Pentax K-S2 vs Pentax K-r
64 Imaging
63 Features
82 Overall
70


67 Imaging
52 Features
52 Overall
52
Pentax K-S2 vs Pentax K-r Key Specs
(Full Review)
- 20MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 678g - 123 x 91 x 73mm
- Launched February 2015
- Previous Model is Pentax K-S1
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Display
- ISO 200 - 12800 (Expand to 25600)
- Sensor based Image Stabilization
- 1/6000s Maximum Shutter
- 1280 x 720 video
- Pentax KAF2 Mount
- 598g - 125 x 97 x 68mm
- Released March 2011

Pentax K-S2 vs Pentax K-r: An Expert Evaluation of Two Entry-Level DSLRs
In the dynamic field of photography, selecting the right camera is paramount for both budding enthusiasts and more experienced photographers aiming to expand their creative toolkit. Pentax, a brand with a rich history of producing rugged, feature-packed DSLRs, offers two compelling options in the entry-level category: the Pentax K-S2, announced in early 2015, and the older yet still relevant Pentax K-r from 2011. While both cameras adhere to the traditional DSLR form factor and share the same Pentax KAF2 lens mount, there are nuanced differences that can decisively impact photographic experiences depending on your specific genre, technical requirements, or workflow preferences.
Having subjected these cameras to extensive hands-on testing across multiple photography disciplines - from landscape and portraiture to wildlife, sports, and video - this detailed comparison synthesizes technical prowess, real-world usability, and value proposition into a holistic guide for photographers seeking clarity on which Pentax DSLR better suits their goals. Below we dive deep into every critical aspect of these cameras, illustrating their evolution, strengths, and limitations, with precise observations anchored in practical shooting scenarios.
How They Feel and Fit In Your Hands: Ergonomics and Design
One of the foundational elements influencing user satisfaction and shooting effectiveness is how a camera feels in the hand - its size, weight, button layout, and handling characteristics.
Physically, the Pentax K-S2 (123x91x73 mm; 678g) offers a compact but slightly more robust grip compared to the Pentax K-r (125x97x68 mm; 598g). Despite its marginally heavier body, the K-S2’s design provides improved ergonomics, notably a deeper grip contour, making it more comfortable for extended handheld shooting - especially pertinent for telephoto or macro work where steady control matters. The K-r, while lighter, feels slightly less substantial in hand, which some beginners may prefer for portability but may find less reassuring when paired with heavier lenses.
The K-S2’s weather-sealed body delivers significant peace of mind for outdoor photography in dusty or moist conditions, a feature absent in the K-r. This difference cannot be overstated for landscape, wildlife, or travel photographers working in challenging environments, as the K-S2’s dustproof sealing extends camera longevity and reliability.
Examining the top controls, the K-S2 introduces a more modern, logically grouped button layout with intuitive dial placements and a top LED exposure indicator (absent on the K-r). This enhancements not only streamline on-the-fly adjustments but bolster usability in low-light or rapid shooting contexts such as sports. In contrast, the K-r’s control scheme aligns with earlier entry DSLRs, presenting a less refined tactile interface although still serviceable for basic operation. Moreover, the K-S2 has slightly larger, more tactile buttons that improve response accuracy - a vital factor during fast-paced shooting.
Under the Hood: Sensor and Image Quality Analysis
Arguably the heart of any camera, sensor specifications profoundly affect your creative potential by dictating resolution, dynamic range, noise performance, and color fidelity.
Despite the shared APS-C sensor format (approximately 23.5 x 15.6 mm), the Pentax K-S2 boasts a significantly higher resolution sensor at 20 megapixels, compared to the K-r’s 12 megapixels. This difference translates to maximum image sizes of 5472x3648 pixels for the K-S2 versus 4288x2848 pixels for the K-r - offering the K-S2 enhanced potential for large prints, cropping flexibility, and detail retrieval.
From our extensive laboratory and field testing using standardized targets and real-world scenes, the K-S2's sensor provides superior dynamic range, enabling it to capture highlights and shadows with better gradation - a crucial advantage for landscape photographers who contend with high-contrast scenes at dawn or dusk. Additionally, the absence of an anti-aliasing (AA) filter on the K-S2 (noted absence) contributes to crisper fine detail rendering but requires vigilance to avoid moiré in patterned subjects. Conversely, the K-r retains the AA filter, minimizing aliasing artifacts, which may be preferable for certain use cases.
ISO performance between the two also highlights the K-S2’s technological leap: the K-S2 supports native ISO sensitivity up to 51200, compared to K-r’s 12800 max (native), offering photographers much greater versatility in low-light or indoor conditions. In practice, images from the K-S2 demonstrate lower noise levels and better color depth at sensitivities above ISO 3200, extending usable settings into dim environments with less reliance on artificial lighting or tripods.
Viewfinders and Rear Displays: Seeing Your Shot Clearly
A camera’s optical viewfinder and rear LCD screen profoundly influence framing precision and menu navigation - the user’s direct interface with the camera’s capabilities.
The Pentax K-S2 sports a fully articulated 3-inch LCD with 921k-dot resolution, allowing flexible shooting angles, including waist-level or overhead shots, which are invaluable for macro or street photographers working in crowded environments. This articulating design also makes self-portrait framing feasible, an explicit bonus for vloggers or social shooters, underpinning the K-S2’s “selfie-friendly” feature. The screen's clarity and brightness settings further enhance composition in varying outdoor lighting conditions.
In contrast, the Pentax K-r comes with a fixed 3-inch 921k-dot TFT LCD - dimensionally identical but ergonomically restrictive, limiting creative positioning and making awkward angles more challenging. For photographers who primarily shoot from eye level and rarely need flexible display options, this limitation is minor; however, it can hinder spontaneous creative shots or video shooting.
The optical viewfinder reveals another point of divergence: the K-S2 integrates an optical pentaprism with 100% coverage and 0.64x magnification, providing bright, accurate, and edge-to-edge composition feedback suitable for professional work where framing precision is critical. The K-r relies on a pentamirror with 96% coverage and lower magnification (0.57x), which can lead to slight framing ambiguities, a drawback for precision-dependent genres like studio portraiture or architectural photography.
Autofocus and Speed: Making the Shot When it Counts
The autofocus (AF) system is a critical differentiator in terms of reliability and versatility, especially for moving subjects like wildlife or sports.
Both models employ an 11-point AF array with phase-detection focusing; however, the K-S2 implements the more advanced PRIME MII processor, resulting in faster autofocus acquisition and more consistent tracking in continuous AF modes. During empirical testing with subjects in unpredictable motion, such as birds in flight or fast-paced athletes, the K-S2 demonstrated superior lock-on reliability and quicker refocusing, reducing missed shots.
Conversely, while the K-r’s Prime II processor and AF system deliver respectable performance - with 9 cross-type points out of 11 - tracking moving subjects was comparatively less robust, occasionally requiring manual AF assist in challenging light. Furthermore, the K-S2 adds face detection in live view mode, improving focus accuracy in portrait scenarios, whereas K-r’s face detection, though present, is more rudimentary.
Continuous shooting speeds also reflect subtle distinctions: the K-r offers a higher frame rate at 6 frames per second (fps) compared to the K-S2’s 5.4 fps. Although the difference is marginal, it may sway sports and wildlife photographers heavily reliant on rapid bursts to capture decisive moments.
Built-in Features and Connectivity: Adapting to the Modern Photographer
Modern photographer workflows increasingly depend on seamless connectivity and versatile in-camera features, important criteria when weighing the cameras’ comparative merits.
The K-S2 includes built-in wireless connectivity supporting Wi-Fi and NFC, enabling remote control, image transfer, and instant sharing - a feature entirely missing from the K-r, which offers no wireless functions. This connectivity clearly benefits everyday users, travel photographers, and social content creators by simplifying the workflow without additional accessories.
Regarding video, the K-S2 supports Full HD 1080p resolution at 30, 25, and 24 fps, with the flexibility of HD 720p at 60 and 50 fps. Its microphone port also permits external audio recording, enhancing production value for videographers. In comparison, the K-r restricts video to 720p at 25 fps and uses Motion JPEG format - an older codec that yields large files and lower efficiency - and lacks a dedicated microphone port, constraining sound quality enhancements.
Battery life assessments reveal a modest difference: the K-r manages approximately 470 shots per charge, averaging longer usage due to its simpler LCD and lack of wireless modules, compared to the K-S2’s roughly 410 shots. Considering the K-S2’s additional features, this battery discrepancy is negligible in practical scenarios; both cameras use the same D-LI109 battery model with optional AA backup on the K-r.
Lens Compatibility and System Flexibility
Both cameras share the Pentax KAF2 bayonet mount, accessing the extensive ecosystem of approximately 151 compatible lenses ranging from affordable third-party glass to high-grade Pentax primes and zooms. This continuity ensures that lens investments translate across both bodies.
However, the K-S2’s improved body design supports newer lens technologies more seamlessly, such as wireless remote control of external flashes and more sophisticated in-camera corrections (e.g., chromatic aberration and distortion correction), integrated with updated firmware. This consideration is important for professionals who intend to grow their kit in future-proof directions.
Practical Analysis Across Photography Disciplines
With technical foundations established, it is instructive to detail the real-world implications of these differences across popular photography types.
Portrait Photography
The K-S2 excels here, particularly due to its higher sensor resolution, superior face and eye detection AF in live view, and articulating screen facilitating framing. Skin tone reproduction shows greater fidelity with deeper color gradation thanks to improved sensor color depth and image processing. Its in-body stabilization aids slower shutter speeds during indoor portraits, enhancing sharpness without tripod dependency. The K-r’s lower resolution and older AF system produce quieter images with slightly less detail, but its built-in AA filter can mitigate moiré in finely patterned clothing or backgrounds.
Landscape Photography
Dynamic range and resolution are paramount. The K-S2’s 20MP sensor and dust-sealing advantage make it the preferred choice for professionals and enthusiasts shooting in natural settings. Its articulated LCD enhances composition flexibility while weather sealing assures rugged reliability during inclement conditions. The K-r, while competent with good dynamic range for its era, lacks weather sealing and lower resolution, making it more suitable for casual landscapes or studio-based work.
Wildlife and Sports Photography
With faster, more precise AF and superior tracking, the K-S2 better accommodates the demands of moving subjects. Burst mode speed differences are marginal, but sustained tracking accuracy and lens compatibility with added K-S2 features tip the balance. The K-r’s marginally faster fps may appeal to budget-conscious sports shooters, but overall tracking limitations make it less dependable.
Street Photography
Portability and discretion are critical. The lighter build of the K-r can be a welcome trait, though the K-S2’s slightly larger body remains manageable. The articulated screen on the K-S2 enables creative low-angle shots without drawing attention, and its superior high-ISO performance dramatically improves low-light street scenes. The K-r’s fixed screen limits compositional adaptability, and its lesser ISO abilities constrain night-time shooting.
Macro Photography
Precise focusing and stable handling are crucial. The K-S2’s in-body sensor stabilization and articulating screen support fine-tuned composition and reduced motion blur at close distances, while improved AF assists in acquiring sharp focus on small subjects. The K-r performs adequately but may require external stabilization aids more often.
Night and Astro Photography
High-ISO capability and long exposure control are paramount here. The K-S2 supports native ISO up to 51200 and offers extended long shutter speeds up to 6000th sec (minimum 30 seconds), facilitating better astro shots with less noise. Its articulating screen also aids composition in awkward star-gazing angles. The K-r, with a max ISO 12800 and similar shutter speeds, falls behind in noise management.
Video Capabilities
The K-S2’s 1080p capabilities, combined with external microphone input and improved codec efficiency, make it a compelling hybrid shooter option. The K-r, restricted to 720p at 25 fps and lacking audio input, caters only marginally to casual videographers.
Travel Photography
Versatility, size, durability, and battery life factor heavily. The K-S2’s weather sealing and connectivity improve usability in diverse conditions, with a minor battery life trade-off. Its higher resolution and video specs enhance travel documentation. The K-r’s lighter weight and longer battery life slightly ease carry but are offset by increased fragility and fewer features.
Professional Workflows
RAW support, accurate AF, build quality, and file compatibility define professional reliability. The K-S2's contemporary sensor and body better integrate into modern workflows, with 14-bit RAW files offering richer post-processing latitude. The K-r’s 12MP sensor still produces respectable RAW files but at a lower clinical standard.
Summarizing Comparative Scores
Our evaluation metrics, collating technical testing and user experience, rate the cameras as follows:
Further, by photography genre:
From these scores, the K-S2 consistently outperforms the K-r across nearly all areas except continuous shooting speed and battery endurance.
Seeing Them Through the Lens: Sample Image Gallery
Examining real images - taken side-by-side under identical conditions - illustrates the subtle and overt differences:
Notice the enhanced detail and color richness in portraits from the K-S2, the smoother gradations in landscapes, and reduced noise at high ISO levels compared to the K-r.
Final Recommendations
Based on exhaustive testing and analysis, here are our targeted recommendations tailored to varied photographer profiles:
-
For Entry-Level Enthusiasts Prioritizing Image Quality and Versatility: The Pentax K-S2 is the obvious choice, offering significant improvements in sensor resolution, AF, weather sealing, video, and connectivity for a competitive price point (~$580). It supports growth and is rugged enough for fieldwork.
-
Budget-Conscious Users Focused on Basic DSLR Use: The Pentax K-r, despite being older, remains a capable camera for those favoring lightweight design, longer battery life, and simplicity. It's well-suited to beginners learning photography fundamentals without the need for advanced features, especially if acquired second-hand due to its higher price (~$1100 new but often discounted used).
-
Wildlife and Sports Shooters Needing Fast AF Tracking: The K-S2’s improved autofocus system and durable build make it the better option for subjects in motion requiring rapid, reliable focus locking.
-
Travel and Street Photographers: The K-S2’s weather sealing and articulating screen slightly outweigh the marginal weight advantage of the K-r. Its better low-light capabilities enable more vivid and diverse capture scenarios.
-
Video Content Creators: The K-S2’s Full HD recording and external mic port make it a viable hybrid camera for hybrid shooters seeking to integrate stills and video without separate gear.
Concluding Thoughts: Which Pentax DSLR Aligns With Your Vision?
Both Pentax K-S2 and K-r serve well-defined niches within the entry-level DSLR domain, anchored by the trusted Pentax ecosystem and robust lens compatibility. The K-S2’s modern enhancements - especially sensor upgrades, weather sealing, AF improvements, and multimedia features - clearly position it as the superior choice for photographers desiring long-term value and flexibility without stepping into professional high-end pricing tiers.
The K-r maintains value for users who prefer a traditional DSLR experience with fewer bells and whistles, particularly if cost or weight constraints dominate decision-making. Yet, for professionals and serious enthusiasts demanding greater creative control, durability, and future-proofing, the Pentax K-S2 represents a notable upgrade, justified by hands-on performance gains across nearly all evaluated parameters.
By integrating technical rigor with practical usage insights, we hope this in-depth comparison empowers photographers to select the Pentax DSLR that truly complements their artistic ambitions and shooting environments.
For further detailed specifications and sample galleries, refer to official Pentax resources or trusted third-party reviews. Always test camera bodies with your preferred lenses and workflows where possible before final purchase decisions.
Pentax K-S2 vs Pentax K-r Specifications
Pentax K-S2 | Pentax K-r | |
---|---|---|
General Information | ||
Make | Pentax | Pentax |
Model | Pentax K-S2 | Pentax K-r |
Type | Entry-Level DSLR | Entry-Level DSLR |
Launched | 2015-02-10 | 2011-03-11 |
Body design | Compact SLR | Compact SLR |
Sensor Information | ||
Chip | PRIME MII | Prime II |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.5 x 15.6mm | 23.6 x 15.8mm |
Sensor surface area | 366.6mm² | 372.9mm² |
Sensor resolution | 20MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 3:2 |
Highest resolution | 5472 x 3648 | 4288 x 2848 |
Highest native ISO | 51200 | 12800 |
Highest boosted ISO | - | 25600 |
Lowest native ISO | 100 | 200 |
RAW support | ||
Lowest boosted ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 11 | 11 |
Cross focus points | - | 9 |
Lens | ||
Lens mount | Pentax KAF2 | Pentax KAF2 |
Amount of lenses | 151 | 151 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Range of screen | Fully Articulated | Fixed Type |
Screen size | 3" | 3" |
Screen resolution | 921 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentamirror) |
Viewfinder coverage | 100% | 96% |
Viewfinder magnification | 0.64x | 0.57x |
Features | ||
Slowest shutter speed | 30 secs | 30 secs |
Maximum shutter speed | 1/6000 secs | 1/6000 secs |
Continuous shooting speed | 5.4 frames/s | 6.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 12.00 m (at ISO 100) | 12.00 m (at ISO 100) |
Flash modes | Auto, auto w/redeye reduction, flash on, flash on + redeye reduction, slow sync, trailing curtain sync, manual flash | Auto, Red-eye Reduction, Slow-speed Sync, Trailing Curtain Sync, High-Speed Sync and Wireless Sync |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Maximum flash sync | - | 1/180 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p) | 1280 x 720 (25 fps), 640 x 480 (25 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video file format | MPEG-4, H.264 | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | Optional |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 678 gr (1.49 lb) | 598 gr (1.32 lb) |
Dimensions | 123 x 91 x 73mm (4.8" x 3.6" x 2.9") | 125 x 97 x 68mm (4.9" x 3.8" x 2.7") |
DXO scores | ||
DXO All around score | not tested | 72 |
DXO Color Depth score | not tested | 22.9 |
DXO Dynamic range score | not tested | 12.4 |
DXO Low light score | not tested | 755 |
Other | ||
Battery life | 410 images | 470 images |
Style of battery | Battery Pack | Battery Pack |
Battery model | D-LI109 | D-LI109,4 x AA |
Self timer | Yes (2 or 12 secs) | Yes (2 or 12 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC | SD/SDHC |
Storage slots | 1 | 1 |
Launch cost | $581 | $1,100 |