Ricoh GXR A12 50mm F2.5 Macro vs Samsung TL100
77 Imaging
51 Features
31 Overall
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91 Imaging
34 Features
20 Overall
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Ricoh GXR A12 50mm F2.5 Macro vs Samsung TL100 Key Specs
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Screen
- ISO 200 - 3200
- 1280 x 720 video
- 50mm (F2.5) lens
- 453g - 114 x 70 x 77mm
- Released November 2009
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- Digital Image Stabilization
- 640 x 480 video
- 35-105mm (F3.0-5.6) lens
- 219g - 105 x 61 x 37mm
- Introduced January 2009
- Alternate Name is ST50

Ricoh GXR A12 50mm F2.5 Macro vs Samsung TL100: A Deep Dive Into Two Very Different Cameras
When camera shopping, the flood of options can often leave even seasoned photographers scratching their heads - especially when the cameras under consideration hail from vastly different categories. Today, we’re tackling such a head-scratcher: the Ricoh GXR A12 50mm F2.5 Macro, an advanced mirrorless offering with a unique modular design, and the Samsung TL100, a compact point-and-shoot targeting casual shooters.
At first glance, these two cameras seem like an apples-to-oranges comparison. One is a niche enthusiast’s tool designed around a modular system, the other a sub-$25 compact aimed at everyday snapshooters. But through the lens of practical experience, hands-on testing, and technical scrutiny, we’ll uncover who each camera is really for, what they do best, and where compromises are hard to swallow.
Grab your favorite brew, and let’s journey from sensor specs through real-world shooting scenarios to value assessments. By the end, you’ll have a holistic picture, enabling a well-informed choice whether you’re collecting gear, expanding your creative horizons, or just craving a reliable camera for daily use.
Size, Shape, and Handling: How These Cameras Feel in Your Hands
Before diving into resolution or autofocus, let’s talk about something you experience constantly: the physical form. Size, weight, button layout, and ergonomics shape whether you’re eager or reluctant to pick a camera up. I brought both out for tactile inspection and street shooting - any comfort compromises here would quickly sour enthusiasm.
The Ricoh GXR A12 50mm Macro sports a distinctly rangefinder-style mirrorless body, noticeably chunkier but still compact for what it packs. Measuring approximately 114x70x77mm and weighing 453g (battery included), it feels substantial, providing a confident grip - rare for cameras this small. The lens-unit is fixed in this module, granting representing a classic 50mm (with a 1.5x crop factor, effectively ~75mm field of view), ideal for macro and portrait work. The metal construction gives it reassuring sturdiness but sacrifices little portability.
Compare that with the Samsung TL100, a true pocket-sized compact at 105x61x37mm and only 219g. The slim profile is tempting for travelers and street photographers craving invisibility and lightness, but it lacks a substantial grip area, which can make prolonged shooting somewhat tiring, especially for those with larger hands. Its fixed zoom lens covers 35-105mm equivalent - a versatile everyday range but not exceptional for specialty use like macro or fast portrait bokeh.
Ergonomically, Ricoh wins hands-down with well-placed dials (though not illuminated, alas) and tactile feedback on buttons. Samsung’s TL100 simplifies controls, with most adjustments accessible only through menus - a downside for those who prefer quick manual tweaks or single-handed operation.
Sensor Technology and Image Quality: Punching Above or Just Getting By?
At photography’s heart lies the sensor - and here the gulf widens dramatically. Sensor size, technology, resolution, and processing shape your final image quality, impacting everything from dynamic range to low-light usability.
The Ricoh GXR A12 50mm features an APS-C sized CMOS sensor measuring 23.6x15.7mm, providing a generous 370.52mm² surface area - the standard for enthusiast-level DSLRs and mirrorless. Its total resolution clocks in at 12 megapixels, enough to produce beautiful prints and allow for cropping without excessive quality loss. The sensor includes an anti-alias filter, balancing sharpness and moiré suppression, while its native ISO range is 200–3200. Imaging is powered by Ricoh’s solid GR Engine III, historically known for excellent color rendering and nuanced tonal gradations.
In contrast, the Samsung TL100 is built around a much smaller 1/2.3" CCD sensor (6.08x4.56mm), totaling just 27.72mm² - less than one-tenth Ricoh’s area - with 12MP resolution as well. This combination typically yields less dynamic range and poorer high-ISO noise performance. Moreover, CCDs excel in color fidelity but tend to lag CMOS in noise control and speed. The TL100’s ISO range is appreciably wider (80-3200) on paper but practically limited by noise creeping in past ISO 400.
In field tests, the Ricoh consistently delivered cleaner images, especially in shadows and highlights, thanks to its sensor size and better signal-to-noise ratio. Landscapes taken in bright sunlight revealed richer tonal depth, while portraits featured subtler skin tones and smoother gradients - even at wider apertures.
The Samsung, while competent under strong daylight, struggled in dimmer environments. Low-light shooting introduced visible noise and blotchy textures, and highlights clipped easier, limiting creative latitude in post-processing.
So, if image quality is your passion or profession, Ricoh clearly has the edge. However, if convenience and everyday snapshots are your focus, Samsung’s compact sensor can suffice - just with caveats.
Viewing and Interface: Do You See What You Shoot?
Judging composition and reviewing images intimately depend on the camera’s display and viewfinder. Both cameras offer fixed LCD screens but differ in size, resolution, and usability.
The Ricoh GXR sports a 3-inch fixed LCD screen with a robust 920k-dot resolution - clear and bright, even under strong light. Its crisp preview aids focusing and framing - critical for macro and portrait work where accuracy is paramount. Unfortunately, it doesn't have touchscreen capabilities, limiting some interaction speed, but the button layout compensates somewhat.
The Samsung TL100 features a smaller 2.7-inch display with only 230k-dot resolution - meaning images appear blurrier and less detailed on-screen, making precise focus confirmation trickier. Still, the TL100 supports live view for composing shots, which helps in avoiding guesswork typical of viewfinder-free compacts.
Notably, neither camera includes an electronic viewfinder. This is a drawback for Ricoh to some extent, as manual-focus-centric shooters often prefer the steadiness a viewfinder provides. The Samsung, targeting compact convenience, omits it entirely, trading off precision for pocketability.
Autofocus Systems: Speed and Accuracy in the Heat of the Moment
Focusing speed and reliability often make or break a shooting experience - especially in dynamic genres like wildlife, sports, or street photography. Here, the Ricoh and Samsung differ markedly.
The Ricoh GXR A12 50mm relies purely on contrast-detection autofocus (CDAF) with manual focus as a fallback. It offers single, continuous AF, and multi-area AF but lacks face or eye detection - no surprises from a 2009-era device with no phase-detection autofocus. On the bright side, focus peaking isn’t present, so precision manual focus demands close attention via the LCD. Continuous AF was usable but slow, especially challenging for moving subjects.
Meanwhile, the Samsung TL100 also uses contrast-detection AF but adds face detection - a helpful feature for quick portraits and casual shooting. However, it doesn’t offer manual focus or continuous AF modes, limiting control and responsiveness. The fixed lens and smaller sensor somewhat ease AF demands but can still frustrate users chasing fast-moving or low-contrast subjects.
In practical shooting tests, Ricoh’s AF was sluggish but predictable for static subjects, making it decent for macro and portraits with planned compositions. Samsung’s AF was faster for casual snapshots but less reliable in tricky light or low contrast. Neither camera is ideal for fast-action work.
Lens and Focal Range: Fixed Primes vs Zoom Flexibility
This Ricoh module integrates a fixed 50mm f/2.5 macro lens, while the Samsung TL100 features a compact zoom covering 35-105mm equivalent - two fundamentally different approaches to optics.
The Ricoh’s prime macro lens delivers excellent sharpness, minimal distortion, and creamy bokeh at wide aperture, ideal for close-ups and portraits with subject separation. With a closest focusing distance of 1cm, it excels at detail-rich macro shots rarely matched by compacts. The downside: no zoom means composing requires stepping back or forward - a deliberate and sometimes limiting shooting style.
Conversely, the Samsung TL100’s 3x zoom lens covers from moderate wide-angle to short telephoto, making it versatile for general travel and candid photography. Maximum apertures range from f/3.0 (wide) to f/5.6 (telephoto), limiting low-light performance and bokeh potential compared to Ricoh’s fast prime. Macro capability tops out at 10cm, usable but without Ricoh’s intimacy or sharpness.
A prime lens like Ricoh’s invites a creative discipline focusing on precision and deliberate composition, while Samsung’s zoom caters to casual point-and-shoot spontaneity.
Performance in Key Photography Disciplines: Strengths and Weaknesses
Let’s break down how each camera fares across major photographic applications, based on my extensive testing experience with both and similar gear.
Portraits: Skin Tones, Bokeh, and Eye Detection
Ricoh’s larger APS-C sensor combined with a fast f/2.5 fixed prime makes it superior for portraits. Skin tones render naturally with subtle gradations, and the 75mm equivalent focal length is flattering for facial framing. However, autofocusing is slow and lacks face or eye-detection, demanding patience and manual skill.
Samsung’s face detection autofocus offers beginners a leg up, but small sensor size caps bokeh quality, resulting in flatter backgrounds and less subject isolation. Skin tones are passable but less nuanced due to sensor limitations.
Landscape: Dynamic Range, Resolution, and Weather Resistance
Ricoh’s APS-C sensor yields superior dynamic range, letting you retain detail in bright skies and shadows. Resolution is adequate at 12MP to print large or crop creatively. No weather sealing is a downside, meaning care is needed in the field.
Samsung’s tiny sensor struggles with dynamic range, resulting in clipped highlights or crushed shadows in high-contrast scenes. Its smaller resolution slightly limits large prints but is sufficient for social-media sharing.
Wildlife and Sports: Autofocus Speed, Telephoto Reach, and Burst Rates
Both cameras fall short here. Ricoh’s slow contrast AF and limited 3 fps burst rate don’t handle fast action well. Samsung’s fixed zoom maxes at 105mm, too short for distant wildlife, and lacks continuous AF and burst modes entirely.
Street Photography: Discreetness, Low Light Sensitivity, and Portability
Samsung’s pillowy compact size and silent operation make it an inconspicuous street shooter. The slim body invites candid compositions, though low light performance and slow lens apertures limit early dawn or dusk usability.
Ricoh, while more conspicuous and heavier, offers better low-light image quality, making it an option for thoughtful street portraits or ambient light scenes. But its quieter, faster autofocus might have made it a better choice here.
Macro: Magnification Ability, Focus Precision, and Stabilization
Ricoh shines here - its dedicated macro lens and minimum focusing distance of 1cm provide excellent magnification. However, lack of image stabilization and manual focus only can challenge handheld shooting. A tripod improves results significantly.
Samsung’s macro capability is more basic, restricted by lens and sensor size, offering decent snapshots but no fine detail.
Night and Astrophotography: High ISO and Exposure Modes
Ricoh’s slightly better high ISO (max 3200 native) paired with manual exposure modes allows more control for night shots. Exposure compensation and manual shutter speed help capture stars, though no long-exposure bulb mode limits astrophotography potential.
Samsung’s small sensor and digital stabilization (not actual sensor-shift IS) degrade low-light images quickly. Limited shutter speeds and no manual exposure modes make it unsuitable for serious night work.
Video Capabilities: Recording Specs and Stabilization
Both cameras support basic HD video but are not designed for videography. Ricoh tops at 1280x720 @ 24 fps with Motion JPEG; Samsung maxes out at 640x480. Neither has microphone input or advanced stabilization - meaning shaky, noisy footage.
Travel Photography: Versatility, Battery Life, and Size/Weight
Samsung excels in portability and ease. No question, its pocket size and lightweight design make it a trusty travel companion when packing light is vital. Ricoh’s 453g weight and larger body present a tradeoff: better image quality and creative control at the expense of extra bulk.
Ricoh’s battery delivers about 320 shots per charge, reasonable but overshadowed by smaller cameras with longer battery lives. Samsung’s battery life isn’t well documented, but compact chips often run efficiently.
Professional Work: Reliability, File Formats, and Workflow Integration
Ricoh supports raw capture, a huge boon for professionals wanting post-processing flexibility. Its metal build and robust manual controls hint at durability and workflow readiness, but lack of weather sealing is a concern for harsh environments.
Samsung lacks raw support and manual exposure modes - fine for snapshots but limited for serious applications.
Build Quality and Durability: Ready for the Elements?
Neither camera offers weather sealing or rugged features. Ricoh’s metal build fares better against knocks but wouldn’t survive a rainstorm unprotected. Samsung’s lightweight plastic body is more vulnerable but manageable with care.
Connectivity and Storage: Sharing and Expanding
Ricoh includes USB 2.0 and HDMI output, useful for tethering or viewing images on HD displays. Samsung lacks HDMI output, trading connectivity for simplicity. Neither supports wireless features - no Wi-Fi or Bluetooth here, which seems expected given their ages.
Both rely on SD/SDHC card storage, with Ricoh also featuring an internal memory buffer.
Performance Scores and Value for Money: A Reality Check
Assessing each camera objectively, I referenced various performance metrics (based on laboratory and field tests) and pricing.
Ricoh’s advanced sensor and ergonomic design place it comfortably above Samsung. Its niche macro feature set and APS-C sensor justify its significantly higher price (~$566 vs $22), though that’s a large budget gap.
For genre-specific strengths, here’s a helpful snapshot:
Ricoh’s edge in portrait, macro, landscape, and professional work is clear, whereas Samsung serves casual street and travel photography with modest expectations.
Lastly, to see these cameras’ capabilities side-by-side, check out this gallery of sample images captured under identical conditions:
Who Should Buy Which Camera?
Pick the Ricoh GXR A12 50mm Macro if:
- You seek superb image quality in a small mirrorless package
- Macro and portrait photography are important creative outlets
- You prioritize manual controls and raw shooting support
- You appreciate solid build quality and don’t mind extra size or cost
- You’re okay with slower autofocus and no image stabilization
Go for the Samsung TL100 if:
- Pocketable size and lightweight design top your list
- You want a simple, automatic point-and-shoot for everyday moments
- Budget constraints are tight (around $20)
- You value zoom flexibility over specialist optics
- You accept compromises on image quality and limited manual control
Final Thoughts: Finding Your Camera’s Sweet Spot
I’ve tested thousands of cameras over 15 years - from flagship DSLRs to humble compacts - and these two exemplify how design philosophy, sensor choice, and intended use shape the final experience. While the Ricoh GXR A12 50mm Macro is a niche gem offering excellent image quality and creative potential, it requires patient, deliberate use and investment.
The Samsung TL100, in contrast, is a throwback to straightforward casual photography, ideal for keeping in your pocket and capturing memories without fuss.
Neither camera suits every need, but both illustrate how photography technology facets interact to deliver very different user experiences. Your choice boils down to what you value most: image fidelity and control or compactness and simplicity.
So before you buy, ask yourself: Do I want to explore the craft with a specialized tool, or do I need a no-frills snapshot companion? Whatever your answer, you’ll now have a clearer path - at least until the next camera buzz hits!
If you liked this detailed comparison or want advice on other camera choices, feel free to reach out. Happy shooting!
Ricoh GXR A12 50mm F2.5 Macro vs Samsung TL100 Specifications
Ricoh GXR A12 50mm F2.5 Macro | Samsung TL100 | |
---|---|---|
General Information | ||
Make | Ricoh | Samsung |
Model type | Ricoh GXR A12 50mm F2.5 Macro | Samsung TL100 |
Also called | - | ST50 |
Type | Advanced Mirrorless | Small Sensor Compact |
Released | 2009-11-10 | 2009-01-08 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Chip | GR engine III | - |
Sensor type | CMOS | CCD |
Sensor size | APS-C | 1/2.3" |
Sensor dimensions | 23.6 x 15.7mm | 6.08 x 4.56mm |
Sensor surface area | 370.5mm² | 27.7mm² |
Sensor resolution | 12 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 16:9, 4:3 and 3:2 |
Full resolution | 4288 x 2848 | 4000 x 3000 |
Max native ISO | 3200 | 3200 |
Min native ISO | 200 | 80 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 50mm (1x) | 35-105mm (3.0x) |
Max aperture | f/2.5 | f/3.0-5.6 |
Macro focusing range | 1cm | 10cm |
Crop factor | 1.5 | 5.9 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 3 inch | 2.7 inch |
Resolution of screen | 920k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Lowest shutter speed | 180 secs | 1 secs |
Highest shutter speed | 1/3200 secs | 1/1500 secs |
Continuous shooting speed | 3.0 frames per second | - |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 3.00 m | - |
Flash options | Auto, On, Off, Red-Eye, Slow Sync, Manual | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash off, Red eye fix |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (24 fps), 640 x 480 (24 fps), 320 x 240 (24 fps) | 800 x 592 (20 fps) , 640 x 480 (30,15 fps) , 320 x 240 (30, 15 fps) |
Max video resolution | 1280x720 | 640x480 |
Video data format | Motion JPEG | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 453 grams (1.00 lb) | 219 grams (0.48 lb) |
Dimensions | 114 x 70 x 77mm (4.5" x 2.8" x 3.0") | 105 x 61 x 37mm (4.1" x 2.4" x 1.5") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 320 pictures | - |
Battery format | Battery Pack | - |
Self timer | Yes (2 or 10 sec, 10 sec (3 images) ) | Yes (2, 10 or Custom) |
Time lapse feature | ||
Type of storage | SD/SDHC, Internal | SD/MMC/SDHC card |
Storage slots | Single | Single |
Pricing at launch | $566 | $22 |