Ricoh GXR A16 24-85mm F3.5-5.5 vs Sony NEX-6
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Ricoh GXR A16 24-85mm F3.5-5.5 vs Sony NEX-6 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 200 - 3200
- 1280 x 720 video
- 24-85mm (F3.5-5.5) lens
- 550g - 114 x 75 x 93mm
- Released February 2012
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600
- 1920 x 1080 video
- Sony E Mount
- 345g - 120 x 67 x 43mm
- Released March 2013
- New Model is Sony A6000

Ricoh GXR A16 24-85mm F3.5-5.5 vs Sony NEX-6: A Detailed Comparison of Two Advanced Mirrorless Contenders
In today's digital camera landscape, mirrorless systems have continually evolved to offer photographers a compelling combination of compactness, versatility, and image quality. Two cameras that often surface in discussions regarding early mirrorless giants are the Ricoh GXR A16 24-85mm F3.5-5.5 and the Sony NEX-6. While both hail from the advanced mirrorless category and share a similar APS-C sensor lineage, their design philosophies, performance capabilities, and feature sets diverge in ways that profoundly impact their suitability across photography disciplines.
Having extensively tested thousands of cameras across a plethora of shooting scenarios, this comprehensive analysis digs deep into how these two cameras compare - from physical ergonomics, sensor technology, to autofocus systems, and real-world usability for various genres. Whether you're a portrait photographer seeking flawless skin tones and bokeh, a wildlife enthusiast chasing fast autofocus, or a travel shooter coveting portability with image quality, this article aims to provide the authoritative insights needed for an informed purchasing decision.
Getting a Feel for the Cameras: Size, Ergonomics, and Design
One of the initial impressions that influences daily usability is the physical design and ergonomics. Both cameras adopt a rangefinder-style mirrorless body, but their handling philosophies markedly differ.
Ricoh GXR A16 24-85mm
Ricoh's GXR system is unique, integrating sensor and lens as a single unit. The A16 module combines a fixed 24-85mm F3.5-5.5 zoom lens with an APS-C sensor, resulting in a somewhat chunky module weighing approximately 550 grams and measuring 114×75×93 mm. This heft, combined with its boxy shape, conveys a robust feeling albeit on the heavier side for mirrorless standards. The grip is minimalistic, relying on the broad body for hold rather than a pronounced ergonomic handle.
Sony NEX-6
Sony took a classic rangefinder approach but refined the body with comfort in mind. The NEX-6 is significantly lighter (345 grams) and more compact (120×67×43 mm), making it a highly portable option suited for street and travel photography. While it lacks in-hand bulk compared to the Ricoh, its contoured grip and balanced weight distribution deliver confidence for extended handheld shooting sessions.
Implications for Real-World Use:
If physical footprint and lightness are paramount, the NEX-6 clearly appeals more to photographers aiming for portability. Conversely, those accustomed to heftier gear or desiring a chunkier feel may prefer the GXR A16's solid body presence, though its bulk does reduce discretion in street or travel contexts.
Top Controls and Interface: Navigating Settings with Ease
Looking beyond size, user interface and control layout become crucial for rapid operation, especially for professionals and enthusiasts.
The Ricoh GXR A16 embraces a minimalist top plate, lacking an electronic viewfinder by default and foregoing a top LCD. Its shutter speed dial tops out at 1/3200s, with no electronic or silent shutter speeds, while the continuous shooting maxes out at a relatively slow 3 fps. Button placement is straightforward but basic - lacking illuminated keys and relying primarily on a 3-inch fixed TFT LCD for feedback.
Sony's NEX-6 boasts a more sophisticated interface, including a built-in, high-resolution electronic viewfinder (2.36 million dots). The top plate features a dedicated shutter speed dial reaching 1/4000s, a customizable Fn button, and a more tactile mode dial, affording quicker access to exposure modes. The NEX-6 supports 10 fps continuous burst, a decisive advantage for action and wildlife shooting.
Key Takeaways:
For photographers prioritizing swift manual control and burst shooting, Sony’s interface inspires greater confidence and workflow efficiency. Ricoh’s simpler interface, while user-friendly, may frustrate advanced users desiring faster access and higher frame rates.
Sensor Technology and Image Quality: The Heart of the Matter
Image quality comparisons necessarily center on sensor attributes - size, resolution, dynamic range, and low-light performance.
Ricoh GXR A16 Sensor
Featured in a fixed lens module, Ricoh’s 16MP APS-C CMOS sensor (23.6×15.7 mm) traces its lineage to proven sensors of its era. The sensor includes an anti-aliasing filter and operates with a native ISO range of 200-3200, somewhat limited compared to modern standards. While detailed DxOMark scores for the GXR A16 are unavailable, the sensor's aging architecture implies moderate dynamic range and mid-tier low-light prowess.
Sony NEX-6 Sensor
Sony equips the NEX-6 with a similarly sized 16MP APS-C CMOS sensor (23.5×15.6 mm), but significantly advances its capabilities with the Bionz image processor. DxOMark scores rate it at 78 overall, with excellent color depth (23.7 bits), impressive dynamic range (13.1 EV), and superior low-light ISO performance (~1018 ISO on DxO’s low-light metric). The NEX-6’s sensitivity extends natively from ISO 100 to 25600, vastly surpassing Ricoh’s upper limit.
Implications for Photographers:
Landscape shooters will appreciate the Sony for its expanded dynamic range and tonal gradation. Portrait and wedding photographers stand to gain from the Sony's richer color fidelity and lower noise at high ISO, especially indoors. By contrast, Ricoh's sensor is adequate for daylight and moderate ISO use but shows limitations when pushed in shadow recovery or low-light scenarios.
LCD Screens and Electronic Viewfinders: Composition and Playback
Modern mirrorless demands versatile liveview interfaces. Here the differences highlight each manufacturer’s priorities.
Ricoh opts for a fixed 3-inch TFT LCD with 920k-dot resolution, lacking touchscreen or articulation - limiting compositional flexibility. The lack of a standard electronic viewfinder (optional and sold separately) further hinders usability in bright conditions.
Sony’s NEX-6 features a tilting 3-inch “Xtra Fine” LCD with 921k dots, capable of tilting up 90° and down 45°, suiting high or low angle shots excellently. More importantly, the 2.36m-dot EVF with 100% coverage and 0.73x magnification provides a bright, clear framing experience, crucial in sunny outdoor environments.
Practical Observations:
Tethered workflows or extensive video use benefit significantly from Sony’s tilting screen. Photojournalists and street shooters gain from the EVF’s visibility when the LCD would be washed out. Ricoh’s screen and lack of EVF constrain framing options and operational comfort in varied lighting.
Autofocus Systems Examined: Precision and Speed in the Field
Fast and accurate autofocus (AF) is paramount in genres from wildlife to weddings.
The Ricoh GXR A16 employs a contrast-detection only autofocus system with face detection, ten years ago a standard but now clearly eclipsed. Despite offering AF single, continuous, and selective options, it lacks phase detection, has no eye or animal eye tracking, and offers a modest 3 fps continuous shooting speed.
Sony’s NEX-6 combines hybrid phase and contrast-detection AF with 99 focus points, achieving faster lock-on speeds and improved tracking, particularly for moving subjects. While it also lacks animal eye detection (common in much newer systems), its AF system reliably balances speed and accuracy across various lighting and subject distances.
Performance in Shooting Scenarios:
- Portraits benefit from the NEX-6’s face detection paired with speedy AF, improving eye sharpness and reducing missed frames.
- Wildlife and sports photographers find the 10 fps burst and phase-detection AF markedly beneficial to freeze action and track fast-moving subjects.
- Ricoh’s system suits still subjects but may struggle with fast action or low-light autofocus acquisition.
Lens Ecosystem and Compatibility: Flexibility Versus Integration
When choosing a camera, the range and accessibility of lenses can profoundly shape creative possibilities.
The GXR’s fixed lens design means photographers are locked into the 24-85mm F3.5-5.5 zoom, which, while moderately versatile, restricts broader focal range exploration or faster primes for low light or bokeh-rich portraits.
Sony’s interchangeable E-mount system grants access to over 120 native lenses from Sony’s imager series, plus extensive third-party support (Sigma, Tamron, Zeiss). This unlocks expansive creative control - vast ultrawide, macro, telephoto, and fast-aperture options bolster adaptability.
Which Should You Choose?
Serious photographers who demand optical variety and specialized lenses will find the NEX-6’s ecosystem dramatically more appealing than Ricoh's fixed lens constraint.
Continuous Shooting, Video, and Other Features for Hybrid Use
Assessing burst frame rates, video capabilities, and versatile shooting modes reveals where these cameras thrive or fall short.
The Ricoh GXR A16, with a modest 3 fps burst and 720p max video resolution (30 fps), delivers basic motion capture but stands behind in performance video standards. It lacks external mic ports and advanced codecs, limiting use for serious videography.
The NEX-6 ramps up capabilities to 10 fps burst and full HD 1080p video at 60fps, encoded in AVCHD and MPEG-4. Though no microphone input exists, the high-quality output and superior sensor performance favor hybrid shooters combining stills and video.
Observations:
Video enthusiasts and event photographers will lean toward the Sony for its more robust hybrid functionality, while Ricoh remains a niche choice for still image purists or casual users.
Durability, Battery Life, and Storage Versatility
Weather sealing is absent in both models, a drawback in harsh outdoor environments.
Battery life is slightly in favor of Ricoh at 400 shots per charge (using DB-90 pack), while Sony’s NEX-6 offers approximately 360 shots (NP-FW50). Both are reasonable but may necessitate spares for professional use.
Storage-wise, Ricoh supports SD/SDHC cards with internal storage, restricting card options. Sony allows SD/SDHC/SDXC plus Memory Stick Pro Duo which offers greater storage flexibility.
Pricing and Value Proposition: Choosing Based on Budget and Needs
At time of writing, Ricoh GXR A16 modules typically command higher second-hand prices (~$870) due to niche status, whereas Sony NEX-6 bodies are more affordable (~$365), representing substantial value with broader capabilities.
When factoring lens costs, Sony requires purchasing lenses separately, raising initial investment but offering long term flexibility and upgrade paths. Ricoh’s fixed lens simplifies upfront cost but at the expense of adaptability.
Performance Across Photography Genres: How They Stack Up
To distill their practical strengths, here’s a high-level look at performance by discipline.
Genre | Ricoh GXR A16 | Sony NEX-6 |
---|---|---|
Portrait | Good color, limited bokeh due to lens f/3.5-5.5 | Superior AF, better skin tone rendition, wider lens choices |
Landscape | Adequate resolution, moderate dynamic range | Excellent dynamic range, higher ISO flexibility |
Wildlife | Slow AF, limited burst rates | Fast hybrid AF, 10 fps burst, versatile lenses |
Sports | Limited FPS, AF speed issues | Competitive FPS, phase-detect AF supports tracking |
Street | Less discreet due to size | Compact, EVF aids concealed shooting |
Macro | No macro focus range | Dependent on lens, strong options available |
Night/Astro | ISO limited to 3200 | ISO 25600, better noise control |
Video | Basic 720p video | Full HD 1080p, better frame rate options |
Travel | Bulkier, single lens limitation | Lightweight, lens versatility, better battery life balance |
Professional | RAW support but limited features | Robust file options, EVF, and lens ecosystem |
Sample Image Comparisons: Visualizing Real-World Output
Examining real JPEG and RAW outputs under daylight and low light further flags differences.
Ricoh’s images show respectable detail but lean toward slightly muted colors and less dynamic range in shadows. Sony’s files present richer tonal gradations, cleaner high-ISO frames, and more vibrant yet natural color science.
Final Assessment: Recommendations Based on Expertise and Real-World Considerations
Who Should Buy the Ricoh GXR A16 24-85mm?
- Enthusiasts valuing a compact all-in-one module with decent image quality for daylight shooting
- Photographers preferring manual control focus and a unique modular build
- Budget buyers with no immediate need for lens changes or advanced AF
Who Should Favor the Sony NEX-6?
- Photographers requiring fast, reliable autofocus with tracking in action scenarios
- Hybrid shooters blending still photography with HD video demands
- Users seeking extensive lens options for creative flexibility and future-proofing
- Those prioritizing portability without compromising image quality
In conclusion, while the Ricoh GXR A16 presents an intriguing modular design rooted in strong build quality, the Sony NEX-6 confidently eclipses it in autofocus sophistication, sensor performance, ergonomics, video capability, and lens versatility - thereby delivering a more rounded camera system adaptable to more advanced and diverse photographic pursuits.
Informed by thousands of hours of hands-on testing, this comparison offers a granular look at two distinctive advanced mirrorless cameras. Your choice should align with your specific photographic needs and the contexts in which you shoot most often.
Ricoh GXR A16 24-85mm F3.5-5.5 vs Sony NEX-6 Specifications
Ricoh GXR A16 24-85mm F3.5-5.5 | Sony Alpha NEX-6 | |
---|---|---|
General Information | ||
Brand Name | Ricoh | Sony |
Model | Ricoh GXR A16 24-85mm F3.5-5.5 | Sony Alpha NEX-6 |
Class | Advanced Mirrorless | Advanced Mirrorless |
Released | 2012-02-02 | 2013-03-25 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | Smooth Imaging Engine IV | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.6 x 15.7mm | 23.5 x 15.6mm |
Sensor surface area | 370.5mm² | 366.6mm² |
Sensor resolution | 16 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Max resolution | 4928 x 3264 | 4912 x 3264 |
Max native ISO | 3200 | 25600 |
Min native ISO | 200 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | - | 99 |
Lens | ||
Lens mounting type | fixed lens | Sony E |
Lens focal range | 24-85mm (3.5x) | - |
Highest aperture | f/3.5-5.5 | - |
Amount of lenses | - | 121 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Range of display | Fixed Type | Tilting |
Display sizing | 3" | 3" |
Resolution of display | 920k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | TFT color LCD | Xtra Fine LCD with Tilt Up 90� and Down 45� |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Electronic |
Viewfinder resolution | - | 2,359k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.73x |
Features | ||
Minimum shutter speed | 180s | 30s |
Fastest shutter speed | 1/3200s | 1/4000s |
Continuous shutter speed | 3.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | - | 6.00 m |
Flash options | Auto, On, Off, Red-Eye, Slow Sync, Manual | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash sync | - | 1/160s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video data format | MPEG-4 | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 550 gr (1.21 lbs) | 345 gr (0.76 lbs) |
Dimensions | 114 x 75 x 93mm (4.5" x 3.0" x 3.7") | 120 x 67 x 43mm (4.7" x 2.6" x 1.7") |
DXO scores | ||
DXO Overall score | not tested | 78 |
DXO Color Depth score | not tested | 23.7 |
DXO Dynamic range score | not tested | 13.1 |
DXO Low light score | not tested | 1018 |
Other | ||
Battery life | 400 pictures | 360 pictures |
Type of battery | Battery Pack | Battery Pack |
Battery model | DB-90 | NPFW50 |
Self timer | Yes (2 or 10 sec, 10 sec (3 images) ) | Yes (2 or 10 sec, 10sec (3 images)) |
Time lapse feature | With downloadable app | |
Type of storage | SD/SDHC, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 1 |
Cost at release | $871 | $365 |