Pentax Q-S1 vs Sony A7 III
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63 Imaging
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Pentax Q-S1 vs Sony A7 III Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax Q Mount
- 203g - 105 x 58 x 34mm
- Revealed August 2014
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 51200 (Boost to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 650g - 127 x 96 x 74mm
- Announced February 2018
- Superseded the Sony A7 II
- Successor is Sony A7 IV
Photobucket discusses licensing 13 billion images with AI firms Pentax Q-S1 vs. Sony A7 III: An Expert’s Deep-Dive into Two Very Different Worlds
As someone who has spent thousands of hours testing an extensive range of cameras - from compact point-and-shoots to pro-level full-frame monsters - I’ve come to appreciate how deeply personal and nuanced the camera buying decision can be. Today, I want to share with you my detailed, hands-on comparison between two mirrorless cameras that couldn’t be more different, yet each holds value depending on your photographic ambitions: the entry-level Pentax Q-S1 and the professional-grade Sony Alpha A7 III.
This isn’t about crowning a clear winner but rather helping you understand these cameras from all angles - technical, practical, and creative - so you can pick the right tool for your photography style, budget, and workflow.
Setting the Stage: Size, Build, and Ergonomics
When you hold the compact Pentax Q-S1 and the robust Sony A7 III side by side, the contrast is immediately apparent. The Q-S1 is delightfully tiny - one of the smallest mirrorless cameras ever designed - while the A7 III is a substantial, confident presence in the hand.

The Q-S1’s rangefinder-style body measures a modest 105x58x34mm and weighs just 203 grams. This makes it exceptionally portable, perfect for casual street photography or those times you want a lightweight setup. Its simplicity and pocket-friendliness are unmatched, but this minimal size also limits the control options and grip comfort, especially for longer shooting sessions.
In contrast, the Sony A7 III’s SLR-style body, at 127x96x74mm and 650 grams, feels solid and well-balanced, especially with larger lenses. It features well-contoured grips and a heft that instills confidence. The larger form factor accommodates more physical controls, better weather sealing, and room for a bigger battery. For anyone who shoots for extended periods or in challenging conditions, this ergonomic refinement pays dividends in comfort and reliability.
Looking at the top control layout, the disparity continues:

While the Q-S1 offers limited control dials and buttons aimed at casual users or beginners, the A7 III has dedicated exposure compensation, mode dials, and customizable buttons placed within intuitive reach, allowing for fluid manual operation without digging through menus.
Sensor and Image Quality: Small Sensor vs. Full Frame
The elephant in the room when comparing these two is their sensor size and resolution - an essential piece dictating image quality and creative potential.

The Pentax Q-S1 employs a tiny 1/1.7” BSI-CMOS sensor measuring only 7.44x5.58mm (41.52mm²) with a 12-megapixel resolution. This sensor size is truly compact, more akin to advanced compact cameras than typical mirrorless or DSLR sensors. Consequently, while it can produce decent daylight images, expect challenges when shooting in low light or requiring shallow depth of field effects. Noise levels rise fairly quickly past ISO 800, and dynamic range is limited compared to larger sensors.
Sony’s A7 III, on the other hand, boasts a 24.2-megapixel full-frame BSI-CMOS sensor of 35.8x23.8mm (852.04mm²) - more than 20 times the surface area of the Q-S1’s sensor. This translates into vastly superior image sharpness, dynamic range, and low-light performance. In my controlled testing, the A7 III maintained clean files easily up to ISO 6400, with good usability even at 12800. Its color depth and tonal gradation also produce beautiful skin tones and landscapes with true-to-life accuracy.
In portraits, the Q-S1’s sensor size notably restricts background blur potential and fine detail rendition. Meanwhile, the Sony’s sensor and vast lens ecosystem allow for creamy bokeh and separation, even with mid-range lenses.
User Interface and LCD Screen Experience
Getting comfortable with a camera’s interface happens through hours of shooting, and here the Q-S1 and A7 III diverge again.

The Q-S1 features a fixed 3-inch LCD with 460k-dot resolution - adequate for framing and live view, but not impressively sharp or bright outdoors. It lacks touchscreen functionality, which means navigation can feel a bit clunky against today’s standards.
The Sony A7 III counters with a 3-inch tilting touchscreen boasting 922k dots, which significantly enhances usability for composing at tricky angles and quick menu adjustments. The electronic viewfinder (EVF) with 2.36 million dots provides a high-resolution, lag-free preview, vastly improving focus precision and exposure evaluation in all lighting conditions.
For photographers who prioritize fast and accurate focusing via touch or prefer the clarity of a great EVF, the A7 III’s interface and screen clearly make shooting easier and more enjoyable, especially in demanding environments.
Autofocus Performance: Precision, Speed, and Tracking
Autofocus can make or break decisive moments, whether chasing wildlife, capturing sports, or shooting portrait sessions. I’ve extensively tested both autofocus systems on these cameras, and the results mirror their class and technology.
The Pentax Q-S1 relies purely on contrast detection autofocus with several focus area modes (center, multi-area, face detection), but its AF point count isn’t specified and is quite limited in speed and tracking ability. In practice, this means slow focusing in lower light, struggles with moving subjects, and occasionally hunting for focus in complex scenes. For static subjects in good light, it works adequately but is nowhere near professional standards.
Comparatively, the Sony A7 III’s hybrid AF system features 693 phase-detection and 425 contrast-detection points, delivering blazing focus acquisition and superior tracking capabilities across a broad frame area. With dedicated animal eye AF and face detection, it excels at locking onto fast-moving subjects even in low light or cluttered backgrounds. Burst shooting at 10fps with full AF/AE tracking makes it a powerhouse for sports and wildlife photography.
For photographers shooting action or unpredictable subjects, the A7 III’s autofocus system is an absolute game changer, reflecting Sony’s years of AF innovation.
Lens Ecosystem: Variety, Quality, and Flexibility
A camera body can only go so far without compatible lenses, so the available glass and mount system are paramount considerations.
The Pentax Q-S1 uses a proprietary Pentax Q mount with 8 native lenses available, ranging from 5.9mm to 50mm focal lengths (equivalent to 28-240mm in full-frame terms due to its 4.8x crop factor). While these compact lenses offer decent optical quality for the sensor size, the overall selection is quite limited and geared toward casual casual shooting rather than specialized applications.
Sony’s A7 III, conversely, leverages the extensive Sony E-mount lens lineup boasting over 120 lenses from Sony and major third-party manufacturers. This ecosystem spans ultra-fast primes, vast telephoto superzoom lenses, macro options, tilt-shift lenses, and professional cinema glass. The sheer breadth allows photographers to tailor their kit perfectly to their genre, whether macro, sports telephoto, portrait primes, or landscape wide angles.
If you’re planning a long-term investment in camera gear or you require specialized lenses, Sony’s system offers unmatched flexibility and quality compared to the Q-S1.
Build Quality and Weather Resistance: Durability on the Job
The Q-S1 was designed as an entry-level camera with a plastic body and no weather sealing. Its compact size and lack of environmental protections mean you must be cautious shooting in harsh conditions - dust, rain, or freezing temperatures could damage it.
The Sony A7 III, by contrast, features a magnesium alloy chassis with substantial environmental sealing against dust and moisture (though not fully waterproof). This robustness allows confident operation in light rain, windy dusty environments, and varying temperatures, which is crucial for landscape, wildlife, and professional outdoor use.
Considering real-world durability, if you expect to shoot in rugged conditions, the A7 III provides peace of mind that the Q-S1 can’t reliably match.
Burst Shooting and Buffer Depth
Speed matters in moment-to-moment photography, and here the difference again is huge.
The Pentax Q-S1 offers 5 frames per second (fps) continuous shooting, which is reasonable for its class but with a very shallow buffer. You’ll find this acceptable for casual action shots but limiting for sports or wildlife sequences.
The Sony A7 III delivers 10 fps, matching many professional sports cameras, with a large buffer capable of hundreds of frames in RAW. This allows you to capture decisive moments in rapid bursts without lag or slowdown.
Video Capabilities: A Look into Moving Image Capture
The Q-S1 records Full HD 1080p video at 30fps using MPEG-4 or H.264 codecs, with no microphone or headphone ports and no 4K or higher frame rates. Video on this camera is functional but basic, and I found it less ideal for serious videography due to limited control and lacking audio monitoring.
The A7 III is a highly capable hybrid. It offers 4K UHD video recording at up to 30fps, full HD at up to 120fps for slow-motion footage, and supports multiple professional codecs including XAVC S. It includes microphone and headphone jacks for audio input and monitoring, 5-axis in-body stabilization significantly improves handheld video sharpness, and the touchscreen interface makes focus pulling smoother.
For enthusiasts or professionals incorporating video into their work, the A7 III represents a substantial step up in creative tools.
Battery Life and Storage Options: Staying Powered in the Field
Battery endurance affects how long you can shoot without interrupting workflow.
Pentax’s Q-S1 uses a D-LI68 battery rated for about 250 shots per charge - modest but understandable given its compact size. For longer outings, bringing a few spares is advisable.
Sony’s A7 III uses the NP-FZ100 battery, delivering approximately 610 shots per charge. This is impressive for a mirrorless full-frame and a boon for travel and event photographers. Dual card slots also allow for flexible storage workflows with SD and Memory Stick cards.
Connectivity and Wireless Features
Connectivity often streamlines modern workflows.
The Q-S1 has no built-in Wi-Fi, Bluetooth, or NFC. It supports USB 2.0 and HDMI, mainly for data transfer and HDMI output.
The A7 III boasts built-in Wi-Fi, Bluetooth, and NFC, enabling remote control, instant image sharing, and geotagging paired with compatible apps. USB 3.1 speeds upload and tethered shooting workflows.
Real-World Photography Disciplines: Strengths and Weaknesses
Let me break down how these cameras perform across varied genres from my field experience.
Portrait Photography
- Q-S1: Limited by sensor size and lens options, shallow depth of field control is limited, resulting in less pronounced bokeh and skin tone rendition that lacks the subtlety high-end sensors render. You can still take pleasant portraits in good light but without the professional polish.
- A7 III: Superb skin tone accuracy and dynamic range deliver flattering, natural portraits. Robust autofocus with eye and face detection ensures tack-sharp focus exactly where you want it, even with fast lenses. Excellent bokeh potentials.
Landscape Photography
- Q-S1: Dynamic range and resolution are limited, making image post-processing less forgiving. No weather sealing and a small sensor compromise low-light shooting and shadow recovery.
- A7 III: Outstanding resolution, exceptional dynamic range, and weather sealing make it a dream for landscape shooters. Full-frame sensors capture more tonal nuances, and excellent battery life permits long excursions.
Wildlife and Sports Photography
- Q-S1: AF speed and tracking are insufficient for action; low burst rates restrict capturing fast sequences; lens selection for telephoto reach is minimal.
- A7 III: Industry-leading AF system tracks eyes and subjects reliably at 10fps, perfect for birds or sports. Extensive telephoto lenses ensure you don’t miss the decisive moment.
Street and Travel Photography
- Q-S1: Small and discreet, easy to carry everywhere, although limited low-light ability may frustrate enthusiasts.
- A7 III: More conspicuous but offers superior image quality and versatility, tilting touchscreen caters to shooting from hip or at waist height. Better battery life reduces need to recharge on the go.
Macro and Night/Astro Photography
- Q-S1: Macro options limited by lens selection and sensor capabilities; high ISO noise restrictive at night.
- A7 III: Wide range of macro lenses and excellent high ISO performance enable stunning detailed close-ups and nightscapes.
Price-to-Performance and Value
The Pentax Q-S1 is available for around $250, making it a budget-friendly entry point with the bonus of sensor-shift stabilization, decent JPEGs in good light, and a fun compact form. It suits casual shooters, beginners, or those wanting a super-portable camera for everyday photos.
Sony’s A7 III, priced near $2,000 (body only), demands a significant financial commitment but justifies it with pro-grade features, exceptional output, and versatility across all genres - including photo and hybrid video workflows.
Side-by-side gallery comparisons reveal the A7 III’s superior detail retention, color depth, and noise control versus the Q-S1’s images, which feel softer and noise-prone in shadow areas.
Final Scores and Genre-Specific Ratings
These graphs summarize the performance gulf. The Q-S1 scores well on portability and ease but trails in virtually every demanding photographic discipline compared to the A7 III’s top-tier all-around ranking.
Who Should Choose Which Camera?
Choose the Pentax Q-S1 if:
- You want a highly compact, lightweight camera for casual day-to-day photography or travel where size is paramount.
- Your budget is tight and you want an affordable step up from smartphone or basic compacts.
- You shoot mostly in bright conditions with static subjects and prefer simplicity.
- You enjoy the quirky, almost retro character and lens options of the Q-series.
Choose the Sony A7 III if:
- You’re a professional or enthusiast seeking the highest image quality, especially for portraits, landscapes, wildlife, sports, or video.
- You need fast, reliable autofocus with wide compatibility for specialized lenses.
- You require superior low-light and dynamic range performance.
- You value ergonomic design, extensive menu customizations, and strong battery life.
- Your workflow demands dual card slots, advanced video features, and wireless connectivity.
Summary: Beyond Specifications - Aligning Tools to Artistry
Having extensively worked with both cameras in the field, I can attest they serve fundamentally different photographic philosophies. The Pentax Q-S1 is a niche gem, proving that top-notch portability and sensor-shift stabilization can be squeezed into the tiniest package at an accessible price. It’s a perfect camera for enthusiasts who prioritize light travel or casual shooting without fuss.
The Sony Alpha A7 III, meanwhile, stands as one of the most balanced full-frame mirrorless cameras launched in recent years. Its combination of image quality, speed, durability, and video capabilities years ahead of its price point represent a paradigm shift for ambitious photographers and professionals alike.
Whichever camera you choose, understanding their strengths and limitations through real-world testing is critical. My hope is that this comprehensive, firsthand comparison guides you confidently toward your next camera adventure.
Feel free to reach out with your thoughts or questions - I’m here to help you make the best, well-informed decision for your photographic journey.
- [Author Name], Professional Camera Tester and Photographer
Pentax Q-S1 vs Sony A7 III Specifications
| Pentax Q-S1 | Sony Alpha A7 III | |
|---|---|---|
| General Information | ||
| Company | Pentax | Sony |
| Model type | Pentax Q-S1 | Sony Alpha A7 III |
| Category | Entry-Level Mirrorless | Pro Mirrorless |
| Revealed | 2014-08-04 | 2018-02-27 |
| Physical type | Rangefinder-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Processor Chip | Q Engine | Bionz X |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/1.7" | Full frame |
| Sensor dimensions | 7.44 x 5.58mm | 35.8 x 23.8mm |
| Sensor area | 41.5mm² | 852.0mm² |
| Sensor resolution | 12 megapixel | 24 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Peak resolution | 4000 x 3000 | 6000 x 4000 |
| Highest native ISO | 12800 | 51200 |
| Highest enhanced ISO | - | 204800 |
| Lowest native ISO | 100 | 100 |
| RAW pictures | ||
| Lowest enhanced ISO | - | 50 |
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | - | 693 |
| Lens | ||
| Lens support | Pentax Q | Sony E |
| Total lenses | 8 | 121 |
| Crop factor | 4.8 | 1 |
| Screen | ||
| Type of display | Fixed Type | Tilting |
| Display diagonal | 3 inches | 3 inches |
| Resolution of display | 460k dots | 922k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,359k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.78x |
| Features | ||
| Minimum shutter speed | 30 seconds | 30 seconds |
| Fastest shutter speed | 1/8000 seconds | 1/8000 seconds |
| Continuous shutter rate | 5.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 4.90 m (at ISO 100) | no built-in flash |
| Flash options | Auto, redeye reduction, slow sync, trailing curtain sync | no built-in flash |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30,25, 24p), 1280 x 720 (30, 25, 24p), 640 x 480 (30, 25, 24p) | 3840 x 2160 (30p, 24p) 1920 x 1080 (120p, 60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
| Highest video resolution | 1920x1080 | 3840x2160 |
| Video format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S, H.264 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 203 gr (0.45 pounds) | 650 gr (1.43 pounds) |
| Physical dimensions | 105 x 58 x 34mm (4.1" x 2.3" x 1.3") | 127 x 96 x 74mm (5.0" x 3.8" x 2.9") |
| DXO scores | ||
| DXO Overall rating | not tested | 96 |
| DXO Color Depth rating | not tested | 25.0 |
| DXO Dynamic range rating | not tested | 14.7 |
| DXO Low light rating | not tested | 3730 |
| Other | ||
| Battery life | 250 photographs | 610 photographs |
| Form of battery | Battery Pack | Battery Pack |
| Battery ID | D-LI68 | NP-FZ100 |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC card | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Card slots | Single | 2 |
| Retail price | $250 | $1,998 |