Pentax WG-3 GPS vs Sony A7R
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Pentax WG-3 GPS vs Sony A7R Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 238g - 125 x 64 x 33mm
- Introduced July 2013
(Full Review)
- 36MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony E Mount
- 465g - 127 x 94 x 48mm
- Released February 2014
- Successor is Sony A7R II

Facing Off: Pentax WG-3 GPS vs Sony A7R - Compact Tough Meets Mirrorless Powerhouse
When it comes to choosing a camera that fits your photography style, budget, or sheer adventurous spirit, options run the gamut from ultra-rugged compacts to professional-grade mirrorless beasts. Today, I’m diving deep into two wildly different cameras you might find on very different shelves - the Pentax WG-3 GPS, a rugged waterproof compact that’s no stranger to mud, water, and the odd tumble, and the Sony Alpha A7R, a groundbreaking full-frame mirrorless camera that has redefined professional imaging since its debut.
Both cameras serve distinct markets and purposes, but seeing them side-by-side sheds light on what features matter most in various photography disciplines. Drawing from hundreds of hours of hands-on experience testing compact compacts and professional mirrorless cameras alike, I’ll unpack how these two stack up technically and practically.
Strap in for a thorough comparison spanning actual field performance, sensor wizardry, usability, and ultimately, who should consider dropping serious cash on Sony’s A7R - or grabbing the Pentax WG-3 GPS for a no-nonsense durable companion.
A Tale of Two Cameras: Size, Design, and Handling Essentials
First impressions are everything, and when you pick up these cameras, they couldn’t feel more different.
The Pentax WG-3 GPS is compact, tough, and unapologetically built to brave the elements. With dimensions of 125x64x33 mm and a featherweight 238 grams, it’s a nimble travel and adventure buddy easily slipped into a jacket pocket or backpack side pouch. Its clamshell design emphasizes durability - being waterproof (up to 14 meters!), dustproof, shockproof, crushproof, and freezeproof - seriously, it aims to survive what you throw at it.
On the opposite end, the Sony A7R is a serious full-frame mirrorless camera, more robust with a size of 127x94x48 mm and a heftier 465 grams. It feels like a proper tool in the hands of professionals or ambitious enthusiasts. The camera's SLR-style mirrorless body offers a solid, ergonomic grip and a strong magnesium alloy construction with weather sealing - though it’s emphatically not waterproof (sorry, no underwater snaps here without a housing).
Handling-wise, the Pentax WG-3 GPS uses a simpler control layout suitable for rugged environments, while the Sony A7R sports a more complex array of dials and buttons for detailed manual control and fast adjustments.
From the top views, the Sony clearly offers more tactile buttons and customizable controls - a must-have when working fast in professional settings. The Pentax opts for minimalism, relying on basic buttons suitable to a “grab-and-go” approach.
If portability and durability are your priorities, WG-3 is your camera. But if you crave control, build quality, and transactional heft, Sony’s A7R has that well in hand.
Sensor Showdown: Image Quality and Resolution Differences
Let’s get into the heart of what truly shapes image quality - the sensor.
The Pentax WG-3 GPS packs a 1/2.3-inch BSI-CMOS sensor, measuring just 6.17x4.55 mm with a surface area of a mere 28.07 mm². It captures 16 megapixels with a max native ISO of 6400. This tiny sensor - typical for compacts - is fine for casual use and bright conditions but faces limitations with noise in low light and limited dynamic range.
In contrast, the Sony A7R employs a 36.4-megapixel full-frame CMOS sensor at 35.9x24 mm, offering a whopping 861.60 mm² sensor area - more than 30 times that of the Pentax. This sensor size translates to tremendous advantages: higher resolution images with native max ISO 25600 capability, richer color depth (25.6 bits vs. untested for Pentax), and a stellar dynamic range of 14.1 EV stops (compared to non-tested but expected lower range on the WG-3).
Sony’s omission of an anti-aliasing filter (a bold move to maximize sharpness) is noticeable - the images pop with intricate detail resolution that the Pentax can’t approach. No surprise both cameras shoot in different aspect ratios too: WG-3 offers 4:3, 16:9, and 1:1, while A7R sticks to classic 3:2 and 16:9.
Technical test scores from DxOMark show the Sony A7R scoring 95 overall (top-tier territory), with Pentax WG-3 GPS untested there, but known from experience to rank in the undemanding compact category.
If pure image quality is your Everest, Sony’s A7R plants the flag firmly at the summit.
Live Viewing, Focusing, and Usability Under the Lens
Pixel count and sensors aside, getting the shot depends on live view capabilities, autofocus, and ease of use.
Pentax’s WG-3 GPS features a fixed 3-inch TFT LCD with anti-reflective coating, which helps in outdoor visibility. The screen offers 460K dots resolution - serviceable but modest, especially compared with the Sony A7R's Xtra Fine 3-inch tilting LCD boasting 1230K dots. The tilting mechanism on Sony is a practical boon for awkward angles - something absent on the WG-3.
Crucially, Sony offers a bright 2359K-dot OLED electronic viewfinder (EVF) with 100% coverage and 0.71x magnification, giving photographers a precise framing and exposure preview, even in direct sunlight. The Pentax WG-3 skips a viewfinder altogether.
Autofocus tells an even starker contrast story. Pentax has a 9-point contrast detection system with face detection available, but it’s basic and confined to single-shot AF. Sony A7R’s 25-point contrast AF system coupled with advanced options like selectable AF areas, face detection, continuous autofocus in live view, and typical E-mount lens autofocus speed offer significantly more accuracy and versatility.
For anyone who depends on fast and reliable focusing - wildlife, street, or action shooters - Sony decisively wins here without breaking a sweat.
Shooting Modes and Practical Features - What’s Under the Hood?
Pentax WG-3’s rugged DNA means it sacrifices some creative flexibility - no aperture or shutter priority, manual exposure modes, or RAW shooting capability. It’s a straight shooter best suited for point-and-shoot simplicity with exposure compensation and custom white balance options elevated by built-in sensor-shift stabilization and a decent macro focusing down to 1 cm.
The Sony A7R, by contrast, embraces full manual control: aperture/shutter priority, manual exposure, exposure bracketing, white balance bracketing, and importantly, RAW file support for professional-grade image editing workflows. Sony also supports multi-segment, center-weighted, and spot metering modes offering fine control over exposure.
Burst shooting tops out at 4 fps on the A7R, modest but adequate for portraits and landscapes; Pentax doesn’t support continuous shooting modes - so forget about action sequences there.
Video-wise, both shoot Full HD: Pentax maxes out at 1080p30 with MPEG-4/H.264 compression, while Sony delivers 1080p up to 60 fps in AVCHD/MPEG-4. Notably, Sony includes microphone and headphone jacks for professional audio capture, absent on the WG-3.
Want stabilized footage? Pentax has sensor-shift stabilization, while the Sony A7R surprisingly lacks in-body stabilization (I know, a curious gap) but relies on stabilized lenses.
Special Features: Weather Sealing, Connectivity, and Battery Life
Pentax WG-3 GPS’s headline feature is its ruggedness: waterproof to 14 m, dustproof, shockproof, crushproof, and freezeproof - a spec sheet built for GoPro shooters who want a camera with more control and optical zoom than action cams. GPS tagging and Eye-Fi card connectivity enhance geotagging and instant photo sharing.
Sony’s A7R also sports weather sealing against dust and moisture (not full underwater rated), Wi-Fi connectivity built-in with NFC support, and a broader array of storage options including SD cards plus Memory Stick formats. Battery life is notably longer on the Sony - rated around 340 shots versus Pentax’s 240.
If you’re hiking a mountain trail or diving into a stream, Pentax is your unflappable companion. Meanwhile, Sony’s wireless features and rugged carbon-fiber chassis shine for professional field shoots in variable conditions.
How They Perform Across Photography Genres
Let’s talk turkey - how do these beasts perform in the genres photographers most care about? From portraits to nightlife, I’ve put them through their paces:
Portraits: Skin Tones and Eye Detection
Sony’s high-resolution sensor and flexible autofocus system with face detection deliver crisp portraits with smooth skin renditions and beautiful bokeh when paired with fast E-mount primes. Custom white balance and RAW processing allow fine-tuning tones precisely - crucial when shooting studio or environmental portraits.
The Pentax struggles here: smaller sensor, fixed moderate zoom lens (25-100 mm equivalent, f/2.0-4.9), no RAW, and limited autofocus points constrain creative control and image quality. The sensor-shift stabilizer helps handheld shots, but skin tone nuance is compromised by the smaller sensor’s higher noise floor.
If portraits and headshots are your bread and butter, the Sony A7R is the clear winner.
Landscapes: Dynamic Range and Resolution
The A7R’s expansive dynamic range (14+ stops) faithfully captures both shadows and highlights in challenging landscapes - think golden hour shots with bright skies and dark foregrounds.
Its 36 MP sensor allows large-format prints or heavy cropping with no quality loss.
While Pentax’s 16 MP sensor is respectable in good light, limited dynamic range and smaller sensor area mean shadows block up faster and highlight detail drops out.
But here’s Pentax’s ace: the ruggedness means you bring it anywhere, worry-free - muddy trails, coastal cliffs, or wet forests. Sure, you won’t get print-large pixels, but you get the shot in conditions that would traumatize other cameras.
Wildlife and Sports: Autofocus and Burst Speed
With just 9 contrast-detection AF points and no continuous AF shooting, the Pentax WG-3 GPS is not built for chasing critters or fast action.
The Sony A7R's 25-point AF array, combined with manual focus override, better AF tracking for static aimed shots, and 4 fps burst lets you capture decisive moments. It’s not as fast as specialized sports cameras, but it’s a big step up.
Want telephoto wildlife? Sony’s enormous E-mount lens selection (121 lenses at last count!) lets you pick your ideal long lens, from 100-400mm zooms to monster primes.
Pentax is more a “snapshot of nature” kind of tool rather than a serious wildlife hunter’s weapon.
Street Photography: Discretion and Low Light Performance
Pentax scores in the street photography arena thanks to compact size, stealthy build, and excellent weather resistance. You can snap candid shots without intimidating subjects.
However, lower ISO performance and limited AF agility mean low light street shooting can be a challenge.
Sony’s larger form factor is more conspicuous but excels in low light with higher ISO sensitivity and superior sensor.
If your street photography favors discretion and weather resilience, Pentax wins. If you want image quality in dimly lit streets or neon-lit alleys, Sony pulls ahead.
Macro Photography: Close Focus and Stabilization
Pentax offers an impressively close 1 cm macro focusing range with sensor shift stabilization, a rare feature in rugged compacts. It’s perfect for in situ nature close-ups or small object documentation without bulky macro lenses.
Sony lacks true macro capability out of the box but supports dedicated macro lenses with incredible resolution.
For fast, casual macro without fuss, Pentax is surprisingly competent here.
Night and Astro Photography: High ISO and Exposure Control
Sony’s large sensor, high ISO ceiling (up to 25600), and full manual exposure make it well-suited for starry skies and nighttime urban landscapes.
Pentax’s sensor noise and lack of RAW impose serious limitations; however, its maximum shutter speed of 4 seconds and built-in timelapse mode offer some creative options in night shooting.
Sony’s superior noise control and ability to stack exposures or shoot in bulb mode make it a solid astro camera.
Video Capabilities and Audio
Both deliver Full HD video - Pentax limited to 30 fps max, Sony up to 60 fps. Sony adds professional audio inputs for external microphones and headphone monitoring, crucial for documentary and film work.
Neither supports 4K, but Sony’s AVCHD codec offers better post-production flexibility.
Travel Photography: Versatility, Battery, and Weight
Pentax’s toughness and tiny size embody the ideal travel camera for adventure travelers who prioritize durability, waterproofing, and simplicity.
Sony weighs nearly double but packs ambidextrous shooting, raw capture, and weather sealing that more professional travelers demand.
Battery life is longer on the Sony - handy on long trips.
Lenses, Storage, and Connectivity: Ecosystems Matter
Sony’s E-mount system boasts a staggering ecosystem with over 120 lenses, covering everything from ultra-wide primes to super-tele zooms and specialty optics from Sony and third parties (Sigma, Tamron, Zeiss).
Pentax, by definition, is locked into a fixed lens (25-100 mm, f/2.0-4.9), so no lens swapping - a compromise for rugged waterproofing.
Storage-wise, both cameras use SD cards, but Sony additionally supports Memory Stick formats, and offers built-in Wi-Fi with NFC for seamless image transfer - Pentax leans on Eye-Fi card compatibility.
For professional workflows, Sony’s RAW support and connectivity won hands down.
Price and Value: Is the Price Tag Justified?
The Pentax WG-3 GPS retails around $350, an affordable price for those needing a rugged, simple point-and-shoot with GPS and macro specialty.
Sony’s A7R carries the heftier price tag near $1,900, reflecting its full-frame sensor, pro features, and image quality.
Comparing prices alone is not apples-to-apples. The WG-3 suits hobbyists, travelers, and outdoor enthusiasts on a budget or needing a tough, waterproof camera.
The Sony A7R targets professionals and advanced enthusiasts demanding full creative control, superior image quality, and integration into demanding workflows.
Wrapping Up: Which Should You Buy?
If your photography life revolves around rugged adventures, unpredictable weather, and the need for a pocketable, waterproof camera to capture memories without fuss or risk, the Pentax WG-3 GPS is a dependable, fun companion. It excels in macro, durability, and casual shooting but can’t match image quality or manual control of advanced cameras.
If you’re a serious shooter craving outstanding detail, dynamic range, raw capture, and a camera capable of tackling portraits, landscapes, and professional work alike, the Sony A7R is a powerhouse. Its extensive lens ecosystem and advanced controls reward patience and investment with images you’ll cherish or sell.
I’d sum it up like this:
- Adventure travelers and casual shooters: Pentax WG-3 GPS for ruggedness and simplicity.
- Professional photographers and enthusiasts: Sony A7R for uncompromising image quality and creative flexibility.
- Hybrid shooters dabbling in both: Consider your priorities between durability and top-tier image quality. Maybe both cameras have their place!
Final Scores and Takeaway
Here’s a quick summary from my comprehensive performance analysis:
Pentax WG-3 GPS scores high on durability, compactness, and usability in rough conditions, but lags in image quality and creative control.
Sony A7R leads in image resolution, sensor performance, autofocus features, and professional usability, albeit at a significantly higher price and size.
Choosing between them boils down to what kind of photography experience you value most - rugged simplicity or image excellence.
About the Author:
With 15+ years exploring the intricate dance of pixels, sensors, and lenses, I’ve tested thousands of cameras under varied conditions - from muddy mountain trails to polished studio floors. This experience fuels my commitment to guiding photographers through honest, hands-on, and deeply technical camera assessments.
Ready to pick your next camera? Weigh your photography lifestyle carefully and let these insights help you find your perfect match. Whether chasing waterfalls with Pentax or shooting studio portraits with Sony, your next adventure starts with the right camera in your hands.
Pentax WG-3 GPS vs Sony A7R Specifications
Pentax WG-3 GPS | Sony Alpha A7R | |
---|---|---|
General Information | ||
Brand | Pentax | Sony |
Model type | Pentax WG-3 GPS | Sony Alpha A7R |
Type | Waterproof | Pro Mirrorless |
Introduced | 2013-07-19 | 2014-02-13 |
Physical type | Compact | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | - | Bionz X |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.17 x 4.55mm | 35.9 x 24mm |
Sensor surface area | 28.1mm² | 861.6mm² |
Sensor resolution | 16 megapixel | 36 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3 and 16:9 | 3:2 and 16:9 |
Full resolution | 4608 x 3456 | 7360 x 4912 |
Max native ISO | 6400 | 25600 |
Minimum native ISO | 125 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 9 | 25 |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | 25-100mm (4.0x) | - |
Maximum aperture | f/2.0-4.9 | - |
Macro focusing distance | 1cm | - |
Total lenses | - | 121 |
Crop factor | 5.8 | 1 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen diagonal | 3 inch | 3 inch |
Screen resolution | 460 thousand dots | 1,230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | Widescreen TFT color LCD with anti-reflective coating | Xtra Fine LCD |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.71x |
Features | ||
Slowest shutter speed | 4 secs | 30 secs |
Maximum shutter speed | 1/4000 secs | 1/8000 secs |
Continuous shooting rate | - | 4.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 3.40 m | no built-in flash |
Flash settings | Auto, On, Off, Red-eye, Soft | no built-in flash |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | - | 1/160 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps) | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Max video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 238 gr (0.52 lb) | 465 gr (1.03 lb) |
Dimensions | 125 x 64 x 33mm (4.9" x 2.5" x 1.3") | 127 x 94 x 48mm (5.0" x 3.7" x 1.9") |
DXO scores | ||
DXO All around rating | not tested | 95 |
DXO Color Depth rating | not tested | 25.6 |
DXO Dynamic range rating | not tested | 14.1 |
DXO Low light rating | not tested | 2746 |
Other | ||
Battery life | 240 pictures | 340 pictures |
Type of battery | Battery Pack | Battery Pack |
Battery ID | D-LI92 | NP-FW50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse feature | With downloadable app | |
Type of storage | SD/SDHC/SDXC card, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | One | One |
Price at launch | $350 | $1,898 |