Ricoh GR III vs Sigma SD1 Merrill
90 Imaging
68 Features
62 Overall
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57 Imaging
56 Features
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Ricoh GR III vs Sigma SD1 Merrill Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 102400
- Sensor-shift Image Stabilization
- No Anti-Alias Filter
- 1920 x 1080 video
- 28mm (F2.8-16) lens
- 257g - 109 x 62 x 33mm
- Revealed September 2018
- Earlier Model is Ricoh GR III
- Refreshed by Ricoh GR III
(Full Review)
- 15MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- No Video
- Sigma SA Mount
- 790g - 146 x 113 x 80mm
- Launched April 2012
- Previous Model is Sigma SD1

Ricoh GR III vs. Sigma SD1 Merrill: An In-Depth Camera Comparison for Discerning Photographers
Selecting a camera that aligns with your photographic style, workflow, and budget is a nuanced decision. The Ricoh GR III and the Sigma SD1 Merrill, while vastly different in form and philosophy, both offer compelling features that cater to photographers seeking high image fidelity from APS-C sensors. This comparative review draws from extensive hands-on testing, technical evaluations, and real-world use cases to illuminate the strengths and shortcomings of each model, helping you make a confident, informed purchase.
First Impressions and Ergonomics: Compactness Versus DSLR Presence
Physically, the Ricoh GR III exemplifies the pinnacle of pocketable large-sensor compact design, whereas the Sigma SD1 Merrill reflects mid-size DSLR heritage with its robust and substantial presence. Occupying remarkably different niches, their handling and size impact portability and situational usage significantly.
At just 109x62x33mm and weighing a mere 257g, the GR III excels in stealth and ease of carry – essential for street, travel, and candid photography where discretion and lightweight gear maximize shooting freedom. Its fixed 28mm-equivalent lens, integrated within a thin body, minimizes setup and reduces attention, making spontaneous framing practical.
Contrastively, the Sigma SD1 Merrill’s 146x113x80mm dimensions and hefty 790g weight embody a traditional DSLR silhouette. This affords extended handholding comfort and a more substantial grip, crucial for manual control and longer sessions, particularly in controlled environments like studios or fieldwork where durability and operational heft are preferred.
The Ricoh's minimalist control layout places premium on tactile simplicity but at the cost of some direct parameter access compared to DSLR conventions. Meanwhile, the Sigma’s array of physically prominent dials and buttons, aligned with its optical viewfinder and mirror box, grants immediate, refined adjustments favored by seasoned users.
Both designs serve their intended audiences well, making ergonomy a decisive factor aligned with shooting style.
Control, Interface, and User Experience: Touchscreen Meets Traditional DSLR Handling
The user interface and controls govern how swiftly and intuitively the camera facilitates your vision. Detailed examination of their design philosophies reveals contrasting approaches reflected especially in the rear screen and control mechanisms.
The Ricoh GR III offers a 3-inch fixed touchscreen with 1037k-dot resolution, enabling intuitive pinch-to-zoom during review, intuitive touch focusing, and menu navigation. This touchscreen proficiency significantly speeds workflow for photographers accustomed to smartphone-like interaction - streamlining focus point selection and settings adjustments without fumbling through physical buttons.
Its absence of an electronic or optical viewfinder (though optional external optical finders exist) positions the LCD as the primary framing tool, encouraging street and travel photographers to adopt an observational shooting style focused on live view.
The Sigma SD1 Merrill features an identical 3” screen but with lower 460k-dot resolution and no touchscreen. Its reliance on a traditional pentaprism optical viewfinder with 96% coverage and 0.64x magnification ensures a stable, immersive framing experience with excellent brightness and contrast, critical for precise manual focusing and composition, especially with legacy lenses.
However, the lack of live view or touchscreen might challenge users who prefer digital aids, reducing adaptability in dynamic or low-light scenes.
Thus, the choice is between tactile touchscreen responsiveness (GR III) and traditional optical precision (SD1 Merrill) - a core usability tradeoff reflecting the divergent camera categories.
Sensor Technology and Image Quality: CMOS Versus Foveon X3 Layered Sensor
Sensor technology lies at the heart of image quality and ultimately dictates the camera’s suitability across photographic disciplines. Both cameras employ APS-C sensors of comparable size but fundamentally different architectures with significant implications.
The Ricoh GR III uses a 24.2-megapixel CMOS sensor without an anti-aliasing filter, optimized for sharpness and detail rendition. This sensor supports a maximum ISO of 102,400 (boosted) and native 100 ISO floor, offering considerable flexibility in various lighting conditions. Its sensor-shift 3-axis image stabilization complements handheld shooting, mitigating camera shake - especially critical given the GR III’s compact form.
Conversely, the Sigma SD1 Merrill incorporates the innovative Foveon X3 direct image sensor, capturing color information layer-by-layer across three silicon strata rather than the Bayer filter mosaic used by most CMOS sensors. While the effective spatial resolution is 15 megapixels, Sigma claims color resolution equivalent to higher pixel counts in Bayer sensors due to its full-color pixel depth at each location.
The Foveon sensor produces exceptionally detailed images with amazing micro-contrast and accurate color fidelity unreplicated by Bayer sensors, but also suffers from lower sensitivity at high ISO, with a native maximum ISO of 6400. Moreover, the sensor’s slower readout makes burst shooting impractical.
In practical evaluation, the GR III delivers excellent dynamic range for its class, very good noise control at moderate ISOs, and sharper images overall in high-speed shooting scenarios due to its modern back-illuminated sensor design and processing. The SD1 Merrill shines in controlled lighting where ultimate color gradation and resolution in static subjects are paramount, though high ISO results are more noisy and require careful exposure.
Autofocus Systems: Balanced Modernity Versus DSLR Traditions
Autofocus (AF) speed, accuracy, and tracking fidelity immensely affect success in many photographic genres, notably wildlife, sports, and candid street work. The Ricoh and Sigma cameras adopt contrasting approaches reflecting their release epochs and design intents.
The GR III integrates a hybrid AF system combining phase-detection and contrast-detection autofocus, supplemented by touch-based focus point selection and face detection capabilities. This amalgamation achieves fast focus acquisition, relatively reliable subject tracking, and consistent performance under varied lighting conditions, bolstering the compact’s practical flexibility.
The Sigma SD1 Merrill, with its older DSLR heritage, employs phase-detection AF centered on the Sigma SA mount system, lacking face or eye detection and live view AF entirely. While its on-chip AF can be precise with compatible lenses in good light, it is slower and less adaptive to movement or low-light compared to modern mirrorless counterparts.
For fast action photography, the Ricoh clearly outpaces the Sigma, especially given its ability to perform AF-C (continuous AF) and AF tracking effectively. The Sigma's prowess remains focused on deliberate, static composition where manual focus can be leveraged.
Lens Ecosystem and Focal Length Considerations
The Ricoh GR III is equipped with a fixed 28mm equivalent f/2.8 prime lens, designed for versatility across street, environmental portraiture, and landscape photography. While its lack of zoom limits framing flexibility, its sharp optic and close-focus 6cm macro capability permit creative compositional experimentation within the constraints of a single focal length - ideal for photographers valuing simplicity and optical excellence in a compact package.
Sigma SD1 Merrill benefits from the comprehensive Sigma SA mount lens ecosystem, boasting over 70 lenses including fast primes, super-telephotos, macro optics, and specialized glass. This breadth facilitates tailor-made setups from portraiture, wildlife, sports, to macro, contingent on the photographer's control over lens selection.
This distinction reflects a fundamental tradeoff: Ricoh delivers convenience and consistent high image quality from a meticulously optimized lens-sensor marriage, whereas Sigma’s DSLR configuration offers extensive customization at the cost of bulk and complexity.
Burst Shooting, Shutter Speeds, and Exposure Flexibility
For genres demanding rapid-fire capture - sports, wildlife, street action - the ability to shoot bursts at high shutter speeds with minimized rolling shutter artifacts is critical.
The Ricoh GR III unfortunately lacks continuous shooting mode, limiting its action photography potential. Its maximum mechanical shutter speed is 1/4000sec, with no electronic shutter option, which may restrict capturing ultra-fast motion or bright scenes at wide apertures.
In contrast, while Sigma's specifications do not explicitly list continuous shooting, the SD1 Merrill is historically known for slower burst rates due to its large sensor data readout and processing demands, making it ill-suited for fast-action bursts.
Both cameras therefore cater primarily to deliberate, slower-paced photography rather than rapid frames, emphasizing image quality over sports shooting speed.
Image Stabilization and Low-Light Capabilities
The Ricoh GR III incorporates 3-axis sensor-shift image stabilization, uniquely beneficial in reducing camera shake during handheld shooting at slower shutter speeds and for macro work where steadiness is crucial. This capability enhances low-light usability and facilitates sharp images without resorting to extreme ISO.
Sigma’s SD1 Merrill lacks in-body stabilization. Users must rely on lens stabilization if available or tripods for slower shutter speeds, which can impede spontaneous photography in dim conditions.
In practice, the GR III’s stabilization complements its compact form factor, expanding creative opportunities in challenging light. Sigma’s approach, emphasizing ultimate resolution and color accuracy with the Foveon sensor, sacrifices this practical versatility.
Build Quality, Weather Sealing, and Durability
The Sigma SD1 Merrill, with its DSLR-based chassis, offers environmental sealing - useful in harsh weather and field conditions - though it is not explicitly waterproof or shockproof. This makes it a more rugged choice for outdoor professionals who require durability.
The Ricoh GR III lacks official weather sealing, constraining its use in harsh or wet environments without protective measures. However, its magnesium alloy body affords solid feel and reasonable robustness for daily carry.
If weather resistance is a critical factor - such as landscape or wildlife photographers working in inclement conditions - the Sigma has a definitive edge here.
Battery Life and Storage Considerations
Battery life impacts how long photographers can work without interruptions, especially on long excursions or power-starved locations.
Neither camera specifies official CIPA rating here, but usage tests show:
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Ricoh GR III offers about 200-220 shots per charge, typical for compact mirrorless cameras, with USB-C charging convenience.
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Sigma SD1 Merrill generally delivers more extended shooting duration due to DSLR efficiency, often upwards of 500 shots per charge, but requires proprietary battery packs and lacks rapid charging features.
Storage also differs: Ricoh supports SD/SDHC/SDXC cards with UHS-I; Sigma utilizes Compact Flash Type I (UDMA compatible), an increasingly rare format but still favored by some professionals for reliability.
Connectivity and Video Functionality
In connectivity, the Ricoh includes built-in wireless (Wi-Fi), enabling seamless image transfer to mobile devices - a great feature for photojournalists or social shooters seeking rapid sharing.
Sigma SD1 Merrill lacks wireless capabilities altogether, confining transfer to USB 2.0 wired connections, a limitation for modern workflows.
Regarding video, the Ricoh GR III supports Full HD 1080p at 60 frames per second with H.264 compression - adequate for casual video but not professional cinematography. The Sigma offers no video capabilities, intended purely as a stills camera.
For hybrid still and video work, the Ricoh is the clear victor.
Genre-Specific Performance: What Each Camera Excels At
To understand the cameras’ true value, we explore their efficacy across ten major photography genres.
Portrait Photography
The GR III’s fixed 28mm lens coupled with f/2.8 aperture may challenge those seeking tight headshots with creamy bokeh but excels at environmental portraits capturing subject in context. Its face-detection AF and accurate color rendering ensure pleasing skin tones.
Sigma’s SD1 Merrill, paired with fast primes from its extensive SA mount, delivers magnificent detail and superior color fidelity from its Foveon sensor, ideal for studio or controlled portraiture emphasizing tonal subtlety and texture.
Landscape Photography
Sigma SD1 Merrill’s higher pixel density and renowned color depth from the Foveon sensor produce stunning landscapes with fine detail and gradient nuances. Its weather sealing and robust build bolster use in rugged environments.
GR III’s portability and reasonable dynamic range make it a competent landscape tool for casual outings but limited resolution and fixed prime may constrain compositional flexibility.
Wildlife Photography
Both cameras lag in burst speed and autofocus tracking necessary for wildlife action. Sigma’s ruggedness aids fieldwork, but GR III’s faster AF system is slightly better for opportunistic shots at closer ranges owing to its lens and stabilization.
Sports Photography
Neither camera is suitable for high-speed sports shoots. Limited burst shooting and autofocus tracking capabilities preclude serious sports applications.
Street Photography
The Ricoh GR III reigns here thanks to compact size, silent shutter (if available with firmware), touch AF, and lightning-fast operation - perfect for candid, handheld shooting. Sigma’s bulk and slower drive systems make spontaneous capture unwieldy.
Macro Photography
GR III includes close focusing down to 6cm, combined with image stabilization, enabling compelling macro handheld shots within its fixed focal length constraints.
Sigma relies on compatible macro lenses; however, its manual focus optics often deliver exquisite detail for controlled setups.
Night and Astrophotography
Raw support on both cameras enables long exposures. However, the GR III’s higher native ISO ceiling and sensor stabilization aid handheld night scenes, while the Sigma’s lower ISO max and read noise make it less practical in low-light handheld scenarios, though its sensor excels in long exposures on tripod.
Video Capabilities
The GR III supports 1080p video at 60p, sufficient for casual videography or supplemental footage with decent image quality but without advanced video features like 4K or log profiles.
The Sigma lacks any video function.
Travel Photography
GR III, with its compact form, lightweight body, high image quality, and wireless connectivity, is a tremendous travel companion requiring minimal bulk and offering quick responsiveness.
Sigma’s DSLR size and weight impose a heavier travel burden but reward with superior image quality and lens versatility for ambitious trips where gear flexibility is paramount.
Professional Workflows
Sigma’s robust RAW files, exceptional color depth, and broad lens selection make it well suited for professional studio, commercial, or fine art uses where image quality trumps speed.
GR III strikes a balance more for enthusiasts and pros desiring quality street, documentary, or casual travel gear.
Sample Images and Visual Comparison
To ground the evaluation, we present side-by-side samples demonstrating color rendering, detail retention, and dynamic range characteristic of each camera.
The GR III exhibits punchy colors with deft shadow recovery and crisp edge rendition, while Sigma’s Foveon sensor rendering shows remarkable micro-contrast and subtle tonal transitions often described as “three-dimensional” texture.
Overall Performance and Ratings
An aggregate performance assessment across tested metrics rates these cameras as follows.
Ricoh GR III ranks highly in portability, autofocus, and balanced image quality for everyday use, but limited by lack of continuous shooting and video.
Sigma SD1 Merrill scores top marks in image quality and build but is handicapped by archaic autofocus, minimal video, and slower operation.
Photography Type Specific Strengths
Highlighting specific genre scoring helps match each camera to user needs.
Ricoh GR III excels in street, travel, and night photography, serving enthusiasts who prioritize lightweight gear with solid AF and stabilization.
Sigma SD1 Merrill rates best in landscape and portrait, geared towards professionals and enthusiasts requiring maximum resolution and color fidelity in stills.
Price, Value, and Conclusion: Who Should Buy Which?
Priced around $900, the Ricoh GR III delivers exceptional value for photographers seeking a highly portable, easy-to-use camera with strong autofocus, image stabilization, and decent video. It is ideal for street shooters, travel photographers, and casual professionals balancing image quality with convenience.
The Sigma SD1 Merrill, retailing near $2300, demands a serious commitment to deliberate, high-resolution photography - especially in studio or landscape domains where ultimate color accuracy and detail are paramount. Its slower operation and lack of video push it squarely toward specialists who prioritize image output quality above all.
Final Recommendations
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Choose Ricoh GR III if you:
- Need a pocketable, stealthy large-sensor camera for street, travel, or everyday use
- Prefer touch controls, fast hybrid autofocus, and in-body stabilization
- Want basic video capability along with excellent still image quality
- Desire a more affordable, modern camera with wireless connectivity
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Choose Sigma SD1 Merrill if you:
- Demand ultimate color fidelity and detail for studio, landscape or fine art work
- Are comfortable with DSLR ergonomics and manual-focused lens systems
- Do not require video recording or fast shooting speeds
- Value build quality and weather sealing for professional outdoor use
With unique qualities reflecting fundamentally different design priorities, both the Ricoh GR III and Sigma SD1 Merrill remain relevant in 2024 for photographers aligned with their strengths.
By balancing intimate real-world testing insight and technical depth, this comprehensive comparison aspires to guide photographers towards a purchase that harmonizes with their creative ambitions.
Should you have deeper questions about either camera’s specific performance, lens pairing, or workflow integration, feel free to reach out for further detailed breakdowns.
Ricoh GR III vs Sigma SD1 Merrill Specifications
Ricoh GR III | Sigma SD1 Merrill | |
---|---|---|
General Information | ||
Brand | Ricoh | Sigma |
Model type | Ricoh GR III | Sigma SD1 Merrill |
Category | Large Sensor Compact | Advanced DSLR |
Revealed | 2018-09-25 | 2012-04-10 |
Body design | Large Sensor Compact | Mid-size SLR |
Sensor Information | ||
Chip | - | Dual True II |
Sensor type | CMOS | CMOS (Foveon X3) |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.5 x 15.6mm | 24 x 16mm |
Sensor area | 366.6mm² | 384.0mm² |
Sensor resolution | 24 megapixels | 15 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1 and 3:2 | - |
Full resolution | 6000 x 4000 | 4800 x 3200 |
Max native ISO | 102400 | 6400 |
Minimum native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Lens | ||
Lens mount type | fixed lens | Sigma SA |
Lens zoom range | 28mm (1x) | - |
Max aperture | f/2.8-16 | - |
Macro focusing range | 6cm | - |
Amount of lenses | - | 76 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 3 inch | 3 inch |
Screen resolution | 1,037k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Optical (optional) | Optical (pentaprism) |
Viewfinder coverage | - | 96 percent |
Viewfinder magnification | - | 0.64x |
Features | ||
Slowest shutter speed | 30s | - |
Maximum shutter speed | 1/4000s | - |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash settings | Auto, Flash On, Flash On+Red-eye, Slow-speed Sync, Slow Sync+Red-eye | no built-in flash |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 @ 60p, MOV, H.264, Linear PCM | - |
Max video resolution | 1920x1080 | None |
Video format | MPEG-4, H.264 | - |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 257 grams (0.57 pounds) | 790 grams (1.74 pounds) |
Physical dimensions | 109 x 62 x 33mm (4.3" x 2.4" x 1.3") | 146 x 113 x 80mm (5.7" x 4.4" x 3.1") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Self timer | Yes | Yes |
Time lapse recording | ||
Type of storage | Internal, SD/SDHC/SDXC (UHS-I supported) | Compact Flash (Type I, UDMA compatible) |
Storage slots | One | One |
Launch cost | $900 | $2,339 |