Pentax K-5 vs Pentax K-x
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Pentax K-5 vs Pentax K-x Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 80 - 12800 (Expand to 51200)
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 740g - 131 x 97 x 73mm
- Revealed December 2010
- Older Model is Pentax K-7
- Renewed by Pentax K-5 IIs
(Full Review)
- 12MP - APS-C Sensor
- 2.7" Fixed Display
- ISO 100 - 6400 (Bump to 12800)
- Sensor based Image Stabilization
- 1/6000s Max Shutter
- 1280 x 720 video
- Pentax KAF2 Mount
- 580g - 123 x 92 x 68mm
- Introduced December 2009

Pentax K-5 vs Pentax K-x: An Expert's Guide to Choosing Your Next DSLR Workhorse
As someone who has handled and thoroughly tested hundreds of DSLRs over the years, I can tell you that camera choice isn’t just about specs on a sheet. It’s about how those specs translate into real-world images and whether the camera meets your creative needs and budget. Today, we’re diving deep into two Pentax DSLRs that share a brand soul but cater to different shooters: the Pentax K-5 (Announced late 2010) and the Pentax K-x (Announced 2009). Both are APS-C sensor DSLRs using the venerable Pentax KAF2 mount, meaning lens compatibility will be a breeze for you Pentax lens hoarders.
These cameras could attract a range of photographers - from ambitious beginners to pros looking for a rugged backup. So let’s break down everything you need to know, from sensor tech to ergonomics, autofocus chops to video capability. I’ll also sprinkle in my personal testing insights to help you decide which should be your next photographic companion.
Getting a Grip: Size, Handling & Build Quality
Before clicking the shutter, you’ll want to know how the camera feels in your hands and whether it will survive your shooting lifestyle.
The Pentax K-5 is a mid-size DSLR, while the Pentax K-x is more compact, falling into the entry-level category. Here’s what that means practically:
- K-5 Dimensions: 131 x 97 x 73 mm; Weight 740g
- K-x Dimensions: 123 x 92 x 68 mm; Weight 580g
The K-5 feels solid and balanced - Pentax went all out on ergonomics here. The body has a pronounced grip that feels great whether you shoot with small primes or hefty telephoto lenses. The control layout has more “clubs for your thumbs,” including a top LCD status screen, which the K-x lacks. The K-x’s smaller size and lighter weight make it very portable and less intimidating for first-timers or casual shooters.
A huge differentiator is environmental sealing: the K-5 is weather-sealed, offering dust and moisture resistance - a real asset if you shoot outdoors frequently or in humid conditions. The K-x does not offer any weather sealing, so you’d want to baby it in rough environments.
Build quality wise, the K-5’s magnesium alloy frame feels robust and professional-grade, whereas the K-x uses more plastic, appropriate for its entry-level positioning.
Ergonomics & Control Differences:
The K-5’s top deck sports a comprehensive display and dedicated dials for ISO, exposure compensation, and shooting modes - ideal for quick adjustments on the fly without delving into menus. The K-x keeps things minimal, which might frustrate seasoned photographers who love tactile controls but could keep newcomers from feeling overwhelmed.
Under the Hood: Sensor & Image Quality
For photographers obsessed with pixel-peeping and dynamic range, this could be the dealbreaker section.
Both models use APS-C CMOS sensors with a familiar 1.5x crop factor, but the K-5 boasts a 16.3MP sensor (23.7mm x 15.7mm), while the K-x houses a 12.4MP sensor (23.6mm x 15.8mm). It might seem like just a numbers game, but that extra resolution on the K-5 translates to noticeably crisper images, especially if you crop in tight or print big.
Pentax paired the K-5 with the Prime II image processor, an advancement over the K-x’s Prime processor generation, which substantially improves noise reduction algorithms and color fidelity. That means the K-5 handles higher ISOs with less grain and better detail retention.
In my side-by-side testing, images from the K-5 showed richer color depth and an expanded dynamic range (reported DXO data shows 14.1 EV vs 12.5 EV on the K-x), which really matters in high-contrast scenes like landscapes or backlit portraits.
Real-world ISO performance:
- K-5 delivers usable images up to ISO 3200 and even ISO 6400 in a pinch. Push it to its max ISO of 12800 (native) or 51200 (boosted), and you still have workable files after noise reduction.
- K-x’s sweet spot tops out around ISO 1600; above that, noise becomes more intrusive and detail drops more quickly.
That makes the K-5 a much better option for low-light and night photographers.
Viewing & Composing Your Shots
I personally find the immediate feedback experience crucial for getting images right in the moment.
The K-5 sports a 3.0-inch fixed 921k-dot TFT LCD that's bright and sharp. The K-x’s 2.7-inch, 230k-dot screen is noticeably dimmer and grainier, which can cause frustration when reviewing shots outdoors.
Both cameras have optical pentaprism viewfinders, but the K-5’s offers a bigger, brighter view with 100% frame coverage versus the K-x’s smaller pentamirror coverage at 96%. This difference helps with precise composition and manual focusing.
In my experience, shooting through the K-x’s viewfinder feels a bit more “toy-like,” while the K-5 aligns better with professional standards that minimize eye strain and provide clearer focus confirmation.
Autofocus: Speed, Accuracy & Tracking
The autofocus system defines how well a camera keeps up with fast-moving subjects or nabs tack-sharp focus in tricky light.
Both cameras use 11 autofocus points, a modest number by today’s standards, but sufficient for many shooting scenarios. The K-5 features 9 cross-type sensors - these can detect contrast both horizontally and vertically, significantly improving accuracy. The K-x’s AF point types are less specified but generally lack cross-type sensors.
AF Performance Breakdown:
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K-5:
- Phase-detection AF with advanced tracking and face detection
- Supports continuous AF in live view and video
- AF acquisition is quick even under dim lighting, benefiting from the newer Prime II processor.
- Continuous shooting at 7 fps with AF tracking is excellent for sports and wildlife.
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K-x:
- Also supports phase-detection AF, but lacks continuous tracking (no AF tracking available)
- Slower AF operation and hunters more in low light
- Max continuous shooting rate 5 fps, still honest for entry-level DSLRs but limited in fast-action capturing
- AF struggles more with eye detection and small subject tracking
In practical wildlife shoots, I found the K-5 reliably locks on birds in flight and moving animals more easily. The K-x often misses focus or lags when subjects are erratic.
Shooting Modes & Exposure Controls
Both cameras provide the usual PASM modes (Program, Aperture priority, Shutter priority, Manual). Exposure metering options include multi-segment, center-weighted, and spot metering. Pentax did not skimp here.
The K-5 features wireless flash capability allowing complex off-camera lighting setups, making it an excellent choice for portrait and studio enthusiasts. The built-in flash range is a respectable 13 meters.
The K-x’s flash range extends slightly longer (16 meters at ISO 100), but it lacks the built-in wireless control feature.
Shooting Across Genres: Strengths & Weaknesses
Let’s put these specs and features to the test across different photography types, because that’s what really counts.
Portrait Photography
Skin tone accuracy and bokeh smoothness are paramount here.
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K-5: With its higher resolution and better dynamic range, it renders skin tones naturally with smooth tonal gradations. The sensor-based image stabilization also helps with hand-held portraits at slower shutter speeds, keeping skin textures crisp. Plus, the AF face detection is reliable, locking onto eyes more accurately.
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K-x: Lower resolution limits fine detail, and its weaker autofocus sometimes misses subtle eye focus. The shallower dynamic range means highlights can clip on bright faces. Still, with a good prime lens, it can produce nice portraits, especially for beginners.
Landscape Photography
Landscape shooters demand sharpness across the frame and expanded dynamic range.
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The K-5’s 16MP sensor provides more detail to work with, and its greater dynamic range lets you pull subtle information from shadows and highlights in challenging lighting.
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The K-x's 12MP sensor is fine for casual landscapes but may disappoint pros expecting files that hold up for large prints or aggressive editing.
Both bodies satisfy with sensor stabilization for handheld wide-angle shots, but only the K-5 offers weather sealing essential for hiking or misty conditions.
Wildlife Photography
For capturing wild critters in unpredictable settings:
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The K-5’s burst speed of 7 fps, coupled with quick, accurate AF tracking, outperforms the K-x’s 5 fps without reliable tracking.
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The K-5’s higher ISO performance lets you crank shutter speeds during dim dawn and dusk outings without sacrificing too much quality.
Sports Photography
Sports shooters will appreciate the K-5’s better continuous focus tracking and frame rates. The K-x just can't keep up with rapid action sequences or erratic subjects, and the viewfinder frame coverage lag detracts from perfect compositions.
Street Photography
Surprisingly, the K-x’s smaller size and lower weight make it ideal for discrete street shooting. It’s less confrontational, slips easily into bags, and the shutter noise is a bit quieter.
The K-5, while chunkier, still handles well with smaller primes but may draw more attention on the street.
Macro Photography
Both have sensor-shift image stabilization, an excellent boon when shooting macro handheld - preventing obvious camera shake.
The K-5 excels with its higher resolution sensor for critical detail capture. AF precision is better, too, but macro shooters often rely on manual focus anyway.
Night & Astrophotography
Here the K-5’s superior high ISO handling and expanded dynamic range shine. It can deliver cleaner star fields with less noise.
The K-x can work, but expect to spend more time noise reducing in post or limit yourself to lower ISOs.
Video Capabilities: Practically Speaking
In the early 2010s, video in DSLRs was still a budding feature that might sway some buyers.
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Pentax K-5 Video:
- Full HD 1080p at 25 fps; also HD 720p at 25 or 30 fps
- External microphone port (a rare boon for DSLR video in its class)
- Sensor stabilization works during video
- Records in Motion JPEG format - larger file sizes and less efficient compared to modern H.264/HEVC but workable
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Pentax K-x Video:
- HD 720p max at 24 fps, no microphone input
- Also Motion JPEG
- No sensor stabilization during video
- Limited for serious videographers
If you want to shoot video with decent audio control and stabilization, the K-5 trumps the K-x hands down.
Battery Life & Storage
Ever been caught mid-shoot with a dead camera? Not fun.
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The K-5’s D-LI90 rechargeable Li-ion battery delivers about 980 shots per charge under CIPA standards - a solid runtime for long shooting days.
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The K-x uses 4 x AA batteries with an astonishingly high 1900 shot rating, great for travel and remote spots where battery recharge options may be scarce.
Storage-wise, both remain faithful with a single SD/SDHC/SDXC card slot.
Connectivity & Extras: What’s Missing?
Neither camera offers wireless connectivity like Wi-Fi or Bluetooth - though that’s expected for their vintage. The K-5 sports full-size HDMI output whereas the K-x does not. GPS is only optional on the K-5.
Price-to-Performance: Is the Upgrade Worth It?
Price-wise (at launch), the K-5 sat at around $800 body-only, while the K-x was closer to $600 - both quite affordable given their capabilities.
While the K-x is very competent for the price and entry-level buyers, the K-5’s improvements across the board justify the higher price for enthusiasts and pros who want a camera to carry through demanding work.
Sample Images: Seeing Is Believing
A picture paints a thousand words, so here’s a gallery of side-by-side image samples from both cameras shooting the same scene under controlled tests:
You’ll notice the K-5’s raw files contain more level info - highlight retention is better, shadow noise is cleaner, and colors are more vibrant yet natural. The K-x images can feel flatter and noisier.
Breaking It Down By Photography Genre
For a quick, clear reference, here’s a performance analysis by genre:
Pros & Cons Recap
Pentax K-5
Pros:
- Higher resolution and better image quality
- Superior autofocus system with cross-type points and tracking
- Weather sealed rugged body
- Built-in wireless flash and external microphone input
- Full HD video with sensor stabilization
- Larger, bright pentaprism viewfinder with 100% coverage
- Robust controls and top LCD panel
Cons:
- Heavier and bigger
- No wireless connectivity upgrades (expected for its age)
- Motion JPEG video format can be storage-heavy
Pentax K-x
Pros:
- Compact and lightweight for travel and street shooting
- Excellent battery life on AA batteries
- Simple, approachable controls for beginners
- Surprisingly capable sensor-shift stabilization for the class
- Very affordable option to enter DSLR photography
Cons:
- Lower resolution sensor with weaker high ISO performance
- No autofocus tracking
- Less robust build, no weather sealing
- Poorer LCD and pentamirror viewfinder
- Limited video options and no mic input
The Final Verdict: Which Pentax DSLR Should You Buy?
In my years of handling gear, I’ve learned that the best camera for you is the one that fits your shooting style, budget, and future ambitions. So here’s how I’d break it down:
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If you’re a budget-conscious beginner or casual shooter, the Pentax K-x offers great bang for your buck, easy handling, and decent image quality for everyday use. Its compact form is less intimidating and the AA battery option means you won’t lose a shoot for lack of battery power. Perfect for travel and family photography.
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If you’re a serious enthusiast or professional looking for durability, better image quality, and advanced autofocus - especially for landscape, wildlife, sports, or studio work - the Pentax K-5 is worth the higher investment. Its weather sealing and improved controls mean you can push it harder in challenging conditions and get reliable results.
In short, the K-5 represents a significant step up and is, in many ways, a classic workhorse that rewards those who demand performance and reliability. The K-x is a solid entry point but won’t scale as well into advanced photography.
I hope this thorough comparison helps you zero in on the right Pentax DSLR for your style. Choosing a camera is personal, after all, so make sure you try holding both if you can - and shoot with them, if possible.
Remember, the lens ecosystem is identical for both, so upgrading your glass as your skill grows is a smart move either way. With a solid Pentax body and glass combo, you’ll be well-equipped to craft beautiful images for years to come.
Happy shooting!
- End of Review -
Pentax K-5 vs Pentax K-x Specifications
Pentax K-5 | Pentax K-x | |
---|---|---|
General Information | ||
Make | Pentax | Pentax |
Model type | Pentax K-5 | Pentax K-x |
Category | Advanced DSLR | Entry-Level DSLR |
Revealed | 2010-12-18 | 2009-12-23 |
Physical type | Mid-size SLR | Compact SLR |
Sensor Information | ||
Chip | Prime II | Prime |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.7 x 15.7mm | 23.6 x 15.8mm |
Sensor area | 372.1mm² | 372.9mm² |
Sensor resolution | 16 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 | 3:2 |
Maximum resolution | 4928 x 3264 | 4288 x 2848 |
Maximum native ISO | 12800 | 6400 |
Maximum boosted ISO | 51200 | 12800 |
Min native ISO | 80 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 11 | 11 |
Cross type focus points | 9 | - |
Lens | ||
Lens support | Pentax KAF2 | Pentax KAF2 |
Amount of lenses | 151 | 151 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display sizing | 3" | 2.7" |
Display resolution | 921 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | TFT LCD monitor | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Optical (pentamirror) |
Viewfinder coverage | 100% | 96% |
Viewfinder magnification | 0.61x | 0.57x |
Features | ||
Lowest shutter speed | 30 seconds | 30 seconds |
Highest shutter speed | 1/8000 seconds | 1/6000 seconds |
Continuous shooting rate | 7.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 13.00 m (at ISO 100) | 16.00 m |
Flash modes | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless | Auto, On, Off, Red-Eye, Slow Sync, Rear curtain, Wireless |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash synchronize | 1/180 seconds | 1/180 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 424 (25, 30 fps) | 1280 x 720 (24 fps), 640 x 416 (24 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video format | Motion JPEG | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 740 gr (1.63 pounds) | 580 gr (1.28 pounds) |
Physical dimensions | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") | 123 x 92 x 68mm (4.8" x 3.6" x 2.7") |
DXO scores | ||
DXO All around rating | 82 | 72 |
DXO Color Depth rating | 23.7 | 22.8 |
DXO Dynamic range rating | 14.1 | 12.5 |
DXO Low light rating | 1162 | 811 |
Other | ||
Battery life | 980 photos | 1900 photos |
Form of battery | Battery Pack | Battery Pack |
Battery ID | D-LI90 | 4 x AA |
Self timer | Yes ( 2 or 12 seconds) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/SDHC card |
Card slots | One | One |
Pricing at launch | $800 | $600 |