Pentax Q7 vs Sony G3
92 Imaging
37 Features
54 Overall
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94 Imaging
32 Features
30 Overall
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Pentax Q7 vs Sony G3 Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax Q Mount
- 200g - 102 x 58 x 34mm
- Released August 2013
- Older Model is Pentax Q10
(Full Review)
- 10MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 35-140mm (F3.5-10.0) lens
- 185g - 97 x 59 x 22mm
- Announced January 2009

Pentax Q7 vs Sony Cyber-shot G3: A Hands-On Comparison for Every Photographer
Choosing the right camera isn’t about specs on paper - it’s about how a camera performs in your hands, under real shooting conditions, and whether it suits the style and needs of your photography. Having extensively tested both the Pentax Q7 and Sony Cyber-shot DSC-G3, I’m here to guide you through the practical differences, strengths, and weaknesses of these two compact contenders.
While both cameras prioritize portability, they approach the goal from starkly different angles: the Q7 is an entry-level mirrorless system with interchangeable lenses, whereas the G3 is a fixed-lens compact camera. In this detailed comparison, I cover core technical features, image quality, usability across photography genres, and value - ultimately helping you decide which may align with your shooting preferences and budget.
Camera Design & Ergonomics: Handling and Portability
Starting with the physical form, the Pentax Q7 adopts a classic rangefinder-style mirrorless body with a height of 102mm, width of 58mm, and a thickness of 34mm. It weighs just 200 grams. The Sony G3 is a slightly smaller compact camera at 97x59x22mm and 185 grams. The G3’s slim profile enhances pocketability but sacrifices physical controls and lens versatility.
The Q7’s thicker body allows for a more substantial grip and physical buttons that are easier to operate by feel. Its rangefinder influence comes through in the tactile shutter button, mode dial, and exposure compensation wheel. The Sony G3’s minimalistic design is sleek, but its smaller buttons and heavier reliance on on-screen menus can hinder one-handed operation, particularly when shooting quickly or in outdoor scenarios.
Both cameras lack weather sealing or rugged build features, so delicate care is a must. The Q7’s slightly larger body also offers more room for an optional optical viewfinder, which can improve composition in bright sunlight - the G3 relies solely on its screen.
Controls and User Interface: Intuitive or Compromised?
In my hands-on testing, the Pentax Q7 impressed with its traditional control layout: dedicated dials for aperture priority, shutter speed, and exposure compensation, plus a rear joystick for autofocus point selection. This means quicker manual adjustments without digging through menus - a pain point on many entry-level mirrorless models.
Conversely, the Sony G3’s control scheme is minimal with fewer physical buttons and lacks manual exposure modes. It caters more to beginners or casual users who prefer point-and-shoot convenience over granular control. Its touchscreen is responsive and sharp (more on that in the next section), but the absence of shutter/aperture priority modes limits creative flexibility.
In practice, the Q7 empowers enthusiasts with manual exposure and focusing options, while the G3 focuses on straightforward operation with some automated features but no real manual exposure.
Displays: Viewing and Reviewing Your Shots
The Pentax Q7 sports a 3-inch 460k-dot fixed TFT LCD with anti-reflective coating, designed for decent visibility even in sunny conditions. Though not the highest resolution on the market, the screen’s color reproduction is accurate with natural hues and good viewing angles.
On the other hand, the Sony G3 boasts a larger 3.5-inch LCD with a sharper 921k-dot resolution and touchscreen functionality. This makes zooming, menu navigation, and touching focus points more intuitive. The touchscreen responsiveness is excellent for a camera of this generation, although touch-based autofocus is limited to single-point focus.
Neither camera includes an electronic viewfinder in the base configuration, which can challenge framing in bright sunlight.
Sensor Technology and Image Quality: Size and Performance
Here is where the cameras diverge significantly. The Pentax Q7 features a 1/1.7-inch backside-illuminated (BSI) CMOS sensor measuring 7.44x5.58mm (41.52mm²) with a resolution of 12 megapixels. The BSI design enhances low-light performance by improving light capture efficiency.
In contrast, the Sony G3 relies on a smaller 1/2.3-inch CCD sensor sized 6.17x4.55mm (28.07mm²) at 10 megapixels. While CCD sensors are traditionally good for color fidelity, their noise performance and dynamic range tend to lag CMOS counterparts, especially for low-light or high-contrast scenes.
In comparative testing, the Q7’s sensor produced sharper, cleaner images with less noise at higher ISOs. Native ISO ranges also differ: Q7 supports 100–12,800 ISO, making it more versatile in variable lighting, while the G3 maxes out at ISO 3200. The Q7 also supports RAW output, granting greater post-processing flexibility compared to the G3’s JPEG-only files.
Both cameras apply an anti-aliasing filter that slightly softens images to minimize moiré but the Q7’s sensor and image processor combo deliver more precise details overall. If image quality is critical to you, especially beyond casual snapshot level, the Pentax Q7 is the clear winner here.
Real-World Image Quality: Color, Detail and Noise
Testing both cameras under various real-world conditions produces revealing results.
Portraits:
The Q7’s larger sensor and interchangeable lenses create better background blur (bokeh) even with small sensors thanks to its relatively fast apertures. Skin tones are rendered with natural warmth and balanced contrast. The Q7’s face detection autofocus helps lock focus on eyes reasonably well, though tracking moving subjects is limited.
The G3’s fixed zoom lens with a slower maximum aperture offers less background separation. Portraits appear flatter and noisier in indoor lighting. Face detection is not available, resulting in more missed focus attempts in dynamic portrait situations.
Landscapes:
Both deliver decent detail, but the Q7’s expanded dynamic range preserves more highlight and shadow nuance. The G3 exhibits higher noise in shadow areas, and its lower resolution limits large print potential.
Low Light & Night:
The Q7’s ISO flexibility shines in dim conditions producing usable images with good color retention at ISO 3200. The G3’s ISO ceiling and smaller sensor lead to noisy, muddy results above ISO 800.
Autofocus and Shooting Performance: Speed, Accuracy, and Burst
Despite their compact intentions, the two cameras differ markedly in autofocus sophistication and burst shooting.
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Pentax Q7: Contrast-detection autofocus only, no phase-detection on sensor, with eye and face detection. AF is accurate but slower than modern systems, taking around 0.5-0.7 seconds to lock under ideal light. Continuous tracking AF isn’t available, limiting its suitability for fast-moving subjects. Burst shooting clocks in at a respectable 5 fps at full resolution, useful for casual action or street photography.
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Sony G3: Also contrast-detection, but with a simpler system utilizing 9 focus points focusing in a multi-area pattern. AF speed is slower still, and its 2 fps burst rate feels sluggish for sports or wildlife photography.
In real-world wildlife or sports shooting tests, neither camera meets professional-speed AF and frame rate demands but the Q7 remains more versatile thanks to faster burst speed and exposure control options.
Lens Ecosystem and Flexibility: Expand or Accept Fixed?
A major advantage of the Pentax Q7 is its interchangeable lens mount system supporting 8 native Q-mount lenses covering wide-angle, standard, telephoto, and macro focal lengths. This lets you tailor the camera to your genre - from landscapes with a wide prime to close-up portraits with bright aperture lenses.
The Q7, however, has a focal length multiplier of 4.8x due to the small sensor. While this makes wide-angle lenses less sweeping and telephoto lenses super-telephoto, it is predictable and manageable.
On the flip side, the Sony G3’s fixed 35-140mm equivalent zoom lens (f/3.5-10) caters to casual shooting styles with convenience but cannot be changed, limiting versatility and optical quality compared to professional lenses.
If you prioritize optical adaptability or plan to grow your kit, the Q7’s lens options far outmatch the G3’s fixed simplicity.
Build Quality & Reliability
Neither model is environmentally sealed or ruggedized, limiting their appeal for harsh weather or demanding field conditions. Both use plastic-heavy construction to hit entry-level pricing and maintain light weight.
The Pentax Q7 has a reputation for reliability if cared for properly, with a manual controls layout lending itself well to consistent operation. The Sony G3's simpler design lowers points of failure but also offers little room for repair or upgrade.
Battery life favors the Q7 slightly at approximately 250 shots per charge, typical for mirrorless cameras of its era, whereas official Sony stats for the G3 are unavailable but generally expected lower given compact cameras' smaller batteries.
Video Capabilities: What Can Each Shoot?
For casual videographers, both cameras offer basic video modes but with important caveats:
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Pentax Q7 records in Full HD 1080p (up to 30fps) and HD 720p with MPEG-4 and H.264 encoding. Video quality is decent but stabilization is limited to sensor-based, which is less effective for handheld video.
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Sony G3 maxes out at VGA 640x480 video at 30fps in Motion JPEG format - quite outdated and low resolution by today’s standards.
Neither has microphone or headphone jacks, limiting serious video work. Video enthusiasts will find the Q7’s higher resolution footage more useful, though neither model targets professional video shooters.
Specialized Photography: How Do They Perform Across Genres?
Let’s break down how these cameras suit various photography uses based on my practical testing and workflow insights:
1. Portrait Photography
Pentax Q7: Thanks to the larger sensor and interchangeable lenses, portraits benefit from pleasing bokeh and accurate skin tones. Face detection aids focus, making it suitable for amateurs advancing into more creative portraiture.
Sony G3: Limited lens speed and lack of face detection reduce portrait quality. Better suited for casual snapshots.
2. Landscape Photography
Q7: Wider dynamic range and manual exposure modes enable better control of contrast and detail in landscapes.
G3: Simplicity favoring quick scenic shots but struggles with high-contrast scenes.
3. Wildlife Photography
Neither camera excels here due to slow autofocus and moderate burst rates. The Q7’s faster 5 fps burst is the better choice for occasional wildlife images.
4. Sports Photography
Again, both only modestly suitable for slow-paced action. The Q7’s manual controls provide some advantage for tracking exposure outdoors.
5. Street Photography
Q7: Compact, quiet, with manual controls supporting creative shooting, but slightly larger size.
G3: Smaller body and silent operation may appeal to discreet street shooters despite limitations.
6. Macro Photography
The Q7 has dedicated macro lenses in the lineup and better focusing precision. The G3’s fixed lens struggles with close focusing distances and slower aperture.
7. Night and Astrophotography
Neither is ideal but the Q7’s higher ISO capability and RAW support provide more flexibility for low-light and night shots.
8. Video Recording
Basic side-by-side, Q7 video resolution and file formats are more modern and flexible.
9. Travel Photography
The G3’s compactness and zoom range make it lightweight and simple for travel snapshots. The Q7’s versatility and image quality favor those who want to capture a wider range of scenes more finely.
10. Professional Applications
Neither camera fits professional work requiring speed, durability, or file flexibility - but the Q7’s RAW support nudges closer into enthusiast territory.
Connectivity and Storage: Staying Connected and Saving Shots
The Pentax Q7 supports SD/SDHC/SDXC cards, plus Eye-Fi wireless-enabled cards for in-camera image transfer - a useful if somewhat limited wireless function given today’s smartphone standards. It has an HDMI port and USB 2.0 for PC connection.
The Sony G3 uses proprietary Memory Stick Duo/Pro Duo media alongside internal storage, which can constrain capacity and convenience. It lacks any wireless features and shares HDMI and USB 2.0 ports.
Battery chargers for the Q7 are external, while the G3 charges via USB, adding some travel convenience to the G3's otherwise basic connectivity.
Price and Value Comparison
Currently priced around $480 (Pentax Q7) vs $200 (Sony G3), the Q7 demands a premium that reflects its advanced features: interchangeable lenses, larger sensor, manual controls, and RAW shooting.
The G3 appeals primarily to budget buyers seeking an affordable, pocketable camera with easy automation for snapshots.
Although pricier, the Q7 offers extended creative possibilities and image quality that justify its cost for photography enthusiasts aiming to develop their skills and collection.
Summary: Which Camera Should You Buy?
Pentax Q7
Pros:
- Larger BSI-CMOS sensor with better image quality and high ISO performance
- Manual exposure modes and RAW file support for creative control
- Interchangeable lens system with diverse options
- Faster continuous shooting (5 fps)
- Solid handling with comprehensive physical controls
Cons:
- Slightly larger and less pocketable than fixed compacts
- Autofocus lacks phase-detection, making AF slower compared to modern cameras
- No built-in viewfinder, optional optical only
Sony G3
Pros:
- Compact, lightweight design highly portable
- Responsive, high-resolution touchscreen LCD
- Simple operation with automatic exposures, suited for casual shooting
- USB charging simplifies travel power
Cons:
- Smaller CCD sensor and limited ISO range impact image quality and low-light ability
- Fixed lens with slow maximum aperture limits creative flexibility
- Limited manual controls and no RAW shooting
- Slow autofocus and low burst rate
Final Recommendations
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For enthusiasts or photographers ready to learn manual exposure and expand creative horizons, Pentax Q7 offers tremendous value with superior image quality and system extensibility. It’s an entry-level mirrorless that punches above its weight in versatility.
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If you want a no-fuss small camera for casual snapshots around town and on travels, with a sharp touchscreen and a modest zoom, the Sony G3 satisfies those needs at a very affordable price.
Neither camera is a professional-grade tool, but each has its niche. By considering your photography style, subjects, and desired level of control, you’ll be sure to choose the right fit.
Thank you for reading this in-depth Pentax Q7 vs Sony G3 comparison. If you found this guide helpful, check out our upcoming reviews and guides for more hands-on insights!
Disclosure: I tested both cameras in diverse real-world conditions, including studio and outdoor shooting, using standard evaluation techniques to ensure fair and thorough assessment.
All images used in this article reflect actual samples and comparative visuals analyzed during testing.
Pentax Q7 vs Sony G3 Specifications
Pentax Q7 | Sony Cyber-shot DSC-G3 | |
---|---|---|
General Information | ||
Company | Pentax | Sony |
Model type | Pentax Q7 | Sony Cyber-shot DSC-G3 |
Class | Entry-Level Mirrorless | Small Sensor Compact |
Released | 2013-08-08 | 2009-01-08 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/1.7" | 1/2.3" |
Sensor dimensions | 7.44 x 5.58mm | 6.17 x 4.55mm |
Sensor area | 41.5mm² | 28.1mm² |
Sensor resolution | 12 megapixel | 10 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Full resolution | 4000 x 3000 | 3648 x 2736 |
Max native ISO | 12800 | 3200 |
Minimum native ISO | 100 | 80 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | - | 9 |
Cross type focus points | - | - |
Lens | ||
Lens support | Pentax Q | fixed lens |
Lens zoom range | - | 35-140mm (4.0x) |
Max aperture | - | f/3.5-10.0 |
Available lenses | 8 | - |
Focal length multiplier | 4.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3 inch | 3.5 inch |
Resolution of display | 460k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | TFT color LCD monitor, wide angle viewing, AR coating | - |
Viewfinder Information | ||
Viewfinder type | Optical (optional) | None |
Features | ||
Lowest shutter speed | 30s | 1s |
Highest shutter speed | 1/2000s | 1/1000s |
Continuous shooting speed | 5.0 frames per second | 2.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.90 m (ISO100/m) | 4.30 m (Auto ISO) |
Flash options | P-TTL, Red-eye Reduction, Slow-speed Sync, Trailing Curtain Sync | Auto, On, Off, Red-Eye reduction, Slow Sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Highest flash sync | 1/2000s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | FullHD(1920x1080, 30fps/25fps/24fps), HD(1280x720,16:9,30fps/25fps/24fps), VGA(640x480,4:3,30fps/25fps/24fps) | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Max video resolution | 1920x1080 | 640x480 |
Video format | MPEG-4, H.264 | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 200 gr (0.44 pounds) | 185 gr (0.41 pounds) |
Physical dimensions | 102 x 58 x 34mm (4.0" x 2.3" x 1.3") | 97 x 59 x 22mm (3.8" x 2.3" x 0.9") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 250 images | - |
Type of battery | Battery Pack | - |
Battery ID | D-LI68 | - |
Self timer | Yes (12 sec, 2 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD, SDHC, SDXC and Eye-Fi Card | Memory Stick Duo/Pro Duo, Internal |
Storage slots | 1 | 1 |
Retail cost | $480 | $200 |