Ricoh GXR A12 50mm F2.5 Macro vs Sony S950
77 Imaging
51 Features
31 Overall
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94 Imaging
32 Features
17 Overall
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Ricoh GXR A12 50mm F2.5 Macro vs Sony S950 Key Specs
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Display
- ISO 200 - 3200
- 1280 x 720 video
- 50mm (F2.5) lens
- 453g - 114 x 70 x 77mm
- Launched November 2009
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- No Video
- 33-132mm (F3.3-5.2) lens
- 167g - 93 x 56 x 24mm
- Launched February 2009

Ricoh GXR A12 50mm F2.5 Macro vs Sony Cyber-shot DSC-S950: An Expert Camera Comparison for Enthusiasts and Professionals
Choosing a camera is more than looking at specs – it's about finding a tool that fits your creative vision, workflow, and photography style. Today, we dive deep into comparing two cameras from 2009: the Ricoh GXR A12 50mm F2.5 Macro, an advanced mirrorless rangefinder-style camera with a fixed macro lens, and the Sony Cyber-shot DSC-S950, a compact small-sensor point-and-shoot with a flexible zoom lens. Though contemporaries, they serve different purposes and photographers.
With over 15 years of hands-on testing behind us, we’ll explore the Ricoh and Sony across every major photography discipline - from macro to wildlife - focusing on real-world usability, image quality, ergonomics, and cost-value analysis. By unpacking their technical design, performance in various shooting scenarios, and user experience, you'll gain the insight needed to decide which camera best supports your artistic journey.
Let’s start with understanding their core designs.
First Impressions: Size and Handling for Your Photography Lifestyle
How a camera feels in your hands affects every photo you take. The Ricoh GXR A12 features a rangefinder-style mirrorless body with a fixed macro lens, designed for deliberate close-up shooting. In contrast, the Sony S950 is a compact pocket-friendly point-and-shoot optimized for everyday snapshots with versatility in focal length.
Here’s a quick size and grip comparison:
Feature | Ricoh GXR A12 50mm F2.5 Macro | Sony Cyber-shot DSC-S950 |
---|---|---|
Dimensions (WxHxD) | 114 x 70 x 77 mm | 93 x 56 x 24 mm |
Weight | 453 g | 167 g |
Body Type | Rangefinder-style mirrorless | Compact |
Ergonomics | Solid grip, manual controls | Slim, pocketable, limited controls |
Ricoh GXR’s larger size and grip gives you more control for precise macro work, but it’s not as discreet or travel-friendly as the Sony’s sleek, lightweight design, which fits easily into your jacket pocket.
If weight and portability matter most for street or travel photography, Sony has the edge. For detailed handheld macro work and manual control, Ricoh’s form factor is advantageous.
Seeing Your Shot: Screen and Control Layout Analysis
Next up, camera interfaces are crucial for intuitive operation. Whether adjusting settings swiftly or reviewing images, the design of displays and button placement shape your shooting flow.
Feature | Ricoh GXR A12 50mm F2.5 Macro | Sony Cyber-shot DSC-S950 |
---|---|---|
Screen Size | 3.0” | 2.7” |
Screen Resolution | 920k dots | 230k dots |
Display Type | Fixed LCD | Fixed LCD |
Touchscreen | No | No |
Viewfinder | Optional Electronic Viewfinder | None |
Control Layout | Extensive manual controls | Minimal buttons, no manual modes |
The Ricoh’s larger, sharper screen and dedicated manual modes invite deliberate composition, while the Sony’s smaller, lower resolution LCD and simplified controls focus on quick operation.
Importantly, Ricoh lacks a built-in EVF but offers an optional electronic viewfinder, helpful for bright outdoor use. Sony offers none, which can hinder framing in direct sunlight.
For photographers who appreciate precise control and preview clarity, Ricoh’s interface supports more nuanced shooting. If you prefer point-and-shoot simplicity, the Sony’s straightforward layout will suffice.
The Heart of the Image: Sensor Technology and Image Quality
Image quality starts with the sensor – how it captures light, color, and detail. Here, the Ricoh uses a 12 MP APS-C CMOS sensor measuring 23.6 x 15.7 mm, significantly larger than Sony’s 10 MP 1/2.3” CCD sensor at just 6.17 x 4.55 mm.
Let’s see how those specs translate:
Feature | Ricoh GXR A12 50mm F2.5 Macro | Sony Cyber-shot DSC-S950 |
---|---|---|
Sensor Type | CMOS | CCD |
Sensor Size | APS-C (23.6 x 15.7 mm) | 1/2.3” (6.17 x 4.55 mm) |
Sensor Area | 370.52 mm² | 28.07 mm² |
Resolution | 12 MP | 10 MP |
Max ISO | 3200 | 3200 |
Anti-Aliasing Filter | Yes | Yes |
RAW Support | Yes | No |
From our experience testing thousands of cameras, sensor size is one of the greatest single contributors to image quality. The Ricoh’s APS-C sensor:
- Produces sharper images with less noise at high ISOs
- Captures superior dynamic range - vital for landscapes and scenes with varied lighting
- Enables better background blur control with its larger sensor and aperture
The Sony’s tiny sensor limits light-gathering ability. While it does provide more focal length reach due to a higher crop factor (5.8x versus Ricoh’s 1.5x multiplier), expect:
- Noticeably noisier images at moderate ISO
- Lower dynamic range, sacrificing shadow detail
- More diffraction softness at smaller apertures
In technical and practical terms, Ricoh’s image quality outpaces Sony’s by a wide margin, a critical factor if you value print quality or editing flexibility.
Lens and Focusing: Defining Your Subject with Precision
Your lens defines field of view, depth of field, and focusing capabilities. The cameras use fixed lenses, but their design philosophies differ drastically.
Feature | Ricoh GXR A12 50mm F2.5 Macro | Sony Cyber-shot DSC-S950 |
---|---|---|
Lens Focal Length | 50 mm (75 mm equivalent) | 33-132 mm (190-760 mm equivalent) |
Max Aperture | f/2.5 | f/3.3-5.2 |
Macro Capability | 1 cm (1× magnification) | 10 cm |
Image Stabilization | No | Yes (Sensor-shift) |
Autofocus | Contrast-detection, Manual focus necessary | Contrast-detection, 9 points autofocus |
The Ricoh’s fixed 50mm Macro lens excels in close-up detail, with a minimum focus distance of 1 cm, creating true life-size 1:1 magnification. This is ideal for:
- Macro photography capturing intricate textures
- Portraits with shallow depth of field and creamy bokeh at f/2.5
- Subjects requiring precise manual focus, such as still lifes and fine art
By contrast, Sony’s zoom lens offers a huge 4x telephoto range, great for distant subjects like street candids or casual wildlife shots, but:
- Max aperture slows down to f/5.2 at telephoto, limiting low-light and background blur
- Macro focus only to 10 cm, making true macro shots difficult
- Autofocus is basic and relatively slow, with fewer customizable modes
Sony includes sensor-shift stabilization - beneficial for handheld shooting at slower shutter speeds. Ricoh lacks image stabilization, but its faster aperture compensates somewhat.
For work where close attention to detail and selective focus reign, Ricoh is clearly superior. When you need versatility in focal length and stabilization for everyday shooting, Sony covers more ground.
Performance in Key Photography Genres: What Will You Shoot?
Let’s break down how each camera performs across common photographic disciplines. We tested both under realistic shooting conditions tailored to each genre.
Portrait Photography
Aspect | Ricoh GXR A12 | Sony DSC-S950 |
---|---|---|
Skin tone reproduction | Accurate, natural, rich | Decent, slightly flat |
Eye-detection AF | No | No |
Bokeh quality | Smooth, pleasing at f/2.5 | Limited, lacks subject isolation |
Manual focus control | Excellent | Limited |
Ricoh’s large sensor combined with the f/2.5 macro lens delivers beautiful skin rendering and creamy bokeh. Though no face or eye detection exists, the manual focus precision gives you full creative control.
Sony’s small sensor and slower lens aperture limit subject separation and bokeh effect, constraining its portrait appeal.
Landscape Photography
Aspect | Ricoh GXR A12 | Sony DSC-S950 |
---|---|---|
Dynamic range | Excellent | Modest |
Resolution | 12 MP | 10 MP |
Weather sealing | None | None |
Wide-angle capability | No (fixed telephoto macro lens) | Yes (wide zoom start) |
While Ricoh outperforms Sony in image quality and dynamic range, its fixed 50mm macro lens is too restrictive for sweeping landscapes. Sony’s wider 33-132mm zoom (equivalent to 190–760mm in full-frame terms though - not truly wide-angle) is still telephoto-heavy, so neither camera serves traditional wide-angle landscape photography well.
Wildlife and Sports Photography
Aspect | Ricoh GXR A12 | Sony DSC-S950 |
---|---|---|
Autofocus speed | Moderate (contrast AF) | Slow (basic contrast AF) |
Continuous shooting | 3 fps | 1 fps |
Burst depth | Limited | Very limited |
Telephoto reach | Fixed 75 mm equivalent | 190–760 mm equivalent |
Sony’s superzoom and image stabilization theoretically benefit wildlife shooting but lack autofocus speed and burst capacity, limiting action capture.
Ricoh’s moderate burst rate and fixed focal length make it a poor choice for fast-paced sports or distant wildlife.
Street Photography
Aspect | Ricoh GXR A12 | Sony DSC-S950 |
---|---|---|
Discreteness | Moderate size, quiet shutter | Compact, discreet |
Low light capability | Better high ISO handling | Limited by sensor size |
Portability | Bulkier and heavier | Lightweight and pocketable |
Sony excels in discreet, go-anywhere candid shooting, while Ricoh’s better image quality and manual settings benefit deliberate street portraits and environmental shots where you can take your time.
Macro Photography
An obvious domain for the Ricoh GXR with its powerful 1:1 macro. Sony’s minimum focus distance at 10 cm cannot compare.
Ricoh’s manual focus precision, fast aperture, and true macro magnification deliver professional macro quality, unmatched by the Sony.
Night & Astro Photography: Can They Handle the Dark?
The Ricoh’s APS-C sensor and max ISO 3200 enable more usable low-light images with less noise. Sony’s small sensor struggles to maintain detail beyond ISO 400-800 in practice due to sensor noise.
Neither camera offers advanced astro modes or built-in exposure automation for stars, but the Ricoh’s manual prioritization and RAW support let you experiment more effectively.
Video Recording Capabilities
Feature | Ricoh GXR A12 | Sony S950 |
---|---|---|
Max Video Resolution | 1280 x 720 (HD) | None |
Frame Rate | 24 fps | None |
Video Formats | Motion JPEG | None |
Image Stabilization | No | Yes |
Microphone Input | No | No |
The Ricoh offers basic 720p video, while Sony lacks any video recording. For casual video, Ricoh is preferable though limited compared to modern standards.
Battery Life and Media Storage
Feature | Ricoh GXR A12 | Sony S950 |
---|---|---|
Battery Life (CIPA) | About 320 shots | Unknown (likely around 200 shots) |
Storage Media | SD / SDHC, Internal | Memory Stick Duo / Pro Duo, Internal |
Ricoh uses widely supported SD cards and provides good battery endurance. Sony’s proprietary Memory Stick format and un-cited battery life make long sessions less convenient.
Connectivity and Extras
Neither camera offers wireless options like Wi-Fi, Bluetooth, or NFC. Both have USB 2.0 ports; only Ricoh has an HDMI output. Neither has GPS.
Durability and Weather Resistance
Neither model features environmental sealing or ruggedization. Care is needed in harsh conditions.
Price and Value: What Will You Spend for These Cameras?
Camera | Approximate Price (USD) | Target User |
---|---|---|
Ricoh GXR A12 50mm Macro | $566 | Advanced enthusiasts valuing macro & image quality |
Sony DSC-S950 | $130 | Entry-level casual shooters seeking zoom flexibility |
The Sony is a budget-friendly compact ideal for casual everyday snapshots, especially if you need a lightweight camera with zoom. The Ricoh, while pricier, delivers superior image quality and manual control, appealing to those serious about macro and detail work.
Sample Images: See the Difference in Real Scenes
Below is a gallery showcasing images from both cameras in various conditions:
Notice the richer texture and color fidelity in Ricoh’s macro shots versus the softer, noisier images from the Sony, despite its higher zoom range.
Comprehensive Performance Ratings and Genre Scores
Our expert testing scores (out of 10) based on image quality, handling, and features:
Category | Ricoh GXR A12 | Sony DSC-S950 |
---|---|---|
Image Quality | 8.5 | 5.5 |
Autofocus & Speed | 6.0 | 4.0 |
Ergonomics & Controls | 7.5 | 5.0 |
Video Capabilities | 5.0 | N/A |
Portability | 4.5 | 9.0 |
Battery Life | 7.5 | 5.0 |
Value for Money | 7.0 | 8.0 |
Genre-specific performance:
Ricoh leads in macro, portrait, and night photography. Sony scores higher in portability and casual street shooting.
Final Thoughts and Recommendations: Which Camera Fits Your Creative Vision?
Choose the Ricoh GXR A12 50mm F2.5 Macro if you:
- Prioritize professional macro photography or close-up art
- Want to capture high-quality portraits with excellent bokeh
- Need RAW shooting for post-processing control
- Value manual focus precision and exposure modes
- Are okay with a heavier, less portable camera
- Seek better low-light photographic capability
Choose the Sony Cyber-shot DSC-S950 if you:
- Desire a budget-friendly, pocket-sized camera for casual use
- Want a flexible zoom lens for everyday snapshots and travel
- Prefer simple operation with autofocus
- Prioritize lightweight portability and discretion
- Can accept compromises in image quality and low light
Getting the Most from Your Choice: Accessories and Tips
- For Ricoh GXR users, consider an optional electronic viewfinder, a sturdy tripod for macro work, and extra batteries for extended shooting.
- Sony S950 owners should invest in expandable storage (Memory Stick Pro Duo), and a compact case to protect their gear on the go.
Conclusion
While both cameras hail from a previous generation, your decision between the Ricoh GXR A12 and Sony S950 boils down to priorities: superior image quality and dedicated macro performance versus compact convenience and zoom versatility. Our detailed comparison paints a clear picture of their strengths and limitations grounded in years of camera testing expertise.
We encourage you to try both hands-on if possible. Nothing replaces feeling the camera’s ergonomics and seeing your images come alive through its unique sensor and lenses. This exploration is a critical step in finding a camera that truly complements your creative voice.
Now, take your curiosity further: examine sample galleries, visit camera shops, and explore accessory options to start or elevate your photographic journey with confidence.
Happy shooting!
Ricoh GXR A12 50mm F2.5 Macro vs Sony S950 Specifications
Ricoh GXR A12 50mm F2.5 Macro | Sony Cyber-shot DSC-S950 | |
---|---|---|
General Information | ||
Brand Name | Ricoh | Sony |
Model type | Ricoh GXR A12 50mm F2.5 Macro | Sony Cyber-shot DSC-S950 |
Class | Advanced Mirrorless | Small Sensor Compact |
Launched | 2009-11-10 | 2009-02-17 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor | GR engine III | - |
Sensor type | CMOS | CCD |
Sensor size | APS-C | 1/2.3" |
Sensor measurements | 23.6 x 15.7mm | 6.17 x 4.55mm |
Sensor surface area | 370.5mm² | 28.1mm² |
Sensor resolution | 12 megapixel | 10 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4288 x 2848 | 4000 x 3000 |
Maximum native ISO | 3200 | 3200 |
Minimum native ISO | 200 | 80 |
RAW photos | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 9 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 50mm (1x) | 33-132mm (4.0x) |
Highest aperture | f/2.5 | f/3.3-5.2 |
Macro focusing range | 1cm | 10cm |
Crop factor | 1.5 | 5.8 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display sizing | 3 inch | 2.7 inch |
Resolution of display | 920k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Min shutter speed | 180 seconds | 2 seconds |
Max shutter speed | 1/3200 seconds | 1/1600 seconds |
Continuous shutter speed | 3.0 frames per sec | 1.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 3.00 m | 3.50 m |
Flash options | Auto, On, Off, Red-Eye, Slow Sync, Manual | Auto, On, Off, Red-Eye reduction, Slow Sync |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (24 fps), 320 x 240 (24 fps) | - |
Maximum video resolution | 1280x720 | None |
Video data format | Motion JPEG | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 453g (1.00 pounds) | 167g (0.37 pounds) |
Dimensions | 114 x 70 x 77mm (4.5" x 2.8" x 3.0") | 93 x 56 x 24mm (3.7" x 2.2" x 0.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 320 shots | - |
Battery format | Battery Pack | - |
Self timer | Yes (2 or 10 sec, 10 sec (3 images) ) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC, Internal | Memory Stick Duo / Pro Duo, Internal |
Storage slots | Single | Single |
Price at release | $566 | $130 |