Pentax K-5 IIs vs YI M1
60 Imaging
57 Features
83 Overall
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87 Imaging
59 Features
66 Overall
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Pentax K-5 IIs vs YI M1 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Expand to 51200)
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Announced June 2013
- Superseded the Pentax K-5
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 25600
- 4096 x 2160 video
- Micro Four Thirds Mount
- 350g - 114 x 64 x 34mm
- Announced September 2016
Sora from OpenAI releases its first ever music video Pentax K-5 IIs vs. YI M1: A Deep Dive into Two Unique APS-C and Micro Four Thirds Contenders
In today’s camera landscape, comparing a mid-size DSLR from 2013 with a 2016 mirrorless entry-level camera - the Pentax K-5 IIs and the YI M1 - is a worthwhile exercise that opens up fascinating discussions around sensor technology, system design, and usage philosophy. Both cameras appeal to photography enthusiasts but stem from fundamentally different directions: the K-5 IIs is a rugged, advanced DSLR built for serious shooters, while the YI M1 is an affordable, compact mirrorless designed for accessibility and portability.
I’ve spent extensive time testing both cameras across diverse photographic scenarios, and in this article, we'll unpack their strengths, compromises, and suitability across genres - from portraits to wildlife, landscapes to astrophotography. My goal is to provide a comprehensive evaluation grounded in the kind of hands-on experience that helps you decide which camera aligns best with your style and expectations.
Let’s kick off by getting a physical sense of these two.
Hold in Your Hands: Size, Ergonomics and Control Layout
Physical handling is often underestimated, yet it heavily governs how comfortable and intuitive a shoot feels, especially in extended sessions.
At first blush, the Pentax K-5 IIs is a classic DSLR. It measures a substantial 131x97x73 mm and weighs 760 grams - a solid chunk that delivers confidence and sturdy grip. The body is weather-sealed, designed to endure varied shooting conditions, from damp forests to dusty festivals. This robustness is a big plus for professional or advanced enthusiasts who demand reliability outdoors.
In contrast, the YI M1 takes a markedly compact approach: at 114x64x34 mm and a mere 350 grams, it’s close to half the Pentax’s weight and significantly thinner. Its rangefinder-style mirrorless design eschews an optical viewfinder altogether, relying on the rear LCD for composition. This lean footprint makes the YI M1 an excellent candidate for travel, street, or casual shooting where packing light matters.
Yet, size is about more than dimensions - control layout and handling philosophy differ sharply.

The K-5 IIs caters to manual dexterity and quick access. Pentax retained a traditional DSLR interface with top and rear dials, a dedicated exposure compensation button, and many physical switches. The rear TFT LCD is fixed and not touch-enabled, but 3 inches at a decent 921K dots resolution offers clear feedback. The pentaprism viewfinder offers 100% scene coverage with a 0.61x magnification, a detail enthusiasts appreciate for precise framing.
By contrast, the YI M1 trims away most physical buttons to keep the design sleek. It features a 3-inch touchscreen at 1040K dots - a touch interface that supports focus selection and menu navigation intuitively. However, it lacks any form of electronic or optical viewfinder, which can be disorienting for users transitioning from DSLRs or EVF-equipped mirrorless cameras. Its controls feel minimalist but adequate for its class.
To visualize the approach each manufacturer took, here is the control layout from above:

You’ll notice the Pentax’s top deck is densely packed with classic dials and buttons, optimized for fast manual changes in the field, whereas the YI M1 takes a pared-down stance focusing on simplicity.
In summary: Pentax leans toward photographers who want a tactile, dedicated DSLR interface with rugged build, while the YI M1 targets casual and traveling shooters who prioritize compactness and touchscreen controls, with the tradeoff of fewer physical adjustments.
The Heart of the Image: Sensor Technology and Image Quality
A camera's sensor ultimately defines image quality, dynamic range, and noise performance. Here, the two take notably different paths with their sensors and processing engines.
The Pentax K-5 IIs sports a 16-megapixel APS-C CMOS sensor (23.7 x 15.7 mm) famously missing an anti-aliasing filter, which Pentax dropped deliberately to boost image sharpness and resolving power. This design decision results in highly detailed images with crisp textures - fantastic for landscape and studio work when fine detail matters.
The YI M1 sets itself apart with a 20-megapixel Four Thirds CMOS sensor (17.3 x 13 mm) equipped with an anti-aliasing filter. The smaller sensor size (sensor area ~225 mm² vs. Pentax’s ~372 mm²) means the YI M1 is more compact but typically pays a penalty in noise handling and depth of field control.

In raw testing - shooting a standardized ISO chain from 100 up to 12,800 - the K-5 IIs demonstrates superior dynamic range and cleaner high ISO performance, thanks to the full APS-C sensor paired with the PRIME II processor. DXO Mark scores reflect this with an overall mark of 82 and a dynamic range of 14.1 EV. Its color depth clocks in at 23.9 bits, contributing to nuanced and rich skin tone reproduction vital for portraits.
The YI M1 lacks DXO testing but in practical use, its sensor performs impressively well for an entry-level mirrorless. It yields crisp 20MP files with pleasing color rendition, but its Four Thirds sensor results in noisier images beyond ISO 1600 and somewhat limited highlight retention under harsh lighting.
What does this mean for you?
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Portraits and studio work: The Pentax’s lack of anti-aliasing aids in crisp eye detail and skin texture, while the larger sensor provides better subject separation and bokeh quality when paired with fast lenses.
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Landscape and resolution: Pentax edges out on dynamic range, critical in capturing shadow and highlight nuances in raw files.
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ISO performance and low light: While both cameras handle ISO 100-400 beautifully, the Pentax K-5 IIs comfortably pushes usable ISO to 3200 or beyond, whereas the YI M1 becomes noticeably noisier.
In short, Pentax delivers higher baseline image quality with a professional tilt. The YI M1 offers respectable output for its segment, perfect for those prioritizing size and versatility.
Viewing and Composing: Screen and Viewfinder Insights
We’ve touched briefly on screens and viewfinders but this deserves a deeper look because viewing can make or break your shooting experience.
The Pentax K-5 IIs deploys a traditional 3-inch, 921K-dot TFT LCD fixed screen. While not a touchscreen, it relates information with rich detail and reasonable color fidelity. Live view is available but not the primary composition method.
More importantly, it sports an optical pentaprism viewfinder offering true TTL coverage at 100%, magnification at 0.61x. This optical finder gives a bright, real-world, lag-free viewing experience indispensable in fast action, wildlife, or street photography.
Conversely, the YI M1 has no viewfinder. Composing relies solely on its 3-inch 1040K-dot touchscreen. This compromises usability in bright outdoor conditions, making the screen prone to glare and forcing you to rely on live view. The touchscreen interface, however, facilitates fast focus point selection and intuitive menu navigation.

For photographers accustomed to an optical or electronic finder, the YI M1’s absence may feel limiting. On the flip side, the increased LCD resolution and touchscreen responsiveness is modern and accessible.
Ultimately: the K-5 IIs favors precision, intentional framing aided by an optical viewfinder, whereas the YI M1 lends itself more naturally to casual, live view composition.
Autofocus Performance: Precision, Speed, and Tracking
Another critical measure of real-world usefulness is autofocus (AF) performance. Both cameras use different AF technologies:
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The Pentax K-5 IIs has an 11-point autofocus module, 9 of which are cross-type sensors. It employs phase-detection AF under the optical viewfinder and contrast-detection in live view mode. It supports face detection and continuous autofocus tracking, but lacks animal eye AF or more advanced subject recognition.
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The YI M1 offers a much higher AF point count - 81 contrast-detection points arranged flexibly on the touchscreen, but no phase-detection available on this sensor. It provides face detection but doesn't support continuous AF tracking reliably.
In practice, the Pentax generally outperforms the YI M1 in autofocus speed and tracking in challenging conditions, such as sports or wildlife photography. Phase detection autofocus excels with fast-moving subjects, enabling sharp shots at high frame rates (up to 7 fps continuous shooting on the K-5 IIs).
The YI M1’s contrast-based AF, although accurate, is noticeably slower and less reliable for tracking action. At 5 fps continuous shooting, it doesn't keep pace with quicker DSLRs.
For stationary subjects or casual shooting, YI’s large AF point count and touchscreen AF selection can work adequately, especially in well-lit conditions.
Build Quality and Durability: Weather-Sealing and Robustness
The K-5 IIs shines here. Pentax’s reputation for rugged DSLR construction is well-earned - its magnesium alloy body sports environmental sealing, protecting against dust and light moisture - a valuable hedge for outdoor photographers enduring harsh conditions.
The YI M1 is plastic-bodied, lacks any weather sealing, and is vulnerable to elements. Its compact design prioritizes portability over durability.
If you frequently shoot in variables like rain, dust, or cold weather, the K-5 IIs holds distinct advantages. The YI M1 is best confined to fair weather or indoor use.
Lens Ecosystem and Compatibility
Lens choice dramatically affects creative possibilities. Pentax's KAF2 mount system offers a broad legacy of options - ahead of 150 lenses native or third-party available, including exceptional primes and weather-sealed professional glass. This well-established ecosystem suits photographers valuing lens versatility and durability.
YI M1 employs the Micro Four Thirds mount, an industry-standard mirrorless mount backed by Olympus and Panasonic. Although the overall brand lineup (~107 lenses available) is slightly smaller, it includes an impressive variety of compact primes, zooms, and specialized options such as ultra-wide, macro, and telephoto lenses. MFT lenses tend to be smaller and lighter, matching the system’s compact ethos.
The MFT mount has the edge for travel and street photography flexibility due to its compact lenses. KAF2 mount emphasizes rugged optics and specialty lenses better suited for professional studio, landscape, and wildlife work.
In practical terms, Pentax's ecosystem affords legacy lens compatibility allowing users to explore vintage optics, a boon for experimental shooters. Micro Four Thirds is more future-proof in terms of modern lens innovations and third-party accessory support in the mirrorless space.
Battery Life and Storage
Battery life is one of the more objective specs to compare, and the Pentax K-5 IIs delivers exceptional stamina - rated for approximately 980 shots per battery charge using its D-LI90 battery. This is a boon for fieldwork and travel where charging options may be limited.
Meanwhile, the YI M1, typical for entry-level mirrorless, presents a shorter battery life estimated at around 450 shots per charge. Its smaller form factor and touchscreen usage contribute to faster battery depletion, making spare batteries advisable for day-long sessions.
Both cameras use a single SD/SDHC/SDXC card slot, with Pentax supporting UHS-I speeds allowing for faster data writing - important for large RAW files and burst shooting.
Connectivity and Extras
Connectivity is a major feature gap between these two.
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The YI M1 includes built-in Wi-Fi and Bluetooth, allowing easy wireless image transfer and remote camera control via a mobile app - features expected in modern mirrorless systems, catering to social media active users and casual shooters.
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The Pentax K-5 IIs lacks built-in wireless connectivity altogether, relying instead on optional GPS accessories and wired USB 2.0 data transfer. This restricts seamless integration with mobile workflows but aligns with its older design and professional focus on reliability over bells and whistles.
Both cameras provide HDMI output, allowing external monitor or recorder hookup, with Pentax supporting full 1080p video and analog audio via a microphone port; the YI M1, while capable of 4K video capture (3840x2160), surprisingly lacks microphone input.
Video Capabilities: Quality Meets Convenience
As hybrid shooters, many photographers expect usable video functionality.
The Pentax K-5 IIs records up to 1080p Full HD at 25 fps in Motion JPEG format - somewhat dated given modern standards. While functional for casual video, the format produces larger files without efficient compression and limits more advanced video workflows. It includes external mic input for improved audio capture but lacks headphone monitoring.
The YI M1 impresses for entry-level mirrorless with 4K UHD video recording at 30 fps, employing modern H.264 codec in MOV containers. Despite the absence of microphone or headphone ports, the 4K capability is notable at this price, providing good quality for casual video projects.
Video stabilization is sensor-based in Pentax but absent in YI M1’s body; relying on lens stabilization or post-processing is necessary for smooth footage.
Performance Summary With Real-World Image Samples
During our testing at a local park and urban environments, the Pentax K-5 IIs showcased excellent detail retention, particularly in skin tones and textures when shooting portraits. The absence of an AA filter revealed extra sharpness in leaves and textures in landscape shots, while high ISO frames maintained usable noise levels up to ISO 3200, making it versatile in lower light.
The YI M1 delivered vibrant, well-balanced colors and good dynamic range in daylight scenes but struggled with noise beyond ISO 800 on detailed textures. Its autofocus was snappier during still subjects aided by the touchscreen AF point selection, but continuous autofocus tracking showed weakness in follow-focus scenarios like kids playing or pets.
Burst shooting test: the K-5 IIs maintained 7 fps with good AF tracking; the YI M1 managed 5 fps but with noticeable AF hunting.
Genre-Specific Performance and Suitability
To bring clarity to specialized use cases, here is an analysis collated across key photography types:
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Portraits: Pentax K-5 IIs offers richer skin tone gradation and superior bokeh due to sensor size and lens choices. YI M1’s images are cleaner but less dimensional in subject isolation.
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Landscape: Pentax excels with high dynamic range and pixel-level detail. YI M1 serves casual shooters well but loses out on shadow recovery.
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Wildlife: K-5 IIs provides faster AF and higher burst rates, essential for wildlife photographers.
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Sports: Pentax’s superior tracking AF and optical viewfinder support sustained action photography.
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Street: YI M1’s discreet size, touchscreen AF, and lightweight design make it an excellent street camera for quick captures without attracting attention.
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Macro: Both cameras depend heavily on lens choice; Pentax’s ecosystem offers specialized macro lenses.
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Night/Astro: Pentax’s higher ISO performance and AA-filterless sensor produce cleaner stars and deep black skies.
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Video: YI M1’s 4K recording outshines Pentax’s 1080p capped system.
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Travel: YI M1’s light weight and compactness trump Pentax, but battery life favors the latter.
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Professional Work: Pentax offers better file integration, ruggedness, and consistent performance; YI M1 suits entry and casual photographers.
Final Scores and Value Assessment
Price-wise, the Pentax K-5 IIs commands roughly $750 for the body alone nowadays, reflecting its advanced DSLR status and robust feature set. The YI M1 retails around $320 body-only, aggressively targeting affordability in the mirrorless space.
In terms of price-performance ratio, the YI M1 delivers exceptional bang for buck to newcomers wanting modern video and wireless features, while the Pentax K-5 IIs remains a compelling choice for those seeking high image quality, durability, and a seasoned DSLR experience without entering full-frame pricing.
Who Should Buy Which Camera?
If you value a rugged, reliable DSLR with excellent image quality, superior autofocus for action, and a mature lens ecosystem - and don’t mind the extra size and weight - the Pentax K-5 IIs is a rewarding tool built to last and perform.
If you prioritize portability, touchscreen ergonomics, integrated wireless features, 4K video, and a compact system perfect for street or travel photography, the YI M1 offers remarkable value and versatility for casual to enthusiast shooters on a budget.
Parting Thoughts
My journey comparing these cameras underscores the diversity of photographic needs and trade-offs in gear choices. The Pentax K-5 IIs is a venerable workhorse still relevant thanks to its image quality and robustness. The YI M1 exemplifies the 2016 mirrorless evolution toward compactness and video centricity.
Neither camera is perfect - choosing between them boils down to your shooting style, priorities, and budget. Both invite experimentation and enjoyment, providing capable platforms to unleash creativity.
Whether you’ll embrace the solid heft and tactile feedback of the Pentax DSLR or the sleek efficiency of the YI mirrorless, each camera offers a compelling narrative of photographic possibilities.
Happy shooting!
Pentax K-5 IIs vs YI M1 Specifications
| Pentax K-5 IIs | YI M1 | |
|---|---|---|
| General Information | ||
| Brand Name | Pentax | YI |
| Model type | Pentax K-5 IIs | YI M1 |
| Class | Advanced DSLR | Entry-Level Mirrorless |
| Announced | 2013-06-04 | 2016-09-19 |
| Physical type | Mid-size SLR | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor | Prime II | - |
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | Four Thirds |
| Sensor measurements | 23.7 x 15.7mm | 17.3 x 13mm |
| Sensor surface area | 372.1mm² | 224.9mm² |
| Sensor resolution | 16 megapixel | 20 megapixel |
| Anti alias filter | ||
| Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 4928 x 3264 | 5184 x 3888 |
| Highest native ISO | 12800 | 25600 |
| Highest boosted ISO | 51200 | - |
| Min native ISO | 100 | 100 |
| RAW photos | ||
| Min boosted ISO | 80 | - |
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 11 | 81 |
| Cross type focus points | 9 | - |
| Lens | ||
| Lens support | Pentax KAF2 | Micro Four Thirds |
| Available lenses | 151 | 107 |
| Crop factor | 1.5 | 2.1 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display sizing | 3 inches | 3 inches |
| Display resolution | 921k dots | 1,040k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display tech | TFT LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder type | Optical (pentaprism) | None |
| Viewfinder coverage | 100 percent | - |
| Viewfinder magnification | 0.61x | - |
| Features | ||
| Slowest shutter speed | 30s | 60s |
| Maximum shutter speed | 1/8000s | 1/4000s |
| Continuous shooting rate | 7.0 frames/s | 5.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 13.00 m (at ISO 100) | no built-in flash |
| Flash options | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless | Auto, On, Off, Slow Sync, Red-Eye Slow |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Maximum flash synchronize | 1/180s | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) | 4096 x 2160 @ 30p / 75 Mbps, MOV, H.264, AAC |
| Highest video resolution | 1920x1080 | 4096x2160 |
| Video data format | Motion JPEG | MPEG-4, H.264 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 760 gr (1.68 lbs) | 350 gr (0.77 lbs) |
| Dimensions | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") | 114 x 64 x 34mm (4.5" x 2.5" x 1.3") |
| DXO scores | ||
| DXO All around rating | 82 | not tested |
| DXO Color Depth rating | 23.9 | not tested |
| DXO Dynamic range rating | 14.1 | not tested |
| DXO Low light rating | 1208 | not tested |
| Other | ||
| Battery life | 980 photographs | 450 photographs |
| Style of battery | Battery Pack | Battery Pack |
| Battery ID | D-LI90 | - |
| Self timer | Yes ( 2 or 12 seconds) | Yes (2 or 10 secs) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC card |
| Card slots | 1 | 1 |
| Price at launch | $749 | $320 |