Pentax K200D vs Sony A37
61 Imaging
49 Features
41 Overall
45


67 Imaging
56 Features
65 Overall
59
Pentax K200D vs Sony A37 Key Specs
(Full Review)
- 10MP - APS-C Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- Sensor based Image Stabilization
- No Video
- Pentax KAF2 Mount
- 690g - 134 x 95 x 74mm
- Introduced September 2008
- Succeeded the Pentax K100D S
(Full Review)
- 16MP - APS-C Sensor
- 2.6" Tilting Display
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 506g - 124 x 92 x 85mm
- Announced May 2012
- Old Model is Sony A35

Pentax K200D vs Sony A37: An In-Depth DSLR Comparison for Photography Enthusiasts
When stepping into the realm of entry-level DSLRs, two models that often attract attention - albeit from slightly different eras - are the Pentax K200D, launched in late 2008, and the Sony A37, introduced in mid-2012. Though both share the "entry-level DSLR" badge, these cameras embody distinct philosophies and technological choices reflective of their generation and manufacturer legacies.
I have spent extensive hands-on time testing both these cameras across a broad spectrum of photographic disciplines, from portraits to wildlife, low light to landscapes, and even video. In this detailed comparison, I’ll walk through their build, ergonomics, sensor and image quality performance, autofocus systems, and real-world usability. The goal here? To leave you well-equipped with informed insights grounded in years of camera testing experience.
Let’s dive in.
First Impressions: Design and Ergonomics
Right out of the gate, these cameras contrast noticeably in physical heft, styling, and control layout - a factor that matters when the camera will be your daily companion.
Pentax K200D
The K200D is a deceptively solid little beast. Its slightly chunky but well-contoured magnesium alloy body offers a reassuring grip for its class, measuring 134 x 95 x 74 mm and weighing roughly 690 grams (with batteries). Those four AA batteries - universal, easy to swap anywhere in the world - also add to its standalone appeal for travelers who hate the thought of proprietary power woes.
Handling-wise, the K200D leans on a traditional DSLR design, with a straightforward top LCD, modest-sized buttons, and a comfortable shutter button placement. Its optical pentamirror viewfinder covers 96% of the frame with magnification of 0.57x, which is pretty standard but not quite immersive.
Sony A37
The Sony A37, on the other hand, embraces modern compactness. Smaller and lighter at 124 x 92 x 85 mm and 506 grams (with battery), it’s a notably pocketable option. The body feels more plastic but not flimsy, aimed to be convenient without losing grip integrity.
Equipped with an innovative translucent mirror design, it features a 100% coverage electronic viewfinder with excellent magnification of 0.73x and 1440K-dot resolution, heralding a major leap forward from traditional optical finders’ limitations. This makes the Sony a great choice for those who want precise framing and preview exposure prior to the shot.
Ergonomically, the A37 incorporates a tilting 2.6-inch screen and more compact controls, which might be less tactile but versatile.
The top control layouts showcase the Sony's lean towards streamlined modernity with fewer dedicated dials, favoring menus for customization, while the K200D features more discernible physical controls - possibly an easier learning curve for traditionalists.
Sensor Technology and Image Quality
When I’m testing DSLRs, sensor evaluation involves analyzing resolution, dynamic range, color depth, and noise performance across ISO values, always using standardized RAW files and laboratory scenes, as well as in-field environments.
Sensor Hardware and Resolution
- Pentax K200D uses a 10.2-megapixel APS-C CCD sensor - the same size as Sony's but an older sensor technology typical of its time.
- Sony A37 sports a 16.1-megapixel APS-C CMOS sensor, delivering roughly 50% more pixels with more modern backside illumination tech.
Sony definitely edges out in raw resolution and sensor innovation, which manifests in greater detail capture and low-light handling.
Dynamic Range and Color Depth
Using DxO Mark benchmarks, the A37 scores significantly higher with a 12.9 EV dynamic range versus 11.4 EV on the K200D, allowing the Sony to hold more highlight and shadow detail in high-contrast scenes - key for landscapes and HDR work.
Color depth also favors Sony (23.3 bits vs 22.4), translating to slightly richer tonal gradation in images, especially in portrait skin tones and subtle natural hues.
ISO Performance and Noise
The K200D's maximum ISO of 1600 highlights its era's limitations, with image noise becoming apparent beyond ISO 800. Sony’s A37, with ISO expandable to 25600, provides more usable high ISO images usable up to ISO 3200 in many scenarios, albeit with some fine-grain noise creeping in above that.
In low light, this difference makes Sony the clear winner, suitable for indoor events and night photography. The CCD sensor’s noise characteristics in the K200D give images a different “film-like” grain structure, which some might appreciate artistically.
Focusing Systems: Precision and Speed
Autofocus is a critical aspect for any DSLR user, especially for action, wildlife, and portrait shooters aiming for crispness and speed.
- K200D: Features an 11-point phase-detection AF system with AF single, continuous, and selective auto-area modes.
- A37: Offers a 15-point phase-detection AF system with three cross-type sensors for better accuracy, plus face detection AF and Live View contrast detection.
In practical testing, the Sony’s AF is noticeably snappier, with quicker acquisition and more consistent performance in challenging light or moving subjects. Face detection is a boon for portrait and street photographers, providing reliable eye and subject tracking where the K200D’s system might struggle.
Continuous autofocus works best on the Sony too, partly thanks to its translucent mirror design allowing uninterrupted AF during burst shooting at 6fps, double the K200D’s 3fps.
Build Quality and Weather Resistance
I always advocate evaluating toughness for those intending to use cameras outdoors or professionally.
The Pentax K200D boasts some degree of environmental sealing which enhances dust and moisture resistance, a rarity for entry-level models. This makes it a trustworthy companion for landscapes and fieldwork in less-than-ideal weather.
The A37 lacks any official weather sealing, limiting its ruggedness in extreme conditions, although its body materials and build feel solid enough for casual use.
LCD Screens and Viewfinders: Composition Tools
While neither camera offers touchscreens - a luxury that came later - the Sony’s tilting 2.6-inch screen adds creative framing flexibility, useful for macro and street photography or awkward angles. Contrast this with the Pentax’s fixed 2.7-inch display, which though slightly larger, offers limited articulation.
The electronic viewfinder in Sony provides a unique advantage: preview of exposure, white balance, and focus confirmation in real time, empowering shooters to adjust on the fly. The K200D’s optical pentamirror, while preferred by some purists for natural viewing and zero lag, covers less of the scene and can be dimmer.
Lens Ecosystem and Compatibility
Lens choice remains a core camera consideration. Here, both systems offer mature mounts with access to a wide range of glass:
- Pentax K200D utilizes the KAF2 mount, compatible with over 150 lenses, including transformers from prime through telephoto, many with weather sealing and Pentax’s famed optical stabilization built-in.
- Sony A37 uses the Sony/Minolta Alpha mount, compatible with roughly 143 lenses, heavily supplemented by third-party producers. Offering excellent native lens options for portraits and zoom, plus access to legacy Minolta glass with adapters.
Pentax’s longer heritage and presence in weather-resistant optics make it a favorite for outdoor enthusiasts. Sony’s system excels in versatility, ease of autofocus lens upgrades, and covers more modern optical stabilizers.
Shooting Features and Usability
Beyond hardware, user experience counts immensely.
- Pentax K200D lacks live view and video capability, focusing on stills delivery with basic exposure modes: shutter priority, aperture priority, manual, plus sensor-based image stabilization.
- Sony A37 embraces full live view with face detection AF, and includes Full HD 1080p video at 60fps, stereo microphone input, and HDMI output - features Pentax users won’t find here.
The continuous high-speed shooting of 6fps on the Sony grants an advantage for sports and wildlife photographers, while Pentax’s 3fps burst can feel limiting when capturing fast action.
Battery life is another forte for Sony, with an impressive rated 500 shots per charge on a custom battery compared to unspecified AA battery life estimation on the Pentax. Sony’s use of proprietary lithium-ion packs offers more consistent power delivery and fewer stops mid-shoot.
Real-World Photography Disciplines: Performance Breakdown
Let me unpack how both cameras fare across popular photography genres to aid your specific decision:
Portrait Photography
Sony’s higher resolution, face detection AF, and richer dynamic range deliver more lifelike skin tones and creamy bokeh, especially when paired with good portrait primes. The K200D holds a certain charm with its natural color reproduction and sensor stabilization, but its 10MP resolution feels limited for cropping and large prints.
Landscape Photography
Pentax’s weather sealing and slightly better color depth in raw files offer an edge for rugged outdoor shooting. However, Sony’s dynamic range and resolution allow more expansive landscape detail and easier shadow recovery in post-processing.
Wildlife and Sports Photography
The Sony A37 wins handily with faster burst rate, superior autofocus speed, and tracking accuracy. The translucent mirror’s continuous AF during burst shooting is a technical advantage that Pentax cannot match.
Street Photography
Sony’s smaller, lighter, and quieter operation - plus live view - make it less obtrusive for candid shots. The Pentax, though bulkier, benefits from a traditional DSLR aesthetic which might deter some but comfort others. Neither offers particularly stealthy silent shutter, but the Sony’s electronic viewfinder helps with discreet composition.
Macro Photography
The Pentax’s sensor stabilization is helpful for handheld macro shots, complemented by weather resistance for outdoor flower or insect photography. Sony’s tilting screen aids framing at tricky angles, and higher resolution captures more detail.
Night and Astro Photography
Sony’s high ISO capacity and cleaner noise profiles offer more confidence and flexibility in astrophotography and long-exposure night scenes than the K200D’s modest ISO ceiling.
Video Capabilities
A stark difference: Sony supports Full HD video recording with decent codec options and microphone input; Pentax offers none. If video is a notable interest, Sony is the clear winner.
Travel Photography
The Sony’s compactness, light weight, and battery life make it more travel-friendly. Pentax’s AA batteries offer global convenience, but bulk and missing video/live view could limit versatility.
Professional Work
Both cameras are entry-level and miss advanced professional features, but Sony’s RAW files and live view system fit better within a digital workflow. Pentax’s ruggedness benefits certain field professionals without video needs.
Connectivity, Storage, and Extras
Both cameras house a single SD card slot; Sony adds compatibility with Memory Stick - a slight edge in flexibility. USB 2.0 ports provide basic transfer capabilities, and Sony supports Eye-Fi cards for wireless image offload, which Pentax notably lacks.
Neither unit includes Bluetooth or NFC, reflecting their time of release. The Sony’s HDMI output supports external monitors, a worthy perk for multimedia creators.
Summary of Performance Scores
Bringing all the metrics into a digestible overview:
The Sony A37 scores substantially higher (75 vs 64 overall on DxOMark), underscoring its superiority in sensor performance, autofocus, and feature set.
For a granular genre evaluation:
This confirms the Sony’s dominance in sports, wildlife, low light, and video, while the Pentax holds competitive turf in rugged landscape and dependable portrait applications.
Sample Images: Visual Proof
The truest test comes from comparison images taken with both cameras under identical conditions.
Notice Sony’s sharper detail rendition, better highlight retention in landscape shots, and cleaner skin tones in portraits. Pentax images display pleasant color tones and a natural CCD character, though they lack the resolution and dynamism of the Sony files.
Final Thoughts and Recommendations
Both the Pentax K200D and Sony A37 carve out distinct niches despite overlapping categories.
Choose the Pentax K200D if:
- You desire a robust, weather-sealed DSLR for outdoor and landscape photography
- You prefer a bigger grip and traditional DSLR controls
- Using AA batteries fits your travel needs or emergency preparedness
- Still-only shooting suffices, and you value classic CCD image character
- You are content with modest resolution and basic autofocus performance
Opt for the Sony A37 if:
- You want higher resolution, better low-light capabilities, and faster autofocus for diverse photography styles
- Video recording at Full HD alongside stills is important
- Face detection and live view enhance your shooting experience
- Portability, battery life, and modern connectivity matter
- You need a camera more attuned to fast-paced subjects like sports or wildlife
The choice between these two essentially boils down to one between traditional still photography emphasis with ruggedness (Pentax) or a more versatile multimedia and performance-driven tool embracing newer technology (Sony).
In my hands-on experience spanning thousands of cameras, I can attest that while the K200D remains a stalwart entry-level option for Pentax enthusiasts and field shooters, the A37 still holds relevance as a surprisingly capable, affordable hybrid camera for photographers desiring more speed, resolution, and video today.
I hope this comparison aids you in making a knowledgeable decision tailored to your photographic passions and priorities. Feel free to ask if you want me to elaborate on specific features or shooting scenarios. Here’s to your next great image!
Pentax K200D vs Sony A37 Specifications
Pentax K200D | Sony SLT-A37 | |
---|---|---|
General Information | ||
Brand | Pentax | Sony |
Model type | Pentax K200D | Sony SLT-A37 |
Category | Entry-Level DSLR | Entry-Level DSLR |
Introduced | 2008-09-01 | 2012-05-16 |
Body design | Compact SLR | Compact SLR |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.5 x 15.7mm | 23.5 x 15.6mm |
Sensor surface area | 369.0mm² | 366.6mm² |
Sensor resolution | 10 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | - | 3:2 and 16:9 |
Full resolution | 3872 x 2592 | 4912 x 3264 |
Max native ISO | 1600 | 25600 |
Minimum native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 11 | 15 |
Cross type focus points | - | 3 |
Lens | ||
Lens support | Pentax KAF2 | Sony/Minolta Alpha |
Number of lenses | 151 | 143 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen sizing | 2.7" | 2.6" |
Resolution of screen | 230k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Electronic |
Viewfinder resolution | - | 1,440k dot |
Viewfinder coverage | 96 percent | 100 percent |
Viewfinder magnification | 0.57x | 0.73x |
Features | ||
Lowest shutter speed | 30s | 30s |
Highest shutter speed | 1/4000s | 1/4000s |
Continuous shooting speed | 3.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 13.00 m (at ISO 100) | 12.00 m |
Flash options | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/180s | 1/160s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Max video resolution | None | 1920x1080 |
Video data format | - | MPEG-4, AVCHD, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 690 grams (1.52 pounds) | 506 grams (1.12 pounds) |
Physical dimensions | 134 x 95 x 74mm (5.3" x 3.7" x 2.9") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
DXO scores | ||
DXO All around rating | 64 | 75 |
DXO Color Depth rating | 22.4 | 23.3 |
DXO Dynamic range rating | 11.4 | 12.9 |
DXO Low light rating | 561 | 799 |
Other | ||
Battery life | - | 500 pictures |
Type of battery | - | Battery Pack |
Battery ID | 4 x AA | NP-FW50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
Time lapse recording | ||
Type of storage | SD/MMC/SDHC card | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 1 |
Launch cost | $600 | $522 |