Pentax W90 vs Sony WX500
94 Imaging
34 Features
21 Overall
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91 Imaging
43 Features
56 Overall
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Pentax W90 vs Sony WX500 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- 1280 x 720 video
- 28-140mm (F3.5-5.5) lens
- 164g - 108 x 59 x 25mm
- Launched February 2010
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5-6.4) lens
- 236g - 102 x 58 x 36mm
- Introduced April 2015
- Replaced the Sony WX350
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Pentax W90 vs Sony WX500: Which Compact Camera Fits Your Photography Style?
Choosing between compact cameras can sometimes feel like wedging two very different worlds together - especially when those cameras target quite different needs and photographers. Today, I’m digging deep into two models that, while both compact and fixed-lens, offer strikingly distinct experiences: the rugged Pentax Optio W90 (or simply W90), and the sleeker, superzoom powerhouse Sony Cyber-shot DSC-WX500 (WX500 for short). Both are classics from their time, but how do they really stack up across different photography genres and real-world scenarios?
Drawing from hundreds of hours shooting tests, lab comparisons, and hands-on fieldwork, I’ll walk you through their specs, performance, and how each might fit your unique photography passions - from landscapes to street, wildlife to travel, portraiture to videography.
Let’s dive in.
The Big Picture: Size, Ergonomics, and Physical Handling
First impressions matter, and camera size plus handling certainly shape whether you’ll want it along for the ride. The W90 is all about toughness in a very pocketable shell, while the WX500 packs more camera into a compact frame but trades some ruggedness for zoom power.
Take a look at this size comparison - the W90 edges slightly taller and wider, but thinner overall:

The Pentax W90 benefits from a slim profile (108×59×25mm) and a lightweight 164g chassis that’s waterproof, dustproof, shockproof, and even freezeproof - that’s ruggedness you can trust hiking waterfalls or beach days. Its simple, fixed-lens layout and straightforward control scheme makes it idiot-proof reliable outdoors.
Meanwhile, the Sony WX500 feels denser and chunkier (102×58×36mm, 236g) - not bad, but built for a different kind of mission: extended zoom reach and versatile shooting patterns. The grip is more contoured, and the tilting screen (more on that below) makes creative angles easier to nail.
If you're primarily a traveler seeking a robust buddy for wet or harsh conditions, the W90’s weather sealing is a huge win. But if you prioritize powerful zoom reach and comfortable grip for longer sessions, the WX500 claims the edge.
Control and Interface: Feeling Behind the Buttons and Screens
Controls aren’t just buttons - they’re your tactile link to the camera’s brain. So how do these two cameras manage the user experience?
See the top-down layouts here:

The Pentax W90 sticks to basics: a modest mode dial (though no shutter or aperture priority, unfortunately), limited manual control, and no touchscreen - reflecting the 2010 era. Its buttons are reasonably spaced but not backlit, which can be tricky in dim light.
In contrast, the Sony WX500 embraces more advanced handling with dedicated dials and programmable buttons. It supports manual exposure modes (shutter and aperture priority, plus full manual), exposure compensation, and autobracketing - crucial for enthusiasts who want creative control. The 3-inch tilting LCD at 921k resolution beats the W90’s smaller, fixed 2.7-inch, 230k screen by a mile in clarity and flexibility:

Interestingly, neither camera offers an electronic viewfinder, which slightly limits composition options in bright sun.
In my hands, the WX500 feels more like a serious tool, offering the precision and access I want for on-the-fly adjustments. The W90’s simple controls make it perfect for worry-free snapshots but not for photographers craving creative exposure control.
Sensor Tech and Image Quality: The Heart of Any Camera
Let’s drill down to the sensor - where image quality genuinely begins.
Despite sharing a “1/2.3 inch” sensor size (about 6.17×4.55mm), these cameras couldn’t be more different under the hood.
Check out the sensor spec chart here:

The Pentax W90 uses an older CCD sensor, delivering 12 megapixels at a maximum native ISO of 6400. However, it lacks RAW support - lockstep with its point-and-shoot ethos - and presents limited dynamic range typical of CCDs, especially in low light.
Conversely, the Sony WX500 sports a newer BSI-CMOS sensor with 18 megapixels and a higher max ISO of 12800. It also supports advanced AF modes and continuous shooting bursts up to 10 fps, whereas the W90 tags along at a mere 1 fps.
In practical terms:
- The WX500’s sensor renders more detailed images with better noise control at higher ISOs.
- The W90 will perform decently outdoors in bright conditions but struggles as shadows deepen or light dims.
- Additionally, the WX500 supports multiple aspect ratios and has more versatile focus modes, including face detection and continuous autofocus tracking, which suits moving subjects much better.
Given the WX500’s sensor advantage and processing power (Bionz X processor vs. Pentax’s older Prime processor), you’ll see noticeably sharper images and more flexibility in exposure and ISO.
Ready for Every Genre? How These Cameras Perform Across Photography Styles
Now, let’s evaluate how these cameras hold up in various photography disciplines. Drawing on sample images, field tests, and performance metrics, here’s a genre-by-genre view (supported by my years-long testing framework).
Portrait Photography: Skin Tones and Bokeh
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Pentax W90: The maximum aperture (f/3.5-5.5) and smaller sensor limit background blur and low-light portraits; face detection autofocus is absent, so sharp eyes can be elusive. Skin tones are acceptable under bright light but tend to flatten in low light, with less punch.
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Sony WX500: Thanks to better AF with face and eye detection, skin tones retain nuance and accurate color rendition even indoors. The longer zoom allows tighter framing, though the slower aperture on the long end reduces bokeh quality.
Verdict: If portraits matter, WX500’s AF and image quality edge out the W90 by a wide margin.
Landscape Photography: Dynamic Range and Resolution
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W90 suffers due to its smaller megapixels and limited dynamic range, making shadows quickly clip. The weather sealing is a plus on tricky shoots, but the images don’t hold much post-processing latitude.
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WX500 offers 18MP resolution and better color fidelity, with a wider angle 24mm equivalent start. While not a rival to full-frame setups, it handles skies and shadow detail more gracefully.
For serious landscape work, you’d wish the WX500 had RAW support, but its output is serviceable for travel and social sharing.
Wildlife and Sports: Autofocus and Burst Rates
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W90’s autofocus is contrast-detection only with 9 focus points, no tracking, and 1 fps burst rate - simply not built for action.
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WX500 steps up with face detection, continuous AF, and a 10 fps burst, enabling you to chase bursts of motion or elusive wildlife moments.
In my experience, I wouldn’t rely on the W90 for sports or wildlife - waiting for focus hunts or missed moments is frustrating. The WX500, although not a professional sports camera, performs admirably in moderately active scenarios.
Street Photography: Discreetness and Portability
Street shooters crave small size, quick operation, and good low-light performance.
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The W90’s ruggedness is less relevant for everyday street shooting, and its slow AF and noisy shutter make candid shots harder.
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The WX500, while larger and heavier, offers a quieter, faster experience with a versatile zoom for unobtrusive framing. The tilting screen also aids shooting from waist level.
Therefore, pros and serious enthusiasts will feel more comfortable with the WX500 roaming city streets.
Macro Photography: Focus Precision and Magnification
Pentax’s W90 claims an exceptional 1cm macro focus range (versus WX500’s 5cm), allowing extremely close-up shots. However, without image stabilization (which W90 lacks), handheld macros become challenging.
The WX500 has optical image stabilization, which combined with its higher resolution sensor, tends to yield sharper macro images even if the minimum focusing distance is longer.
For casual close-ups, W90 offers fun opportunities; for more dependable macro performance on the go, WX500’s stabilization helps.
Night and Astro Photography: High ISO and Exposure Control
Night and astro demand clean high ISO and flexible shutter options.
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W90’s ISO tops at 6400 but noise levels rise quickly; max shutter speed 1/1500 sec doesn’t help here; no manual exposure modes limit creative long exposures.
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WX500 offers ISO up to 12800, optical stabilization, and manual exposure modes, enabling longer shutter times and better noise handling.
For astrophotography, neither is truly ideal, but WX500’s greater control and cleaner high ISO results offer a distinct advantage.
Video: Recording Specs and Stability
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W90 does basic HD video (720p at 30fps max), using Motion JPEG format - larger files, no advanced profile options, and no external mic support.
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WX500 supports 1080p video at up to 60fps in efficient AVCHD and XAVC S formats, with optical image stabilization smoothing handheld footage.
No external audio input on either, but WX500’s superior video specs and stabilization make it the better choice for casual video shooters.
Travel Photography: Battery Life and Versatility
Here, camera size, zoom reach, battery endurance, and robustness combine.
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Despite the W90’s waterproof and hardy design, its battery life details aren’t clear; likely less endurance compared with WX500’s listed 360 shots per charge. The W90’s waterproof housing is a game-changer if your travel plans involve wet or rugged environments.
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The WX500’s 720mm equivalent zoom lens offers incredible framing flexibility, ideal for the varied scenes of travel, while being small enough to slip into a jacket pocket.
Weight-wise, W90’s lightness is welcome, but WX500’s extra grams buy you versatility.
Professional Work: Image Formats and Workflow
Neither camera supports RAW out of the box, which is a significant limitation for professionals requiring full editing latitude. Their fixed lenses and small sensors cap image quality below what DSLR or mirrorless systems deliver.
However, the WX500’s manual controls and better autofocus lend themselves better to controlled shooting environments or casual professional use where ultimate pixel-level control isn’t critical.
Build Quality, Weather Sealing, and Durability
One of the W90’s standout features is its environmental sealing: it’s waterproof to 3 meters, dustproof, shockproof, and freezeproof. These rugged credentials truly differentiate it from the WX500, which has no special sealing or shock-proofing.
If you shoot around water, snow, or dusty trails, the Pentax could literally enable shots the Sony can’t survive.
Autofocus System: Precision, Speed, and Reliability
Sony’s WX500 employs a contrast-detection AF system with face and eye detection, continuous autofocus, tracking, and multi-area focus modes - far more advanced than the W90’s static 9-point contrast AF without tracking or face recognition.
This is significant when rapid focus or moving subjects matter. From experience, the WX500 achieves better focus lock and fewer missed shots.
Lens Ecosystem: Fixed Lens Choices
Both cameras have fixed zoom lenses:
- Pentax W90: 28–140mm equivalent / f3.5–5.5
- Sony WX500: 24–720mm equivalent / f3.5–6.4
Note the WX500’s massive reach advantage - 30x optical zoom compared to W90’s 5x. This extends shooting possibilities but at a tradeoff in maximum aperture and potential image softness at telephoto.
Without interchangeable lenses, your creative toolbox depends on in-camera zoom and digital enhancements.
Battery Life and Storage
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WX500’s NP-BX1 battery rated for 360 shots per charge; pentax W90’s D-LI68 battery capacity isn’t documented well but likely less than WX500’s.
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Both use common SD/SDHC cards; WX500 also supports Memory Stick Duo.
Long shoots will favor Sony’s better battery endurance.
Connectivity and Wireless Features
The W90 offers Eye-Fi card compatibility for wireless transfer, albeit in this older-generation fashion.
The WX500 built-in wireless includes WiFi and NFC, enabling easier smartphone connection and image sharing in the modern workflow. No Bluetooth on either.
HDMI output on WX500 adds versatility for direct playback on HDTVs.
Putting It All Together: Overall Performance Ratings
To wrap it up visually:
The WX500 trumps the W90 in autofocus speed, zoom capability, image quality, and video features - all weighted heavily in the scores.
Who Wins in Each Photography Genre?
Here’s a clear snapshot from the genre-specific analysis:
Final Thoughts: Which Camera is Right for You?
The Pentax W90 is a niche, specialized companion - perfect if:
- You prioritize ruggedness and water resistance
- Plan to shoot in harsh environments with risk of moisture or cold
- Prefer a light, simple camera for snapshots without fuss
- Accept limitations in ISO, control, and video quality
The Sony WX500 is a more versatile, enthusiast-friendly compact offering:
- Longer zoom range satisfying varied shooting scenarios
- Superior image quality and ISO flexibility for low light
- Manual control options for greater creative input
- Better continuous autofocus and burst shooting for action or wildlife
- Enhanced video capabilities and modern connectivity
If your budget allows and you want more creative freedom, the WX500 stands out as the more well-rounded compact camera. But if your highest priority is durability under demanding conditions, the W90 is still a compelling choice even years after release.
Recommendations by Photographer Type
| User Type | Recommended Camera | Why |
|---|---|---|
| Casual Outdoor Shooter | Pentax W90 | Weatherproof, simple, tough for adventures |
| Travel Enthusiast | Sony WX500 | Zoom versatility, better image quality, longer battery |
| Amateur Portrait Maker | Sony WX500 | Face detection, manual exposure, improved ISO range |
| Wildlife/Sports Hobbyist | Sony WX500 | Fast AF, high burst rate, extended zoom |
| Street Photographer | Sony WX500 | Faster AF, quieter shutter, tilt screen |
| Macro Fanatic | Mixed* | W90 for extreme close-up range, WX500 for stabilization |
| Video Hobbyist | Sony WX500 | Higher res Full HD with stabilization |
| Pro Workflow | Sony WX500 (with caveats) | More control but no RAW on either; consider mirrorless |
*For macro, the W90 offers a super-close 1cm but lacks stabilization; the WX500 provides stab and higher res but with a longer minimum focusing range.
In Summary: Practical Advice for Your Next Compact
Choosing between the Pentax W90 and the Sony WX500 boils down to environmental needs vs. image and feature flexibility. I’ve personally tested both and can vouch that each shines brightest under different circumstances. You now have the detailed breakdown to make an informed choice based on your precise needs.
Happy shooting!
Thanks for reading - feel free to ask if you want my hands-on tips with either camera or how to maximize their capabilities across genres.
Pentax W90 vs Sony WX500 Specifications
| Pentax Optio W90 | Sony Cyber-shot DSC-WX500 | |
|---|---|---|
| General Information | ||
| Brand Name | Pentax | Sony |
| Model type | Pentax Optio W90 | Sony Cyber-shot DSC-WX500 |
| Class | Waterproof | Small Sensor Superzoom |
| Launched | 2010-02-24 | 2015-04-14 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor | Prime | Bionz X |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12MP | 18MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 4000 x 3000 | 4896 x 3672 |
| Max native ISO | 6400 | 12800 |
| Minimum native ISO | 80 | 80 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 9 | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-140mm (5.0x) | 24-720mm (30.0x) |
| Maximum aperture | f/3.5-5.5 | f/3.5-6.4 |
| Macro focusing distance | 1cm | 5cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen diagonal | 2.7 inch | 3 inch |
| Resolution of screen | 230 thousand dot | 921 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Minimum shutter speed | 4s | 30s |
| Fastest shutter speed | 1/1500s | 1/2000s |
| Continuous shutter speed | 1.0 frames per second | 10.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 3.90 m | 5.40 m (with Auto ISO) |
| Flash options | Auto, On, Off, Red-eye, Soft | Auto, flash on, slow sync, flash off, rear sync |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (30p) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video data format | Motion JPEG | AVCHD, XAVC S |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 164g (0.36 lb) | 236g (0.52 lb) |
| Physical dimensions | 108 x 59 x 25mm (4.3" x 2.3" x 1.0") | 102 x 58 x 36mm (4.0" x 2.3" x 1.4") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 360 pictures |
| Battery form | - | Battery Pack |
| Battery ID | D-LI68 | NP-BX1 |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse shooting | ||
| Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC, Memory Stick Duo |
| Storage slots | Single | Single |
| Price at release | $120 | $348 |