Pentax K-5 vs Sony W570
60 Imaging
55 Features
82 Overall
65


96 Imaging
38 Features
25 Overall
32
Pentax K-5 vs Sony W570 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 80 - 12800 (Increase to 51200)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 740g - 131 x 97 x 73mm
- Released December 2010
- Earlier Model is Pentax K-7
- Updated by Pentax K-5 IIs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-125mm (F2.6-6.3) lens
- 116g - 91 x 52 x 19mm
- Announced January 2011

Pentax K-5 vs. Sony Cyber-shot DSC-W570: A Tale of Two Cameras Across Worlds
When comparing cameras as philosophically distinct as the Pentax K-5 and the Sony Cyber-shot DSC-W570, you’re essentially placing a seasoned mountaineer alongside a nimble sprinter in the race for photographic glory. Both carry the "camera" label, but their DNA, intended users, and capabilities diverge widely. Still, as someone who has extensively tested hundreds of models from point-and-shoots to pro DSLRs, I find these contrasts fascinating - and deeply instructive for enthusiasts seeking the perfect fit for their shooting style and budget.
In this deep dive, I’ll take you on a tour through the Pentax K-5, a stalwart advanced DSLR released back in 2010, juxtaposed with Sony’s 2011 budget-friendly ultracompact DSC-W570. Along the way, we'll explore sensor prowess, handling, autofocus, image quality, real-world use cases, and more.
Grab your favorite brew - you’re in for a 2,500-word ride blending tech know-how with practical experience, so that the next click of your shutter is with confidence.
Size Matters - But How Much?
Before going technical, let's kick off with the most tactile aspect: physicality.
The Pentax K-5 commands presence with dimensions of 131 x 97 x 73 mm and a weight of 740 grams. It’s mid-sized but robustly built, befitting an advanced DSLR designed to take some knocks. By contrast, the Sony W570 is a pocket-friendly ultracompact, barely half the size at 91 x 52 x 19 mm, and almost laughably light weighing 116 grams.
What this means practically: With the K-5, you get a camera that feels substantial and reassuring in hand, enhanced by weather sealing - a boon when shooting outdoors in unpredictable conditions. The W570, meanwhile, sneaks into your jacket pocket - ideal for travel or casual snaps when lugging a DSLR isn’t convenient.
Yet, you’re trading off grip and control for compactness. The W570’s slender profile can be slippery unless you’re careful, whereas the K-5 has well-considered ergonomics built for extended handling.
Control Layout and Top-Down Design
Size aside, usability hinges on how controls are organized and accessed. After all, responsiveness in the moment shapes whether a camera becomes a creative partner or a frustrating impediment.
The Pentax K-5 sports dedicated dials for shutter speed, exposure compensation, and shooting mode - a photographer’s delight. Its top LCD panel delivers at-a-glance exposure information, with tactile buttons allowing quick adjustments without diving into menus. This layout is a product of seasoned DSLR ergonomics, catering to those who shoot manually or semi-automatically.
Conversely, the Sony W570 - keeping things simple - offers very minimalist physical controls. Without external dials for manual modes or shutter priority, it nudges the user towards fully automatic or scene modes. The absence of a viewfinder and a smaller LCD (which we'll discuss shortly) also underscore its point-and-shoot design philosophy.
Experienced users may find the W570's interface limiting but appreciate its fuss-free operation. Casual photographers will likely welcome the ease without a steep learning curve.
Peering into the Heart: Sensor and Image Quality
The sensor has always been the bedrock of image quality, and here’s where the K-5 flexes its muscles.
The Pentax K-5 uses a 16.3-megapixel APS-C CMOS sensor (about 23.7 x 15.7 mm), equipped with an anti-aliasing filter to tame moiré. This mid-size APS-C sensor captures substantial light and offers ample resolution - suitable for large prints, cropping, and versatile uses.
On the other hand, the Sony W570 squeezes a 16.1-megapixel CCD sensor into a tiny 1/2.3-inch chip (approx 6.17 x 4.55 mm). The physical sensor area is roughly 13 times smaller than the K-5's. Despite a similar pixel count on paper, the smaller sensor struggles with noise at higher ISOs and limited dynamic range. The CCD technology here, while historically admired for color rendition, is largely superseded by CMOS in modern cameras for performance speed and low-light capability.
From DxOMark testing perspectives (for K-5) we note an overall score of 82, solid color depth (23.7 bits), excellent dynamic range (14.1 EV), and a usable low-light ISO of 1162 before noise becomes restrictive.
The W570 doesn’t have DxOMark data, but real-world experience confirms its limitations: image noise surfaces much earlier around ISO 400-800, dynamic range is compressed, and color depth is narrower. You’ll see these effects in shadows and highlight recoveries - or lack thereof.
If image quality is your north star, the difference is night and day (pun intended). The K-5 is class-leading for its era in APS-C quality, while the W570 is strictly a casual shooter’s jump-start.
Let’s Talk Display: Composing and Reviewing Images
For framing shots and navigating menus, screen technology and quality matter tremendously.
The Pentax K-5’s 3-inch TFT LCD with 921k-dot resolution presents crisp, bright images, aiding precise focusing and composition in live view. The fixed screen is non-touch but offers good visibility under various lighting thanks to Pentax’s screen treatment.
Meanwhile, the Sony sports a smaller 2.7-inch Clear Photo LCD with only 230k-dot resolution. Its clarity is average for the ultracompact segment, but the low pixel count makes zoomed-in detail review a bit fuzzy. Lack of touchscreen and a 4:3 aspect ratio on the W570 introduces some awkwardness, especially when its sensor outputs 4:3 native images, but users accustomed to basic point-and-shoots will find it adequate.
If you often scrutinize focus in live view or view detail before deciding to shoot, the K-5’s screen firmly wins. But on the go, the W570’s smaller footprint keeps it nimble.
Autofocus Smarts and Speed
Autofocus capability dramatically affects user experience, especially beyond static subjects.
The Pentax K-5 features an 11-point phase-detection autofocus system, 9 of which are cross-type sensors. This was highly regarded in 2010, delivering fast, accurate focus acquisition and competent tracking for moving subjects. Face detection is supported in live view, though it lacks the modern animal eye-detection technologies seen today.
Conversely, the Sony W570 employs contrast detection autofocus with 9 points, no phase detection, and no face or eye detection. Shoot fast-moving subjects and you’ll notice hunting and slower lock times. Continuous autofocus is absent, and burst shooting is limited to one frame per second, curbing action photography potential.
In real life, the Pentax K-5 handles wildlife or sports shooting significantly better. The Sony W570 remains a casual, steady snapshot companion.
Burst Rates and Shutter Performance
Speaking of speed, burst shooting is another key factor.
The Pentax K-5 manages 7 frames per second continuous shooting at full 16MP resolution - a fantastic rate for wildlife, sports, and any fast sequence capture. Its shutter range spans 30s to 1/8000s, offering flexibility in daylight and long exposures.
The Sony W570 tops out at a single frame per second and shutter speeds between 2s and 1/1600s. This limits freezing action or shooting in extremely bright conditions at wide apertures.
This throughput makes the K-5 a clear winner for enthusiasts who demand speed and control.
Build Quality and Environmental Resistance
Reliability in varying weather separates cameras meant for serious usage from casual snapshots.
The Pentax K-5 is weather sealed - not waterproof but resistant to dust and moisture. This characteristic extends the camera’s usability in rain, snow, or dusty terrain without fear of damage to internal guts. The sturdy chassis withstands professional workloads.
The Sony W570, by design and price point, offers no weather sealing. Its plastic construction is light but less durable. It’s meant for indoor or fair-weather outdoor moments.
If you shoot landscapes or wildlife where weather unpredictability looms, the K-5's rugged build matters deeply.
Lens Compatibility and Ecosystem
Pentax DSLRs thrive on Lens Bay’s still rich offerings.
The K-5 uses the Pentax KAF2 mount, compatible with a vast universe of over 150 lenses - including premium primes, ultra-wide zooms, and macro optics - both modern and vintage. Stabilization is sensor-based, so every compatible lens benefits from shake reduction.
The fixed-lens Sony W570 offers a 25-125mm equivalent optical zoom with an aperture range of f/2.6-6.3. While modest, this zoom covers many everyday framing needs but lacks interchangeability.
For photographers who love exploring focal lengths and optical characteristics, the K-5’s system flexibility is a huge plus.
Battery Life and Storage
Shooting endurance can make or break trips.
Pentax rates the K-5 at an excellent 980 shots per charge using the D-LI90 battery - impressive, especially with live view and continuous drive modes. Storage is via single SD/SDHC/SDXC card slot.
The W570’s specs don’t specify battery life rigorously, but real-world use typically yields around 200-300 shots on the NP-BN1 battery. Storage options include SD cards and Sony’s proprietary Memory Stick format, which could complicate storage consolidation.
For all-day shoots or professional workflows, the K-5’s longevity is preferable.
Connectivity and Sharing
Though Wi-Fi or Bluetooth were nascent in 2010-11, modern wireless was sparse.
The K-5 offers no wireless onboard connectivity and optional GPS. USB 2.0 and HDMI ports are included for wired transfers and playback.
The Sony W570 features Eye-Fi card compatibility for wireless image transfer - unique among its class - but lacks Bluetooth, NFC, or GPS.
Neither delivers the seamless mobile connectivity expected today, but the W570 at least offers Wi-Fi via Eye-Fi.
Video Capabilities
With DSLRs embracing video since 2008, how do these two fare on filming?
The Pentax K-5 shoots Full HD 1080p at 25fps with Motion JPEG compression, microphone input but no headphone jack. It features basic exposure controls during video, though autofocus is contrast-detection only live view during filming.
Sony’s W570 records 720p video at 30fps in MPEG-4 format, no mic input or advanced manual controls. The codec is more consumer-friendly, but quality is limited.
If video is a side-hobby, the K-5’s options are preferable, though both are underpowered compared to modern hybrid cameras.
Real-World Performance Through the Lens
Photography enthusiasts aren’t just looking for specs - they want to see what these cameras produce.
Skin tone rendering on the K-5 benefits from the larger sensor and deeper bit depth, delivering realistic, nuanced portraits with softly rendered bokeh. Eye detection AF isn’t native, but its accurate focusing points compensate well for handheld portraiture.
Landscapes reveal the K-5’s wide dynamic range, rich colors, and strong detail retention - even in tricky shadows - allowing mid-tones to bloom without clipping highlights. The weather sealing encouraged me to shoot outdoor waterfalls in mist without hesitation - a luxury not feasible with the W570.
Wildlife, sports, and street shooting underscore the K-5’s agility, fast autofocus, and higher burst rates. In contrast, the W570 fulfills its role by serving mindful travelers or casual street shooters prioritizing discretion and portability over high performance.
Macro shooters benefit from the K-5’s ability to pair with high-quality close-up lenses featuring focusing precision and shake reduction. The W570 manages intimate snaps down to 5 cm but falls short in selective focus and detail.
Night and astrophotography showcase the K-5’s superior high-ISO performance and longer shutter speeds, even integrating interval shooting. The W570’s long exposure options are limited and noisy.
Scoring the Cameras Overall and by Genre
Let’s break down how each camera performs across key photography types.
- Portraiture: Pentax K-5 leads with more adaptable autofocus and image quality. Sony W570 better for casual quick snaps.
- Landscape: K-5’s dynamic range and weather resistance dominate.
- Wildlife/Sports: K-5’s speed and tracking outperform W570’s slow AF.
- Street: W570’s portability wins for discretion; K-5 bulkier but more powerful.
- Macro: K-5 with macro lenses yields sharper results; W570 decent close focus but less control.
- Night/Astro: K-5 excels with full manual controls and high ISO.
- Video: Both limited; K-5 slightly more versatile.
- Travel: W570 wins on size/weight; K-5 preferred if image quality outweighs bulk.
- Professional Use: K-5’s reliability, file formats, and workflow compatibility far exceed W570.
Who Should Choose Which?
If you’re the sort of photographer who revels in manual controls, sharp autofocus, a step up in dynamic range, and a lens ecosystem that evolves with your skills - plus you don’t mind carrying some weight - the Pentax K-5 is a no-brainer bargain (currently around $800 used or near-new). It’s formidable for event, landscape, portrait, and even video beginners.
However, if your priority is sheer portability, entry-level fun, or a light pocket camera for casual family shots and travel snapshots at a fraction of the cost (~$160), the Sony W570 offers surprisingly decent image quality for its class. Its lack of advanced features means less to learn - and less to get frustrated by.
Final Thoughts from a Seasoned Tester
Having trained my eyes through thousands of lenses and briskly toggled countless wheels and buttons, I find cameras like the Pentax K-5 remind me of analog cameras of old: deliberate, tough, and rewarding. Meanwhile, machines like the Sony W570 are a wink toward ease and spontaneity, perfect for moments you’d rather not fuss over.
Neither camera is “better” universally - it depends on your priorities - but understanding this spectrum lets you spend your money wisely and shoot joyfully.
In the end, both the Pentax K-5 and Sony Cyber-shot DSC-W570 shine in their own way - just in different galaxies of the photography universe. Happy shooting!
Appendix: Quick Specs Recap
Feature | Pentax K-5 | Sony DSC-W570 |
---|---|---|
Sensor | APS-C CMOS (16.3 MP) | 1/2.3" CCD (16.1 MP) |
Max ISO | 12800 native (51200 boosted) | 3200 |
Lens Mount | Pentax KAF2 (interchangeable) | Fixed zoom 25-125 mm equiv. |
Max Burst Rate | 7 fps | 1 fps |
Video Resolution | 1920x1080 (MJPEG 25 fps) | 1280x720 (MPEG-4 30 fps) |
Screen Size/Res | 3” 921k | 2.7" 230k |
Weather Sealed | Yes | No |
Battery Life | 980 shots | ~250-300 shots typical |
Weight | 740g | 116g |
Price (new approx.) | $800 | $159 |
If you’d like to see specific sample images or test results, drop me a line - I’m always happy to share insights that help you pick the perfect camera sidekick!
End of Article
Pentax K-5 vs Sony W570 Specifications
Pentax K-5 | Sony Cyber-shot DSC-W570 | |
---|---|---|
General Information | ||
Company | Pentax | Sony |
Model type | Pentax K-5 | Sony Cyber-shot DSC-W570 |
Class | Advanced DSLR | Ultracompact |
Released | 2010-12-18 | 2011-01-06 |
Body design | Mid-size SLR | Ultracompact |
Sensor Information | ||
Powered by | Prime II | BIONZ |
Sensor type | CMOS | CCD |
Sensor size | APS-C | 1/2.3" |
Sensor measurements | 23.7 x 15.7mm | 6.17 x 4.55mm |
Sensor area | 372.1mm² | 28.1mm² |
Sensor resolution | 16MP | 16MP |
Anti alias filter | ||
Aspect ratio | 3:2 | 4:3 and 16:9 |
Maximum resolution | 4928 x 3264 | 4608 x 3456 |
Maximum native ISO | 12800 | 3200 |
Maximum boosted ISO | 51200 | - |
Lowest native ISO | 80 | 80 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 11 | 9 |
Cross type focus points | 9 | - |
Lens | ||
Lens mount type | Pentax KAF2 | fixed lens |
Lens zoom range | - | 25-125mm (5.0x) |
Highest aperture | - | f/2.6-6.3 |
Macro focusing distance | - | 5cm |
Number of lenses | 151 | - |
Crop factor | 1.5 | 5.8 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display size | 3" | 2.7" |
Resolution of display | 921k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display tech | TFT LCD monitor | Clear Photo LCD |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | None |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.61x | - |
Features | ||
Slowest shutter speed | 30 secs | 2 secs |
Maximum shutter speed | 1/8000 secs | 1/1600 secs |
Continuous shooting speed | 7.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 13.00 m (at ISO 100) | 3.70 m |
Flash settings | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless | Auto, On, Off, Slow Sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/180 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 424 (25, 30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video format | Motion JPEG | MPEG-4 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 740 grams (1.63 pounds) | 116 grams (0.26 pounds) |
Dimensions | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") | 91 x 52 x 19mm (3.6" x 2.0" x 0.7") |
DXO scores | ||
DXO All around rating | 82 | not tested |
DXO Color Depth rating | 23.7 | not tested |
DXO Dynamic range rating | 14.1 | not tested |
DXO Low light rating | 1162 | not tested |
Other | ||
Battery life | 980 pictures | - |
Battery format | Battery Pack | - |
Battery ID | D-LI90 | NP-BN1 |
Self timer | Yes ( 2 or 12 seconds) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Storage slots | One | One |
Price at launch | $800 | $159 |