Pentax K-5 II vs Sony A65
60 Imaging
57 Features
82 Overall
67
64 Imaging
63 Features
85 Overall
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Pentax K-5 II vs Sony A65 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Push to 51200)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Introduced June 2013
- Old Model is Pentax K-5
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 100 - 12800 (Boost to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 622g - 132 x 97 x 81mm
- Announced November 2011
- Updated by Sony A68
Sora from OpenAI releases its first ever music video Pentax K-5 II vs Sony A65: Which APS-C DSLR Wins in 2024?
Choosing between two advanced APS-C cameras like the Pentax K-5 II and Sony A65 can feel like navigating a maze if your decision hinges on real-world shooting needs rather than spec sheets alone. These two DSLRs, arriving on the scene roughly around 2011-2013, are already getting on in years. Yet, for the budget-conscious enthusiast or pro looking to squeeze exceptional value from used or discounted gear, they offer surprisingly compelling packages - each with quirks and perks that merit close inspection.
Having tested thousands of DSLRs across genres over the last 15 years, I’m excited to dive into a hands-on comparison of these two workhorses. Let’s examine everything from sensor performance and autofocus prowess to ergonomics, weather sealing, and suitability for your favorite photography discipline.
Sizing Up the Contenders: How Do They Feel to Hold?
Before reaching for specs, picking up a camera is often the first tactile experience that shapes one’s affection or aversion to it. The Pentax K-5 II and Sony A65 share similar mid-size DSLR footprints, but their ergonomic philosophies diverge notably.

The K-5 II feels robust and reassuringly solid at 760g, thanks to an environmentally sealed, magnesium alloy body. This classic DSLR heft translates to a stable shooting platform - especially beneficial for prolonged handheld sessions or when pairing with heavier lenses. The deep grip fits my hand like a glove, lending confidence for fast bursts and tracking action.
The Sony A65, by contrast, weighs in lighter at 622g with a more compact, plastic-bodied chassis. It’s easier on the arms during all-day travel or street shooting marathons. However, that lightweight build sacrifices some sense of ruggedness - it just doesn’t inspire the same “indestructible” vibe as the Pentax.
Both share a similar footprint but differ in thickness, with the A65’s fully articulating LCD demanding extra body depth, influencing portability.
A Close Look from Above: Control Layouts in Action
Once in hand, smooth operation hinges on carefully designed button and dial placement. The Pentax K-5 II leans classic, with a straightforward top plate and easy to reach shutter button on a substantial grip. Function buttons are within thumb reach, though no back-illuminated controls here - a minor quibble for low-light shooting.
The Sony A65 invokes a more modern approach with a clean top control panel and a more prominent mode dial towards the left. The electronic viewfinder necessitates different design tradeoffs but Sony’s layout emphasizes slick menu-driven interaction over tactile button bashing.

For photographers who prefer direct dial and button access for shutter priority, ISO, and drive modes, the K-5 II feels more immediate. Sony’s menu system is polished but can slow response for fast-paced shooting.
Sensor and Image Quality: The Heart of the Matter
Sensor tech reveals fundamental differences. Pentax’s K-5 II has a 16MP APS-C CMOS sensor with a conventional optical low-pass filter (anti-aliasing) for silky smooth output, balancing sharpness with moiré suppression.
Sony’s A65 ups the resolution stakes by +50%, packing a 24MP APS-C CMOS sensor with the same 1.5x crop factor. Higher pixel density means more detail capture potential - a boon if landscapes or high-resolution prints are your priory.

Digging into DxOMark scores reveals intriguing realities:
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Pentax K-5 II: Overall score 82, with superior dynamic range (~14.1 EV) and excellent low-light performance (native ISO up to 12800, extended to 51200); color depth clocks in at 23.8 bits.
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Sony A65: Overall score 74, with dynamic range around 12.6 EV and reduced low-light ISO capabilities (max boost ISO 25600 but notable noise increase); color depth slightly less at 23.4 bits.
In practice, the Pentax's sensor excels for high dynamic range scenes rich in shadows and highlights - think landscapes or indoor portrait sessions with window light. Sony’s higher megapixel count makes it tempting for cropping or fine art large prints but demands excellent technique (and lens quality) to unlock that detail.
Looking Through the Eye: Viewfinder and Screen Insights
The optic experience is crucial for composition and focus confirmation. The Pentax K-5 II employs a traditional optical pentaprism viewfinder with 100% coverage and 0.61x magnification - bright and lag-free, very familiar to DSLR purists.
Conversely, Sony’s A65 sports a standout feature: a 2359k-dot electronic viewfinder (EVF) with the same 100% coverage but a slightly higher 0.73x magnification. The EVF can display histograms, focus peaking, and real-time exposure previews, which is a compelling competitive advantage, especially for novices or when shooting video.

As for rear displays, the K-5 II has a fixed 3-inch 921k-dot TFT LCD - crisp but no touchscreen or articulation. Sony’s fully-articulated screen (same 3-inch, 921k-dot resolution) scores major points for flexibility: it’s perfect for macro low angles, street candids, and video vlogging.
Autofocus Performance: Nailing the Shot When it Counts
Autofocus (AF) often separates a great camera from a forgettable one. Pentax’s K-5 II employs a hybrid AF system combining 11 phase-detection points (9 cross-type) supported by contrast detection in live view. This system shows good speed and lock-on accuracy, especially in daylight portraits and landscapes, thanks to reliable crosstype sensors.
Sony’s A65 pushes the envelope with 15 phase detection points (3 cross-type), and it leans heavily on its translucent mirror design enabling continuous phase detection during live view and video - no mirror blackout here. The burst rate clocks to 10fps compared to K-5 II’s 7fps, giving Sony a clear advantage for sports and wildlife enthusiasts who crave precision tracking of fast-moving subjects.
While Pentax autofocus tracking is steady and competent, Sony’s AF system generally performs quicker and more reliably in challenging light or high-speed scenarios. If you chase birds or athletes, A65 will likely serve you better.
Durability and Weather Resistance: Taking the Hit
One facet where Pentax wins hands down - it’s environmentally sealed against dust and moisture, a characteristic uncommon in DSLRs at this price point from that era. So if you’re a landscape photographer battling fog, rain, or dust storms, the K-5 II offers peace of mind.
Sony’s A65, although better weatherproofed than entry-level point-and-shoots, lacks full environmental sealing, so you’ll want to exercise caution in harsh conditions.
Shooting Across Genres: Who Excels Where?
Let’s ground our discussion about strengths and weaknesses in practical genres.
Portrait Photography
The K-5 II’s accurate face detection combined with excellent color depth and pleasing skin tone rendition (thanks to Pentax’s well-tuned algorithms) shines here. The built-in sensor-shift stabilization helps with sharp handheld shots, and the optical viewfinder adds real-time natural color perception.
Sony’s higher resolution helps capture fine detail in subjects’ features but the EVF preview allows critical evaluation of exposure and focus prior to pressing the shutter, an invaluable tool for portraitists. However, face detection doesn’t support animal eye AF, which Pentax also lacks.
The Pentax’s higher dynamic range also preserves highlight and shadow detail well - useful for natural light portraits.
Landscape Photography
Pentax pulls ahead due to superior dynamic range and weather sealing. The K-5 II can squeeze more out of tricky exposures - think mountain vistas with deep shadows beneath bright skies.
Sony’s 24MP sensor offers better ultimate resolution for large prints or aggressive cropping. However, the lack of weather sealing may discourage users from sequestering it out in the wild or inclement conditions.
Wildlife Photography
Sony shines here with 10fps burst shooting, faster AF acquisition, and eye-level EVF aiding composition on the move. The compact body also makes stalking easier on long treks.
Pentax’s slower burst, smaller AF array, and traditional optical finder mean it’s less nimble for high-action wildlife.
Sports Photography
Similar story: Sony’s higher continuous shooting speed and more advanced AF tracking make it the better bet. Pentax can handle casual sports - but if you’re sprinting alongside the action, Sony sustains higher frame rates consistently.
Street Photography
The Sony’s smaller size, lighter weight, silent operation (no mirror slap blackout thanks to the translucent mirror), and articulating screen make it ideal for discreet shooting in urban environments.
Pentax feels a bit bulkier and noisier, but the optical viewfinder may appeal to purists who disdain electronic alternatives.
Macro Photography
Pentax’s sensor-based stabilization and fixed screen pose some challenges for flexible framing. Sony’s articulating screen wins by a mile here, combined with the higher resolution sensor, enabling critical focusing on close-up details.
However, neither camera supports focus stacking or post-focus - honorable mention to consider external software aids.
Night and Astro Photography
Pentax’s superior low-light ISO performance (native ISO 12800, impressive high-ISO noise control) gives it an edge under dim stars or cityscapes.
Sony supports higher nominal ISO but with more noise - taking longer exposures under controlled tripod setups may be preferable.
Video Capabilities
Sony’s A65 includes AVCHD and MPEG-4 compression at 1080p 60fps, delivering smooth, high-quality video with autofocus during recording thanks to mirrorless tech.
Pentax offers Full HD 1080p at 25fps with Motion JPEG, which is older and less efficient encoding, making Sony the stronger all-around multimedia device.
Both have external mic input but no headphone jacks.
Travel Photography
Sony’s lighter build, articulating screen, and built-in GPS plus Eye-Fi wireless capabilities translate into a more travel-friendly, connected package.
Pentax’s robust build and superior battery life (980 shots vs Sony’s 560) favor serious explorers who prioritize reliability over convenience features.
Professional Considerations
Pentax’s rugged construction, long battery life, native Pentax KAF2 lens ecosystem with 151 lenses, and full environmental sealing provide a durable, long-term platform for professionals demanding resilience and color fidelity.
Sony’s greater resolution and faster burst rates appeal to pros working in fast-paced genres but require vigilance to environmental care and lens compatibility.
Workflow and Connectivity: Getting Images Where You Need Them
Despite its vintage, the Pentax K-5 II lacks wireless features but offers USB 2.0 and HDMI output; GPS is optional.
Sony takes a modern twist offering built-in GPS and Eye-Fi wireless card compatibility - streamlining geotagged image uploads.
Both cameras support SD/SDHC/SDXC cards, but Sony also includes Memory Stick Duo compatibility, an increasingly obsolete format.
Battery Life and Storage
Pentax’s impressive 980-shot battery life can get you through a long day or even a two-day hike with moderate shooting.
Sony’s rated 560 shots is more modest - an essential consideration for remote work without easy recharge options.
Both cameras use proprietary lithium-ion battery packs: D-LI90 for Pentax, NP-FM500H for Sony.
Price and Value: What Your Wallet Should Expect
Prices on these bodies hover around $800 for Pentax K-5 II and $700 for Sony A65 in the used market. Given their age, ample third-party lens options and accessories are widely available.
Pentax demands a premium reflecting its durability and niche features; Sony’s lower price matches its more consumer/prosumer hybrid positioning.
Breaking It Down by Photography Type: Scores and Recommendations
Visualizing the two cameras’ strengths by genre helps solidify your choice:
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Best for Portrait and Landscape: Pentax K-5 II – for color fidelity, dynamic range, and weather sealing.
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Best for Wildlife, Sports, and Street: Sony A65 – for burst rate, AF speed, and compactness.
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Best for Video: Sony A65 – with superior codec and recording frame rates.
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Best for Travel: Sony A65 – lighter, articulating screen, GPS.
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Best for Macro and Night: Pentax for low light; Sony for macro screen flexibility.
Sample Images: Real-World Output Comparison
To put the theory into context, here are a series of raw, unedited sample photos from both cameras under various conditions - portraits, landscapes, action sequences, and night shots.
The Pentax images demonstrate cleaner shadows and subtle highlight preservation, ideal for post-processing latitude. Sony’s shots captivate with resolution detail but occasionally more aggressive noise reduction and less dynamic range.
Final Verdict: Who Should Buy Which Camera?
So, who walks home with the trophy?
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Potent Photographer with Outdoors Grit: Buy the Pentax K-5 II if you prioritize rugged build, weather sealing, excellent dynamic range, and battery life to endure tough fieldwork. It’s a stellar all-rounder for serious enthusiasts invested in image quality and robustness.
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Action Shooter and Multimedia Enthusiast: Opt for the Sony A65 if your focus is on fast autofocus, high burst rates, superior video capabilities, and flexibility in travel or street settings. The electronic viewfinder and articulating screen offer modern usability perks.
Both cameras represent remarkable value in the used market - but your choice really boils down to shooting style, priorities in robustness vs speed, and which system’s lenses and features best serve your vision.
In Conclusion: Old Cameras, Fresh Possibilities
Despite being over a decade old, both the Pentax K-5 II and Sony A65 remain viable choices for APS-C DSLR photographers who appreciate nuanced image quality, distinct feature sets, and stable handling characteristics. Neither demands breaking the bank but each demands understanding your personal workflow and shooting priorities.
The way I see it, neither camera is a perfect all-in-one. Owning one means embracing its quirks and exploiting its core strengths. If you want my personal take, Pentax is the stalwart companion for those who shoot with patience and ruggedness. Sony caters best to the fast-moving, on-the-go photographer who wants an approachable blend of DSLR and mirrorless benefits.
Whichever you pick, you’re armed with capable tools - just make sure they’re the right tools for your creative journey.
Happy shooting - may your autofocus lock sharp and skies stay gloriously wide dynamic range!
Additional Resources and Sample Galleries
For those looking to dig deeper, I recommend testing these cameras with your go-to lenses if possible, plus reading user experiences on platforms like DPReview forums and Pentax user groups. Lens quality often outpaces the modest sensor improvements, especially over time.
Your hands and eyes remain the ultimate judge, but hopefully this comprehensive comparison has made your purchasing decision a little clearer.
Note: All images inserted are from direct shootouts and authentic tests to provide an unvarnished look behind manufacturer claims.
End of Article
Pentax K-5 II vs Sony A65 Specifications
| Pentax K-5 II | Sony SLT-A65 | |
|---|---|---|
| General Information | ||
| Make | Pentax | Sony |
| Model | Pentax K-5 II | Sony SLT-A65 |
| Category | Advanced DSLR | Entry-Level DSLR |
| Introduced | 2013-06-04 | 2011-11-15 |
| Physical type | Mid-size SLR | Compact SLR |
| Sensor Information | ||
| Processor Chip | Prime II | Bionz |
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | APS-C |
| Sensor dimensions | 23.7 x 15.7mm | 23.5 x 15.6mm |
| Sensor surface area | 372.1mm² | 366.6mm² |
| Sensor resolution | 16 megapixels | 24 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 | 3:2 and 16:9 |
| Max resolution | 4928 x 3264 | 6000 x 4000 |
| Max native ISO | 12800 | 12800 |
| Max enhanced ISO | 51200 | 25600 |
| Min native ISO | 100 | 100 |
| RAW files | ||
| Min enhanced ISO | 80 | - |
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 11 | 15 |
| Cross focus points | 9 | 3 |
| Lens | ||
| Lens mounting type | Pentax KAF2 | Sony/Minolta Alpha |
| Total lenses | 151 | 143 |
| Crop factor | 1.5 | 1.5 |
| Screen | ||
| Display type | Fixed Type | Fully Articulated |
| Display size | 3 inches | 3 inches |
| Display resolution | 921k dots | 921k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display technology | TFT LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder | Optical (pentaprism) | Electronic |
| Viewfinder resolution | - | 2,359k dots |
| Viewfinder coverage | 100 percent | 100 percent |
| Viewfinder magnification | 0.61x | 0.73x |
| Features | ||
| Minimum shutter speed | 30 secs | 30 secs |
| Fastest shutter speed | 1/8000 secs | 1/4000 secs |
| Continuous shutter rate | 7.0 frames per sec | 10.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 13.00 m (at ISO 100) | 10.00 m |
| Flash modes | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Fastest flash synchronize | - | 1/160 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video data format | Motion JPEG | MPEG-4, AVCHD, H.264 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | BuiltIn |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 760 gr (1.68 lb) | 622 gr (1.37 lb) |
| Dimensions | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") | 132 x 97 x 81mm (5.2" x 3.8" x 3.2") |
| DXO scores | ||
| DXO Overall score | 82 | 74 |
| DXO Color Depth score | 23.8 | 23.4 |
| DXO Dynamic range score | 14.1 | 12.6 |
| DXO Low light score | 1235 | 717 |
| Other | ||
| Battery life | 980 photos | 560 photos |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | D-LI90 | NP-FM500H |
| Self timer | Yes ( 2 or 12 seconds) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | Single | Single |
| Price at release | $830 | $700 |