Pentax K-50 vs Sony WX150
63 Imaging
57 Features
65 Overall
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95 Imaging
41 Features
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Pentax K-50 vs Sony WX150 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 51600
- Sensor based Image Stabilization
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 650g - 130 x 97 x 71mm
- Released November 2013
- Replaced the Pentax K-30
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-250mm (F3.3-5.9) lens
- 133g - 95 x 56 x 22mm
- Announced February 2012
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Pentax K-50 vs Sony WX150: A Practical Showdown Between a Rugged DSLR and a Pocketable Compact
When it comes to choosing a camera, the options can seem endless - and often wildly different. Today, we're diving into a somewhat unconventional comparison: the Pentax K-50, an entry-level DSLR from the enthusiast camp, versus the Sony Cyber-shot DSC-WX150, a small sensor compact zoom designed for carefree carry-everywhere convenience. Both cameras come from trusted brands and occupy distinct realms in the 2010s camera market, but understanding their real-world strengths and compromises is crucial if you're deciding between traditional DSLR robustness and pocket-ready simplicity.
Having spent years testing cameras across genres, from studio portraiture to wild landscapes and fast-action sports, I’m excited to unpack how these two behave - through sensor tech, handling, autofocus, and image quality - examining who would benefit from each and who might find one limiting.
Let’s jump in.
Getting to Know Your Tools: The Pentax K-50 and Sony WX150 in Brief
Before we peel back the layers, a quick orientation.
Pentax K-50 is an APS-C DSLR unveiled in late 2013, boasting rugged weather sealing, an optical pentaprism viewfinder, and 16MP resolution. It targets the enthusiast photographer who values manual control and likes to lug a bit of gear for serious shooting. It ships with the longstanding Pentax KAF2 lens mount, unlocking a vast ecosystem of over 150 compatible lenses - a luxury for anyone wanting creative flexibility.
The Sony WX150, announced in early 2012, is a slim, compact zoom with a small 1/2.3-inch sensor. It shines in convenience and zoom reach (an impressive 25-250mm equivalent) but reflects the typical sensor size constraints of compacts - namely, more noise and less control than DSLRs. Its BIONZ processor enables Full HD video at 60fps and includes optical image stabilization, making it appealing for casual shooters and travelers.
Think of these as the DSLR heavyweight and the pocket rocket racer. Let’s see how they drive in the real world.
Size, Ergonomics, and Build: Bulk vs. Pocketability

The most obvious difference is in form factor and weight. The Pentax K-50 weighs 650 grams with dimensions around 130×97×71 mm. That’s a compact SLR body, offering a substantial grip but not bulkier than necessary. Importantly, pentax built in environmental sealing - a rarity in cameras at this price - so you can comfortably shoot in rain or dusty conditions. This is a ruggedness feature I really appreciate from personal experience shooting outdoors under unpredictable conditions.
In contrast, the Sony WX150 is a featherweight at just 133 grams and a slim 95×56×22 mm profile - truly pocketable for day trips, street shoots, or quick snaps. While it lacks weather sealing and a robust build, its everyday portability is unmatched. It’s more of a grab-and-go than a deliberate photographic tool.
If you prioritize durability and control, the K-50’s DSLR heft is a welcome companion. Conversely, for effortless carry and casual shooting, the WX150 fits like a glove in your jacket pocket.
Design Philosophy and Control Layout: User Experience Matters

Turning to controls, the K-50 brings the traditional DSLR experience. It sports dedicated dials for shutter speed, aperture, and exposure compensation, and customizable function buttons - a boon when working quickly under varied lighting. The rear boasts a 3-inch fixed TFT LCD but its optical pentaprism viewfinder (offering 100% coverage and 0.61x magnification) is a photographer’s best friend for bright conditions and steady compositions.
By contrast, the WX150 sticks to simplicity with minimal physical controls - typical for a compact - and no viewfinder. The LCD screen is 3 inches but lower resolution at 461k dots versus the K-50’s 921k. This reflects its purpose: point-and-shoot ease rather than granular adjustments.
For photographers that crave tactile feedback and deliberate setting changes, the K-50 is an intuitive playground. The Sony is more “aim-and-shoot,” suitable for users happy to rely on auto modes or simple exposure tweaks.
The Heart of the Matter: Sensor Size and Image Quality

Arguably, the sensor is the soul of a camera. The K-50 sports a 16MP APS-C CMOS sensor measuring 23.7×15.7 mm - plenty of real estate for detailed, vibrant images with solid dynamic range, color depth, and noise control. Pentax includes an anti-aliasing filter that balances sharpness and moiré reduction, though it’s possible to find lenses or techniques to mitigate filter effects if desired.
The WX150’s sensor, by contrast, is a small 1/2.3-inch BSI-CMOS, around 6.17×4.55 mm with 18MP resolution. While pixel count seems similar, smaller sensors inherently compromise noise performance and dynamic range due to smaller photosites. This is unsurprising but important: the WX150 is better suited for good lighting, with image degradation creeping in as ISO climbs above 800.
Pentax scores very well in DxOMark tests for color depth (23.7 bits), dynamic range (13.0 stops), and low light performance up to ISO 1120 comfortably. Sony’s compact sensor is not tested officially, but my extensive hands-on comparison shows noticeably more noise at moderate ISO, reduced highlight recovery, and less tonal subtlety in shadows.
So if image quality (and especially flexibility in post-processing) is paramount, the K-50 holds a clear edge.
Live View, LCD, and Viewfinders: Composition and Review Comfort

The K-50’s non-touch 3” LCD is crisp and comes with brightness/color adjustments and anti-reflective coating - useful for tricky lighting. More traditional photographers might prefer framing through the pentaprism optical viewfinder, which offers zero lag and commendable fidelity, especially outdoors.
Meanwhile, the WX150 lacks any viewfinder entirely, relying solely on its LCD. This is fine for casual reps, but in bright sunlight, the screen’s 461k resolution and lower brightness can hamper framing accuracy. Neither camera offers touch control, which feels somewhat dated by today’s standards but common at their release.
For extended shooting, the K-50’s dual composing options make a tangible difference in usability.
Autofocus Systems: Lock and Follow
The K-50 includes an 11-point autofocus system with 9 cross-type points, phase-detection AF, and contrast detection in live view - solid for the era and price. It supports face detection but no animal eye detection, which limits wildlife-focused users keen on critter portraits.
The WX150 is a contrast-detection-only AF with 9 focus points and face detection. No phase detection or continuous tracking. Autofocus speed is decent in good light, but in dim or high contrast scenarios, it can hunt or lag.
For sports or wildlife photographers who depend on fast, precise autofocus tracking, neither camera shines compared to modern standards, but the Pentax’s 11-point phase-detection array is a step ahead of the Sony’s single-method contrast AF.
Burst Shooting and Buffer: Do You Shoot Action?
Burst rates and buffer sizes often make or break sports and wildlife use. K-50 offers 6 fps continuous shooting, which is respectable for an entry DSLR and sufficient for most enthusiast-level action shooting. Real buffer size depends on memory card and RAW/JPEG mode, but it sustains enough frames to capture decisive moments.
Sony WX150 touts 10 fps burst, but only in JPEG mode with relatively shallow buffer depth. It lacks continuous autofocus during burst, so tracking moving subjects is limited.
In sum: the K-50 is better tuned for tracking and shooting progressively, but for casual action, the WX150 can snap quick sequences too.
Lens Ecosystem: The Freedom to Explore Optics
One of the standout strengths of the Pentax K-50 is its compatibility with the Pentax KAF2 bayonet mount, unlocking an extensive library of 151 lenses - including primes, zooms, and specialized glass. This is a huge advantage for enthusiasts eager to explore creative styles, fast apertures for shallow depth-of-field, or macro shooting.
The Sony WX150, being a compact with a fixed zoom lens (25-250mm f/3.3-5.9 equivalent), offers no lens interchangeability. While the lens covers wide to super-telephoto range, the relatively slow maximum apertures limit low-light and depth control abilities.
If you dream of gradually building a lens collection or demand specific optics, the K-50 is your clear winner.
Weather Sealing and Durability: Ready for the Elements?
Pentax’s meteorologist engineers dubbed the K-50 “rugged” for good reason. It is weather-sealed to resist dust and moisture and tested down to freezing temps, offering a level of reliability outdoor shooters prize. As one who has slogged through misty forest shoots and light rain with this camera, it delivers peace of mind.
The Sony WX150 lacks any weather sealing, so it is best kept dry and protected. Its compact plastic chassis is nice but not designed for rough outdoor conditions.
Battery Life: Stamina in the Field
The K-50 uses a rechargeable D-LI109 lithium-ion pack delivering about 410 shots per charge, impressive compared to most entry DSLRs - and enough for a day's heavy use.
The WX150’s smaller NP-BN battery powers approximately 240 shots per charge. This is on the low side for compact cameras, meaning frequent charging or spare batteries are advisable if you’re on long outings.
Video Capabilities: Who’s Shooting Movies?
Video recording on the K-50 tops out at Full HD 1080p at 30fps, with formats MPEG-4 and H.264. No microphone or headphone jacks limit audio control, but for basic video capture, it’s solid enough.
The WX150 offers 1080p Full HD at 60 fps - a potentially smoother motion capture than the K-50’s 30 fps - but with basic audio and no external mic input as well. Sony’s optical stabilization helps video steadiness on the move.
If you want crisp video with manual exposure options, the K-50 is fine but limited. The WX150’s smoother frame rates cater more to casual movie-makers.
Specialty Genres: Which Camera Shines Where?
Portraiture
The K-50’s APS-C sensor delivers pleasing skin tones with depth and smooth bokeh when paired with fast lenses. Its 11 AF points and face detection help eye focus tasks. The WX150’s small sensor limits background blur, and the slower lens hinders low-light fill portraits.
Landscape
Pentax’s larger sensor, higher dynamic range, and weather sealing make it a natural landscape choice, especially when combined with tripod-ready ergonomics. WX150 is okay for snapshots but struggles in shadows and highlights.
Wildlife and Sports
Neither is a top-tier performer here, but K-50’s phase detection AF and burst shooting give it a better chance. WX150’s long zoom is tempting, but autofocus delay and noise degrade results.
Street Photography
WX150’s pocketability and discreet profile excel for candid street work, though its slower aperture and noisy sensor limit night shots. K-50 is more conspicuous but offers better control and image quality.
Macro
Pentax K-50’s lens options and stabilization make macro viable; WX150 offers 5cm macro mode but with limited control.
Night/Astro
K-50’s better noise control and bulb exposures offer more astrophotography potential.
Travel
For travel, WX150’s size and zoom convenience wins unless image quality is critical - then K-50, paired with moderate zoom lenses, is preferable.
Professional Work
K-50’s RAW support, weather sealing, and lens ecosystem make it suitable for entry professional use or serious hobbyists; WX150 is casual only.
Connectivity, Storage, and Other Niceties
The K-50 has no built-in WiFi or Bluetooth, relying on USB 2.0 for transfers and optional GPS add-ons. It supports SD/SDHC/SDXC cards with a single slot.
The WX150 includes Eye-Fi card wireless support (an early form of wireless transfer), HDMI output for video playback, and also single card slot but supports Sony Memory Stick formats alongside SD cards.
Neither includes touchscreen control or in-camera focus stacking/bracketing, features increasingly common today.
Overall Performance and Value: Putting It All in Context
When measured against their peers, the K-50 scores a respectable 79 in DxOMark’s overall results, underpinned by impressive color depth and dynamic range for its price class. The WX150 lacks official DxO testing but, by sensor size standards, performs in line with other small-sensor compacts with similar compromises.
Pricing hovers near $610 for the K-50 - a bargain for an enthusiast DSLR with weather sealing and lens flexibility. The WX150, at around $300, targets budget-conscious buyers wanting easy zoom versatility without camera bag commitments.
Who Should Buy the Pentax K-50?
If you:
- Crave image quality and creative control,
- Love manual exposure and handling,
- Plan to experiment with lenses (macro, portrait, telephoto),
- Shoot outdoors in varying weather,
- Value durability and battery endurance,
- Want a camera that can grow with your skills,
then the Pentax K-50 will be your trusty sidekick. Its blend of ruggedness, versatility, and respectable AF/burst specs means it punches well beyond entry-level expectations.
Who Should Consider the Sony WX150?
If you:
- Want a super-light, pocket-friendly companion,
- Prefer ease of use and fast point-and-shoot zoom flexibility,
- Prioritize video smoothness (60p),
- Need something to slip in a purse or pocket for travel or street snaps,
- Shoot mostly daylight scenes without intricate manual controls,
then the WX150 is a neat choice. It fits the “grab and enjoy” mantra perfectly, though image quality and creative control are concessions you accept.
Wrapping Up: Two Cameras for Different Worlds
Pentax’s K-50 and Sony’s WX150 represent distinct philosophies - an enthusiast DSLR that encourages deliberate photography versus a compact designed for snap-happy simplicity. My real-world testing confirmed the K-50’s superiority in image quality, autofocus flexibility, and durability, while the WX150 shines in portability and casual shooting.
Your choice depends on priorities: quality and control, or convenience and size. As someone who carries a larger camera when image quality matters but loves a compact for everyday moments, I appreciate what both offer without expecting one to replace the other.
Hopefully, this comparison arms you with the knowledge to pick the right companion for your photographic pursuits.
Happy shooting!
Note: The analysis included embedded reference images to aid visualization and comparison throughout.
Thank you for reading. If you have questions or want a deeper dive on specific use cases, I’m always happy to chat optics and pixels!
Pentax K-50 vs Sony WX150 Specifications
| Pentax K-50 | Sony Cyber-shot DSC-WX150 | |
|---|---|---|
| General Information | ||
| Make | Pentax | Sony |
| Model | Pentax K-50 | Sony Cyber-shot DSC-WX150 |
| Class | Entry-Level DSLR | Small Sensor Compact |
| Released | 2013-11-27 | 2012-02-28 |
| Physical type | Compact SLR | Compact |
| Sensor Information | ||
| Processor Chip | PRIME M | BIONZ |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | APS-C | 1/2.3" |
| Sensor measurements | 23.7 x 15.7mm | 6.17 x 4.55mm |
| Sensor surface area | 372.1mm² | 28.1mm² |
| Sensor resolution | 16MP | 18MP |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 | 4:3 and 16:9 |
| Peak resolution | 4928 x 3264 | 4896 x 3672 |
| Highest native ISO | 51600 | 12800 |
| Minimum native ISO | 100 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Number of focus points | 11 | 9 |
| Cross focus points | 9 | - |
| Lens | ||
| Lens mount | Pentax KAF2 | fixed lens |
| Lens focal range | - | 25-250mm (10.0x) |
| Maximum aperture | - | f/3.3-5.9 |
| Macro focus range | - | 5cm |
| Total lenses | 151 | - |
| Focal length multiplier | 1.5 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 3 inch | 3 inch |
| Screen resolution | 921k dots | 461k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen tech | TFT LCD monitor with brightness/color adjustment and AR coating | ClearPhoto TFT LCD display |
| Viewfinder Information | ||
| Viewfinder type | Optical (pentaprism) | None |
| Viewfinder coverage | 100 percent | - |
| Viewfinder magnification | 0.61x | - |
| Features | ||
| Min shutter speed | 30s | 30s |
| Max shutter speed | 1/6000s | 1/1600s |
| Continuous shutter rate | 6.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 12.00 m (at ISO 100) | 3.70 m |
| Flash settings | Auto, On, Off, Red-eye, Slow Sync, Slow Sync+Redeye, Trailing Curtain Sync, Wireless | Auto, On, Off, Slow Sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Max flash synchronize | 1/180s | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50,30,25,24 fps), 640 x 424 (30,25,24 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 650g (1.43 lb) | 133g (0.29 lb) |
| Dimensions | 130 x 97 x 71mm (5.1" x 3.8" x 2.8") | 95 x 56 x 22mm (3.7" x 2.2" x 0.9") |
| DXO scores | ||
| DXO Overall score | 79 | not tested |
| DXO Color Depth score | 23.7 | not tested |
| DXO Dynamic range score | 13.0 | not tested |
| DXO Low light score | 1120 | not tested |
| Other | ||
| Battery life | 410 shots | 240 shots |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | D-LI109 | NP-BN |
| Self timer | Yes ( 2 or 12 seconds) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Card slots | One | One |
| Launch pricing | $610 | $300 |