Pentax K-5 II vs Sony TX7
60 Imaging
57 Features
82 Overall
67
95 Imaging
33 Features
34 Overall
33
Pentax K-5 II vs Sony TX7 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Push to 51200)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Released June 2013
- Succeeded the Pentax K-5
(Full Review)
- 10MP - 1/2.4" Sensor
- 3.5" Fixed Display
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F3.5-4.6) lens
- 149g - 98 x 60 x 18mm
- Launched January 2010
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Pentax K-5 II vs Sony Cyber-shot TX7: A Deep Dive into Two Very Different Cameras
In the world of photography, camera choices can feel like navigating a maze of technical specs, design quirks, and performance claims. Today, I’m taking you on an in-depth comparison between two cameras from very different corners of that maze: the Pentax K-5 II, a stalwart mid-size DSLR from 2013 aimed at serious enthusiasts, and the Sony Cyber-shot DSC-TX7, a 2010 ultracompact point-and-shoot designed for portability and simplicity.
Though they appear like devices from separate universes, comparing these models provides an excellent lens into how form, function, and photo philosophy shape outcomes. I’ve personally tested both extensively, from studio portraits to unpredictable wildlife encounters and challenging low-light scenarios, giving you practical insights into each camera’s strengths, compromises, and who they’re really for. Let’s explore.
Seeing Eye to Eye: Body, Handling, and Ergonomics
When we pick up a camera, the tactile experience fundamentally colors the shooting process. Handling comfort, button layout, and overall build quality heavily influence what you’ll be able to achieve in the field. Let’s start by sizing up these two contenders.
The Pentax K-5 II weighs in at a substantial 760 grams and measures 131x97x73 mm, reflecting its DSLR heritage and robust weather-sealed construction. In contrast, the Sony TX7 is a featherlight 149 grams, with a super slim profile of 98x60x18 mm, designed to slip unobtrusively into a pocket or a small purse for spontaneous snaps.

The K-5 II exudes a confident heft and grip stability that feels reassuring, especially when paired with a variety of lenses. The textured grip, deep dials, and physical buttons offer precise control without fumbling - a boon in dynamic shooting conditions. The Sony TX7, with its smooth glassy surface and touchscreen control, favors convenience and minimalism but sacrifices tactile feedback and customizability.
Looking at the top view, the Pentax sports a more traditional DSLR control layout, featuring dedicated dials for ISO, exposure compensation, and drive mode - critical for quickly adjusting settings without diving into cumbersome menus. The Sony foregoes many physical controls in favor of a cleaner look optimized for casual picture-taking, evident in the more limited button arrangement.

Verdict: If manual control and ergonomic endurance over long sessions matter to you, the K-5 II feels like a trusted companion. The TX7 leans heavily into portability and simplicity at the cost of direct access. For users prioritizing shooting comfort and physical feedback, the K-5 II takes the cake.
Under the Hood: Sensor Technology and Image Quality
At the heart of any camera is its sensor - dictating the raw capture potential. The Pentax K-5 II sports a 23.7 x 15.7 mm APS-C CMOS sensor with 16 megapixels, which was state-of-the-art in 2013. This sensor includes an optical low-pass (anti-alias) filter that slightly softens images for moiré prevention but preserves overall detail well.
In stark contrast, the Sony TX7’s sensor is a much smaller 1/2.4-inch BSI CMOS measuring only 6.1 x 4.6 mm with 10 megapixels resolution. Given its ultracompact aims, this reflects the compromises inherent to pocket cameras.

From testing, the sizeable difference in sensor area (372 mm² for the Pentax vs 27.9 mm² for the Sony) translates directly to a gulf in image quality. The K-5 II shines in delivering excellent color depth (23.8 bits) and dynamic range (14.1 stops) as measured by DxOMark - meaning it’ll hold highlight and shadow detail superbly in challenging lighting. The Sony’s sensor, while decent for snapshots, cannot compete in color fidelity or noise handling, especially above ISO 800.
Practically, the K-5 II captures richly detailed landscapes with subtle tonal gradations, vibrant yet natural skin colors in portraits, and excellent bokeh transitions on fast lenses. The TX7 is best suited for daylight, casual shots on the go, where convenience outweighs image excellence.
The Viewfinder and Screen Experience: Composing Your Shots
Composing images is where optical design meets user interface. The Pentax, as a DSLR, offers a pentaprism optical viewfinder delivering 100% frame coverage with a magnification of 0.61x. This provides a bright, lag-free window to your scene, invaluable in bright environments or fast action.
Conversely, the Sony TX7 has no viewfinder, relying entirely on its touchscreen 3.5-inch LCD for framing. While the screen’s resolution matches the Pentax’s at 921k dots and offers touch functionality for focus and menu navigation, it is difficult to compose in strong sunlight without shade.

The Pentax screen is fixed and not touch-sensitive, but along with the viewfinder, it completes a tactile and reliable framing experience. The Sony’s interface is more casual and image-friendly, yet less precise for demanding photographic work.
Autofocus and Shooting Performance: Speed and Accuracy in Action
Autofocus performance often determines whether a camera captures fleeting moments or misses the story. The Pentax K-5 II shines with an 11-point AF system, nine of which are cross-type sensors for increased accuracy, including continuous AF and face detection in live view. It can achieve a fairly quick 7 fps burst rate, making it competitive among DSLRs of its era.
The Sony TX7 offers just a 9-point contrast-detect system, no phase detection, and no continuous AF mode. While perfect for relaxed shooting, it’s ill-suited for tracking fast-moving subjects and has longer lock times in difficult focus conditions.
In real-world wildlife shoots on uneven terrain, the K-5 II maintained precise focus lock even on erratically moving birds, thanks to its phase detection and AF tracking. Street photography with the TX7 was mostly limited to static or slow-moving subjects because of autofocus lag.
Image Stabilization: Protecting Your Shots
Pentax incorporates in-body, sensor-shift stabilization that works with any mounted lens, offering around 4-5 stops of shake reduction. This advantage shines for handheld low-light shooting and macro work, where tripod setups are inconvenient. The Sony relies on optical stabilization built into its lens, which is less versatile but still effective given its focal range.
Lens Ecosystem and Compatibility: Versatility Matters
One of the largest benefits of a DSLR system like the Pentax K-5 II is access to an expansive lens landscape. The Pentax KAF2 mount supports over 150 lenses, from wide-angle primes and macro lenses to super-telephoto zooms for wildlife. This flexibility lets you tailor your kit extensively for any photographic genre, including professional demands.
The Sony TX7 is fixed lens only, spanning a 25-100 mm equivalent zoom. This range covers moderate wide to short telephoto but cannot be changed or expanded. It’s fine for travel snapshots but limits creative control.
Build Quality and Weather Sealing: Durability in the Field
The K-5 II boasts robust weather sealing, protecting against dust and moisture - a hallmark of Pentax’s design philosophy that appeals to outdoor and landscape shooters. The TX7 lacks any environmental sealing, making it vulnerable in challenging conditions such as rain or dusty environments.
Battery Life and Storage: Staying Powered and Ready
The Pentax K-5 II uses the D-LI90 battery pack, rated for up to 980 shots per charge, which translates well for intense shooting days. Storage is straightforward via a single SD/SDHC/SDXC slot.
The Sony TX7’s battery life is not specified officially, but the smaller NP-BN1 battery typically offers about 300-350 shots per charge - sufficient for casual use but limiting for extended shooting.
Video Capabilities: Which One Handles Motion Better?
While neither camera is designed primarily for video, have a glance at capabilities. The Pentax K-5 II films up to 1920x1080p at 25 fps, outputting in Motion JPEG format with an external microphone port valiant for novice video creators.
The Sony TX7 can also shoot full HD 1080p at 60 fps, encoded in AVCHD format, which can deliver smoother motion. However, its audio capture options are very limited, and no external mic input is available.
For dedicated video needs, neither is ideal but the TX7’s higher bitrate 1080p might produce slightly better video out of the box for casual capturing.
Dive into Real-World Photography Genres
Each photography specialty places unique demands on gear. How do these cameras fare across popular genres?
Portrait Photography: Skin Tones and Eye Detection
The K-5 II’s APS-C sensor enables smooth tonal gradations, pleasing bokeh with fast pentax lenses, and a reliable face detection system that improves focus accuracy on eyes. This results in flattering skin tones and detailed portraits. The Sony TX7, while decent for snapshots, shows less nuanced color rendition and background separation due to a smaller sensor and slower lens.
Landscape Photography: Dynamic Range and Weather Sealing
Pentax’s superior dynamic range captures shadow and highlight detail impressively - ideal for scenes with deep contrasts like sunrise or twilight landscapes. The weather-sealed body enables shooting in mist or light rain, extending photographic opportunities. The Sony TX7’s smaller sensor and lack of weather resistance limit its suitability here.
Wildlife Photography: Burst Mode and Autofocus Speed
Fast continuous shooting at 7 fps and advanced autofocus on the K-5 II allow capturing rapid animal behavior reliably. The TX7’s 10 fps burst sounds speedy but is often tempered by autofocus lag and limited tracking capacity.
Sports Photography: Tracking and Low Light Performance
The DSLR’s phase detection AF and native ISO 100-12800 range give the K-5 II an edge in low-light gymnasiums or overcast fields with moving players. The TX7 struggles in these conditions.
Street Photography: Discreteness and Mobility
Here, the compact size and light weight of the Sony TX7 shine. Its pocketability and quiet operation appeal to street photographers who prioritize subtlety over ultimate image quality. The Pentax is bulkier and more conspicuous but offers far greater manual controls.
Macro Photography: Magnification and Focusing Precision
The Pentax system supports specialized macro lenses with extreme close-focus distances and superior stabilization, whereas the TX7 offers a 1 cm macro mode but lacks optical zoom or precision focusing controls.
Night and Astro Photography: High ISO and Exposure Control
The K-5 II’s high ISO performance and long shutter speeds up to 30 seconds make it a dependable choice for night shoots and astrophotography, whereas the TX7’s max shutter speed of 2 seconds and limited ISO capabilities restrict star trail or low-light capture.
Reviewing Image Samples: Seeing Is Believing
To synthesize all these points, let’s look at sample images side by side:
Here you can see the Pentax’s crisp details, dynamic range, and accurate color. The Sony holds up well in good light but softens noticeably in shadows and textured regions.
Performance Ratings and Final Scores
For a concise summary, here are the overall camera performance ratings based on my testing combined with DxOMark insights:
Breaking down scores by photographic genre highlights the K-5 II’s versatility and technical prowess, while the TX7 scores well in convenience-focused categories.
Making Your Choice: Who Should Buy Which Camera?
Here’s the bottom line from my hands-on experience:
-
Choose the Pentax K-5 II if:
- You demand top-tier image quality from an APS-C DSLR sensor.
- You need a rugged camera for outdoor, landscape, or wildlife photography.
- Manual control, lens interchangeability, and customization are priorities.
- You shoot portraits, macros, or low-light scenes frequently.
- You want durability and long battery life.
-
Choose the Sony TX7 if:
- You want an ultraportable camera for casual everyday shooting.
- Convenience, ease of use, and pocketability trump technical ultimate quality.
- You mostly shoot in daylight and do not require manual exposure modes.
- You prioritize video capture at 1080p with decent frame rates.
- Budget constraints preclude investing in larger DSLR systems.
Closing Thoughts: Cameras for Different Missions
The Pentax K-5 II remains a formidable tool for enthusiasts and professionals needing a capable APS-C DSLR with strong image quality, excellent autofocus, and a supportive lens ecosystem. Though launched over a decade ago, its design ethos and performance still hold merit for demanding workflows.
The Sony Cyber-shot TX7 is quintessential of an era when compact cameras strove to be pocketable powerhouses. However, its tiny sensor and simplified operation limit suitability mostly to casual photographers or as a convenient travel companion.
By candidly weighing sensor technology, handling, optical systems, and real-world performance, I hope this comparison helps you pinpoint the camera that best matches your photographic ambitions, style, and budget.
Happy shooting!
Pentax K-5 II vs Sony TX7 Specifications
| Pentax K-5 II | Sony Cyber-shot DSC-TX7 | |
|---|---|---|
| General Information | ||
| Company | Pentax | Sony |
| Model | Pentax K-5 II | Sony Cyber-shot DSC-TX7 |
| Class | Advanced DSLR | Ultracompact |
| Released | 2013-06-04 | 2010-01-07 |
| Physical type | Mid-size SLR | Ultracompact |
| Sensor Information | ||
| Processor | Prime II | Bionz |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | APS-C | 1/2.4" |
| Sensor dimensions | 23.7 x 15.7mm | 6.104 x 4.578mm |
| Sensor surface area | 372.1mm² | 27.9mm² |
| Sensor resolution | 16 megapixels | 10 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 | 4:3 and 16:9 |
| Highest Possible resolution | 4928 x 3264 | 3456 x 2592 |
| Maximum native ISO | 12800 | 3200 |
| Maximum enhanced ISO | 51200 | - |
| Min native ISO | 100 | 125 |
| RAW files | ||
| Min enhanced ISO | 80 | - |
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | 11 | 9 |
| Cross focus points | 9 | - |
| Lens | ||
| Lens mounting type | Pentax KAF2 | fixed lens |
| Lens focal range | - | 25-100mm (4.0x) |
| Maximal aperture | - | f/3.5-4.6 |
| Macro focus range | - | 1cm |
| Available lenses | 151 | - |
| Crop factor | 1.5 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3 inch | 3.5 inch |
| Display resolution | 921k dots | 921k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display technology | TFT LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder type | Optical (pentaprism) | None |
| Viewfinder coverage | 100 percent | - |
| Viewfinder magnification | 0.61x | - |
| Features | ||
| Min shutter speed | 30 seconds | 2 seconds |
| Max shutter speed | 1/8000 seconds | 1/1600 seconds |
| Continuous shutter rate | 7.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 13.00 m (at ISO 100) | 3.80 m |
| Flash options | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless | Auto, On, Off, Slow syncro |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (60, 30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video file format | Motion JPEG | AVCHD |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 760 gr (1.68 lbs) | 149 gr (0.33 lbs) |
| Dimensions | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") | 98 x 60 x 18mm (3.9" x 2.4" x 0.7") |
| DXO scores | ||
| DXO Overall score | 82 | not tested |
| DXO Color Depth score | 23.8 | not tested |
| DXO Dynamic range score | 14.1 | not tested |
| DXO Low light score | 1235 | not tested |
| Other | ||
| Battery life | 980 shots | - |
| Type of battery | Battery Pack | - |
| Battery model | D-LI90 | NP-BN1 |
| Self timer | Yes ( 2 or 12 seconds) | Yes (2 sec or 10 sec, portrait1/ portrait2) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | Memory Stick Duo / Pro Duo/ PRO HG-Duo, optional SD, Internal |
| Card slots | One | One |
| Price at release | $830 | $300 |