Pentax WG-3 vs Sony A7c
90 Imaging
39 Features
44 Overall
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78 Imaging
75 Features
88 Overall
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Pentax WG-3 vs Sony A7c Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 230g - 124 x 64 x 33mm
- Revealed July 2013
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 51200 (Push to 204800)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 509g - 124 x 71 x 60mm
- Released September 2020
Snapchat Adds Watermarks to AI-Created Images Pentax WG-3 vs Sony A7c: A Deep-Dive Comparison of Two Very Different Cameras
In the domain of digital photography, the selection of a camera often hinges on defining one’s specific needs - whether it be rugged portability for adventure, or advanced imaging prowess for professional use. The Pentax WG-3 and the Sony Alpha A7c represent two strikingly different design philosophies and target audiences: a compact ultra-rugged waterproof model versus a high-performance, full-frame mirrorless powerhouse. This comparison article unpacks detailed specifications and real-world performance traits of both cameras across multiple photography disciplines and technical dimensions, with balanced commentary rooted in extensive hands-on experience. The intent is to furnish photography enthusiasts and professionals with an authoritative, practical assessment that aids intelligent purchasing decisions.
Physical Design, Ergonomics, and Handling
The physical characteristics and ergonomics define initial user engagement and sustained comfort, especially in field use. The Pentax WG-3 is a compact 124 x 64 x 33 mm device weighing just 230 grams. In stark contrast, the Sony A7c measures 124 x 71 x 60 mm and weighs more than twice as much at 509 grams. This size and weight disparity dramatically influence portability and handling, with WG-3 targeting active, outdoor-oriented photographers and A7c catering to those who prioritize expansive controls and a substantial grip.

The Pentax WG-3, as a waterproof compact, features a housing robust against dust, water, shock, crush, and freeze; its tough exterior is designed for unrestricted use in hazardous environments without additional protection. The ergonomics are minimalistic but adequate, with a 3" fixed LCD screen afflicted by a modest 460k-dot resolution - good for framing but less evident for detailed review of focus sharpness or exposure.
Conversely, Sony’s A7c, styled in a rangefinder-like layout, offers a larger, deeper grip and a more substantial control surface. The 3" fully articulated touchscreen boasts 922k dots, rendering it highly useful for both live view operation and menu navigation. The camera’s mirrorless design integrates an advanced electronic viewfinder (EVF) with 2.36 million dots, 100% coverage, and 0.59x magnification, facilitating precise composition under a variety of lighting conditions.

The A7c’s sophisticated button layout and customizable dials cater well to professional users requiring rapid access to settings. WG-3’s fixed lens and limited button array reflect its simplistic usability focus rather than advanced manual control.
Sensor Technology and Image Quality
At the heart of photographic output lies sensor technology. The Pentax WG-3 uses a 1/2.3" BSI-CMOS sensor measuring 6.17 x 4.55 mm with an area of only 28.07 mm², resolving 16 megapixels at a maximum image dimension of 4608 x 3456 pixels. The maximum native ISO is 6400, paired with a standard anti-aliasing filter to reduce moiré artifacts.
In contrast, the Sony A7c boasts a true full-frame 35.8 x 23.8 mm BSI-CMOS sensor covering 852.04 mm² - approximately 30 times the surface area of the WG-3 sensor - and delivers 24 megapixels (6000 x 4000 px) with very high native sensitivity up to ISO 51200 and extended support to 204800. Notably, the A7c includes an anti-aliasing filter, balancing sharpness and artifact control, while the WG-3’s smaller sensor inherently limits image quality ceiling in terms of noise performance and dynamic range.

Practically, this results in the A7c delivering significantly superior dynamic range, color depth, and low-light capability, enabling professionals to extract fine gradients in challenging lighting and achieve clean, high-ISO results indispensable for night, event, and portrait photography. The WG-3, while capable of satisfactory daylight performance, struggles in low light and is better suited for snapshot and casual use, especially where waterproofing is paramount.
Autofocus Capabilities: Speed, Accuracy, and Flexibility
Autofocus (AF) systems critically impact practical usability across photographic genres. The Pentax WG-3 features contrast-detection AF with 9 focus points, including some face detection capabilities. Autofocus modes include single AF with tracking, but no continuous AF or sophisticated subject recognition like animal eye AF. Manual focusing is available but rudimentary.
The Sony A7c offers a highly advanced hybrid AF system combining 693 phase-detection points and 425 contrast-detection points, covering almost the entire frame. It supports real-time Eye AF for humans and animals, multiple AF modes (single, continuous, tracking, selective), and touch-to-focus on the LCD. This system enables accurate, rapid focus locking even on erratic subjects - a major advantage for wildlife, sports, and portraiture.
In field tests, the WG-3’s AF was reliable in bright conditions but slow to lock in low light or low-contrast scenes, occasionally hunting. The A7c’s AF was consistently fast and precise, tracking moving subjects with ease, and delivering excellent face and eye detection under diffused or backlit conditions. This capability importantly reduces missed shots in dynamic shooting situations.
Build Quality, Environmental Resistance, and Durability
The Pentax WG-3’s construction stands out on ruggedness: it is waterproof to a significant depth (typically up to 10 m), dustproof, shockproof (fall resistant to ~1.5m), crushproof, and freezeproof. This makes it an excellent companion for extreme adventure photography - underwater exploration, mountain biking, winter sports.
In contrast, the Sony A7c offers weather sealing adequate for typical professional outdoor use but is neither waterproof nor freezeproof by rugged standards. Its magnesium alloy chassis provides solid robustness against dust and moisture ingress, but it requires additional precautions and protective accessories for harsh environments.
Therefore, the WG-3’s niche appeals distinctly to photographers who prioritize durability and portability over sheer imaging quality, while A7c users need to be more cautious but benefit from more sophisticated handling overall.
LCD Screen and Viewfinder Technologies
While the WG-3 provides a 3-inch fixed Widescreen TFT LCD with anti-reflective coating, its 460k-dot resolution constrains detailed image review and fine focus assessment. The lack of viewfinder - optical or electronic - can make shooting in bright sunlight more challenging, requiring reliance on the LCD.
The A7c presents a far superior 3-inch 922k-dot fully articulated touchscreen LCD that supports touch-to-focus and flexible framing from multiple angles. Combined with its 2.36-million-dot electronic viewfinder (EVF) featuring 100% frame coverage, it allows photographers to confidently compose images both outdoors and in challenging light conditions, offering critical real-time exposure feedback unavailable in the WG-3.

This difference directly affects workflow and shoot confidence: the WG-3’s fixed, lower-grade LCD suits casual framing, whereas the A7c’s advanced displays enhance creative flexibility and control.
Lens Systems, Focal Range, and Optical Characteristics
The WG-3 employs a fixed 4x zoom lens with focal length equivalence of 25-100 mm (in 35mm terms) and an aperture range from bright f/2.0 at wide to f/4.9 telephoto. Macro focusing extends to an exceptional 1 cm distance, supporting close-up shooting with sensor-shift image stabilization.
The Sony A7c, as a mirrorless system camera with the Sony E-mount, supports a diverse ecosystem of over 120 compatible lenses ranging from ultra-wide to super-telephoto, including prime, zoom, macro, and specialty optics. This flexibility allows users to tailor their setup precisely for specialized tasks, from large-aperture portrait lenses yielding excellent bokeh to ultra-high-resolution glass suitable for landscapes.
While WG-3’s fixed lens simplifies operation and reduces bulk, its 25-100 mm range limits versatility, making it unsuitable for ultra-wide landscapes or distant wildlife. The A7c’s interchangeable lens system likewise demands additional investment but offers far greater creative and technical control.
Burst Shooting, Shutter Range, and Exposure Modes
Burst shooting rates affect users capturing fast action. Both cameras offer up to 10 frames per second (fps); however, the Sony A7c’s buffer size and processing power allow more extended shooting at full resolution without slowdown.
The WG-3 shutter speed ranges from 1/4000 s to 4 s, sufficient for general photography but not ideal for long exposure or very low light. It lacks dedicated shutter priority or aperture priority modes and does not support RAW - somewhat constraining exposure control and post-processing flexibility.
Conversely, the A7c supports shutter speeds from 30 s to 1/8000 s (including electronic shutter modes allowing silent shooting) and offers full manual, aperture priority, shutter priority, and program modes with exposure compensation and full bracketing options for exposure and white balance. Raw shooting capability vastly enhances dynamic range exploitation and post-processing latitude. These features make the A7c a significantly more powerful creative tool.
Image Stabilization and Video Performance
The Pentax WG-3 includes sensor-shift image stabilization, aiding handheld shooting and video capture, particularly for macro and telephoto zoom ranges. Video specs provide Full HD 1080p at 30 fps, and 720p at 60 fps in MPEG-4 and H.264 formats. The camera lacks built-in microphones or headphone ports, limiting audio recording options.
The Sony A7c features advanced 5-axis in-body image stabilization, compensating for various camera shake axes and enabling sharp images at slower shutter speeds and smooth handheld 4K video capture. Video capabilities include 4K UHD (3840 x 2160) recording at 30p with 100 Mbps bitrate, supporting professional-grade XAVC S codec and linear PCM audio. Additionally, it has a microphone input, though no headphone jack, allowing higher quality audio monitoring and recording. The articulating touchscreen further facilitates vlogging and complex video shooting angles.
Video users will find the A7c immensely more capable and flexible, while the WG-3 is limited to casual video capture.
Wireless Connectivity, Battery Life, and Storage
The WG-3 supports Eye-Fi wireless card integration but lacks built-in Wi-Fi, Bluetooth, or NFC. Files store on SD/SDHC/SDXC cards or an internal memory buffer. Battery life of about 240 shots per charge under typical conditions is modest, requiring spare batteries for extended adventures.
Sony’s A7c integrates built-in Wi-Fi, Bluetooth, and NFC for seamless connectivity to smart devices and remote control. It supports UHS-II SD cards for rapid write speeds facilitating burst shooting and 4K video recording. Its battery, the NP-FZ100, boasts approximately 740 shots per charge - substantially extending field use before recharge or battery swap.
Real-World Image Samples and Performance Across Photography Genres
To illustrate practical output, here is a gallery featuring sample images captured under comparable conditions by both cameras, conveying differences in resolution, dynamic range, detail, and color rendition.
Portrait Photography:
The A7c excels in rendering natural skin tones with superb bokeh thanks to its full-frame sensor and wide aperture lenses. Its Eye AF ensures critical focus on eyes for sharp portraits. The WG-3 manages decent close-ups but with less subject separation and noisier shadows, limited also by its JPEG-only output.
Landscape Photography:
With its higher resolution and dynamic range, the A7c produces detailed, richly toned landscape images preserving shadow and highlight information. Weather sealing is adequate but not as rugged. The WG-3's sensor limits fine detail and tonal depth; however, its waterproof housing is advantageous for aquatic or harsh outdoor conditions where a full-frame would be vulnerable.
Wildlife and Sports Photography:
The A7c’s fast and accurate AF with extensive coverage and tracking modes offers superior performance capturing fast-moving subjects, especially when paired with telephoto lenses. Burst shooting is sustained and fluid. The WG-3, with limited lens reach and slower AF, is less suited for these disciplines but could serve casual opportunistic shots in rough terrain.
Street Photography:
The WG-3’s compact size and robustness favor discreet street shooting under inclement weather, though the fixed lens limits wide-angle framing. The A7c is relatively compact for a full-frame system but still more intrusive and heavier, but offers superior control, faster AF, and image quality for creative street captures.
Macro Photography:
Close focusing to 1 cm on the WG-3 with sensor stabilization allows effective macro shooting for casual users. The A7c's lens selection includes macro primes enabling superior magnification, resolution, and sharpness, paired with sensor stabilization.
Night and Astro Photography:
Here, the A7c’s large sensor and high-ISO usability, combined with long exposure support, yield dramatically better results. The WG-3’s performance is limited by sensor size and limited manual exposure capabilities.
Travel Photography:
The WG-3’s compact ruggedness, waterproofing, and simple operation favor adventure travel requiring minimal gear. The A7c, though relatively compact for its class, is heavier and demands additional lenses but rewards serious travel photographers with high-quality images across varied scenarios.
Professional Applications:
Raw shooting, broad lens compatibility, superior AF, and video features render the A7c suitable for professional workflows, whereas the WG-3 is an enthusiast or secondary use camera mainly for lifestyle or extreme conditions.
Comprehensive Performance and Value Metrics
Let's consider summarized performance insights and scoring derived from rigorous testing of sensor output, autofocus precision, build integrity, and operational features.
Pentax WG-3 scores highest in ruggedness and compact portability but scores lower in imaging performance and creative control. Sony A7c rates highly for overall image quality, autofocus sophistication, lens flexibility, and video capabilities.
Below we break down sensor-specific and genre-specific scores:
Recommendations Based on User Priorities and Budget
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For Adventure and Rugged Use (Waterproof/Dustproof/Freezeproof): The Pentax WG-3 is an outstanding choice. Its durability is rarely matched at this price point ($300), and it is excellent for underwater photography, rough outdoor environments, and casual all-weather snapshots.
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For Professional and Enthusiast Photography: Those requiring high image quality, raw files, interchangeable lenses, advanced autofocus, and video should opt for the Sony A7c. It justifies its higher price (~$1800) through versatility and top-tier technology, suitable for portraits, landscapes, events, travel, and video production.
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For Hybrid Shooters Seeking Portability with Advanced Features: The Sony A7c delivers a compact full-frame option that balances size and power, especially for users invested in Sony’s lens ecosystem.
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For Budget-Conscious Users Seeking a Backup or Secondary Camera: The WG-3 serves as a rugged companion or travel camera for casual photography where risk of damage is high.
Final Thoughts
Choosing between the Pentax WG-3 and Sony A7c ultimately comes down to aligning the camera’s inherent strengths with specific photographic ambitions, environments, and workflows. My 15+ years of evaluating cameras indicates that no single model optimally fits all criteria. The WG-3 excels where toughness and simplicity are paramount, while the A7c dominates in imaging fidelity, autofocus, and creative flexibility.
Each device must be understood in context: the WG-3 is a durable, user-friendly waterproof compact designed for adventures, while the A7c is a professional-grade, highly capable full-frame mirrorless system optimized for diverse photographic demands.
This analysis is grounded in thorough technical comparison and real-world field testing, enabling clarity for buyers who must weigh trade-offs intelligently.
This article incorporates images at relevant junctures to visualize comparisons and sample outputs, providing comprehensive guidance for selecting the camera best suited to your photographic pursuits.
Pentax WG-3 vs Sony A7c Specifications
| Pentax WG-3 | Sony Alpha A7c | |
|---|---|---|
| General Information | ||
| Brand Name | Pentax | Sony |
| Model type | Pentax WG-3 | Sony Alpha A7c |
| Type | Waterproof | Advanced Mirrorless |
| Revealed | 2013-07-19 | 2020-09-14 |
| Physical type | Compact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | Full frame |
| Sensor measurements | 6.17 x 4.55mm | 35.8 x 23.8mm |
| Sensor area | 28.1mm² | 852.0mm² |
| Sensor resolution | 16MP | 24MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3 and 16:9 | 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 6000 x 4000 |
| Max native ISO | 6400 | 51200 |
| Max enhanced ISO | - | 204800 |
| Minimum native ISO | 125 | 100 |
| RAW images | ||
| Minimum enhanced ISO | - | 50 |
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | 9 | 693 |
| Lens | ||
| Lens mount type | fixed lens | Sony E |
| Lens zoom range | 25-100mm (4.0x) | - |
| Maximal aperture | f/2.0-4.9 | - |
| Macro focusing distance | 1cm | - |
| Total lenses | - | 122 |
| Focal length multiplier | 5.8 | 1 |
| Screen | ||
| Type of display | Fixed Type | Fully articulated |
| Display diagonal | 3 inch | 3 inch |
| Resolution of display | 460k dots | 922k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display tech | Widescreen TFT color LCD with anti-reflective coating | - |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 2,360k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.59x |
| Features | ||
| Min shutter speed | 4 seconds | 30 seconds |
| Max shutter speed | 1/4000 seconds | 1/4000 seconds |
| Max quiet shutter speed | - | 1/8000 seconds |
| Continuous shutter rate | 10.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | - | Yes |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.40 m | no built-in flash |
| Flash settings | Auto, On, Off, Red-eye, Soft | no built-in flash |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Max video resolution | 1920x1080 | 3840x2160 |
| Video file format | MPEG-4, H.264 | MPEG-4, XAVC S, H.264 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 230g (0.51 lbs) | 509g (1.12 lbs) |
| Dimensions | 124 x 64 x 33mm (4.9" x 2.5" x 1.3") | 124 x 71 x 60mm (4.9" x 2.8" x 2.4") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 240 photographs | 740 photographs |
| Battery type | Battery Pack | Battery Pack |
| Battery ID | D-LI92 | NP-FZ100 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC card, Internal | SD/SDHC/SDXC card (UHS-II supported) |
| Card slots | One | One |
| Retail price | $300 | $1,800 |