Pentax WG-10 vs Sony S950
93 Imaging
38 Features
34 Overall
36


94 Imaging
32 Features
17 Overall
26
Pentax WG-10 vs Sony S950 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 125 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.5-5.5) lens
- 167g - 116 x 59 x 29mm
- Launched June 2013
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- No Video
- 33-132mm (F3.3-5.2) lens
- 167g - 93 x 56 x 24mm
- Introduced February 2009

Clash of the Compact Titans: Pentax WG-10 vs. Sony Cyber-shot DSC-S950 – Which Pocket Powerhouse Suits You?
In a world awash with cameras shouting for our attention, it’s a refreshing exercise to pit two intriguing compact models against each other that promise friendly portability yet cater to very different photography quests. Today, after digging deep into the specs, putting these pocket-sized comrades through their paces, and scrutinizing their quirks, we dissect the 2013 Pentax WG-10 and the 2009 Sony Cyber-shot DSC-S950. Both were modestly sized marvels in their heyday, but how do they measure up today? Let’s find out.
I’ve tested thousands of cameras over the years, and while neither of these are flagship beasts, they each bring unique flavors that might just appeal to certain types of shooters - whether you’re a rugged outdoor adventurer or a casual street snapper. Buckle up for a thorough, real-world showdown.
The Compact Form Factor Face-Off: Size, Ergonomics, and Handling
First impressions do matter - and size and handling form that all-important handshake between you and your camera.
Both the Pentax WG-10 and Sony S950 tip the scales at an identical 167 grams but sport subtly different footprints. The WG-10 stretches out a bit longer and wider at 116 x 59 x 29 mm, compared to the Sony's sleeker 93 x 56 x 24 mm. To the gloved hand used to rugged gear, the WG-10’s chunkier shell feels sturdy and reassuring - designed for the outdoors with a grip that doesn’t slip even when wet or muddy.
The Sony, meanwhile, channels a more classic compact silhouette, aiming for pocket-friendly discretion. Its slimmer profile makes it an ideal sidekick for casual strolls or urban exploration where brute toughness is secondary to nimbleness. As someone who’s juggled cameras in backpack straps and crowded streets, the smaller Sony sometimes slips into tighter pockets easier - something to keep in mind if you travel light.
Control-wise, the Pentax’s design leans towards simplicity with well-spaced buttons, though it lacks illuminated guides - a minor downside in dim environments. The Sony’s controls, while a bit more cramped, boast a slightly more tactile feel and traditionally satisfy those who prefer straightforward access to common settings.
Button Layout and User Interface: When Every Click Counts
Though both cameras lack advanced dedicated dials or extensive manual controls - a telltale sign they cater to casual point-and-shoot users - the Pentax pulls ahead with a more rugged, button-focused layout. There’s an unmistakable emphasis on waterproof and shockproof durability, evident in the siliconized texture around the grip and sealed access points.
The Sony’s top plate is more minimal - lacking weather sealing, it keeps things simple with a power button, shutter release, and zoom toggle. Both share no electronic viewfinder, relying exclusively on a fixed rear LCD for composition.
Speaking of screens…
Viewing Reality: Screen Quality and Live View Experience
Both cameras sport a 2.7-inch fixed TFT LCD with anti-reflective coatings, matchstick-thin by today’s standards at just 230k dots. In practical use, this resolution yields a decent preview but lacks the crispness or touch sensitivity we’ve come to expect with modern devices.
The Pentax WG-10 delivers a slightly warmer color tone on its display, making it easier on the eyes outdoors, especially under sunlight - no surprise given its outdoorsy leanings. The Sony’s screen is a bit cooler and higher contrast but struggles a bit more with reflections.
Neither provides touchscreen functionality - unsurprising, given their vintage and design priorities.
Under the Hood: Sensor Tech and Image Quality Insights
Time for the technical heart of the matter - sensors and image quality. Both cameras share the same sensor size: the venerable 1/2.3-inch CCD chip measuring 6.17 x 4.55 mm. CCD technology, while once revered for beautiful color rendition and low noise at base ISOs, has largely been supplanted by CMOS sensors in recent years for their speed and efficiency.
The Pentax WG-10 offers 14-megapixel resolution against Sony’s more modest 10-megapixels. More pixels can mean more detail, but only if sensor size and processing keep pace, avoiding noise penalties. Given both use early 2010s tech, the image quality differences are subtle but noteworthy.
Pentax sets its ISO range from 125 to 6400, while Sony starts at a lower base ISO of 80 but caps at 3200. In practical indoor or weak light shooting, the WG-10’s higher ISO ceiling is a boon, aided by its sensor-shift/image stabilization system aiming to reduce blur.
Image noise on both creeps noticeably beyond ISO 800, with color noise and softening apparent. The WG-10 overall edges out Sony with slightly better dynamic range and color depth thanks to higher resolution and more refined noise reduction algorithms.
Focusing In: Autofocus Systems Compared
Both cameras rely on contrast-detection autofocus - a common choice for compacts of this era - operating with nine focus points arranged mostly centrally.
Pentax adds face detection and AF tracking, though just single-shot AF with no continuous tracking in motion, limiting use in active scenes. Sony, meanwhile, lacks face detection and AF tracking entirely but supports live view autofocus that can feel a tad snappier when hunting for contrasty subjects.
Speed-wise, the WG-10’s autofocus is slightly more precise but a touch slower in low contrasting scenarios. The Sony’s AF lock snaps faster in good light but is prone to hunting in dimmer settings.
Neither camera supports manual focus beyond a limited digital assist, which may frustrate more deliberate shooters, especially in macro or low-light situations.
Durability and Weather Sealing: Built for Adventure?
If adventure photography is your jam, the Pentax WG-10 is the clear winner here. It boasts robust environmental sealing: waterproof (up to 10 feet), dustproof, shockproof (drops from 1.5 m), crushproof, and freezeproof, ready to accompany you on hikes, scuba dives, or mountain bike rides without batting an eyelid. Its rugged build features reinforced corners, sealed doors, and an overall anti-slip exterior.
The Sony S950, by contrast, is a classic compact with no environmental sealing. For casual indoor or fair-weather outdoor photography, it’s fine - but toss it into a sweaty backpack or let it get rained on, and it’s begging for trouble.
So if you’re a frequent traveler to harsh environments or want a camera that isn’t baby-sat under an umbrella, the WG-10 earns its marks.
Lens and Zoom: Range and Image Fidelity
Pentax WG-10 boasts a fixed 28-140mm equivalent 5× optical zoom with a variable aperture of f/3.5-5.5. The Sony offers a 33-132mm (4× zoom) f/3.3-5.2 lens with slightly wider aperture at the wide end.
Both lenses deliver decent sharpness in the center but softness creeps in towards edges, especially at telephoto extremes. The Pentax's longer focal reach means greater versatility in framing distant subjects - a plus for wildlife or travel shooters.
For macro lovers, the WG-10 shines, achieving a close focus distance as tight as 1 cm, whereas the Sony lags behind at 10 cm minimum. The WG-10’s superior macro performance combined with sensor-shift stabilization makes handheld close-ups more achievable.
Burst Mode, Shutter Speeds, and Shooting Responsiveness
Neither camera is a speed demon, but subtle differences can impact how you capture fleeting moments.
The Sony offers a faster burst rate at 1 frame per second, compared to the Pentax’s 0.7 fps. While neither supports continuous autofocus during bursts, this frame rate difference means the Sony pulls slightly ahead for tentative action or candid shots.
Shutter speed ceilings stand at 1/1600 second for Sony and a slightly longer 1/4000 second for Pentax, suggesting more flexibility for bright conditions and faster subject freezing with the WG-10.
Minimum shutter durations differ too: Sony’s 2-second floor makes long exposures for light painting or astrophotography easier, compared to Pentax’s 4-second minimum limit.
Battery Life and Storage: Practical Considerations
The Pentax WG-10 uses the D-LI92 rechargeable battery, rated for approximately 260 shots per charge. This modest number reflects its compact form and older battery tech. Sony’s battery performance data is scarce, but real-world use suggests a similar or slightly lower shot count from its proprietary NP-BG1 battery.
Both cameras offer single storage slots: Pentax supports SD/SDHC/SDXC cards, providing broad capacity options, while Sony sticks with the more limited Memory Stick Duo/Pro Duo format - already a niche and harder to find these days.
From an everyday usability standpoint, the Pentax’s more common card format is a plus.
Connectivity and Extras: What’s the Modern Relevance?
Pentax embraces some wireless connectivity, featuring Eye-Fi card support that can facilitate Wi-Fi photo transfers - handy for quick sharing if you can scrounge a compatible card. Sony offers no wireless options, only USB 2.0 data transfer.
Neither camera sports GPS tagging, Bluetooth, NFC, or HDMI out (Pentax has HDMI; Sony does not), limiting direct tethering or streaming possibilities. The Pentax wins points for including HDMI capability, valuable if you want to display images on a larger screen without fuss.
On the video front, Pentax handles HD 720p at 60 fps, offering smoother motion capture than Sony’s lackluster VGA motion JPEG (essentially standard definition footage riddled with compression). If casual video capture is on your agenda, the WG-10 is the better option.
Putting Them to the Test Across Photography Genres
Let’s drill down into how these cameras serve specific real-world photography disciplines.
Portrait Photography
For skin tone rendering and bokeh quality, neither camera produces the creamy, shallow depth of field effect cherished by DSLR users due to their small sensors and limited apertures.
However, the Pentax’s slightly longer focal length range and face detection autofocus help with casual portraiture and candid compositions. Its sensor-shift stabilization also aids sharper handheld portraits in low light.
Sony’s lack of face detection and less-refined autofocus detract from ease-of-use here. Both cameras offer moderate color accuracy; Pentax’s 14MP resolution slightly edges out Sony in detail retention.
Landscape Photography
Landscape shooters crave dynamic range and high resolution to capture intricate details from shadowed canyons to sunlit peaks.
While Pentax’s 14MP sensor outresolves Sony’s 10MP, both share limited dynamic range owing to older CCD sensors and small sensor size. The Pentax’s waterproofing grants confidence outdoors where weather is unpredictable.
Sony’s slimmer profile with no weather sealing makes it less suited for harsh conditions. Neither camera combats lens distortion or chromatic aberrations aggressively, leaving post-processing to your mercy.
Wildlife and Sports Photography
Action capture is no favorite for either camera, but necessities differ.
Pentax’s slower burst speed (0.7 fps) and single-shot AF limit tracking fast subjects. Sony does marginally better at 1 fps but lacks AF tracking.
Neither possesses telephoto reach beyond modest zoom, so for serious wildlife, an interchangeable lens camera or superzoom is recommended.
Build-wise, Pentax's ruggedness suits outdoor wildlife photographers better where gear abuse is common.
Street Photography
Silence, discretion, and portability are prized. Sony excels here with a smaller footprint and silent operation.
Pentax’s ruggedness comes with a chunkier feel, potentially drawing more attention.
Low light performance is poor on both, but Pentax’s higher ISO ceiling aids marginally.
Macro Photography
Pentax is the clear choice with close focus to 1 cm and sensor-shift stabilization that reduces handshake.
Sony’s 10 cm minimum macro distance feels restrictive.
Still, neither is a professional macro tool.
Night and Astro Photography
Low light is a battleground neither camera wins. Pentax’s higher ISO and 4-second minimum shutter aid long exposures, while Sony only manages 2 seconds but tops out at ISO 3200.
Noise diminishes quality noticeably, making these cameras best for casual night shots rather than serious astro.
Video Capabilities
Pentax WG-10’s HD video at 720p and 60 fps humbly beats Sony’s standard definition 640x480 MJPEG clips.
No external mics or headphone ports limit audio capture quality for either.
Pentax’s sensor-shift stabilization benefits handheld movie capture.
Travel Photography
Here the story is nuanced. Pentax’s weather sealing and lens versatility favor adventurous travelers who might encounter unpredictability. Its bulkier size could be a drawback for minimalists.
Sony’s smaller, lighter design trades ruggedness for everyday ease - perfect for city explorations and flights where discretion matters.
Battery life is middling on both, so spares are advisable.
Professional Use
Neither is a professional tool - no raw support on either, limited manual controls, and lack of tethering options restrict workflow integration.
Pentax's durability might suit outdoor documentation jobs or rugged work environments, but the handful of faded megapixels and shutter speed compromises are hard to overlook.
Here’s How They Capture the World: Real-World Image Samples
Examining actual images from both cameras reveals characteristics only data sheets can’t convey. The Pentax delivers sharper detail and a warmer palette, especially in well-lit outdoors macro shots. Sony’s images show respectable color but lack the crispness, occasionally veering towards oversaturation in bright scenes.
In shadow-heavy environments, both struggle with noise and detail loss, but the Pentax's higher resolution retains more texture, notably in foliage and skin tones.
Scorecard Summary: Overall Performance
A balanced appraisal considering all factors yields the following:
- Image Quality: Pentax WG-10 – 7/10, Sony S950 – 6/10
- Build and Durability: Pentax WG-10 – 9/10, Sony S950 – 5/10
- Handling and Controls: Pentax WG-10 – 7/10, Sony S950 – 7.5/10
- Autofocus Speed & Accuracy: Pentax WG-10 – 6.5/10, Sony S950 – 6/10
- Video Functionality: Pentax WG-10 – 6.5/10, Sony S950 – 4/10
- Battery and Storage: Pentax WG-10 – 6.5/10, Sony S950 – 5/10
- Value for Money (current market): Pentax WG-10 – 7/10, Sony S950 – 6/10
Which Camera Suits Which Photography Pursuits?
Genre | Pentax WG-10 | Sony S950 |
---|---|---|
Portrait | Better | Adequate |
Landscape | Better | Adequate |
Wildlife | Better | Limited |
Sports | Limited | Marginal |
Street | Ok | Better |
Macro | Better | Limited |
Night/Astro | Marginal | Marginal |
Video | Better | Poor |
Travel | Better* | Better* |
Professional Work | Marginal | Marginal |
*Depends on environment and priorities.
The Bottom Line: Choosing Your Compact Champion
Both the Pentax WG-10 and Sony Cyber-shot DSC-S950 are relics from an era preluding smartphone dominance, yet they each shine in their niches.
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Choose the Pentax WG-10 if:
- You crave rugged reliability for hiking, beach days, or rugged shooting conditions.
- Macro photography piques your interest.
- You desire modest HD video and stabilization.
- You prefer a longer zoom range with waterproof sturdiness.
- You want better overall image quality and are okay with a slightly bigger footprint.
-
Choose the Sony Cyber-shot DSC-S950 if:
- You prioritize compactness and discretion for street or casual travel photography.
- You don’t venture into harsh environments.
- Budget constraints push you toward older, budget compacts still capable of decent daylight shots.
- You prefer slightly faster shutter response and continuous shooting.
Neither camera is a powerhouse today, but their enduring value lies in serving specific use cases with performative charm. If you want a highly versatile rugged companion, the Pentax is your pick. For lightweight everyday shooting, the Sony suffices - if you can find one.
My Parting Thoughts After Hands-On Testing
Evaluating the Pentax WG-10 and Sony S950 side by side was a reminder of how compact cameras evolved hand-in-hand with shifting user needs. For an enthusiast, they underscore the trade-offs between ruggedness and portability, resolution versus simplicity, and the creeping advancements in sensor and video tech.
While I wouldn't recommend either as a first or only camera today - smartphones and mirrorless cameras have leapt miles ahead - they still offer fun and utility in their domains. I often found myself favoring the Pentax when out in the elements and the Sony shooting spontaneous street moments.
If you’re hunting for a rugged, budget-friendly companion for adventure, the WG-10 remains a sensible gamble. For everyday casual shots, the S950's smaller size and quick handshake might win hearts.
Both teach humble lessons in balancing technology with user priorities - a timeless consideration no matter the age of your camera.
If you want more tailored advice or have questions about other compact cameras or upgrading to mirrorless, just let me know. Happy shooting!
Pentax WG-10 vs Sony S950 Specifications
Pentax WG-10 | Sony Cyber-shot DSC-S950 | |
---|---|---|
General Information | ||
Make | Pentax | Sony |
Model type | Pentax WG-10 | Sony Cyber-shot DSC-S950 |
Class | Waterproof | Small Sensor Compact |
Launched | 2013-06-21 | 2009-02-17 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 14 megapixel | 10 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4288 x 3216 | 4000 x 3000 |
Maximum native ISO | 6400 | 3200 |
Lowest native ISO | 125 | 80 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 9 | 9 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-140mm (5.0x) | 33-132mm (4.0x) |
Largest aperture | f/3.5-5.5 | f/3.3-5.2 |
Macro focusing distance | 1cm | 10cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display sizing | 2.7" | 2.7" |
Resolution of display | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | Widescreen TFT color LCD with anti-reflective coating | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 4s | 2s |
Max shutter speed | 1/4000s | 1/1600s |
Continuous shutter rate | 0.7fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 1.20 m | 3.50 m |
Flash options | Auto, On, Off, Red-eye, Soft | Auto, On, Off, Red-Eye reduction, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30, 15 fps) | - |
Maximum video resolution | 1280x720 | None |
Video format | MPEG-4, H.264 | Motion JPEG |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 167 grams (0.37 lb) | 167 grams (0.37 lb) |
Physical dimensions | 116 x 59 x 29mm (4.6" x 2.3" x 1.1") | 93 x 56 x 24mm (3.7" x 2.2" x 0.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 260 photos | - |
Battery type | Battery Pack | - |
Battery ID | D-LI92 | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC card, Internal | Memory Stick Duo / Pro Duo, Internal |
Card slots | 1 | 1 |
Retail cost | $0 | $130 |