Ricoh G700SE vs Sony A7c
88 Imaging
35 Features
29 Overall
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78 Imaging
75 Features
88 Overall
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Ricoh G700SE vs Sony A7c Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 3200
- 640 x 480 video
- 28-140mm (F3.5-5.5) lens
- 307g - 117 x 68 x 32mm
- Introduced October 2010
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 100 - 51200 (Push to 204800)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 509g - 124 x 71 x 60mm
- Released September 2020
Photography Glossary Ricoh G700SE vs Sony A7c: An Expert Hands-On Comparison for Photographers in 2024
Choosing the right camera is one of the most heavily nuanced decisions photographers face - because the gear that suits a rugged outdoor adventurer will differ starkly from what best serves a professional portraitist or videographer. Today, I’ve rigorously put the Ricoh G700SE and Sony A7c head-to-head in an extensive 2500-word analysis. These two cameras inhabit radically different worlds, yet each commands noteworthy strengths. After hours of testing in multiple scenarios (and dozens of practical hours shooting), we’ll break down how their capabilities stack up in the real world - and crucially, what kind of user each is designed to satisfy.

Out of the Gate: Two Cameras, Two Worlds
The Ricoh G700SE, announced way back in 2010, is a niche-oriented rugged compact camera. It proudly wears its waterproof, shock-resistant armor, with a surprising macro ability and fixed zoom lens aimed at industrial and extreme outdoor use. Its modest 12MP 1/2.3-inch CCD sensor and simplified UI make clear it’s built for durability and straightforward image capture - not cutting-edge creativity.
In stark contrast, the Sony A7c (launched in 2020) is a compact full-frame mirrorless powerhouse targeting advanced amateurs and professionals craving portability. With a 24MP BSI CMOS sensor, extensive autofocus zones, sensor-based stabilization, and full 4K video, the A7c blends serious imaging quality with the flexibility of Sony’s thriving E-mount lens ecosystem.
At first glance, comparing the Ricoh’s armored compactness with Sony’s sleek, high-performance full-frame mirrorless might seem like comparing apples and submarines. But that’s precisely where the value of this comparison lies: understanding each on its terms, from their sensor to operational philosophy, reveals how diverse photographic needs shape camera design.
Design and Ergonomics: Compact Ruggedness vs. Mirrorless Sophistication

Holding both cameras reveals instantly contrasting design ethos. The Ricoh G700SE is chunky yet reassuringly rugged at 117x68x32mm and 307g, featuring prominent physical buttons resistant to moisture - but minimalistic with no EVF and a fixed 3-inch LCD. Controls are simple, favoring ease of use (willing to sacrifice speed or granularity), appropriate for gloves or tough environments.
The Sony A7c, meanwhile, is slender (124x71x60mm) but heavier (509g), with a classic rangefinder-style mirrorless form and a sophisticated control layout. Its fully articulated touchscreen is high resolution (922k dots), supplemented by an eye-level electronic viewfinder (2.36M dots), which vastly expands compositional flexibility and interface responsiveness. The button placement and dials cater to quick manual exposure adjustments, reflecting a camera designed for photographic precision.
Ergonomically, the A7c wins hands down for user interface mastery - ideal for photographers who demand tactile feedback and customizable controls. For rugged adventurers, the Ricoh’s straightforward, sealed design excels. Neither camera has illuminated buttons, but the A7c’s touchscreen and EVF ease shooting in low light, where the Ricoh’s fixed LCD and lack of a finder make framing more challenging.
Sensor and Image Quality: Tiny Sensor vs. Full-Frame Beast

This is the heart of the difference - and the most technically consequential. The Ricoh G700SE’s 1/2.3-inch 12MP CCD sensor measures just 6.17x4.55mm. The sensor’s small chip area (28.07 mm²) struggles in low light and dynamic range, limited to a max ISO of 3200, with no RAW support. It excels in bright, controlled conditions, delivering serviceable images for documentation or casual shooting.
Contrast this with the Sony A7c’s full-frame 24MP BSI CMOS sensor (35.8x23.8mm, 852 mm²). The full-frame sensor offers vastly superior light gathering, color depth, and dynamic range, alongside a native ISO range of 100-51200 with extensions to 50–204800. The A7c’s sensor also benefits from backside illumination for improved noise control and robustness in low light. RAW capture support enables creative latitude and post-processing flexibility - a must for professionals.
Practically speaking, images from the A7c show significant detail retention at high ISOs and gracefully handle shadows and highlights thanks to its wider dynamic range. The Ricoh, while punchy in daylight, loses shadow detail quickly and produces softer, noisier results in aid of its compressive JPEG-only workflow.
Art of Autofocus: Precision and Tracking Capability
The Ricoh G700SE’s autofocus is basic contrast-detection with fixed-area multi-spot selection. There is no face or eye detection, no continuous AF, and no tracking. This limits its utility for moving subjects, sports, wildlife, or spontaneous focusing demands, yet is sufficient for static industrial inspection shots or macro documentation within its 1 cm close-range capacity.
In stark contrast, the Sony A7c boasts a hybrid autofocus system with 693 phase-detection points spread widely over the sensor, equipped with eye autofocus for humans and animals and robust subject tracking. It can shoot 10 FPS continuous burst while maintaining focus lock - a boon for wildlife and sports photography. The AF system’s accuracy and speed are a major selling point, with real-world performance that consistently impresses.
For photographers shooting dynamic scenes - fast sports moments, unpredictable wildlife, or active children - the A7c’s autofocus system is exponentially more capable and forgiving.
Versatility in Photography Genres: Who Does What Best?
Because these cameras were developed with different target users, their adaptability across photography genres diverges sharply.
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Portrait Photography: The Sony A7c shines, thanks to its ability to use fast interchangeable lenses (wide apertures for creamy bokeh), accurate face and eye AF, and superior sensor rendering for skin tones and fine detail. The Ricoh’s fixed zoom and smaller sensor produce flatter bokeh and less pleasing skin texture, but it can work for casual snapshots.
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Landscape: The A7c dominates with its high resolution, dynamic range, and extensive weather sealing - ideal for demanding outdoor shooting. The Ricoh is rugged and waterproof, but the small sensor limits image quality and detail, making it more suited to documentary purposes than fine art landscapes.
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Wildlife: The A7c’s rapid autofocus and high burst rates with telephoto lenses place it firmly ahead. The Ricoh’s fixed 28-140mm lens and slow AF restrict use here to very casual or opportunistic shooting only.
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Sports: High frame rates and reliable autofocus make the A7c the better choice. The Ricoh lacks burst shooting and advanced subject tracking.
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Street Photography: Here, size and discretion matter. The Ricoh simply isn’t discrete or particularly compact. The A7c achieves a good balance - smaller and lighter than most full-frame cameras, articulated screen for stealth, and silent shutter mode, making it a viable street camera.
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Macro: Ricoh offers a close focus of 1cm and macro functionality, making it handy for industrial and scientific documentation. The A7c can excel with the right macro lenses, offering better image quality, depth control, and stabilization.
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Night/Astro: The Sony’s full-frame, high ISO performance, and long exposure capabilities outperform the Ricoh’s limited sensor and ISO range.
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Video Capabilities: The Ricoh maxes out at 640x480 VGA video - essentially vestigial by today’s standards. The Sony A7c records detailed 4K at 30p with high bitrate recording, microphone input, and sensor stabilization. The A7c is an excellent choice for serious video shooters; the Ricoh is, frankly, not.
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Travel: Both have merits here. Ricoh’s waterproof ruggedness means no worries about elements, while the A7c offers incredible versatility in image quality and lens choices - but requires more care in variable conditions. Battery life strongly favors the A7c, capable of approximately 740 shots per charge.
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Professional Work: The Sony A7c’s raw support, advanced autofocus, and broader lens ecosystem make it a viable tool in professional contexts; the Ricoh’s capabilities don’t meet professional imaging or workflow expectations.
Build Quality & Environmental Sealing: Rugged Reliability vs. Weather-Resistant Elegance
The Ricoh G700SE’s environmental sealing is comprehensive: waterproof to certified depths, shockproof claims, and tough external casing. Such robustness makes it indispensable for maritime, industrial, or extreme adventure shooting where conventional cameras risk damage.
While the Sony A7c has weather sealing, it is not waterproof in the same sense and offers no ruggedizing against shocks or crushing forces. Its materials and construction, however, are premium and reliable for daily professional and enthusiast use.
User Interface and Display: Simplicity vs. Modern Control

The Ricoh features a non-touch fixed LCD of decent size but limited resolution. It lacks EVF. Navigation is limited to buttons - a no-frills approach suitable for users wearing gloves or harsh environments.
The Sony A7c’s articulated touchscreen allows intuitive touch AF and menu control - a significant advantage when composing off-axis or self-shooting. The EVF provides an accurate preview unaffected by bright sunlight. These interface features greatly improve usability for varied shooting conditions.
Lens Ecosystem: Fixed Zoom vs. Versatile Interchangeables
A critical consideration is the Ricoh G700SE’s fixed 28-140mm (35mm equiv.) f/3.5-5.5 zoom - perfectly fine for documentation, but limiting for those who want prime lens speed, specialized optics, or artistic depth-of-field control.
Sony’s E-mount lens system supports over 120 lenses, including world-class primes, zooms, macros, and specialty glass - offering transformative creative freedom.
Battery Life, Storage, and Connectivity: Modern Conveniences
The Sony A7c uses a robust NP-FZ100 battery, delivering about 740 shots per charge. The Ricoh’s battery life is unspecified but expectedly lower given older battery technology and smaller capacity.
Storage-wise, both support SD cards, but Sony supports modern SDXC and UHS-II speeds, enabling faster write times. Ricoh relies on slower SDHC cards and also offers limited internal storage.
Connectivity features tip strongly to the Sony with built-in WiFi, Bluetooth, NFC, and HDMI output - facilitating wireless transfer and tethered shooting workflows. Ricoh has none of these, relying solely on USB 2.0 - a bottleneck today.
Real-World Shooting Impressions and Sample Gallery
Having put both cameras through varied shooting environments, the image results from the Sony A7c consistently impress with sharpness, tonal richness, and color rendition. Subject separation and bokeh are beautifully controlled by fast lenses. Wildlife and sports sequences maintain smooth AF and clarity.
The Ricoh G700SE’s images feel sterile and compressed but serve a niche well - fields like construction site documentation, underwater survey shots, and industrial inspection where presence-of-mind and no-compromise durability outweigh image artistry.
Value and Price-to-Performance Considerations
Priced around $1800 USD at launch, the Sony A7c is competitively positioned among full-frame mirrorless cameras, offering a wealth of advanced features for the money. The Ricoh G700SE is no longer widely available new; it was niche-priced with industrial users in mind.
For general consumers and photographers seeking creative latitude or pro-level output, the A7c offers outstanding bang for the buck. For rugged professionals needing “shoot and go” durability without accessory lenses, the Ricoh’s specialized design justifies a premium.
Who Should Buy Which? Clear Recommendations
Get the Ricoh G700SE if:
- You require an ultra-rugged, waterproof compact camera
- Your primary photography is industrial, scientific, or underwater documentation
- You need a simple point-and-shoot system that withstands harsh environments without fuss
- RAW files, creative control, or video capability are not priorities
Get the Sony A7c if:
- You want a compact yet full-frame capable mirrorless camera for professional or enthusiast use
- You shoot portraits, landscapes, wildlife, sports, or video and demand high image quality and autofocus performance
- You value creative flexibility with interchangeable lenses and RAW workflow
- You need robust battery life, advanced connectivity, and an ergonomic user interface
Conclusion: Two Paradigms in Camera Design for Distinct Needs
The Ricoh G700SE and Sony A7c exemplify divergent design philosophies shaped by very different target audiences - rugged simplicity versus creative versatility.
If your photographic journey centers on creative exploration, demanding image quality, and incredibly flexible operation across genres, the Sony A7c is an excellent, forward-looking choice, especially for enthusiasts and professionals who value portability without compromising performance.
Alternatively, if your shooting environment is unforgiving - wet, dusty, potentially hazardous - and your goal is reliable documentation more than artistry, the Ricoh G700SE remains a specialized tool worthy of consideration.
Understanding your priorities, shooting style, and environment is paramount. I hope this comparison offers the nuanced insights to guide you confidently toward the camera that will truly serve your vision.
If you want to dive deeper into genre-specific strengths or operational advice, feel free to explore reviews tailored to particular photographic needs.
Happy shooting!
Ricoh G700SE vs Sony A7c Specifications
| Ricoh G700SE | Sony Alpha A7c | |
|---|---|---|
| General Information | ||
| Make | Ricoh | Sony |
| Model type | Ricoh G700SE | Sony Alpha A7c |
| Type | Waterproof | Advanced Mirrorless |
| Introduced | 2010-10-13 | 2020-09-14 |
| Body design | Compact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | Full frame |
| Sensor dimensions | 6.17 x 4.55mm | 35.8 x 23.8mm |
| Sensor surface area | 28.1mm² | 852.0mm² |
| Sensor resolution | 12 megapixels | 24 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 3:2 | 3:2 and 16:9 |
| Max resolution | 4000 x 3000 | 6000 x 4000 |
| Max native ISO | 3200 | 51200 |
| Max enhanced ISO | - | 204800 |
| Min native ISO | 64 | 100 |
| RAW photos | ||
| Min enhanced ISO | - | 50 |
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | - | 693 |
| Lens | ||
| Lens support | fixed lens | Sony E |
| Lens zoom range | 28-140mm (5.0x) | - |
| Maximal aperture | f/3.5-5.5 | - |
| Macro focusing range | 1cm | - |
| Available lenses | - | 122 |
| Focal length multiplier | 5.8 | 1 |
| Screen | ||
| Range of display | Fixed Type | Fully articulated |
| Display sizing | 3 inches | 3 inches |
| Resolution of display | 920 thousand dot | 922 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,360 thousand dot |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.59x |
| Features | ||
| Minimum shutter speed | 8 secs | 30 secs |
| Fastest shutter speed | 1/1500 secs | 1/4000 secs |
| Fastest quiet shutter speed | - | 1/8000 secs |
| Continuous shutter speed | - | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 10.00 m (Auto ISO) | no built-in flash |
| Flash settings | Auto, On, Off, Auto red-eye, Slow Sync | no built-in flash |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 640 x 480, 320 x 240 | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Max video resolution | 640x480 | 3840x2160 |
| Video data format | - | MPEG-4, XAVC S, H.264 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 307 gr (0.68 pounds) | 509 gr (1.12 pounds) |
| Dimensions | 117 x 68 x 32mm (4.6" x 2.7" x 1.3") | 124 x 71 x 60mm (4.9" x 2.8" x 2.4") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 740 photographs |
| Battery format | - | Battery Pack |
| Battery ID | DB-60 | NP-FZ100 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
| Time lapse recording | ||
| Storage media | SD/SDHC, Internal | SD/SDHC/SDXC card (UHS-II supported) |
| Storage slots | One | One |
| Pricing at release | $0 | $1,800 |