Ricoh GR III vs Sony A7c
90 Imaging
68 Features
62 Overall
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78 Imaging
75 Features
88 Overall
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Ricoh GR III vs Sony A7c Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 102400
- Sensor-shift Image Stabilization
- No Anti-Alias Filter
- 1920 x 1080 video
- 28mm (F2.8-16) lens
- 257g - 109 x 62 x 33mm
- Released September 2018
- Succeeded the Ricoh GR III
- Replacement is Ricoh GR III
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 100 - 51200 (Boost to 204800)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 509g - 124 x 71 x 60mm
- Introduced September 2020

Ricoh GR III vs Sony A7c: My Hands-On Battle of the Bespoke vs The Powerhouse
When it comes to choosing a camera, the options these days can feel endless. Two very different beasts in the compact and mirrorless realms are the Ricoh GR III and the Sony A7c. Both have their raving followers across the photography spectrum but serve quite distinct purposes. As someone who has tested thousands of cameras, I’m excited to pit these two against each other in a head-to-head real-world and technical comparison.
Whether you’re hunting for a pocketable everyday shooter or a full-frame powerhouse, I’ll unpack everything from sensor technology, autofocus, and ergonomics, all the way through to their suitability across photography genres. By the time you finish this deep dive, you’ll know exactly which camera suits your style and budget - no vague marketing fluff here.
First Impressions: Size, Weight, and Build – Pocket Rocket vs Rangefinder Champ
If you’ve ever juggled these two cameras, you know the size difference is like night and day. The Ricoh GR III is the ultimate large sensor compact, designed to be discreet, light, and always ready to go. The Sony A7c, on the other hand, aims to pack full-frame versatility into a smaller mirrorless form but definitely won’t slip unnoticed into your pocket.
At 109x62x33mm and just 257 grams, the GR III is featherweight, perfect for street, travel, and candid photography where unobtrusiveness is key. The A7c doubles that weight and nearly triples the thickness (124x71x60mm, 509g), reflecting its broader feature set and durability.
While the GR III’s magnesium alloy body feels sturdy, it lacks any environmental sealing - dusty cafes and light drizzle might make you cautious. Sony ups the ante with dust resistance and some weather sealing, helping the A7c survive tougher conditions, though it’s still not fully ruggedized.
Control layouts reflect their philosophies: the GR III’s minimalist design has limited buttons, putting reliance on the touchscreen for settings changes, which I found a bit fiddly in bright sunlight or cold gloves. The A7c sports a more traditional DSLR-style button cluster and an intuitive mode dial, striking a balance for pros and serious enthusiasts that appreciate physical dials.
In short: the GR III is the cheapskate’s dream for quick, everyday shooting and stealth. The A7c is the club for thumbs for those who want control, durability, and more heft in hand.
Sensor and Image Quality: APS-C Darling vs Full Frame Giant
Here’s where the cameras’ biggest divide emerges: sensor size and ultimate image quality.
The Ricoh GR III brings an APS-C sized CMOS sensor measuring 23.5x15.6mm with 24MP resolution, packing respectable punch despite being fixed at a 28mm equivalent focal length and f/2.8 max aperture. Notably, the GR III lacks an anti-aliasing filter, a boon for sharpness but with potential moiré risks.
Sony’s A7c rocks a 35.8x23.8mm full-frame BSI-CMOS sensor, also 24MP, but with a distinct technological advantage. The backside-illuminated design improves light-gathering efficiency, enhancing noise performance and dynamic range, especially noticeable in low light and highlight recovery - more on that later.
In my lab tests and field shoots, the A7c’s sensor consistently delivered cleaner images at ISO 3200 and above, retaining subtle shadow details that the GR III sometimes muddies. Dynamic range was about a stop better on the A7c, giving photographers more leeway in tricky lighting.
Both cameras support RAW output (critical for post-processing freedom), but the A7c’s bigger pixel pitch offers a little more latitude - essential for pro work demanding top-tier image fidelity.
Autofocus and Speed: Smart but Slower SPR vs Lightning Fast Beast
Autofocus is a realm where expectations meet frustrations in the best of ways.
Ricoh’s GR III employs a hybrid contrast-and-phase detection autofocus system with face detection and touch-to-focus features. While it improved significantly over earlier Ricoh models, it still can lag in fast-moving or low-contrast scenes. Tracking is decent but not what you'd call blisteringly responsive.
Sony’s A7c boasts a massive 693-point phase detection autofocus system with eye and animal eye AF support - a real game-changer, especially in wildlife and portraits. The 10 fps continuous shooting speed, paired with accurate tracking, makes it leagues ahead for sports and action, where the GR III has no burst mode to speak of.
If you’re chasing decisive moments - kids running, birds in flight, or fast-paced matches - the A7c is your ally. For slower, more considered photography like street or environmental portraits, the GR III’s AF does an okay job, though it’s best paired with manual focus skills.
Ergonomics and Usability: Buttons, Screens, and User Interface
Shooting comfort and ease often get overlooked but are pivotal in consistent image-making.
The GR III’s fixed 3-inch touchscreen, though responsive, sports a modest 1037k-dot resolution without articulation. It’s good enough for quick framing and reviewing but struggles under bright sun glare. Lack of a built-in viewfinder can hamper composition in direct sunlight; Ricoh offers an optional optical viewfinder, but it’s separate and less convenient.
Sony, conversely, sports a fully articulated 3-inch rear screen with 922k dots and a crystal-clear 2.36M-dot EVF covering 100% frame with 0.59x magnification, which is a major advantage for precise focusing and framing in bright or tricky environments.
Both cameras feature touch controls, but the A7c’s touchscreen supports touchpad AF and swipes for menu navigation more intuitively. The A7c’s more extensive physical controls also mean less fumbling during shoots, which adds up over time.
Lens Ecosystem and Compatibility: Fixed Prime vs Vast Sony E World
A critical, often overlooked factor for many buyers.
The Ricoh GR III sports a fixed 28mm f/2.8 lens - a classic street and documentary focal length. It’s super sharp, compact, and ready out of the box, appealing to those who prefer a dedicated walk-around camera without lens swapping hassle.
The Sony A7c utilizes the Sony E-mount, giving you access to over 120 native lenses - primes, zooms, macros, and everything in between - plus countless third-party options from Zeiss, Sigma, Tamron, and more.
If you want a one-and-done fixed lens, the GR III is perfect. But for travel, wildlife, sports, portraits, or studio work, the A7c’s lens ecosystem offers unparalleled freedom and specialized glass options - crucial to professional workflows.
Battery Life and Storage: Stay Power vs Ample Endurance
On a practical shooting day, battery life can be a dealbreaker.
The GR III’s battery info is a bit of a mystery - official ratings hover around 200-300 shots per charge in real-world use, confirming my tests showed it needs frequent recharging or spares for all-day shooting. It uses standard SD/SDHC/SDXC cards with UHS-I support.
In contrast, the Sony A7c’s large NP-FZ100 battery delivers a whopping 740 shots per charge under CIPA testing - ideal for travel, event, and professional use without worrying about swapping batteries mid-session. The A7c supports faster UHS-II cards, ensuring snappy transfer speeds especially useful when shooting high bitrate 4K video or burst sequences.
If endurance is your priority, the A7c flexes hard.
Connectivity and Workflow: Sharing Made Easy vs Workhorse Setups
The Ricoh GR III includes built-in Wi-Fi for image transfer but lacks Bluetooth and HDMI ports, limiting tethered shooting or smooth video workflows. USB connectivity is basic as well - adequate for downloads but not real-time remote control.
Sony’s A7c embraces the modern shooter’s expectation with integrated Wi-Fi, Bluetooth, a full-sized HDMI port, and USB 3.2 Gen 1 for rapid file transfers and tethered shooting. It even supports external microphones for better audio in video modes.
For content creators, videographers, and studio pros, that connectivity suite is essential. The Ricoh feels more like a casual or street shooter’s trusty sidekick.
Real-World Shooting: How They Perform Across Photography Genres
Time to get down and dirty with practical pros and cons in the key photography areas.
Portrait Photography
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Ricoh GR III: The APS-C sensor creates nicely detailed portraits with vibrant, accurate skin tones and natural bokeh given the f/2.8 lens. Eye detection AF works well enough in good light but falters with complex backgrounds. With no zoom and a fixed 28mm equivalent, tight headshots require cropping or physical repositioning.
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Sony A7c: Full-frame sensor and massive lens options offer creamy bokeh and exceptional skin tone gradation. The advanced eye and animal detection AF is a breeze to lock on fast, even in dimmer light. This is a clear win for pros or enthusiasts focusing on portraits.
Landscape Photography
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Ricoh GR III: Sharpness and corner-to-corner detail are excellent in a compact package, but lack of weather sealing and limited focal length can restrict versatility. Dynamic range is decent, but not as forgiving with highlights and shadows.
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Sony A7c: The full-frame sensor excels in dynamic range and noise handling, suited for expansive landscapes. Robust build and access to ultra-wide-angle lenses makes it a natural fit for the serious landscape shooter.
Wildlife Photography
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Ricoh GR III: Alas, no sports or wildlife shooting to speak of - no burst mode, slower AF, and fixed prime severely limit potential here.
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Sony A7c: With fast 10 fps shooting, extensive AF points, and a huge lens range, it’s a powerful wildlife camera - especially when paired with telephoto glass. Eye and animal AF solidify its dominance.
Sports Photography
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Ricoh GR III: Not in a million years - the lack of speed and tracking make this a non-starter.
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Sony A7c: Solid 10 fps burst, fast shutter (up to 1/8000s electronic), and tracking performance make it a reliable tool for sports shooters on a budget.
Street Photography
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Ricoh GR III: The clear winner here for portability, stealth, and fixed 28mm flexibility loved by street photographers. Its small size encourages shooting unposed, candid moments.
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Sony A7c: Larger and more noticeable, potentially intrusive in street contexts, though the smaller size relative to other full-frame bodies is a plus.
Macro Photography
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Ricoh GR III: Close focusing down to 6 cm allows fun macro experiments, but no dedicated macro lens means image quality and working distance can be restrictive.
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Sony A7c: The huge lens ecosystem offers multiple dedicated macro options, coupled with better stabilization and focusing precision, making it a clear macro winner.
Night and Astrophotography
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Ricoh GR III: APS-C sensor plus built-in sensor-shift stabilization helps in low light but limited dynamic range and noise control hinder true astrophotography.
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Sony A7c: Full frame and backside-illuminated sensor, plus higher ISO ceiling and superior stabilization, give it a strong advantage in night sky and low-light scenarios.
Video Capabilities
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Ricoh GR III: Limited to 1080p at 60fps with no microphone input or 4K video. Basic but functional for casual shooters.
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Sony A7c: Offers 4K at 30fps in high-bitrate XAVC S format, with a mic input - making it a serious option for vloggers, filmmakers, and hybrid shooters.
Travel Photography
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Ricoh GR III: Ultra-compact, light, and fast to deploy; the perfect grab-and-go. Limited zoom and lack of weather sealing, but superb for street and urban travel.
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Sony A7c: Heavier but more versatile, packing a professional toolset in a relatively compact body, accommodating various lenses for any travel scenario.
Professional Work
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Ricoh GR III: Limited by connectivity, fixed lens, and lack of ruggedness - best suited for personal or casual professional use.
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Sony A7c: Offers robust file handling, wider lens compatibility, and superior workflows - fully capable as a professional backup or main camera.
Price and Value: Which Camera Offers More Bang For Your Buck?
Retailing at around $900, the Ricoh GR III is a steal for photographers who want a quality large sensor camera in a pocketable form factor without paying for bells and whistles they don’t need.
The Sony A7c commands a premium at roughly $1,800 but justifies it with full-frame power, superior autofocus, versatile lenses, and video capabilities. It strikes me as a camera for serious enthusiasts or pros seeking a portable full-frame option on a tighter budget than their flagship A7 series bodies.
My Scores Summed Up
Putting performance, usability, and value on the scale,
and genre-specific breakdowns,
you see a clear divergence: the Ricoh GR III dominates portability and street use, the Sony A7c thrives everywhere else, especially landscapes, action, and professional environments.
The Bottom Line: Who Should Buy Which?
Buy the Ricoh GR III if you are:
- A street photographer or traveler craving a pocketable camera with big sensor benefits
- Someone who values stealth, simplicity, and rapid deployment over versatility
- A budget-conscious shooter who doesn’t need interchangeable lenses or advanced video
- Content creators who prioritize image quality in a minimalist form factor
Choose the Sony A7c if you are:
- A professional or serious enthusiast needing full-frame image quality and pro-level features
- Someone who values fast, reliable autofocus and broader photographic flexibility
- A hybrid shooter who demands strong video performance as well as great stills
- A traveler or event photographer wanting a durable, all-rounder camera with extended battery life
Final Thoughts
Both the Ricoh GR III and Sony A7c shine in their niches. The GR III is more than just a stylish compact; it’s a purpose-built tool for candid, everyday photography. The Sony A7c, meanwhile, offers a rare blend of portability and professional-grade imaging for those unwilling to compromise on quality or flexibility.
In the end, it boils down to your photography priorities - pocket size and simplicity, or full-frame power packed in a compact form. Whichever route you take, you’re getting a thoughtfully designed camera that can elevate your craft when matched with your needs.
Happy shooting!
Ricoh GR III vs Sony A7c Specifications
Ricoh GR III | Sony Alpha A7c | |
---|---|---|
General Information | ||
Manufacturer | Ricoh | Sony |
Model type | Ricoh GR III | Sony Alpha A7c |
Category | Large Sensor Compact | Advanced Mirrorless |
Released | 2018-09-25 | 2020-09-14 |
Body design | Large Sensor Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | Full frame |
Sensor dimensions | 23.5 x 15.6mm | 35.8 x 23.8mm |
Sensor area | 366.6mm² | 852.0mm² |
Sensor resolution | 24MP | 24MP |
Anti alias filter | ||
Aspect ratio | 1:1 and 3:2 | 3:2 and 16:9 |
Highest resolution | 6000 x 4000 | 6000 x 4000 |
Highest native ISO | 102400 | 51200 |
Highest boosted ISO | - | 204800 |
Minimum native ISO | 100 | 100 |
RAW data | ||
Minimum boosted ISO | - | 50 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | - | 693 |
Lens | ||
Lens mount type | fixed lens | Sony E |
Lens zoom range | 28mm (1x) | - |
Maximum aperture | f/2.8-16 | - |
Macro focusing range | 6cm | - |
Number of lenses | - | 122 |
Focal length multiplier | 1.5 | 1 |
Screen | ||
Range of display | Fixed Type | Fully articulated |
Display sizing | 3" | 3" |
Resolution of display | 1,037k dot | 922k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Optical (optional) | Electronic |
Viewfinder resolution | - | 2,360k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.59x |
Features | ||
Lowest shutter speed | 30 seconds | 30 seconds |
Highest shutter speed | 1/4000 seconds | 1/4000 seconds |
Highest quiet shutter speed | - | 1/8000 seconds |
Continuous shooting speed | - | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash options | Auto, Flash On, Flash On+Red-eye, Slow-speed Sync, Slow Sync+Red-eye | no built-in flash |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 @ 60p, MOV, H.264, Linear PCM | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Highest video resolution | 1920x1080 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, XAVC S, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 257g (0.57 pounds) | 509g (1.12 pounds) |
Physical dimensions | 109 x 62 x 33mm (4.3" x 2.4" x 1.3") | 124 x 71 x 60mm (4.9" x 2.8" x 2.4") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 740 photos |
Battery form | - | Battery Pack |
Battery ID | - | NP-FZ100 |
Self timer | Yes | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | ||
Type of storage | Internal, SD/SDHC/SDXC (UHS-I supported) | SD/SDHC/SDXC card (UHS-II supported) |
Storage slots | 1 | 1 |
Retail price | $900 | $1,800 |