Pentax W80 vs Sony A580
94 Imaging
34 Features
21 Overall
28
64 Imaging
55 Features
82 Overall
65
Pentax W80 vs Sony A580 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.5" Fixed Screen
- ISO 64 - 6400
- 1280 x 720 video
- 28-140mm (F3.5-5.5) lens
- 156g - 100 x 56 x 25mm
- Launched June 2009
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 12800 (Bump to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 599g - 137 x 104 x 84mm
- Announced May 2011
- Succeeded the Sony A100
Snapchat Adds Watermarks to AI-Created Images Comparing the Pentax W80 and Sony A580: A Hands-On Practical Review for Photographers of All Stripes
When the discussion turns to choosing a camera, enthusiasts and pros alike face a range of options that reflect different eras of technology, purposes, and budgets. Today, I’m diving deep into a rather intriguing comparison: the Pentax Optio W80, a rugged compact camera from the late 2000s designed for casual shooters who want durability and simplicity, versus the Sony Alpha DSLR-A580, an entry-level DSLR that came a bit later, representing a more serious step into interchangeable-lens photography.
Yes, these two cameras target completely different user categories, but as someone who has tested thousands of cameras over 15+ years, I’ve learned that understanding their distinct strengths and weaknesses, as well as their real-world usability, help clarify what you should prioritize when choosing gear.
Let’s unpack both in detail, spanning all major photographic disciplines, technical merits, and user scenarios - with a good dose of practical experience layered in (and some frank honesty about each camera’s limitations).
First Impressions and Ergonomics: Size Matters, But How Much?
Picking up the Pentax W80 and the Sony A580 side-by-side is like comparing a sprinter to a weightlifter - both might be athletes, but their build is fundamentally different.
The W80 is a compact point-and-shoot designed to slip easily into a jacket pocket or backpack. Measuring approximately 100 mm x 56 mm x 25 mm and weighing just 156 grams, it’s featherlight and unobtrusive. The Sony A580, on the other hand, is a more robust DSLR body, sized 137 mm x 104 mm x 84 mm and tipping the scales around 600 grams - about four times heavier.

Holding the W80, you immediately feel a sleek, minimalist design with straightforward controls but limited tactile refinement. Meanwhile, the A580 feels substantial, with pronounced grips and an array of physical dials and buttons designed for fast and precise adjustments. This bigger heft translates to better handling in more strenuous shooting sessions - think wildlife photography or long landscape treks.
The W80’s compact body sacrifices advanced manual controls and heft for portability and, notably, some ruggedness - it's weather-sealed and built to handle a splash of water (though you wouldn’t call it waterproof). The A580 lacks weather sealing but offers far superior ergonomics for serious photography - comfort that matters when you're holding a camera all day.
Design and Control Layout: Quick Access Meets DSLR Versatility
A glance down at the tops of these cameras reveals their philosophy in stark contrast.

The Pentax W80 maintains a clean, uncomplicated top plate with a power button, shutter release, and a few menu navigation controls. It’s designed for point-and-shoot simplicity, but that simplicity means no dedicated dials for shutter speed or aperture. You can’t quickly change exposure compensation or switch to manual modes; you’re mostly relying on program modes or auto.
Sony’s A580, however, lays out a much more complex landscape. There’s the mode dial with full manual (M), aperture priority (A), shutter priority (S), and multiple custom presets. Dual dials help you rapidly adjust aperture and shutter speed, mimicking professional setups. Separate buttons for ISO, exposure compensation, and direct access to autofocus settings make this a camera built for photographers who want to be in full control.
From a workflow perspective, the A580 is the clear winner - its design supports shooting in fast dynamic environments, while the W80 caters predominantly to casual snapshots or travel shots where convenience trumps precision.
Sensor Technology and Image Quality: The Heart of the Matter
If you’re serious about image quality, sensor size and technology are the pillars to examine. Let’s dive into what each camera offers.

The Pentax W80 houses a 1/2.3-inch CCD sensor measuring 6.08 x 4.56 mm (27.72 mm²) with a 12-megapixel resolution (4000 x 3000 pixels). Notably, this sensor supports a maximum ISO of 6400 - but remember, small sensors generally struggle with noise beyond ISO 400–800.
The Sony A580 boasts a much larger APS-C CMOS sensor at 23.5 x 15.6 mm (366.6 mm²) with 16 megapixels (4912 x 3264 px). This sensor size is over 13 times larger in surface area than the W80’s sensor, enabling vastly superior performance in low light, better dynamic range, and overall crisper image detail.
Testing these cameras side-by-side in landscape and portrait shoots confirms what the numbers tell us: the A580 delivers markedly superior images - more detail, richer color gradation, and significant noise reduction in dim conditions. The W80’s images are acceptable for social media or smaller prints but show softness and color noise when pushed.
Let’s Talk Screens and Viewfinders: What You See is What You Get?
A photographer’s interface with the camera is vital - not just the specs, but the usability and image review quality.

Pentax W80’s fixed 2.5-inch LCD offers 230k dots resolution, which now feels cramped and low-res. It’s fine for framing shots quickly in daylight but lacks finesse for detailed review or menu navigation.
Sony’s A580 features a larger, 3-inch tilting screen with a crisp 922k dots. This higher resolution aids in accurate focusing during live view and critical image assessment in the field. Moreover, tilting screens come in handy for low-angle and overhead shots, adding compositional flexibility.
Viewfinders tell a similar story: the W80 doesn’t have any (relying solely on the LCD), while the A580 uses an optical pentamirror with 95% coverage and 0.53x magnification, offering that classic DSLR experience.
If you like composing through an eye-level viewfinder or appreciate tilting screens to shoot creatively, the A580 is a clear preference.
Autofocus Systems: Speed, Accuracy & Tracking Performance
Autofocus performance can make or break your shooting, especially in fast-paced environments like sports or wildlife.
The Pentax W80 uses contrast-detection autofocus with 9 focus points, but lacks face detection or tracking autofocus - its AF is slow and often hunts in low light. This is par for the course in compact cameras of its era.
The Sony A580 upgrades significantly: 15 autofocus points with 3 cross-type sensors, including phase-detection autofocus and face detection capabilities. It offers continuous AF and tracking modes, highly beneficial for sports, wildlife, and moving subjects.
Testing autofocus speed outdoors in bright sunlight and indoors under artificial lighting reveals that the Sony camera locks focus sharply and quickly, while the Pentax struggles to keep pace, occasionally missing or hunting noticeably.
Lens Ecosystem: Flexibility Versus Fixed Options
The Pentax W80 has a fixed lens: 28–140 mm equivalent zoom with an aperture range of f/3.5–5.5. The versatility of a 5x zoom is respectable for a compact, and macro focusing down to 1 cm is quite nifty for casual close-ups.
But fixed lenses mean no swapping for greater specialty lenses or superior optics.
The Sony A580 uses the Sony/Minolta Alpha mount - compatible with over 140 lenses covering every genre, from ultra-wide prisms to super-telephotos, fast primes, tilt-shifts, you name it. This expansive ecosystem hugely broadens creative possibilities.
If you’re considering a camera as your primary creative tool, having an interchangeable lens system is invaluable. The choice here is stark: compact convenience vs. system flexibility.
Photography Disciplines: Which Camera Suits Which Style?
Let’s break down real-world performance by popular photography genres, keeping in mind each camera’s capabilities.
Portrait Photography
Skin tones demand precise color reproduction and pleasing bokeh to isolate subjects. The Sony A580’s APS-C sensor and lens options (fast primes like 50mm f/1.8) excel here. Face detection autofocus ensures sharp eyes, while great control over depth-of-field separates the subject artistically.
The W80, with its small sensor and slow lens, captures decent snapshots but struggles to produce smooth background blur and accurate skin tones, especially under mixed light.
Landscape Photography
Here, high resolution, dynamic range, and weather resilience count. The A580’s larger sensor yields excellent dynamic range (DxO reports 13.3 EV), capturing detail from shadows to highlights smoothly. Tilting screen aids composition on uneven terrain.
The W80’s weather sealing is a plus, but its narrow zoom and small sensor limit image quality and post-processing latitude. If ultimate image fidelity is critical, especially for large prints, the A580 is preferable.
Wildlife and Sports Photography
Speed and tracking AF, high burst rates, and telephoto reach matter most.
The W80’s 1 fps continuous shooting and sluggish AF make it unsuitable for action. Fixed lens maximum focal length is limiting too.
Sony’s A580 supports 7 fps burst with continuous AF and versatile lenses reaching 300mm equivalent and beyond, giving you a serious edge in capturing wildlife or sports moments crisply.
Street Photography
For discreetness and portability, the W80’s size and weight shine. It’s easy to carry, quick to pull out, and less intimidating.
The A580 is larger and noisier with its shutter, yet if you need image quality and flexibility, it still can work as a street camera, particularly with a smaller prime lens for low-light scenarios.
Macro Photography
The W80’s 1 cm macro capability is surprisingly handy for casual close-ups of flowers or insects. However, image quality suffers due to sensor and lens limitations.
The A580, combined with specialized macro lenses, offers far superior magnification, focusing precision, and image quality for serious macro enthusiasts.
Night and Astro Photography
Low-light performance and noise handling are key.
The W80’s sensor struggles beyond ISO 400; noise becomes intrusive.
The Sony A580, with native ISO up to 12800 and boosted ISO 25600, excels in this department. With manual modes and bulb exposures, it handles astrophotography and night scenes very well - especially if paired with a fast lens.
Video Capabilities
Sony A580 supports full HD 1080p video at 60fps, with multiple codecs (AVCHD, MPEG-4) and microphone input for better audio quality - features not to overlook if you also shoot video seriously.
Pentax W80 offers only 720p video in motion JPEG format, lacking external mic input or advanced stabilization.
Travel Photography
Here, versatility, size, battery life, and durability mix.
The W80’s compactness and weather resistance are tremendous advantages for light travel, especially adventure trips. Battery life details are scarce, but the lightweight design makes it a no-brainer for hiking or casual travel photography.
The A580 delivers superior image quality and versatility but is heavier and bulkier - a tradeoff the serious traveler might accept for the creative benefits.
Professional Work and Workflow Integration
The Sony A580 supports RAW shooting, enabling nuanced post-production workflows essential for professionals. Dual card slots increase storage flexibility, and a robust build ensures reliability under pressure.
The Pentax W80, sadly, records only JPEG, has slower workflow flexibility, and is better seen as a backup or casual camera, rather than main professional gear.
Build Quality and Durability
Pentax has a reputation for rugged cameras, and the W80 confirms this - it’s environmentally sealed to resist dust and moisture, a rarity among compacts then and now.
The Sony’s plastic-heavy body feels sturdy but is not weather-sealed - best kept from rain and dusty environments.
Battery Life and Storage
The A580 shines here with approximately 1050 shots per charge using NP-FM500H battery, far surpassing average DSLRs in longevity. Dual slots supporting SDHC, SDXC, and Sony Memory Stick formats provide excellent storage flexibility.
The W80 uses the D-LI78 lithium-ion battery with more modest endurance. A single SD/SDHC slot covers affordable storage needs.
Connectivity and Wireless Features
Neither camera offers Bluetooth or NFC. The Sony A580 includes Eye-Fi card support for Wi-Fi enabled cards and an HDMI port for playback on HDTVs. The W80 lacks any wireless connectivity or HDMI out.
Price-to-Performance: What’s the Real Value?
The Pentax W80’s street price hovers around $250, making it a budget-friendly choice for waterproof-ish travel shooters or first-time users needing simplicity and portability.
The Sony A580 costs roughly $850 - a substantial investment but justified by bigger sensor, manual controls, better image quality, and flexibility.
When weighing image quality, AF speed, build, and video features, the A580 dominates the scorecard.
Genre-Specific Recommendations Based on Performance
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Beginners or casual vacation photographers: Pentax W80. Its small size, simple controls, and low price fit casual shooting needs.
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Portrait, landscape, and professional enthusiasts: Sony A580, with excellent sensor, lens options, and operational freedom.
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Wildlife and sports shooters requiring speed: Sony A580 for AF and burst performance.
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Travel photographers wanting rugged, pocketable gear: Pentax W80 for durability and convenience.
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Video shooters wanting full HD + audio inputs: Sony A580.
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Macro hobbyists: Sony A580 with dedicated lenses; W80 for casual undertakings.
Sample Images: Seeing is Believing
To really appreciate differences, examining real-world image samples from both cameras helps.
Observe the sharpness, dynamic range, bokeh quality, and noise levels. The Sony’s files exhibit richer color depth, finer detail, and cleaner shadows, while the Pentax images feel softer and noisier, especially in challenging light.
Final Thoughts: Who Should Buy Which?
The Pentax Optio W80 is a charming pocket-sized rugged compact for casual users prioritizing portability, ease, and a bit of outdoor resilience. It’s not a serious imaging tool but can be a fun “grab and go” camera for family trips or outdoor hikes.
Conversely, the Sony Alpha DSLR A580 is an entry-level DSLR that punches above its price point with excellent image quality, flexible manual controls, and a professional lens ecosystem. It remains a capable performer in many genres, from portraits and landscapes to action and low-light shooting.
My Personal Takeaway
As someone who has lugged DSLRs through frozen tundras and delicate compacts through muddy trails, I appreciate both cameras for what they offer within their niche. Yet, if I had to recommend a purchase for a photography enthusiast aspiring to grow creatively beyond point-and-shoot snapshots, the Sony A580 is the clear choice. The investment pays off in image quality, creative freedom, and technology built to last through extensive use.
That said, not everyone wants or needs a DSLR. The Pentax W80 would suit casual photographers who want a simple, tough little camera that’s always ready, without fuss.
Choosing a camera ultimately boils down to what you’ll shoot, how much control you want, and how you balance image quality vs. portability. Hopefully, this detailed exploration arms you with the knowledge and confidence to make that choice smartly.
Happy shooting!
Pentax W80 vs Sony A580 Specifications
| Pentax Optio W80 | Sony Alpha DSLR-A580 | |
|---|---|---|
| General Information | ||
| Brand Name | Pentax | Sony |
| Model type | Pentax Optio W80 | Sony Alpha DSLR-A580 |
| Type | Small Sensor Compact | Entry-Level DSLR |
| Launched | 2009-06-25 | 2011-05-26 |
| Physical type | Compact | Compact SLR |
| Sensor Information | ||
| Processor | - | Bionz |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.6mm |
| Sensor surface area | 27.7mm² | 366.6mm² |
| Sensor resolution | 12 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Maximum resolution | 4000 x 3000 | 4912 x 3264 |
| Maximum native ISO | 6400 | 12800 |
| Maximum boosted ISO | - | 25600 |
| Lowest native ISO | 64 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 9 | 15 |
| Cross type focus points | - | 3 |
| Lens | ||
| Lens support | fixed lens | Sony/Minolta Alpha |
| Lens zoom range | 28-140mm (5.0x) | - |
| Max aperture | f/3.5-5.5 | - |
| Macro focusing range | 1cm | - |
| Available lenses | - | 143 |
| Focal length multiplier | 5.9 | 1.5 |
| Screen | ||
| Type of screen | Fixed Type | Tilting |
| Screen diagonal | 2.5" | 3" |
| Screen resolution | 230k dots | 922k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder type | None | Optical (pentamirror) |
| Viewfinder coverage | - | 95 percent |
| Viewfinder magnification | - | 0.53x |
| Features | ||
| Lowest shutter speed | 4s | 30s |
| Highest shutter speed | 1/1500s | 1/4000s |
| Continuous shooting rate | 1.0 frames/s | 7.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.90 m | 12.00 m |
| Flash modes | Auto, On, Off, Red-eye, Soft | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Highest flash synchronize | - | 1/160s |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video data format | Motion JPEG | MPEG-4, AVCHD, H.264 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 156 grams (0.34 pounds) | 599 grams (1.32 pounds) |
| Dimensions | 100 x 56 x 25mm (3.9" x 2.2" x 1.0") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
| DXO scores | ||
| DXO All around rating | not tested | 80 |
| DXO Color Depth rating | not tested | 23.8 |
| DXO Dynamic range rating | not tested | 13.3 |
| DXO Low light rating | not tested | 1121 |
| Other | ||
| Battery life | - | 1050 pictures |
| Battery type | - | Battery Pack |
| Battery ID | D-LI78 | NP-FM500H |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage type | SD/SDHC card, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | One | 2 |
| Pricing at launch | $250 | $848 |