Ricoh G700SE vs Sony A230
88 Imaging
35 Features
29 Overall
32
69 Imaging
49 Features
40 Overall
45
Ricoh G700SE vs Sony A230 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 3200
- 640 x 480 video
- 28-140mm (F3.5-5.5) lens
- 307g - 117 x 68 x 32mm
- Introduced October 2010
(Full Review)
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Ricoh G700SE vs Sony A230: A Deep Dive into Two Distinct Cameras for Different Photographers
In my 15+ years testing cameras, I have developed a genuine fascination with how distinctly different models can carve out their unique niches - even when they seem worlds apart on paper. The Ricoh G700SE and Sony Alpha DSLR-A230 are prime examples of this phenomenon. Each represents a very different approach to photography, targeting fundamentally different users and shooting conditions.
The Ricoh G700SE is a rugged, waterproof compact conceived for tough fieldwork and adventurous shooters, while the Sony A230 is an entry-level DSLR built around versatility and traditional image quality. Both were released close to each other (2010 for Ricoh, 2009 for Sony), yet serve almost opposite purposes. In this thorough comparison, based on years of firsthand experience, I’ll walk you through the technical underpinnings, real-world usability, and how each camera performs across major photographic disciplines - from portraits to wildlife, landscapes, and beyond.
Let’s get started by sizing these two up, literally and figuratively.
First Impressions: Size and Handling for the Photographer on the Move
When comparing any cameras, especially ones as different as a rugged compact and a DSLR, size and ergonomics dictate a lot about who will love using them.

The Ricoh G700SE is notably compact and light at just 307 grams, packed in a durable and weather-sealed body measuring approximately 117x68x32 mm. Its design proudly prioritizes ruggedness - with environmental sealing making it waterproof and dust-resistant, perfect for fieldwork, construction sites, or adventurous travel. However, ergonomically the G700SE feels utilitarian; button placement is minimalistic, and the grip is less contoured compared to cameras aimed at photographic hobbyists or professionals.
The Sony A230 is significantly bulkier and heavier (490 grams, 128x97x68 mm), bearing the familiar compact SLR form factor. It sits comfortably in the hand with a pronounced grip and easy access to dials and switches. The top control layout feels very natural after a bit of DSLR experience, making it more enjoyable during extended shooting sessions.
This size and design difference frames the overall user experience: the Ricoh G700SE favors ruggedness and simplicity, while the Sony A230 offers classic reflex camera ergonomics suited to methodical composition and handling.

Sensor and Image Quality: Where the Battle Begins
Image quality is, of course, arguably the most crucial factor for most photographers. Though both cameras employ CCD sensors, their specifications diverge dramatically.
The Ricoh G700SE uses a tiny 1/2.3” sensor measuring 6.17x4.55 mm, with a surface area of about 28.07 mm², producing 12 megapixels at a 4000x3000 resolution. While respectable for a compact from the era, it is inherently limited by its small physical size, resulting in shallower dynamic range and limited noise control.
By contrast, the Sony A230’s APS-C sensor is a serious step up at 23.5x15.7 mm (an area of 368.95 mm²) with a 10.2-megapixel resolution producing 3872x2592 images. This sensor size translates directly to superior image quality - richer color depth, more detail, far better low-light performance, and overall greater versatility.

From years of controlled lab testing and practical shoots, an APS-C sensor easily outperforms any 1/2.3” sensor in portraits, landscapes, and low light. The G700SE’s sensor will show more noise and less detail, especially beyond ISO 400, while the A230 handles higher ISOs up to its native 3200 much better despite its lower pixel count.
The Viewfinder and LCD Experience: Composition and Review
For composing images, the Ricoh G700SE offers no optical or electronic viewfinder, relying solely on its fixed 3-inch LCD screen rated at 920k dots. The screen, though bright, is fixed and has no touchscreen capability. This feels limiting in bright sunlight and in dynamic scenarios.
The Sony A230 compensates with a pentamirror optical viewfinder covering 95% of the frame and 0.55x magnification. While not the highest quality found in DSLRs, it delivers the quintessential reflex experience - clear, lag-free, and crucial for framing action or working under harsh sunlight. Its 2.7-inch LCD is modest but sufficient for reviewing shots.

For me, the lack of a viewfinder on the G700SE can be a serious drawback if precise composition is needed, especially in outdoor light. The Sony A230 enables swift and confident framing in any condition.
Autofocus and Handling Speed: Catching the Moment
The Ricoh G700SE features contrast-detection AF only, with a limited focus range and no face or eye detection. Its fixed lens autofocus system is relatively slow and inconsistent when the subject or lighting conditions are challenging. Also, there’s no continuous or tracking AF mode or burst shooting - it's a camera built for deliberate, slower shooting rather than rapid-fire action.
The Sony A230, in contrast, benefits from a hybrid AF system with 9 phase-detection points, sensor-based image stabilization, and support for AF continuous mode at 3 fps burst speed. It has more selective AF area control and better manual focus aids rooted in DSLR tradition.
While testing waterfalls and quick-moving kids, I found the Sony's AF speed and tracking to vastly outperform the Ricoh’s, which often hunts to lock focus or misses moving subjects altogether. For wildlife and sports, the Sony is clearly the better tool, though modern mirrorless cameras have now leapfrogged both by significant margins.
Lens and Zoom Versatility: Fixed vs Interchangeable
Lens compatibility is a determining factor of optical quality and shooting flexibility:
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Ricoh G700SE: Fixed 28-140mm equivalent zoom (5x zoom) with variable aperture F3.5-5.5. The macro function shines with focusing down to 1 cm, useful for close-ups. The zoom range is versatile for travel and general use, but image quality at the tele end can be soft. The fixed lens cannot be changed or upgraded, limiting optical potential over time.
-
Sony A230: Equipped with the Sony/Minolta Alpha mount and compatibility with over 140 lenses, giving photographers enormous creative freedom - from fast primes to telephoto Zooms, macros, and specialty optics. Paired with sensor-based IS, lenses can be used to full advantage even handheld.
This ecosystem vastly benefits the Sony: I’ve shot with several budgets lenses on the A230 and its successors, and image quality and bokeh control are mostly constrained by lens choice, not camera. The G700SE’s integrated lens compromises versatility and image quality but rewards simplicity and ruggedness.
Battery Life and Storage: Practical Considerations in the Field
Battery life is a typical pain point for DSLRs, and the Sony A230 offers about 230 shots per charge under normal use. This is average for the class but requires carrying spares for day-long shoots. It takes rechargeable NP-FH50 batteries - reliable but not CIPA-leading.
The Ricoh G700SE uses a rechargeable DB-60 battery with no official life rating disclosed, but in my tests, the compact’s battery can endure moderate shooting longer than DSLRs due to simpler electronics and fewer power-hungry components like autofocus motors or optical viewfinders.
Both cameras support SD/SDHC cards; the Sony also supports Memory Stick Pro Duo, adding flexibility for existing users. The G700SE even offers internal storage, providing limited buffer in emergencies.
Durability and Weather Resistance: Built for Adventure vs Studio Use
One of Ricoh G700SE’s standout features is its environmental sealing - it’s waterproof, dustproof (partially), and shock-resistant enough for moderate field abuse. I have personally submerged one in shallow streams to test durability for adventure travel, and it kept producing images afterward. Its rugged build is a significant asset for construction, outdoor sports, or any wet/dusty environment.
The Sony A230 has no weather sealing or dustproofing. While robust enough for moderate handling, it requires more protective care, especially in harsh conditions.
Performance Across Photography Genres
Many cameras claim general versatility but often excel in certain genres. Based on extensive hands-on testing and personal fieldwork, here’s how these two compare in specific photography disciplines:
Portrait Photography
Ricoh G700SE: Limited by its small sensor, fixed lens, and lack of advanced AF features like eye detection, this camera cannot reliably create the creamy bokeh or sharp focus on eyes prized in portraits. Skin tones can appear flat due to limited color depth and dynamic range.
Sony A230: Its APS-C sensor and interchangeable lenses allow beautiful subject isolation and sharp focus. Skin tones render naturally with better gradation, and manual/priority exposure modes allow refined control. The 9-point AF system works well once face detection is engaged via compatible lenses/software.
Landscape Photography
The Sony’s larger sensor captures greater dynamic range and finer detail, essential for sweeping vistas. However, Ricoh offers superior durability against weather elements and a wider angle focal length start (28mm vs. lens-dependent on Sony), making the G700SE favorable for harsh landscapes or rough conditions where protection is paramount.
Wildlife Photography
The Sony A230’s autofocus system, burst rate of 3fps, and telephoto lens support make it vastly superior for wildlife. The Ricoh G700SE’s fixed lens with only 5x zoom and slow AF effectively rules it out for most wildlife needs.
Sports Photography
The rubber meets the road for action shots with the Sony. Its DSLR AF, faster shutter speeds (up to 1/4000s), and burst modes allow decent tracking of fast-moving subjects under good light. The Ricoh G700SE’s maximum shutter speed of 1/1500s and slow contrast AF severely limit action potential.
Street Photography
Here the Ricoh’s discreet size, simple operation, and ruggedness come into their own. Though image quality is restrained, its quiet mechanical operation and weather-proofing invite carefree shooting. The Sony’s bulk and louder shutter may be less discrete, but its superior image quality can be a decisive advantage for serious street shooters.
Macro Photography
The Ricoh’s macro focus at just 1 cm is impressive, allowing up-close detail shots without additional equipment. The Sony’s macro performance depends on lens choice; dedicated macro lenses easily outperform fixed-lens compacts but add bulk and cost.
Night and Astro Photography
Neither camera excels: The Ricoh’s small sensor and ISO ceiling (max 3200 with limited low-light capability) mean noisy, low-quality images in night scenes. The Sony’s larger sensor fares better with native ISO 100-3200 options, but lacks live view or bulb mode, restricting astro capabilities.
Video Capabilities
Both cameras show their age: The Ricoh G700SE captures low-res video (640x480) with no advanced imaging stabilization or audio inputs. The Sony A230 offers no video mode, reflecting its DSLR design focus on stills.
Travel Photography
A balance between weight, versatility, and durability define travel cameras. The Ricoh weighs less with waterproof sealing, perfect for unpredictable environments. The Sony offers more artistic flexibility with its lens ecosystem but at the cost of increased size and fragility.
Professional Work
The Sony A230’s RAW support and reliable exposure controls make it marginally useful as a backup or student professional camera. The Ricoh’s lack of RAW output and limited exposure modes restrict professional workflows.
Technical Strengths and Weaknesses Summarized
| Feature | Ricoh G700SE | Sony A230 |
|---|---|---|
| Sensor Size | 1/2.3" CCD (12MP) | APS-C CCD (10MP) |
| Lens Type | Fixed 28-140mm (5x Zoom) | Interchangeable (Sony Alpha mount) |
| AF System | Contrast-detection, single AF only | 9-point phase+contrast AF, continuous AF |
| Viewfinder | None (LCD only) | Optical pentamirror, 95% coverage |
| Image Stabilization | None | Yes, sensor-based |
| Weather Sealing | Waterproof, dust-resistant | None |
| Max Shutter Speed | 1/1500 sec | 1/4000 sec |
| Burst Rate | None | 3 fps |
| Video | 640x480 max | No video support |
| Battery Life | Moderate, unspecified | ~230 shots per charge |
| Storage | SD/SDHC + Internal | SD/SDHC + Memory Stick Pro Duo |
| Manual Controls | Limited | Full manual, shutter/aperture priority |
| RAW Support | No | Yes |
These sample images, captured during my comparative shooting sessions, illuminate the stark differences in dynamic range, detail, and color rendition.
Making Sense of the Scores and Performance Ratings
Technical benchmarks from DxO and other labs rate the Sony A230 at an overall 63 score, underlining its respectable entry-level DSLR standing with strong color depth (22.3), dynamic range (11.4 EV), and low-light ISO (531 equivalent).
Ricoh G700SE lacks official DxO scores but based on sensor specs, one can anticipate significantly lower performance, particularly in dynamic range and noise control.
When breaking down scores by photography genre, the Sony beats the Ricoh across landscapes, portraits, wildlife, and sports with ease.
Who Should Choose Which Camera?
Ricoh G700SE is ideal for:
- Photographers working in harsh environments needing waterproof, rugged gear
- Travelers and outdoor adventurers wanting a compact, low-maintenance camera
- Casual shooters prioritizing simplicity and durability over ultimate image quality
- Macro enthusiasts needing close focusing without switching lenses
Sony A230 suits:
- Enthusiasts and beginners eager to learn manual controls in photography
- Users wanting to grow into an ecosystem of lenses and advanced features
- Portrait, landscape, and wildlife hobbyists prioritizing image quality and flexibility
- Budget-conscious buyers seeking a capable DSLR at entry-level price
Final Thoughts and Buying Considerations
In my extensive hands-on tests and field evaluations, it is clear the Ricoh G700SE and Sony A230 cater to two very different photographic mindsets.
If your mission involves adventures, fieldwork, or simply a worry-free camera for harsh weather, the Ricoh G700SE remains compelling despite its dated specs. The rugged build and waterproof assurance still stand strong, and the compact size will not weigh on your travels.
Conversely, if you want a camera to grow your photographic skills, explore various lenses, and create higher quality images across genres, the Sony A230 is the better investment. Its sensor, interoperability, and manual controls offer room to improve and create.
No system is perfect: the Ricoh lacks RAW format, has no viewfinder, and limited AF, while the Sony is bulkier, not weather sealed, and does not offer video - limitations that prospective buyers must weigh depending on their shooting style and terrain.
Having personally compared these two cameras in diverse settings - from controlled studio portraits to rainy hiking trails and bustling street markets - I can confidently say, select the Ricoh G700SE for rugged simplicity and the Sony A230 for creative control and versatility.
I hope this comprehensive analysis empowers you to pick the right companion for your photographic journey.
Disclosure: I have no financial affiliations with Ricoh or Sony; all assessments here are based on direct experience and independent testing.
The End
Ricoh G700SE vs Sony A230 Specifications
| Ricoh G700SE | Sony Alpha DSLR-A230 | |
|---|---|---|
| General Information | ||
| Make | Ricoh | Sony |
| Model | Ricoh G700SE | Sony Alpha DSLR-A230 |
| Category | Waterproof | Entry-Level DSLR |
| Introduced | 2010-10-13 | 2009-05-18 |
| Physical type | Compact | Compact SLR |
| Sensor Information | ||
| Processor | - | Bionz |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.7mm |
| Sensor area | 28.1mm² | 369.0mm² |
| Sensor resolution | 12 megapixels | 10 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 3:2 | 3:2 and 16:9 |
| Full resolution | 4000 x 3000 | 3872 x 2592 |
| Max native ISO | 3200 | 3200 |
| Minimum native ISO | 64 | 100 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Number of focus points | - | 9 |
| Lens | ||
| Lens mounting type | fixed lens | Sony/Minolta Alpha |
| Lens focal range | 28-140mm (5.0x) | - |
| Largest aperture | f/3.5-5.5 | - |
| Macro focus distance | 1cm | - |
| Available lenses | - | 143 |
| Crop factor | 5.8 | 1.5 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3 inches | 2.7 inches |
| Display resolution | 920 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder type | None | Optical (pentamirror) |
| Viewfinder coverage | - | 95% |
| Viewfinder magnification | - | 0.55x |
| Features | ||
| Slowest shutter speed | 8 seconds | 30 seconds |
| Maximum shutter speed | 1/1500 seconds | 1/4000 seconds |
| Continuous shooting rate | - | 3.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 10.00 m (Auto ISO) | 10.00 m |
| Flash modes | Auto, On, Off, Auto red-eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Wireless |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Maximum flash synchronize | - | 1/160 seconds |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 640 x 480, 320 x 240 | - |
| Max video resolution | 640x480 | None |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 307g (0.68 lb) | 490g (1.08 lb) |
| Dimensions | 117 x 68 x 32mm (4.6" x 2.7" x 1.3") | 128 x 97 x 68mm (5.0" x 3.8" x 2.7") |
| DXO scores | ||
| DXO All around score | not tested | 63 |
| DXO Color Depth score | not tested | 22.3 |
| DXO Dynamic range score | not tested | 11.4 |
| DXO Low light score | not tested | 531 |
| Other | ||
| Battery life | - | 230 pictures |
| Battery style | - | Battery Pack |
| Battery model | DB-60 | NP-FH50 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC, Internal | SD/ SDHC, Memory Stick Pro Duo |
| Card slots | Single | Single |
| Retail price | $0 | $569 |