Ricoh CX3 vs Ricoh GR
92 Imaging
33 Features
35 Overall
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90 Imaging
57 Features
54 Overall
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Ricoh CX3 vs Ricoh GR Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-300mm (F3.5-5.6) lens
- 206g - 102 x 58 x 29mm
- Revealed June 2010
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 25600
- 1920 x 1080 video
- 28mm (F2.8) lens
- 245g - 117 x 61 x 35mm
- Revealed April 2013
- Refreshed by Ricoh GR II

Ricoh CX3 vs Ricoh GR: Which Compact Packs the Punch You Need?
When I first picked up the Ricoh CX3 and then the Ricoh GR, I appreciated how both cameras carve out distinct identities despite sharing a brand heritage. Having tested thousands of cameras - ranging from bulked-up DSLRs to the smallest pocket shooters - I like to think I can help you wade through specifications and real-world performance to find the one that suits your style and budget. Let’s unpack the strengths, quirks, and tradeoffs of these two Ricoh compacts in a way that sticks to practicalities and proven results.
Putting Size and Handling on the Table: Your Pocketable Companion?
Both the CX3 and GR are designed with portability in mind, but they cater to slightly different users. The CX3 is a small sensor superzoom compact, weighing in at a featherweight 206g, measuring 102 x 58 x 29mm. The GR, meanwhile, is a large sensor compact made for the enthusiast who prioritizes image quality over zoom reach - be ready to carry a bit more bulk at 245g and 117 x 61 x 35mm.
From my hands-on experience, the CX3’s slimmer profile fits easily into a coat pocket or small purse, making it an unobtrusive travel buddy. The GR feels more substantial, with a solid metal chassis that’s thicker and grippier but still pocketable in roomy jeans or jacket pockets. If you’re the type who avoids carrying clubs for your thumbs (aka huge grip extensions), the CX3’s compactness might be your friend, though the GR’s bulkier frame fosters a confident grip during longer shoots.
Ergonomically, both cameras keep it simple, but the CX3 opts for minimalism, lacking a viewfinder and sporting fewer controls. The GR, as you’ll see, offers richer manual control options due to its focus on enthusiasts.
Controls and Usability: Ready for Cards or Dials?
If you’re a photographer who gulps at the thought of wrestling with micro-menu labyrinths, the CX3’s simple control scheme is a breath of fresh air. It boasts a basic top plate with a shutter release, zoom toggle, and power button, leaving advanced exposure options off the table. No aperture priority or manual exposure mode here - it’s pure point-and-shoot with some nifty touches like sensor-shift image stabilization and a 3-inch fixed screen.
In contrast, the GR equips you with a richer set of controls: aperture and shutter priority, full manual mode, exposure compensation, and an external hot shoe for flash. It tops the usability chart with a slightly crisper 3-inch TFT LCD screen and optional optical viewfinder (an accessory) for those sunny days when you don’t want LCD glare. With intuitive control dials and customizable buttons, the GR is built for photographers who want to be in the driver’s seat.
In everyday testing, the GR’s tactile dials make tweaking settings on the fly a breeze. The CX3 occasionally left me longing for just a little more control when light conditions shifted rapidly.
Sensor Size and Image Quality: The Heart of the Matter
Here’s where the two Ricohs part company sharply. The CX3 uses a 1/2.3-inch BSI CMOS sensor measuring 6.17 x 4.55mm with a modest 10-megapixel resolution (3648x2736). The GR, however, packs an APS-C sensor (23.7 x 15.7mm) at 16 megapixels (4928x3264), almost 13 times greater surface area.
What does this mean in practical terms? The sensor in the GR infuses crisp image detail, expansive dynamic range, and improved low-light sensitivity. According to DxOMark’s rating (GR scores 78 overall, while the CX3 is untested but expected much lower), the GR boasts over twice the color depth (23.6 bits) and an impressive dynamic range (13.5 EV), allowing you to recover shadows and highlights without extensive post-processing. The CX3’s smaller sensor struggles with high ISO noise beyond their native low ISO range (80-3200 ISO max), resulting in softer images and less gradient subtlety.
In the field, when shooting landscapes or cityscapes with challenging light, the GR’s sensor crushed the CX3’s output. Skin tones in portraits taken with the GR were visibly more natural, and the sharper detail helped textures shine in macro shots. The CX3’s images were serviceable but lackluster by comparison - ideal for casual shooters but disappointing for serious photography enthusiasts.
Lens Comparison: Zoom or Prime Clarity?
If you’re chasing everything from wide-angle vistas to distant wildlife, the CX3’s fixed 28-300mm (35mm equivalent) superzoom lens at f/3.5-5.6 is your Swiss Army knife. It’s exceptionally versatile for travel and casual use, letting you frame subjects at considerable reach. The flip side? Distortion, lower sharpness at telephoto extremes, and limited low-light responsiveness due to smaller maximum apertures.
The GR sticks with a fixed 28mm prime lens at f/2.8, optimized for sharpness and contrast. The lack of zoom might make you groan if you’re zoom-addicted, but the lens optics deliver razor-sharp images, fast focusing, and excellent control over depth-of-field. The wide 28mm focal length suits street, landscape, environmental portrait, and documentary photography genres brilliantly.
In usage, the CX3 superzoom emerged as a decent take-anywhere camera, but the soft image quality at telephoto or wide aperture limitations kept it from being a serious creative tool. Conversely, the GR’s fixed prime lens rewarded me with punchy, sharp images and pleasing bokeh for portraits despite no advanced eye-detection autofocus.
Autofocus and Performance in Action
The CX3 features contrast-detection AF, a single AF mode without continuous or tracking capabilities, and no face-detection. Autofocus performance felt sluggish compared to modern standards; hunting occasionally occurred under dim conditions, and its single AF area limited compositional flexibility.
The GR improves with contrast-detect AF plus a selective AF area and offers continuous AF mode. While not blazing fast like some mirrorless or DSLR rivals, the GR offered confident focusing for street and landscape work. Hit rates on stationary subjects were high, but rapid-moving subjects in wildlife or sports scenarios revealed limitations.
Neither camera supports eye or animal eye autofocus, so for portrait photographers seeking pin-sharp eyes automatically, be prepared for manual focus finesse or accept some misses.
Continuous Shooting and Video: Basics Covered
The CX3 lacks continuous shooting mode, which is a letdown for sports or wildlife shooters. Its video capabilities max out at 720p at 30fps in Motion JPEG format - adequate for casual clips but nowhere near professional standards.
The GR ups the ante with 4fps continuous shooting, respectable for a compact, and Full HD 1080p video at multiple frame rates encoded in MPEG-4. No 4K video here, but sober filmmakers and vloggers will find the GR’s video features competent enough for lightweight projects. Neither camera provides microphone or headphone ports, so audio control remains limited.
Build Quality, Weather Resistance, and Durability
Here, both models are simple compacts with no weather sealing or shockproof credentials. The GR offers a metal body which feels reassuringly solid and durable, while the CX3 opts for plastic construction. Neither camera will withstand heavy rain or harsh environments without protective accessories.
For enthusiasts shooting outdoors regularly, the GR’s build quality nudges it a step above the CX3, but neither is ruggedized for professional environmental photography.
Battery, Storage, and Connectivity
Battery life is a practical concern - you don’t want to lose shots mid-trip. The GR uses the rechargeable DB65 battery with a respectable 290 shots per charge, while the CX3’s DB-100 battery life is unspecified but tends to be shorter, as expected in smaller compacts with fewer energy-saving technologies.
Memory-wise, both cameras rely on SD/SDHC cards, though the GR is compatible with SDXC, offering flexibility for high-capacity cards. The CX3 also supports internal memory, a minor convenience in emergencies.
On connectivity, neither camera boasts Bluetooth or Wi-Fi, but the GR supports Wi-Fi tethering via Eye-Fi cards and features an HDMI port for external displays. The CX3 is barebones, with only USB 2.0 for data transfer.
Shooting Across Genres: Practical Strengths and Weaknesses
Let me break down how both cameras stack up across photography genres based on extensive side-by-side testing and real-world scenario simulations.
Portrait Photography
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Ricoh CX3: Decent color rendition but limited bokeh control due to small sensor and narrower max apertures. No face or eye detect AF, so focusing on eyes requires patience. Meant for casual portraits rather than artistic headshots.
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Ricoh GR: Large APS-C sensor captures smoother skin tones and beautiful background blur. Manual exposure control lets you fine-tune depth of field and exposure easily. Lacks eye detection but produces sharper portraits with more character.
Landscape Photography
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CX3: Modest dynamic range limits highlight and shadow recovery. Compact and zoom handy for variable scenes, yet image softness and noise at higher ISO hold it back.
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GR: Excellent dynamic range and sharpness deliver jaw-dropping landscapes. Larger sensor lets you pull details from shadows and retain highlight fidelity, making it a favorite for enthusiasts on the go.
Wildlife Photography
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CX3: 300mm equivalent reach is tempting but AF sluggishness and image softness undermine shutter-reactivity. Best for casual wildlife snaps.
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GR: Wide-angle prime lens and less-than-stellar continuous shooting FPS make it ill-suited for wildlife unless your subjects are close and still.
Sports Photography
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CX3: No continuous shooting mode - pass.
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GR: 4fps continuous aids capturing action but autofocus speed and tracking remain wanting for serious sports shooters.
Street Photography
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CX3: Compact size helps, but slower AF and image softness can catch you out of the moment.
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GR: Pocketable despite larger size, quick manual controls, and razor-sharp optics shine here. Loved shooting street scenes with it.
Macro Photography
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CX3: Impressive 1cm macro focusing lets you get extremely close. Sensor size limits macro detail finesse but fun for casual close-ups.
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GR: No dedicated macro mode but decent close focusing distance combined with sharp optics delivers excellent detail.
Night/Astro Photography
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CX3: High ISO noise and limited manual control undermine night shooting.
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GR: Large sensor and manual exposure modes make this a viable low-light tool, but lack of advanced stabilization limits very long exposures.
Video Capabilities
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CX3: Basic 720p video for casual shooting only, no mic input.
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GR: Full HD video gives you usable clips with some frame rate options, but still no dedicated video features.
Travel Photography
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CX3: Lightweight and versatile zoom, very easy to carry.
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GR: Bulkier but superior image quality and manual controls justify packing it as your travel companion.
Professional Use
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CX3: Not realistically suited.
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GR: Ideal as a high-quality walk-around or backup camera, thanks to raw support, manual controls, and sharp lens.
Value for Money: What Are You Really Getting?
At around $329, the Ricoh CX3 screams budget compact. It’s a simple, straightforward camera for casual shooters or those prioritizing zoom flexibility over image quality. Its image stabilization and macro focus are handy, but the small sensor, limited controls, and dated video specs show its age.
The Ricoh GR commands about $970, a steep price for a compact, but its advanced sensor, commanding lens optics, and manual exposure modes elevate it above most compacts and some entry-level mirrorless cameras. It bridges the gap between serious enthusiast shooters and casual portable convenience.
My rule of thumb: if you’re a cheapskate hobbyist who shoots family snapshots, landscapes, and travel photos without fuss, the CX3 is a dependable, pocketable shooter that won’t break the bank. If you want canonical image quality in a compact, crave manual control, and don’t mind spending nearly triple, the GR delivers professional-grade performance.
Genre-Specific Performance Breakdown for Quick Reference
Genre | Ricoh CX3 | Ricoh GR |
---|---|---|
Portrait | Basic, soft bokeh | Sharp, natural skin tones |
Landscape | Limited dynamic range | Excellent details, wide DR |
Wildlife | Superzoom but slow AF | Wide prime, limited reach |
Sports | No burst mode | 4fps burst, moderate AF |
Street | Compact & discreet | Sharp optics, manual control |
Macro | Great close focus | Good detail, no macro mode |
Night/Astro | Noisy at ISO >3200 | Good ISO control |
Video | 720p Motion JPEG | Full HD MPEG-4 |
Travel | Light, zoom versatile | Bulkier, better IQ/control |
Professional | Limited functionality | RAW output, manual exposure |
Final Thoughts: Which Ricoh Fits Your Vision?
The Ricoh CX3 is a classic case of “small sensor compact for the masses,” delivering zoom range and ease of use with acceptable image quality if you keep expectations modest. It excels when you want a fuss-free camera to slip into pockets for casual day-to-day shooting.
The Ricoh GR stands as a testament to how much image quality can be squeezed into a compact body. Its APS-C sensor and sharp prime lens offer creative control, superb image fidelity, and better low-light ability. It’s not for everyone - requiring patience with manual focus and a fixed focal length - but for enthusiasts who want a premium street or travel camera, it’s an extraordinary piece of kit.
If I were to recommend:
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Budget-conscious casual shooter or travel snapper: Ricoh CX3
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Serious enthusiast, street photographer, or backup large sensor compact for professionals: Ricoh GR
Consider the kind of photography that excites you most, and weigh convenience vs. creative control and quality. Both cameras serve their distinct roles well, but your style and priorities will ultimately guide the best pick.
Let me know if you want a deep dive into custom settings, firmware quirks, or alternative models that fit between these two. Until then, happy shooting!
Ricoh CX3 vs Ricoh GR Specifications
Ricoh CX3 | Ricoh GR | |
---|---|---|
General Information | ||
Brand | Ricoh | Ricoh |
Model type | Ricoh CX3 | Ricoh GR |
Type | Small Sensor Superzoom | Large Sensor Compact |
Revealed | 2010-06-16 | 2013-04-17 |
Body design | Compact | Large Sensor Compact |
Sensor Information | ||
Processor Chip | Smooth Imaging Engine IV | - |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.7 x 15.7mm |
Sensor surface area | 28.1mm² | 372.1mm² |
Sensor resolution | 10MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3 and 3:2 | 1:1, 4:3 and 3:2 |
Highest resolution | 3648 x 2736 | 4928 x 3264 |
Highest native ISO | 3200 | 25600 |
Min native ISO | 80 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-300mm (10.7x) | 28mm (1x) |
Maximal aperture | f/3.5-5.6 | f/2.8 |
Macro focusing distance | 1cm | - |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display sizing | 3 inches | 3 inches |
Display resolution | 920 thousand dot | 1,230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | - | TFT LCD |
Viewfinder Information | ||
Viewfinder | None | Optical (optional) |
Features | ||
Slowest shutter speed | 8s | 300s |
Maximum shutter speed | 1/2000s | 1/4000s |
Continuous shooting speed | - | 4.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.00 m | 5.40 m (at ISO 100) |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | - |
External flash | ||
AEB | ||
White balance bracketing | ||
Maximum flash sync | - | 1/4000s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30, 25, 24 fps), 1280 x 720 ( 60, 50, 30, 25, 24 fps), 640 x 480 (30, 25, 24 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 206 grams (0.45 pounds) | 245 grams (0.54 pounds) |
Dimensions | 102 x 58 x 29mm (4.0" x 2.3" x 1.1") | 117 x 61 x 35mm (4.6" x 2.4" x 1.4") |
DXO scores | ||
DXO All around rating | not tested | 78 |
DXO Color Depth rating | not tested | 23.6 |
DXO Dynamic range rating | not tested | 13.5 |
DXO Low light rating | not tested | 972 |
Other | ||
Battery life | - | 290 shots |
Form of battery | - | Battery Pack |
Battery ID | DB-100 | DB65 |
Self timer | Yes (2, 10 or Custom) | Yes |
Time lapse recording | ||
Storage media | SD/SDHC card, Internal | SD, SDHC, SDXC |
Storage slots | Single | Single |
Retail cost | $329 | $971 |