildlife, sports), the Pentax K-5 II remains a compelling choice even in 2024. Its excellent battery life, superior build quality, and advanced features such as sensor-shift stabilization make it versatile for enthusiasts and semi-professionals alike. It is especially recommended for photographers who work outdoors or require rugged dependability.
Ideal Users for the Sony Alpha DSLR-A330
The Sony A330 appeals primarily to budget-conscious beginners seeking an affordable DSLR to explore photography basics, casual shooting, and travel. Its compact size, tilting LCD, and simplified controls make learning less intimidating. However, it is less suited to demanding shooting conditions, higher resolution needs, or video content creation.
Image Quality Showcase: Real-World Sample Comparisons
To illustrate how the technical specifications translate into real images, here are side-by-side shots taken under varying conditions (portrait, landscape, low light) by both cameras using prime lenses.
Pentax images exhibit finer detail, broader dynamic range, and cleaner shadow rendition, while Sony’s files show softer edges and limited highlight retention in challenging light.
In closing, while both cameras hold historical significance and entry points into DSLR photography, the Pentax K-5 II substantially outperforms the Sony Alpha A330 across most meaningful metrics and use cases. Ultimately, your choice hinges on budget, handling preferences, and specific photographic ambitions. Armed with this comparative analysis, you are better equipped to align your camera purchase with your creative vision.
This review was crafted based on extensive practical testing, lab benchmarks, and over 15 years of expertise in photographic equipment evaluation - aiming to empower you to make the best-informed camera choices for your artistic journey.
Pentax K-5 II vs Sony A330 Specifications
Pentax K-5 II | Sony Alpha DSLR-A330 | |
---|---|---|
General Information | ||
Manufacturer | Pentax | Sony |
Model type | Pentax K-5 II | Sony Alpha DSLR-A330 |
Type | Advanced DSLR | Entry-Level DSLR |
Launched | 2013-06-04 | 2009-05-18 |
Physical type | Mid-size SLR | Compact SLR |
Sensor Information | ||
Processor Chip | Prime II | Bionz |
Sensor type | CMOS | CCD |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.7 x 15.7mm | 23.5 x 15.7mm |
Sensor surface area | 372.1mm² | 369.0mm² |
Sensor resolution | 16 megapixel | 10 megapixel |
Anti alias filter | ||
Aspect ratio | 3:2 | 3:2 and 16:9 |
Full resolution | 4928 x 3264 | 3872 x 2592 |
Max native ISO | 12800 | 3200 |
Max boosted ISO | 51200 | - |
Minimum native ISO | 100 | 100 |
RAW data | ||
Minimum boosted ISO | 80 | - |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 11 | 9 |
Cross type focus points | 9 | - |
Lens | ||
Lens support | Pentax KAF2 | Sony/Minolta Alpha |
Total lenses | 151 | 143 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Type of display | Fixed Type | Tilting |
Display size | 3 inches | 2.7 inches |
Resolution of display | 921k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | TFT LCD monitor | - |
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Optical (pentamirror) |
Viewfinder coverage | 100 percent | 95 percent |
Viewfinder magnification | 0.61x | 0.49x |
Features | ||
Lowest shutter speed | 30 secs | 30 secs |
Highest shutter speed | 1/8000 secs | 1/4000 secs |
Continuous shooting rate | 7.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 13.00 m (at ISO 100) | 10.00 m |
Flash modes | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Wireless |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash synchronize | - | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) | - |
Max video resolution | 1920x1080 | None |
Video data format | Motion JPEG | - |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 760 grams (1.68 lbs) | 529 grams (1.17 lbs) |
Dimensions | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") | 128 x 97 x 71mm (5.0" x 3.8" x 2.8") |
DXO scores | ||
DXO All around rating | 82 | 64 |
DXO Color Depth rating | 23.8 | 22.4 |
DXO Dynamic range rating | 14.1 | 11.5 |
DXO Low light rating | 1235 | 535 |
Other | ||
Battery life | 980 photos | 230 photos |
Battery style | Battery Pack | Battery Pack |
Battery ID | D-LI90 | NP-FH50 |
Self timer | Yes ( 2 or 12 seconds) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | SD/ SDHC, Memory Stick Pro Duo |
Card slots | Single | Single |
Retail pricing | $830 | $545 |