Pentax X-5 vs Sony A58
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68 Imaging
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Pentax X-5 vs Sony A58 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 22-580mm (F3.1-5.9) lens
- 595g - 119 x 86 x 107mm
- Announced August 2012
(Full Review)
- 20MP - APS-C Sensor
- 2.7" Tilting Screen
- ISO 100 - 16000 (Push to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 492g - 129 x 95 x 78mm
- Released November 2013
- Succeeded the Sony A57

Pentax X-5 vs Sony A58: An Expert Comparison for Every Photographer
Choosing the right camera can feel like navigating a dense forest of specifications, features, and marketing claims. Having spent over 15 years rigorously testing a broad spectrum of digital cameras - from entry-level compacts to full-frame workhorses - I’m here to guide you through a detailed, no-nonsense comparison between two distinct models: the Pentax X-5 and the Sony A58. Despite both debuting in the early 2010s, these cameras serve fundamentally different purposes and photographers.
In this comprehensive exploration, I’ll share my firsthand experiences, deep technical insight, and practical advice on which camera shines in particular photography genres and usage scenarios. Whether you’re a hobbyist with an eye for wildlife or a professional seeking value on a tight budget, this analysis will equip you with useful and candid information.
First Impressions: Size, Controls, and Handling
Before diving into sensor performance or autofocus systems, the feel of a camera in hand sets the tone for user experience. The Pentax X-5 is a bridge-style superzoom with a fixed lens and a distinctive SLR-like physique. The Sony A58, on the other hand, is an entry-level compact DSLR with interchangeable lenses and a more classic shape.
Pentax X-5: At 119 x 86 x 107 mm and 595 grams, the X-5 is notably chunkier, partly due to its 26x zoom lens extending from the body. The grip is comfortable, but the overall bulk reflects its superzoom nature. Its ergonomics are straightforward for a bridge camera - most settings can be adjusted quickly without menu dives.
Sony A58: Measuring 129 x 95 x 78 mm but lighter at 492 grams, the A58 strikes a balance that DSLR users appreciate: reasonably compact for a DSLR yet with a solid grip. Thanks to the interchangeable Sony Alpha lens mount, there’s more customization potential but also the need to carry extra lenses.
From this vantage point, the A58’s controls feel slightly more professional - dedicated dials for exposure modes, easy access to ISO, and a more responsive shutter release. The X-5’s bridge camera layout uses a more modest assortment of buttons, which may appeal to casual shooters or travelers prioritizing simplicity.
In my experience, the A58 is better suited for photographers who want manual control precision and lens flexibility. The X-5 offers a convenient all-in-one package, perfect for those not wanting to juggle lenses but still needing impressive reach.
Behind the Curtain: Sensor Tech and Image Quality
A camera’s sensor is foundational to image quality. The Pentax X-5 features a modest 1/2.3" BSI-CMOS sensor with a 16-megapixel resolution. The Sony A58 boasts a much larger APS-C CMOS sensor with 20 megapixels - a format used widely in many enthusiast DSLRs.
Technical Numbers:
- Pentax X-5 Sensor: 6.08 x 4.56 mm, 27.72 mm² area, 16 MP
- Sony A58 Sensor: 23.2 x 15.4 mm, 348 mm² area, 20 MP
This difference in sensor size translates into markedly different results in image quality:
- Dynamic Range: The A58’s larger sensor delivers better dynamic range, retaining more detail in bright highlights and shadows. Pentax’s smaller sensor experiences earlier clipping and compression of tonal gradation.
- Low Light Performance: With a native max ISO of 6400, the X-5 can capture reasonable images indoors but struggles beyond ISO 3200 due to noise. The A58’s native ISO reaches 16000 with boost options to 25600 - accompanied by superior noise control thanks to sensor size and Sony’s processing.
- Color Depth: Sony’s 23.3 bits color depth (from DxOMark data) provides smoother, more nuanced skin tones and natural greens in landscapes versus the lesser depth in the X-5.
In practical tests, subtle tonal transitions and fine detail resolution in landscape shots were significantly better on the A58. The X-5 performs admirably for casual use but struggles bridging the quality gap beyond daylight or moderate lighting.
Shooting in the Real World: Autofocus and Speed
Autofocus is an area where user experience meets technical prowess. I approached both cameras through my standard AF testing protocols: shooting moving wildlife, street scenes, and portrait subjects in mixed lighting.
The Pentax X-5 employs a 9-point contrast-detection AF system with face detection but no phase detection AF. The Sony A58 has 15 phase-detection points (with 3 cross-type), enabling faster and more accurate focus, especially for moving subjects.
- Continuous Autofocus Performance: The A58’s phase-detection allows continuous tracking (AF-C mode) that is smooth and reliable, essential for sports and wildlife. The X-5’s contrast-only AF is slower and can hunt in low light or when subjects move unpredictably.
- Burst Shooting: The X-5 captures up to 10 fps in continuous mode, outperforming the A58’s respectable 8 fps. However, the Sony’s larger buffer lets it maintain frame rates longer without slowing.
- Live View AF: Both cameras provide live view AF, but the Sony’s hybrid phase and contrast detection combo yields snappier acquisition and less shutter lag.
Overall, if autofocus speed and precision are a priority - say, for sports or fast wildlife - the A58 is the clear choice. The X-5’s AF system is serviceable for casual imagery but occasionally frustrates with slower focus lock.
Flexibility and Lens Ecosystems
The gear ecosystem around a camera impacts its longevity and versatility. The Pentax X-5 has a fixed 22-580 mm (35mm equivalent) zoom lens with aperture f/3.1-5.9. This massive zoom range is alluring for travelers and wildlife hobbyists wanting a do-it-all camera.
The Sony A58, however, uses the established Sony/Minolta Alpha mount, compatible with over 140 lenses, including prime, zoom, macro, and professional-grade optics.
The implications are strong:
- The X-5’s fixed lens limits creative control, especially in low light (slow max aperture) and ideal macro reproduction.
- The A58 supports dedicated macro lenses, ultra-fast primes for portraiture, wide-angle lenses for landscapes, and telephoto zooms for wildlife and sports.
- Lens quality and variety significantly influence image quality outcomes, and the A58 gives you the freedom to evolve your kit as needs grow.
In my time shooting various genres, investing in a system with rich lens options like Sony’s Alpha mount pays dividends for specialized photography pursuits.
The User Interface: Screens, Viewfinders, and Controls
Easy and intuitive camera operation can mean the difference between capturing or missing fleeting moments. Here’s how these two compare.
- The Pentax X-5 sports a 3-inch tilting LCD with 460k dots resolution, bright enough to frame shots even in daylight but limited in fine detail preview.
- Sony A58’s 2.7-inch tilting screen has the same resolution but smaller size, favoring higher pixel density and a clearer live view and playback image.
earlier also hints at viewfinder differences:
- The X-5 has a basic electronic viewfinder with 230k dots, less sharp and less detailed - adequate but not ideal for precise manual focus or reviewing images.
- The A58’s electronic viewfinder is a standout feature here: 1440k dots, 100% coverage, and 0.65x magnification rivaling optical finders. In bright outdoor shooting or macro-focused work, this gives the A58 a real advantage.
Both cameras lack touchscreens, which is a caveat as touch control is a convenience many users expect today.
Specialized Photography Disciplines: A Walkthrough
Let’s examine how each camera performs across various popular photography categories based on my extensive testing with similar models and lenses.
Portrait Photography
Portraiture demands skin tone fidelity, eye autofocus accuracy, and pleasing bokeh.
- Sony A58: Large APS-C sensor and access to fast primes produce beautifully shallow depth of field and natural skin rendering. Autofocus includes face detection and reasonable eye prioritization (though no dedicated eye AF).
- Pentax X-5: The smaller sensor and slower lens limit bokeh quality; portraits are flatter with less subject-background separation. Face detection AF works moderately well, but the fixed lens max aperture restricts creative control.
Verdict: A58 is the clear choice for portrait lovers who want more control and better image quality.
Landscape Photography
Wide dynamic range and resolution are king here.
- The X-5 offers moderate resolution and an impressive zoom range, but its small sensor restricts dynamic range, resulting in compression of shadows and highlights.
- The A58’s sensor captures wider tonal range and finer detail. Interchangeable wide-angle lenses enhance framing options. Weather sealing is absent on both, so add rain covers outdoors.
Wildlife and Sports Photography
Speed and reach are essential.
- The X-5’s 26x zoom (22-580 mm equivalent) can platform wildlife at remarkable distances but suffers from narrower apertures and AF lag.
- The A58’s external lenses can match or exceed zoom reach (e.g., 400mm primes or telephoto zooms). AF tracking and low-light performance are better, enabling higher keeper rates in challenging conditions. Burst shooting preference is marginally on X-5 for frame rates, but buffer and AF superiority favors A58.
Street Photography
Discretion and portability matter.
- Neither camera is truly pocketable, but the A58’s smaller bulk and interchangeable prime lenses make it easier to carry discreetly.
- The X-5's superzoom makes for a heavier setup that draws attention and slows shooting pace.
Macro Photography
Macro requires precise focusing and often stabilization.
- The X-5 claims a 1cm macro focusing distance, which was handy for casual close-ups but lacked focus fine-tuning and produced softer images.
- The A58’s lens ecosystem includes dedicated macro lenses with superior optics and ability to couple with extension tubes or rings for enhanced magnification.
Night and Astrophotography
Here, sensor noise and manual controls become paramount.
- The X-5’s limited high ISO performance constrains quality to well-lit night scenes.
- The A58’s ability to shoot at high native ISOs with decent noise mitigation paired with full manual controls facilitates successful astro shots. Extended exposures and tripod use maximize potential.
Video Capabilities
For those integrating stills and video:
- The Pentax X-5 records 1080p at 30fps in Motion JPEG – an older, larger file format with less efficiency. No microphone jack limits sound quality controls.
- The Sony A58 shoots 1080p with AVCHD and MPEG-4, supporting external microphones, delivering higher quality footage and professional audio options.
Travel Photography
Considering portability, flexibility, and battery:
- X-5’s all-in-one zoom and sensor-shift stabilization make it convenient for travelers wanting reach without lens swapping. Runs on 4x AA batteries, which is convenient worldwide but heavier overall.
- Sony A58’s interchangeable lens system adds flexibility but with greater gear to carry. Rechargeable NP-FM500H battery offers excellent longevity (690 shots per CIPA).
Professional Workflows
For pros, file format and system reliability matter.
- The X-5 lacks RAW support, limiting post-processing latitude.
- The A58 supports RAW shooting (ARW format), accommodating professional editing workflows seamlessly.
Durability and Build Quality
Neither camera is weather sealed or ruggedized for extreme environments. The X-5 is a solid bridge camera but not shock, dust, or freeze-proof. The A58’s DSLR construction is sturdier and feels more robust in hand but still requires care in adverse conditions.
Connectivity and Storage
Both cameras offer Eye-Fi connectivity - useful for wireless image transfers - and USB 2.0 support. HDMI is present on both for instant viewing. The A58 accepts Memory Stick Pro Duo in addition to SD cards, an advantage for legacy Sony users.
Storage is single-slot SD/SDHC/SDXC for both models.
Putting It All Together: Performance at a Glance
Looking at real-world samples, the A58 images show crisper details, more subtle tonal gradations, and less noise at high ISOs. The X-5 photos impress with zoom reach but predictably fall short in low-light authenticity and dynamic range.
In my testing, the Sony A58 scores higher across the board - especially in core criteria like image quality, autofocus, and flexibility. The X-5’s strengths lie in zoom range and simplicity but cannot match the professional-grade control and results of the A58.
Genre-specific scores reflect this: the A58 excels in portraits, landscapes, and sports; the X-5 fares best in travel convenience and wildlife telephoto reach.
Final Thoughts and Recommendations
Choosing between the Pentax X-5 and Sony A58 ultimately comes down to your priorities, budget, and photographic ambitions.
Who Should Consider the Pentax X-5?
- Photographers looking for an affordable, ready-to-shoot superzoom camera with decent image stabilization.
- Casual users or travelers who want a bridge camera eliminating lens swaps and prioritizing zoom reach up to 580mm equivalent.
- Those on a strict budget, with a price tag around $230, valuing ease over ultimate image quality.
Who Should Go for the Sony A58?
- Enthusiasts or professionals seeking superior image and video quality packaged in a compact DSLR.
- Photographers who want manual control, interchangeable lenses, and RAW shooting for post-processing creativity.
- Users focused on portrait, landscape, wildlife, and sports photography where autofocus speed and sensor performance matter.
- Videographers wanting full HD with microphone input and advanced recording formats.
Closing Reflections
Having thoroughly tested both cameras in real-world shooting scenarios, I affirm that while the Pentax X-5 offers unmatched convenience and zoom reach in a small-sensor bridge, its compromises in sensor size and autofocus limit it to casual or specialized travel use.
The Sony A58, despite its age and entry-level stance, remains a strong contender offering professional-grade image quality and flexibility, proving that sensor technology and system versatility matter more than megazoom bragging rights.
I hope this detailed comparison guides you confidently toward the camera that matches your creative aspirations and budget.
Happy shooting!
Pentax X-5 vs Sony A58 Specifications
Pentax X-5 | Sony SLT-A58 | |
---|---|---|
General Information | ||
Company | Pentax | Sony |
Model | Pentax X-5 | Sony SLT-A58 |
Class | Small Sensor Superzoom | Entry-Level DSLR |
Announced | 2012-08-22 | 2013-11-27 |
Physical type | SLR-like (bridge) | Compact SLR |
Sensor Information | ||
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.2 x 15.4mm |
Sensor surface area | 27.7mm² | 357.3mm² |
Sensor resolution | 16MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3 and 16:9 | - |
Peak resolution | 4608 x 3456 | 5456 x 3632 |
Highest native ISO | 6400 | 16000 |
Highest enhanced ISO | - | 25600 |
Min native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 9 | 15 |
Cross focus points | - | 3 |
Lens | ||
Lens mount | fixed lens | Sony/Minolta Alpha |
Lens focal range | 22-580mm (26.4x) | - |
Largest aperture | f/3.1-5.9 | - |
Macro focus distance | 1cm | - |
Number of lenses | - | 143 |
Focal length multiplier | 5.9 | 1.6 |
Screen | ||
Type of screen | Tilting | Tilting |
Screen sizing | 3 inches | 2.7 inches |
Screen resolution | 460k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 230k dots | 1,440k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.65x |
Features | ||
Minimum shutter speed | 4s | 30s |
Fastest shutter speed | 1/1500s | 1/4000s |
Continuous shutter rate | 10.0 frames/s | 8.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 9.10 m | 10.00 m (@ ISO 100) |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | - | 1/160s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1920 x 1080 |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 595g (1.31 lb) | 492g (1.08 lb) |
Dimensions | 119 x 86 x 107mm (4.7" x 3.4" x 4.2") | 129 x 95 x 78mm (5.1" x 3.7" x 3.1") |
DXO scores | ||
DXO Overall score | not tested | 74 |
DXO Color Depth score | not tested | 23.3 |
DXO Dynamic range score | not tested | 12.5 |
DXO Low light score | not tested | 753 |
Other | ||
Battery life | 330 photographs | 690 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery model | 4 x AA | NP-FM500H |
Self timer | Yes (2 or 10 sec) | - |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Single | Single |
Cost at release | $230 | $645 |