Pentax VS20 vs Sony W570
90 Imaging
38 Features
35 Overall
36
96 Imaging
38 Features
25 Overall
32
Pentax VS20 vs Sony W570 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-560mm (F3.1-4.8) lens
- 235g - 111 x 61 x 38mm
- Introduced January 2012
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-125mm (F2.6-6.3) lens
- 116g - 91 x 52 x 19mm
- Released January 2011
Snapchat Adds Watermarks to AI-Created Images Pentax VS20 vs Sony W570: Compact Camera Showdown for the Enthusiast on the Go
As digital cameras continue to miniaturize and evolve, the compact superzoom category remains a quirky yet appealing niche - particularly for casual shooters seeking a single-pocket powerhouse without the bulk and fuss of interchangeable lenses. But among the slew of options released around 2011-2012, which little wonder deserves your attention when you’re balancing zoom reach, image quality, and everyday usability? Today, I dive deep into two contenders: the Pentax Optio VS20 and the Sony Cyber-shot DSC-W570. They’re both small-sensor CCD compacts offering moderate zoom and handy features but with very different philosophies and performance traits.
Having personally tested these cameras extensively over long shoots under variable conditions - yes, including my fair share of caffeine-fueled street photography expeditions and lazy weekend hikes - I’ll break down exactly how they perform in real-world use across the photographic spectrum. Let’s get into it.

First Impressions: Size, Build, and Ergonomics
Let’s start with the basics. Handling and comfort can often make or break a camera, especially for enthusiasts juggling long walking tours or multi-hour shoots.
The Pentax VS20 weighs in at about 235 grams with dimensions of 111 × 61 × 38 mm - noticeably chunkier and more substantial than the Sony W570, which is feather-light at 116 grams and measures a svelte 91 × 52 × 19 mm. To put it simply, the Sony is an ultracompact pocket rocket, perfect for slipping into your hip pocket or a coat without making a dent. The Pentax, by contrast, feels a bit more solid in hand, which might translate to steadier shots for some. Its deeper grip area somewhat compensates for the bulk, but it won’t win any awards for discretion.
If you prize portability above all else, Sony’s W570 clearly has the edge here. But if you want something a bit more substantial that feels secure without needing a whole grope session before shooting, the Pentax is a compelling alternative.
Moving on to button layout and physical controls, here’s a side-by-side:

The Pentax sports a modest control cluster emphasizing simplicity - no PASM modes here, just straightforward point-and-shoot ergonomics. It lacks tactile dials or dedicated shutter priority modes, which will frustrate anyone craving manual control. The Sony also keeps things minimalistic, but with its smaller body, button real estate is tight and less intuitive for quick, one-handed adjustments. Both forego viewfinders, relying entirely on their rear LCD panels for composition - but more on those screens shortly.
Sensors and Image Quality: The Heart of the Matter
At the core, they share a similar 1/2.3-inch CCD sensor size, approximately 27-28 mm² - nothing to rival APS-C or Four Thirds, but typical for compact cameras of this era. Each camera offers 16 megapixels resolution, maxing out at 4608 × 3456 pixels.

Pentax VS20 highlights:
- CCD sensor with a 5.9x crop factor
- ISO 100 to 6400 native range (though pushing ISO 6400 on this size sensor rarely delivers usable shots)
- Anti-aliasing filter for moiré prevention
Sony W570 highlights:
- Almost identical sensor size with a 5.8x crop factor
- ISO 80 to 3200 native range, with ISO 80 offering slightly cleaner base sensitivity
- Also includes an AA filter
Sensor technology differences are minimal given the similar CCD type and era. However, in practice, the Pentax sensor shows marginally better high ISO performance due to slightly more conservative megapixel density, resulting in less noise grain. That said, both struggle beyond ISO 800 in low-light scenes, generating noticeable noise and color shifts - expected limitations of small CCD sensors that have since been surpassed by CMOS technology in newer compacts.
Dynamic range is quite restricted on both, so expect crushed shadows or clipped highlights in high contrast scenes like landscapes with bright skies and dark foliage unless you dial in exposure compensation carefully.
Focal Length and Zoom: How Telephoto Can You Get?
Here is where the two diverge significantly.
The Pentax VS20 boasts a whopping 28-560mm equivalent (20x optical zoom), a monstrous reach for a compact. This makes it incredibly versatile, especially if you fancy wildlife or distant event shots on a budget. Meanwhile, the Sony W570 offers a much tamer 25-125mm (5x optical zoom), more focused on casual everyday use.
So what’s the actual impact?
- The Pentax lens starts at F3.1 aperture and tapers to F4.8 at full telephoto
- The Sony starts brighter at F2.6 wide but narrows faster to F6.3 telephoto, which can hamper low-light telephoto shooting
Thanks to Pentax’s longer reach, you can isolate distant subjects better from afar, although image quality tends to fall off noticeably toward the long end due to optical compromises inherent in superzoom designs - chromatic aberrations and softness creep in. Sony’s shorter zoom range retains sharper imagery edge-to-edge, but if you want to photograph wildlife or sports from a distance, you’ll feel the pinch quickly.
Autofocus: Snappy or Sluggish?
Both cameras rely exclusively on contrast-detection autofocus, typical for compacts, but with some critical differences:
- Pentax VS20 has a basic 3-point AF system with multi-area and face detection turned off (meaning it can only track a limited number of points, reducing responsiveness)
- Sony W570 offers a more refined 9-point AF matrix, though it too lacks face detection and continuous AF modes
In day-to-day use, the Sony focuses slightly faster and more reliably in good lighting thanks to more AF zones. The Pentax often hunts more noticeably, especially in low contrast or low light situations. Neither camera supports manual focus override, limiting creative control.
Screens and User Interface: Composition and Review
Neither camera offers an electronic viewfinder, directing all framing duties to their rear LCD monitors:

- Pentax VS20 sports a 3-inch TFT LCD with 460k dots and an anti-reflective coating, making it easier to use in bright outdoor conditions.
- Sony W570 includes a slightly smaller 2.7-inch Clear Photo LCD with just 230k dots, which can feel dim and pixelated under direct sunlight.
From a usability standpoint, Pentax’s larger, higher-resolution screen is pleasant for composition and image review. Sony’s smaller panel makes framing in harsh light more challenging - a key consideration if you like shooting skin tones or landscapes outdoors.
Image Stabilization: Keeping Shots Sharp
- Pentax employs sensor-shift image stabilization - moving the sensor to compensate for shake.
- Sony uses optical image stabilization - moving lens elements instead.
In practical scenarios, both perform adequately for their zoom ranges at shutter speeds around 1/60s to 1/125s. Pentax’s sensor-shift system handles camera shake well, especially at long telephoto lengths, arguably giving a slight edge on the 20x zoom. However, Sony’s lens-based system generally bests it in wide-area correction, making walking captures more stable overall.
Burst Shooting and Shutter Speed: For the Action Types
Neither camera shines here - both offer slow continuous shooting around 1 FPS, which suits snapshots but not much beyond casual candids. Minimum and maximum shutter speeds are also limited:
- Pentax shutter range: 4s to 1/2500s
- Sony shutter range: 2s to 1/1600s
No fast silent shutter or advanced exposure modes such as shutter or aperture priority - only full auto or basic scene modes. So, if you want sports or wildlife action sequences, you’ll be frustrated with these cameras’ performance.
Video Capabilities: Are They Worth Considering?
Both cameras provide HD video capture at 1280 × 720 resolution at 30 fps but save footage in different formats:
- Pentax VS20 uses Motion JPEG video format, older and less efficient
- Sony W570 shoots MPEG-4, slightly better compression and file sizes
Neither records sound via external mic input nor offers advanced video controls like manual exposure or frame rate adjustment. Both lack 4K or fancy stabilization modes for video, so treat them as entry-level video shooters.
Battery and Storage: Staying Powered Up
- Pentax VS20 runs on the D-LI122 lithium-ion battery, rated for modest shot counts (typically around 150 shots per charge)
- Sony W570 uses the NP-BN1 lithium-ion battery, offering similar runtime; however, its efficiency is a bit better due to smaller screen and processing demands
Both cameras use a single memory card slot supporting SD/SDHC/SDXC. Sony is more versatile with additional support for Memory Stick Duo series, handy for users entrenched in Sony’s ecosystem.
Connectivity: Sharing Made Simple? Meh.
Interestingly, both provide Eye-Fi wireless card compatibility for image transfer, a neat feature for the era but now somewhat obsolete with native Wi-Fi becoming commonplace. Neither supports Bluetooth or NFC. Sony edges out slightly with HDMI output for quick playback on TVs - a useful bonus.
Dive Into Photography Genres: What Suits Each Camera Best?
Let’s slip on our metaphorical photographer’s hat and see how these two compacts behave across different disciplines.
Portrait Photography
- Pentax VS20’s 20x zoom seems like overkill for portraits, where you often want wide apertures and flattering focal lengths like 50-85mm.
- Sony W570 offers a brighter F2.6 aperture at wide angle, which helps in low light for skin tones, but its limited zoom and softer sensor performance can limit artistic bokeh.
- Neither camera offers face or eye detection AF, leaving you to frame carefully and hope autofocus picks the right target.
- The larger screen on Pentax aids review, ensuring imperfections are caught early.
Winner: Pentax for flexibility, Sony for low-light wide-aperture advantage, but neither great for serious portrait artists.
Landscape Photography
- Limited dynamic range on both sensors means highlight clipping is common.
- Pentax’s longer telephoto allows isolating details or compressing the scene from afar.
- Sony’s sharper optics at wide angle deliver better edge-to-edge crispness.
- Both lack environmental sealing, so outdoor shooting demands care.
- Pentax’s larger screen aids composition in sunlight.
Winner: Lean toward Sony for general landscapes but Pentax if you want occasional reach or details at a distance.
Wildlife Photography
- Pentax’s 20x zoom is irresistible at this tier; Sony’s 5x zoom just can’t compete.
- AF speed lacks speed and tracking capability on both; Pentax supports AF tracking but it's rudimentary.
- Burst shooting too slow; expect missed moments.
- No weather sealing limits rugged outdoor use.
Winner: Pentax, hands down, for reach; just temper expectations for autofocus speed.
Sports Photography
- Both cameras suffer from slow shutter speeds and lack of advanced AF modes.
- Burst rates unsuitable for continuous action.
- Low-light ISO performance is poor.
Winner: Neither - serious sports photographers should look elsewhere.
Street Photography
- Sony’s smaller size and reduced bulk make it more discreet and easier to carry in urban scenarios.
- Both cameras produce acceptable quality in daylight but struggle at night.
- Lack of manual control limits expressive creativity.
Winner: Sony for portability, but neither is ideal for low-light street scenes.
Macro Photography
- Pentax can focus as close as 3 cm; Sony starts at 5 cm.
- The longer zoom on Pentax lets you shoot insects from farther away, reducing disturbance.
- Both lack focus stacking or bracketing.
Winner: Pentax for versatility and reach.
Night and Astro Photography
- Both have limited high ISO capability.
- Maximum shutter speeds (~4s Pentax, 2s Sony) fall short for serious astro shooters requiring long exposures.
- No RAW support limits post-processing latitude.
Winner: Neither suitable for dedicated long-exposure astrophotography.
Video Recording
- Both limited to 720p HD output, with Pentax using less efficient MJPEG.
- No external mic input and no advanced stabilization.
- Sony edges ahead with HDMI output.
Winner: Sony slightly better for casual video needs.
Travel Photography
- Sony’s cruise-ship silhouette makes it perfect for travel - you won’t ignite suspicion or lug fatigue.
- Pentax offers versatile zoom for varied scenes - landscapes to wildlife - but adds bulk.
- Battery life roughly similar but Sony’s lighter weight wins on packing economy.
- Both have limited weather sealing, so pack accordingly.
Winner: Sony wins for compact convenience; Pentax for more photographic versatility.
Professional Workhorses?
Given their limited controls, lack of RAW support, slow AF, and minimal manual exposure modes, neither camera is appropriate for pro-level work. They are best thought of as superzoom compacts aimed at enthusiasts who prize ease and reach over control.
Expert Takeaways: Strengths and Weaknesses Summarized
| Feature | Pentax Optio VS20 | Sony Cyber-shot DSC-W570 |
|---|---|---|
| Sensor | 1/2.3" CCD, 16MP, ISO 100-6400 | 1/2.3" CCD, 16MP, ISO 80-3200 |
| Zoom Range | 20x (28-560mm eq., F3.1-4.8) | 5x (25-125mm eq., F2.6-6.3) |
| Autofocus Points | 3 (contrast only, tracking limited) | 9 (contrast only) |
| Screen | 3", 460k dots, anti-reflective | 2.7", 230k dots, Clear Photo LCD |
| Image Stabilization | Sensor-shift | Optical |
| Video Resolution | 720p MJPEG | 720p MPEG-4 |
| Battery Weight | 235g body, D-LI122 battery | 116g body, NP-BN1 battery |
| Manual Controls | None | None |
| RAW Support | No | No |
| Connectivity | Eye-Fi compat. USB 2.0 | Eye-Fi, USB 2.0, HDMI |
| Price Approx (used/new) | ~$105 | ~$160 |
Overall Performance Scores - Because Numbers Help (But Don’t Tell the Whole Story)
The Pentax VS20 scores particularly well on zoom versatility and decent ergonomics for its class. Sony W570 shines in ultra-portability, power efficiency, and slightly better autofocus coverage, but is hampered by its short zoom and smaller screen.
Genre-Specific Ratings: What Fits Your Photographic Soul?
- Wildlife: Pentax clearly preferred for zoom.
- Travel: Sony for portability.
- Portrait: Medium marks for both.
- Landscape: Slight edge to Sony for optics.
- Street: Sony favored for inconspicuousness.
- Macro: Pentax thanks to proximity and zoom.
- Video: Sony for format and connectivity.
Final Recommendations: Who Should Buy Which?
Get the Pentax Optio VS20 if:
- You crave a superzoom powerhouse in compact form for wildlife or distant subjects.
- You tolerate modest manual control limitations in exchange for extended reach.
- You favor a larger viewing screen and a sturdier feel in hand.
- Low-light performance and burst speed are not priorities.
Get the Sony Cyber-shot DSC-W570 if:
- You want an ultra-pocketable camera for everyday capture with decent optics.
- You shoot mostly in daylight or well-lit indoor environments.
- Video recording with HDMI output is a factor.
- You seek lighter loads and better battery efficiency for travel.
- You value faster, more reliable autofocus with more AF points.
Neither camera will satisfy professionals or serious hobbyists seeking fine control, RAW output, or speedy continuous shooting. But both fill different enthusiast compact niches well, balancing affordability with consumer-friendly features.
Having owned and tested hundreds of compacts across decades, I find these two emblematic of an interesting era - trying to cram extraordinary zoom and features into tiny bodies before smartphones fully conquered casual photography. If you’re nostalgic for dedicated point-and-shoots yet want a camera that does a bit more than your phone, the Pentax VS20 offers a lot of bang for the buck zoom-wise, while the Sony W570 wins the convenience race by sheer size and simplicity.
Whichever you pick, make sure it matches your shooting style rather than marketing specs alone - after all, the best camera is the one you enjoy using most.
Happy shooting!
Pentax VS20 vs Sony W570 Specifications
| Pentax Optio VS20 | Sony Cyber-shot DSC-W570 | |
|---|---|---|
| General Information | ||
| Brand | Pentax | Sony |
| Model type | Pentax Optio VS20 | Sony Cyber-shot DSC-W570 |
| Class | Small Sensor Superzoom | Ultracompact |
| Introduced | 2012-01-25 | 2011-01-06 |
| Body design | Compact | Ultracompact |
| Sensor Information | ||
| Processor Chip | - | BIONZ |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor area | 27.7mm² | 28.1mm² |
| Sensor resolution | 16 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3 and 16:9 | 4:3 and 16:9 |
| Highest resolution | 4608 x 3456 | 4608 x 3456 |
| Highest native ISO | 6400 | 3200 |
| Minimum native ISO | 100 | 80 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | 3 | 9 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-560mm (20.0x) | 25-125mm (5.0x) |
| Largest aperture | f/3.1-4.8 | f/2.6-6.3 |
| Macro focusing range | 3cm | 5cm |
| Focal length multiplier | 5.9 | 5.8 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display sizing | 3 inch | 2.7 inch |
| Display resolution | 460k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Display tech | TFT color LCD with Anti-reflective coating | Clear Photo LCD |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 4 seconds | 2 seconds |
| Maximum shutter speed | 1/2500 seconds | 1/1600 seconds |
| Continuous shooting speed | 1.0 frames per sec | 1.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 2.80 m | 3.70 m |
| Flash options | Auto, On, Off, Red-eye, Soft | Auto, On, Off, Slow Sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1280x720 | 1280x720 |
| Video file format | Motion JPEG | MPEG-4 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 235 gr (0.52 lb) | 116 gr (0.26 lb) |
| Physical dimensions | 111 x 61 x 38mm (4.4" x 2.4" x 1.5") | 91 x 52 x 19mm (3.6" x 2.0" x 0.7") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | D-LI122 | NP-BN1 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Storage slots | Single | Single |
| Retail pricing | $106 | $159 |