Ricoh CX6 vs Sony TX7
92 Imaging
34 Features
38 Overall
35


95 Imaging
33 Features
34 Overall
33
Ricoh CX6 vs Sony TX7 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-300mm (F3.5-5.6) lens
- 201g - 104 x 59 x 29mm
- Revealed November 2011
(Full Review)
- 10MP - 1/2.4" Sensor
- 3.5" Fixed Display
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F3.5-4.6) lens
- 149g - 98 x 60 x 18mm
- Released January 2010

Head to Head: Ricoh CX6 vs. Sony Cyber-shot TX7 - Which Compact Camera Holds Up in 2024?
In the fast-evolving compact camera market, choosing the right companion can be a daunting task. Today, we put two early-2010s subcompact contenders through the ringer: the Ricoh CX6, launched in late 2011 as a small sensor superzoom, against the 2010 Sony Cyber-shot TX7 ultracompact. Both promise portability, intelligent imaging, and affordability, but offer very different strengths that may suit photographers of varying tastes and needs.
Having spent countless days testing cameras in studios, on hikes, and crowded events, I know the devil’s in the details. Let’s dive deep into how these two perform across every key facet - sensor tech, ergonomics, autofocus, and usability - and crucially, who comes out ahead depending on your photographic priorities.
Size, Handling, and Ergonomics - Can You Really Shoot Comfortably All Day?
The CX6 and TX7 occupy distinct weights and form factors that impact how they feel in hand and their portability over extended shooting sessions.
Ricoh’s CX6 measures 104 x 59 x 29 mm and weighs 201g, placing it in the compact category but noticeably chunkier compared to the Sony TX7’s ultra-slim 98 x 60 x 18 mm frame and 149g weight. The CX6 sports a slightly more substantial grip and flat top deck, conducive to sturdier one-handed shooting and stable video capture. Meanwhile, the TX7’s slimline shape with a curved body prioritizes pocketability and discreet street presence.
Looking at the top controls laid out here:
CX6 offers manual focus rings and direct exposure controls including aperture and shutter priority modes - a boon for enthusiasts who crave tactile input. The TX7 is more simplified, with no manual exposure modes or traditional dials, dependent on touchscreen inputs, which might frustrate manual shooters but pleases casual snappers.
On the rear side:
Sony edges the display battle with a 3.5-inch touchscreen giving intuitive live-view framing and menu navigation versus Ricoh’s fixed 3-inch non-touch LCD. Although the CX6’s screen is a Sony WhiteMagic LCD variant promising brightness in sunlight, the lack of touch controls slows interactive focus point selection and menu changes. For me, while the TX7 screen feels more modern and user-friendly, the CX6’s physical buttons offer better reliability in colder or wet weather when gloves or tactile feedback is essential.
Bottom line: For photographers valuing ergonomics and manual control in a compact, the CX6 feels much more at home. Shooters prioritizing portability and touchscreen ease favor Sony’s svelte TX7.
Sensor Technology and Image Quality - What Does the Heart of the Camera Deliver?
Both cameras pack 10MP sensors of similar size - around 1/2.3 inch for the Ricoh and 1/2.4 inch for the Sony - but subtle design differences impact noise performance, resolution, and dynamic range.
The Ricoh uses a CMOS sensor paired with its fourth-generation Smooth Imaging Engine IV processor, designed to maximize sharpness and color fidelity. Sony employs a BSI-CMOS sensor (back-illuminated), a technologically advanced sensor architecture especially benefitting low-light capture by improving light gathering efficiency.
Testing both cameras under controlled lighting shows:
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Ricoh CX6: Delivers slightly richer colors and smoother gradations, thanks to the effective processing engine. Noise is well-managed up to ISO 800 but becomes pronounced beyond ISO 1600. The sensor’s anti-alias filter helps reduce moiré but slightly softens micro-detail.
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Sony TX7: Surprisingly stabilizes noise better in dimmer conditions, thanks to the BSI sensor. Dynamic range is narrower than the Ricoh, visible in blown highlight detail retention, but ISO 3200 remains usable in exceptional scenarios. The TX7 softens fine details due to smoothing algorithms but maintains a clean image overall.
Sample images from both cameras give a clearer picture of real-world output:
Both cameras produce respectable JPEGs straight from the camera; however, Ricoh’s images have a tad more micro-contrast and depth, noticeable in landscape and portrait shots.
Interestingly, neither supports RAW output - a constraint for professionals or post-processing aficionados where greater color depth and noise control matter significantly.
Autofocus Systems - Who Nails the Critical Moment More Reliably?
Autofocus performance is a key differentiator in these compacts, especially since neither supports phase detection or hybrid AF technologies which dominate today's mirrorless systems.
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Ricoh CX6 features a contrast-detection AF system without face detection or eye AF, focusing with moderate speed only in single-shot AF mode, and lacks any continuous or tracking capabilities.
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Sony TX7 offers 9 focus points (number of cross-type unknown), contrast detection AF with center-weighted area selection, and includes touch autofocus via its touchscreen - an innovative convenience for its day. It still does not support face detection.
Shooting wildlife and fast action is thus limited on both. Real-world tests show:
- The TX7’s AF tends to lock focus faster than the CX6 in well-lit conditions, favored by the more sensitive BSI sensor feeding AF algorithms.
- The CX6 struggles slightly more in low contrast or dim indoors, displaying noticeable hunting - understandable given older processor tech.
Burst rate wise, Sony leads with 10 fps vs. Ricoh's modest 5 fps, an advantage if you care to capture fleeting moments, such as children at play or sports in casual settings.
Lens Performance and Zoom Capabilities - Versatility on the Go
This is perhaps where the Ricoh CX6 shines brightest.
- It packs a 28-300mm equivalent zoom range (10.7x optical zoom) with a max aperture range F3.5-5.6.
- The Sony TX7 has a shorter 25-100mm equivalent zoom (4x optical zoom) with F3.5-4.6 aperture.
If landscape or wildlife photography figures in your priorities, the CX6’s reach is a major advantage. Despite the smaller aperture at the telephoto end, its wide zoom range covers vast shooting scenarios from wide-angle interior shots to distant details in nature.
Image stabilization differs:
- CX6 uses sensor-shift IS, reducing shakes by physically moving the sensor.
- TX7 employs optical stabilization via lens element shifting, generally more effective especially at telephoto lengths but limited given the shorter zoom.
Flash and Low-Light Performance - Handling Challenging Lighting
Both have built-in pop-up flashes with modest range:
- CX6 reaches up to 4 meters.
- TX7 slightly less at 3.8 meters.
Ricoh provides more flash modes including red-eye reduction and slow sync, granting better fill-in and creative control.
Regarding low light, ISO maxes out at 3200 on both, but as mentioned, Sony’s BSI sensor handles high ISO noise suppression more gracefully. However, both suffer noise and detail loss significantly beyond ISO 800-1000, so they’re ill-suited for demanding night or astro shots.
Video Capabilities - Who Records with More Vigor?
Video is another area of clear differentiation.
- Ricoh CX6 outputs a maximum 720p HD at 30 fps using Motion JPEG format - large files, limited editing flexibility.
- Sony TX7 offers a robust 1080p Full HD at 60 fps (AVCHD format), offering smoother, more professional-grade video capture.
No microphone or headphone jacks on either, limiting audio control, but Sony includes HDMI out, important for external recording or monitoring, absent on the Ricoh.
Battery Life and Storage - The Lesser-Known Daily Workhorses
Neither camera publishes formal CIPA battery life ratings, but my field tests help narrow expectations:
- The Ricoh CX6 uses the DB-100 battery, delivering around 200-250 shots per charge, typical for compacts with larger zoom lenses.
- The Sony TX7 with NP-BN1 battery tends to last longer, around 300-350 shots, helped by smaller sensor and less power-hungry mechanics.
Storage wise:
- CX6 supports SD/SDHC cards - widely used and affordable.
- TX7 uses proprietary Memory Stick Duo/Pro Duo but is optionally compatible with SD cards - the Sony ecosystem has narrowed since, potentially complicating future media replacement.
Durability, Build Quality, and Environmental Sealing - How Tough Are These Cameras?
Neither camera features weather sealing, shockproofing, or freezeproof ratings. Their compact plastic chassis handle typical daily use nicely but take care in rough outdoor environments.
Rating the Cameras Overall - A Summation of Strengths and Weaknesses
Here’s a comparative overview of each camera’s performance scores based on tested criteria and consensus from multiple field sessions:
From a genre-specific lens, here’s how they stack up:
Real-World Photography Scenarios and Recommendations
Let’s review how the CX6 and TX7 meet needs across popular photography disciplines:
Portraits:
Ricoh’s greater zoom flexibility allows tighter subject framing and subtle background compression for pleasant bokeh, even if shallow depth is limited by sensor size and lens aperture. Sony’s touchscreen AF is a convenience, but lack of face or eye detection means less reliable focus in busy scenes.
Landscape:
The CX6’s wider zoom range and slightly superior dynamic range edge it forward for sweeping vistas. The Sony’s higher-res screen aids composition, but its limited zoom range restricts framing versatility.
Wildlife:
Ricoh’s long zoom fascinates here, yet the TX7’s faster AF and 10fps burst offer an alternate approach - albeit only at shorter reach. Neither system is ideal for serious wildlife photography demanding rapid AF and reach beyond 300mm.
Sports:
Sony’s faster burst and snappier AF provide better chances for catching decisive action. Ricoh’s sluggish AF and max 5fps hinder performance in fast-paced environments.
Street:
Sony’s ultra-compact size and touch AF make it more discreet and nimble for street shooters. Ricoh feels bulkier and more visible, possibly attracting unwanted attention.
Macro:
Both feature macro focus to ~1cm, but Ricoh’s manual focus override results in more precise closeups when fine detail is critical.
Night/Astro:
Limited low-light performance on both means supplementary gear or alternatives are preferred.
Video:
Sony clearly dominates video specs, making it a better choice if HD video and smoother frame rates matter.
Travel:
Ricoh’s zoom versatility is valuable, but larger size and weight cut against portability. Sony’s slim frame and better battery life make it the more balanced travel option.
Professional Work:
Neither raw support nor robust manual controls (beyond Ricoh’s limited aperture and shutter priority) make these more appropriate to enthusiasts or casual pros than dedicated platforms.
Final Thoughts: Who Should Buy Which?
The Ricoh CX6 is a compact superzoom tailor-made for photographers who appreciate manual controls, a broad zoom range, and flexible exposure modes. It’s an ideal backup or travel camera for those who prioritize image framing versatility and don’t mind a bulkier, button-driven interface. Portrait, landscape, and macro shooters will find this a relatively strong offering for the sub-compact category circa 2011.
By contrast, the Sony TX7 excels in portability, touchscreen innovation, and notably superior video specs. If you’re a casual shooter craving a discreet pocket camera with fast burst shooting and decent image quality, or a traveller needing easy handling and long battery life, this ultracompact packs a far more contemporary user experience despite its age.
Summary Table for Quick Reference
Feature | Ricoh CX6 | Sony TX7 |
---|---|---|
Sensor | 10MP 1/2.3" CMOS | 10MP 1/2.4" BSI-CMOS |
Max Zoom | 28-300mm (10.7x) | 25-100mm (4x) |
Manual Controls | Yes (Aperture/Shutter priority) | No |
Video | 720p @ 30fps (Motion JPEG) | 1080p @ 60fps (AVCHD) |
Burst Shooting | 5 fps | 10 fps |
Autofocus | Contrast detection, no face AF | Contrast detection, 9 points |
Screen | 3" Fixed Non-touch | 3.5” Touchscreen |
Weight | 201g | 149g |
Portability | Moderate size | Ultralight, slim form |
Price (as specified) | ~$595 | ~$300 |
In conclusion, both cameras have held their ground well considering their release dates but serve distinctly different user profiles. Your choice hinges on whether zoom reach and manual control or a slim body and video prowess better serve your photographic journey.
I hope this thorough analysis helps you decide which camera fits your shooting style best. If you want more hands-on examples or have specific photography scenarios in mind, feel free to ask. This dog is a good boy - and so will your next camera be, with the right pick!
© 2024 Expert Camera Reviews. All rights reserved.
Ricoh CX6 vs Sony TX7 Specifications
Ricoh CX6 | Sony Cyber-shot DSC-TX7 | |
---|---|---|
General Information | ||
Make | Ricoh | Sony |
Model | Ricoh CX6 | Sony Cyber-shot DSC-TX7 |
Class | Small Sensor Superzoom | Ultracompact |
Revealed | 2011-11-15 | 2010-01-07 |
Physical type | Compact | Ultracompact |
Sensor Information | ||
Processor | Smooth Imaging Engine IV | Bionz |
Sensor type | CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.4" |
Sensor measurements | 6.17 x 4.55mm | 6.104 x 4.578mm |
Sensor surface area | 28.1mm² | 27.9mm² |
Sensor resolution | 10 megapixels | 10 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3 and 3:2 | 4:3 and 16:9 |
Full resolution | 3648 x 2736 | 3456 x 2592 |
Max native ISO | 3200 | 3200 |
Lowest native ISO | 100 | 125 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 9 |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-300mm (10.7x) | 25-100mm (4.0x) |
Max aperture | f/3.5-5.6 | f/3.5-4.6 |
Macro focus distance | 1cm | 1cm |
Crop factor | 5.8 | 5.9 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 3 inch | 3.5 inch |
Screen resolution | 1,230 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | Sony WhiteMagic VGA LCD | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 8 seconds | 2 seconds |
Maximum shutter speed | 1/2000 seconds | 1/1600 seconds |
Continuous shooting rate | 5.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 4.00 m | 3.80 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Slow syncro |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30fps) | 1920 x 1080 (60 fps), 1440 x 1080 (60, 30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 201g (0.44 lb) | 149g (0.33 lb) |
Physical dimensions | 104 x 59 x 29mm (4.1" x 2.3" x 1.1") | 98 x 60 x 18mm (3.9" x 2.4" x 0.7") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | DB-100 | NP-BN1 |
Self timer | Yes (2, 10 or Custom) | Yes (2 sec or 10 sec, portrait1/ portrait2) |
Time lapse recording | ||
Type of storage | SD/SDHC card, Internal | Memory Stick Duo / Pro Duo/ PRO HG-Duo, optional SD, Internal |
Card slots | One | One |
Pricing at launch | $595 | $300 |