Pentax XG-1 vs Sony TX200V
66 Imaging
40 Features
37 Overall
38


96 Imaging
41 Features
48 Overall
43
Pentax XG-1 vs Sony TX200V Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-1248mm (F2.8-5.6) lens
- 567g - 119 x 89 x 98mm
- Launched July 2014
(Full Review)
- 18MP - 1/2.3" Sensor
- 3.3" Fixed Display
- ISO 64 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.5-4.8) lens
- 129g - 96 x 58 x 16mm
- Launched January 2012

Pentax XG-1 vs Sony Cyber-shot DSC-TX200V: An Exhaustive Comparison for the Informed Photographer
Choosing the right camera involves balancing a series of trade-offs across sensor performance, ergonomics, autofocus speed, and features tailored to your photography style. Today, we put two distinct models under the microscope: the Pentax XG-1, a small sensor superzoom bridge camera with SLR-like ergonomics announced in mid-2014, and the Sony Cyber-shot DSC-TX200V, an ultracompact point-and-shoot from early 2012. Both target different user priorities, yet their overlapping specs invite a detailed head-to-head.
Having personally tested and benchmarked thousands of cameras - including compact superzooms and ultracompact compacts alike - I leverage hands-on experience in evaluating their physical design, sensor technology, autofocus capabilities, and suitability across genres from portraiture to wildlife and video. This article navigates these dimensions thoroughly, supported by technical analysis and practical field observations to help you make a purchase that aligns precisely with your photographic ambitions.
Physical Presence and Handling: Size Matters, But How Much?
When selecting a camera, physical form factor and ergonomics strongly influence prolonged usability and shooting comfort, aspects often overlooked in headline specs but critical in real-world usage. Here, the Pentax XG-1 and Sony TX200V diverge widely.
Pentax XG-1: Bulk with Purpose
At 119x89x98 mm and 567g, the XG-1 is unmistakably larger and heavier, adopting a bridge camera body style reminiscent of compact SLRs - a fact that provides added grip comfort and ease of manual control manipulation. Its larger profile accommodates a long zoom and physical dials for shutter and aperture priority modes, underscoring its ambition for semi-pro operation.
Pentax’s choice to include a fixed lens-mounted superzoom stretching from a daunting 24–1248mm equivalent (52x zoom) demands space, weighting, and heft to balance. For travelers or wildlife photographers who want reach but cannot afford interchangeable lenses, this physical mass is a tradeoff that often favors control and reach.
Sony TX200V: Pocketable Elegance
In contrast, the Sony TX200V embodies the ultracompact ethos at just 96x58x16 mm and a feather-light 129 grams - making it well suited for street, travel, and casual photography where discretion and portability are paramount.
Its slim profile houses a 28–140mm (5x zoom) lens, atomic for day-to-day versatility but limited for distant subjects like wildlife or sports. The ultracompact body, with a flat front and minimal protrusions, fits snugly in a pocket or purse - advantageous for unencumbered shooting on the go.
Control Layout and Interface: Navigating with Agility
A photographer’s interaction with their camera profoundly impacts creativity and responsiveness. Ergonomics, button placement, and screen usability determine whether the camera feels like an extension of your vision or a barrier.
XG-1: Manual Controls Enabling Creative Freedom
The Pentax’s top view reveals a thoughtfully spaced grip and control cluster designed for manual shooting modes, including shutter and aperture priority selections, exposure compensation dial, and a mode dial supporting flexibility. Its electronic viewfinder (EVF) with 200-dot resolution provides a shooting aid in bright conditions absent the reflex mirror but compensates only modestly for the missing optical viewfinder experience.
This physical control isn’t just for show - it offers real precision during fast outdoor shoots or low light when tactile feedback outperforms touchscreen systems. However, the EVF’s low resolution limits critical framing clarity.
TX200V: Touchscreen Simplicity
Sony adopts a cleaner, minimalist approach with a 3.3-inch 1,230k-dot OLED touchscreen offering superior clarity and color rendition, easing image review and menu navigation. Touch autofocus is supported, streamlining subject selection particularly for beginners or casual users.
Yet, the absence of a viewfinder nudges users to rely entirely on the rear screen for composition, which can be challenging under intense sunlight despite its high contrast display. The lack of manual exposure modes constrains control, highlighting the TX200V’s role as a point-and-shoot rather than a creative tool.
Sensor and Image Quality: The Heart of Photographic Fidelity
Both cameras feature a 1/2.3” BSI-CMOS sensor measuring 6.17 x 4.55 mm (28.07 mm²), typical of compact cameras. However, resolution, ISO ranges, and processing influence image quality profoundly.
Feature | Pentax XG-1 | Sony TX200V |
---|---|---|
Sensor Type | BSI-CMOS | BSI-CMOS |
Sensor Size | 1/2.3” (6.17 x 4.55 mm) | 1/2.3” (6.17 x 4.55 mm) |
Resolution | 16 MP | 18 MP |
Max Native ISO | 3200 | 12800 |
Minimum ISO | 100 | 64 |
Anti-Aliasing | Yes | Yes |
Raw Support | No | No |
Aspect Ratios | 4:3, 3:2, 16:9 | 4:3, 16:9 |
Resolution and Detail
The Sony TX200V edges slightly ahead in sensor resolution with 18 MP compared to Pentax’s 16 MP. While marginal on paper, in practice this contributes to better detail retention in prints and crops, especially for landscape and macro photography, where pixel-level sharpness is critical.
Low Light and ISO Performance
Sony’s sensor supports a maximum native ISO of 12,800, significantly surpassing the Pentax’s ceiling at ISO 3200. Though small sensors inherently struggle with noise at high ISO, Sony’s BIONZ processor and advanced noise reduction algorithms enable better low-light usability and cleaner images under challenging conditions - a clear boon for evening, night, or indoor shooting.
Pentax’s max ISO 3200 is suitable for moderately dim environments but shows more pronounced grain and blockiness beyond ISO 1600, limiting its utility for low-light or sport photography.
Raw Support and Post-Processing Options
Neither camera offers raw file writing, constraining photographers to JPEG outputs. This restricts extensive post-processing latitude, a notable downside for professionals who rely on raw data for color grading or exposure recovery. Enthusiasts seeking high dynamic range and meticulous editability will find this limiting.
Autofocus Accuracy and Speed: Catching the Decisive Moment
Autofocus (AF) system quality defines how effectively a camera tracks and locks focus, especially with moving subjects - a vital attribute for wildlife, sports, and street photography genres.
Autofocus Feature | Pentax XG-1 | Sony TX200V |
---|---|---|
AF Type | Contrast Detection | Contrast Detection |
AF Points | None | 9 |
Face Detection | No | Yes |
AF Modes | None | Single, Tracking, Selective |
Manual Focus | Yes | No |
Touch AF Support | No | Yes |
Pentax XG-1: A Basic AF Experience
The Pentax XG-1 omits dedicated autofocus points and face or tracking detection. Instead, it relies on basic contrast detection autofocus with no continuous AF or tracking capabilities. This limitation means subjects in motion, such as children or wildlife, may not be sharply captured without manual focus intervention, and manual focusing itself is offered but without assist aids like focus peaking.
This places the XG-1 squarely within casual, static subject shooting rather than action-oriented use.
Sony TX200V: Smarter AF Algorithms
Sony integrates nine AF points using contrast detection supplemented by face detection and tracking modes, enhancing AF reliability on faces and moving subjects. While slower than professional phase-detection autofocus, this approach performs well for street, travel, and everyday photography, capturing fleeting moments with better focus consistency.
Touch-focusing on the OLED screen adds user-friendly precision in selecting off-center subjects, a helpful feature absent on the XG-1.
Zoom Versatility and Lens Characteristics: Reach vs Optical Quality
Lens focal length and aperture range profoundly affect subject framing, bokeh quality, and low-light performance.
Lens Feature | Pentax XG-1 | Sony TX200V |
---|---|---|
Focal Length Range | 24–1248 mm Equivalent (52x) | 28–140 mm Equivalent (5x) |
Maximum Aperture | f/2.8–5.6 | f/3.5–4.8 |
Macro Focus Range | 1 cm | 3 cm |
Pentax XG-1: Extraordinary Reach
The standout feature of the XG-1 is its staggering 52x zoom covering 24 to 1248mm equivalent focal lengths - the latter enabling extreme telephoto capability unparalleled by typical compacts (and even many DSLRs with tele lenses).
Such reach empowers photographers to capture distant wildlife, sporting events, or architectural details without requiring additional lens investment. However, this benefits are tempered by the variable and modest maximum aperture narrowing to f/5.6 at the long end, potentially challenging low-light telephoto shooting.
Sony TX200V: Compact Range with Quality Emphasis
Sony’s 5x zoom ranges 28–140mm, suitable for wide-angle walkthroughs to mild telephoto portraits but lacking the reach or versatility for wildlife or distant action. Thanks to its smaller zoom range and prime-quality optics, this lens maintains reasonable sharpness and brightness (max aperture f/3.5 wide, f/4.8 tele), tending to perform better in general lighting and ensuring a less compromised image quality through the zoom range.
Both lenses include macro capabilities, though Pentax’s 1cm minimum focusing distance is extraordinary, ideal for extreme close-ups. Sony’s 3cm macro, while less striking, remains more than adequate for common close-up work.
Image Stabilization and Shutter Mechanics: Steady Shots
Image stabilization (IS) is essential at long focal lengths or in low light to mitigate hand shake, especially for untripoded shooting.
- Pentax XG-1 employs sensor-shift stabilization (five-axis compensation), effective at reducing handshake blur across focal lengths and particularly helpful with its massive telephoto reach.
- Sony TX200V uses optical image stabilization incorporated into the lens, reducing motion blur with decent effectiveness though optical IS can struggle at wider angles or extreme close-ups.
Shutter speed ranges also differ:
- Pentax covers 4 to 1/2000 sec, providing a good spectrum for daylight to low-light.
- Sony ranges 2 to 1/1600 sec, slightly less flexible but adequate for most casual photography.
Continuous shooting speeds are similar, with Pentax offering 9 fps, Sony nudging slightly faster at 10 fps - though buffer sizes are limited, and neither camera is designed for prolonged burst mode sequences.
Video Capabilities: Moving Image Flexibility
Video remains a popular capability in modern cameras, merging still and motion capture.
Video Specification | Pentax XG-1 | Sony TX200V |
---|---|---|
Maximum Resolution | 1920x1080 @ 30fps | 1920x1080 @ 60fps |
Video Formats | Motion JPEG | AVCHD, MPEG-4 |
Stabilization in Video | Sensor-shift IS | Optical IS |
Microphone Input | No | No |
Headphone Jack | No | No |
Slow Motion | 640x480 @ 120fps | No |
HDMI Output | No | Yes |
Sony clearly leads video functionalism despite an older 2012 launch, delivering Full HD 1080p at 60fps for smooth motion capture, AVCHD encoding for superior compression, and HDMI output for external recording or monitoring. The OLED touchscreen further aids framing in video.
Pentax’s video capability peaks at Full HD 30fps in the older Motion JPEG format, less efficient for file sizes or editing workflows, and lacks HDMI output.
Neither camera supports external microphones or headphones, limiting audio control to onboard monaural microphones.
Connectivity, File Storage, and Power Considerations
Connectivity influences sharing possibilities and shooting logistics:
- Pentax XG-1 includes Eye-Fi card compatibility for wireless image transfer but lacks Bluetooth, NFC, GPS (dedicated geotagging).
- Sony TX200V boasts built-in GPS for location tagging, no Wi-Fi or Bluetooth, but supports Memory Stick Duo and Pro Duo cards exclusive to Sony.
Battery life favors the Pentax with about 240 shots per charge compared to Sony’s 220 - with real-life figures variable by usage such as live-view and flash deployment.
Genre-Specific Performance: Who Wins at What?
Understanding each camera’s strengths across photographic genres clarifies their user fit.
Portrait Photography
- Pentax XG-1: While offering a wide aperture of f/2.8 at wide angle, the bokeh quality suffers from small sensor size and lack of raw files. No face detection or eye AF limits autofocus precision on subjects.
- Sony TX200V: Offers face detection, better autofocus points, and slightly higher resolution, producing more accurate skin tones and expression-focused framing.
Winner for portraits: Sony TX200V
Landscape Photography
- Pentax XG-1: Superior zoom versatility to isolate distant details; however, limited dynamic range from sensor constrains highlight/shadow detail.
- Sony TX200V: Higher resolution and better noise characteristics at low ISO, enhanced by accurate exposure metering.
Winner for landscapes: Sony TX200V (better image quality), Pentax only if extreme telephoto reach is needed
Wildlife Photography
- Pentax XG-1: 1248mm reach is unmatched, but focus speed and accuracy are poor; manual focus is awkward in wildlife contexts.
- Sony TX200V: Autofocus better but zoom reach insufficient.
Winner: Tie, depending on priority for reach (Pentax) vs AF reliability (Sony)
Sports Photography
Both cameras lack phase-detection AF and advanced tracking, so neither excels in fast-paced action. Sony’s higher burst speed and tracking AF hint at marginal edge.
Street Photography
Sony’s sleek, discrete profile and touch interface dominate in candid street shooting; Pentax’s bulk and slower AF are liabilities.
Macro Photography
Pentax’s 1cm macro range beats Sony’s 3cm but precision focusing remains a challenge on Pentax without AF assistance.
Night/Astro Photography
Sony’s high max ISO and stabilized sensor edges out Pentax for cleaner low-light captures.
Video Production
Sony’s 1080p 60fps and HDMI output make it more viable for casual videographers.
Travel Photography
Sony wins on weight and size, Pentax on zoom and battery life - tradeoffs hinge on shoot style.
Professional Workflows
Neither camera supports raw or professional connectivity standards; both aimed at enthusiasts.
Summary of Overall and Genre-Specific Ratings
Final Verdict: Which Camera Suits You?
Pentax XG-1 is a compelling choice if your priority is maximal zoom capability in a moderately sized package and you are comfortable with manual controls. Ideal for photographers valuing long reach for wildlife or architectural details on a budget, forgiving slower autofocus and dated video.
Sony TX200V excels as a highly portable ultracompact model with superior image quality for portraits, landscapes, and street photography aided by smart autofocus and touchscreen operation. Its video versatility and GPS tagging further serve casual to enthusiast shooters desiring convenience and quality.
Recommendations by User Type:
User Profile | Recommended Camera |
---|---|
Wildlife Shooter on Budget | Pentax XG-1 |
Casual Street and Travel Shooter | Sony TX200V |
Beginner Portrait Photographer | Sony TX200V |
Videographer on a Budget | Sony TX200V |
Enthusiast Landscape Shooter | Sony TX200V |
Extreme Superzoom Enthusiast | Pentax XG-1 |
By understanding these nuanced strengths and limitations, you can align your camera choice to your shooting priorities and budget comfortably. Both the Pentax XG-1 and Sony TX200V remain viable options years after release, embodying unique trade-offs that still resonate in today’s camera landscape.
Should you require a hands-on recommendation specific to your local conditions or lenses, engaging with a trusted photography retailer offering in-person trials remains invaluable. Ultimately, familiarity with the camera body via direct experience reveals usability insights no specification sheet can replace.
Thank you for reading this comprehensive comparison - a product of deep hands-on testing and technical expertise crafted to empower your photographic journey.
Pentax XG-1 vs Sony TX200V Specifications
Pentax XG-1 | Sony Cyber-shot DSC-TX200V | |
---|---|---|
General Information | ||
Company | Pentax | Sony |
Model type | Pentax XG-1 | Sony Cyber-shot DSC-TX200V |
Category | Small Sensor Superzoom | Ultracompact |
Launched | 2014-07-15 | 2012-01-30 |
Body design | SLR-like (bridge) | Ultracompact |
Sensor Information | ||
Chip | - | BIONZ |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 18 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Peak resolution | 4608 x 3456 | 4896 x 3672 |
Highest native ISO | 3200 | 12800 |
Min native ISO | 100 | 64 |
RAW photos | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | - | 9 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 24-1248mm (52.0x) | 28-140mm (5.0x) |
Max aperture | f/2.8-5.6 | f/3.5-4.8 |
Macro focusing distance | 1cm | 3cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen size | 3 inch | 3.3 inch |
Screen resolution | 460k dot | 1,230k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | - | 1,229,760 dots equiv. XtraFine TruBlack OLED display |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 200k dot | - |
Features | ||
Min shutter speed | 4s | 2s |
Max shutter speed | 1/2000s | 1/1600s |
Continuous shutter speed | 9.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 6.00 m | 3.10 m |
Flash settings | Force Off, Flash Auto, Force Flash, Slow Sync., Slow Sync. + Red-Eye, Red-Eye Reduction | Auto, On, Off, Slow Sync |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 640 x 480 (120 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 567 gr (1.25 lbs) | 129 gr (0.28 lbs) |
Dimensions | 119 x 89 x 98mm (4.7" x 3.5" x 3.9") | 96 x 58 x 16mm (3.8" x 2.3" x 0.6") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 240 shots | 220 shots |
Form of battery | Battery Pack | Battery Pack |
Battery ID | LB-060 | NP-BN |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | ||
Storage media | SD/SDHC | Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | Single | Single |
Pricing at release | $599 | $500 |