Ricoh GXR Mount A12 vs Sony A99 II
84 Imaging
52 Features
39 Overall
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57 Imaging
76 Features
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Ricoh GXR Mount A12 vs Sony A99 II Key Specs
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Screen
- ISO 200 - 3200
- 1/9000s Max Shutter
- 1280 x 720 video
- ()mm (F) lens
- 370g - 120 x 70 x 45mm
- Introduced August 2011
(Full Review)
- 42MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 25600 (Bump to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony/Minolta Alpha Mount
- 849g - 143 x 104 x 76mm
- Released September 2016
- Superseded the Sony A99

Ricoh GXR Mount A12 vs Sony A99 II: A Deep Dive to Find Your Next Camera Companion
Choosing a camera is more than a specs comparison - it's about understanding how each device fits your creative journey. In this in-depth article, we put the Ricoh GXR Mount A12, an entry-level rangefinder-style mirrorless camera from 2011, head-to-head with the powerhouse Sony Alpha A99 II, a sophisticated full-frame advanced DSLR from 2016. Although these cameras target very different markets, comparing them reveals valuable lessons about sensor technology, ergonomics, autofocus performance, and real-world shooting applications.
Whether you're an enthusiast stepping up your game or a professional seeking precision, this detailed analysis will help you navigate features, strengths, and limitations and figure out which system aligns best with your style and budget.
First Impressions: Size, Build, and Handling
When you pick up a camera, the first interaction often sets the tone for usage comfort. The Ricoh GXR Mount A12 is designed as a compact, lightweight rangefinder-style mirrorless system well suited for travel and street photography, whereas the Sony A99 II offers robust DSLR ergonomics with professional build quality and weather sealing.
Let's see how the cameras compare physically:
-
Ricoh GXR Mount A12
- Dimensions: 120 x 70 x 45 mm
- Weight: 370 grams
- Compact, easy to carry all day
- Rangefinder-style grip without deep contours
- No environmental sealing; handle with care outdoors
-
Sony A99 II
- Dimensions: 143 x 104 x 76 mm
- Weight: 849 grams
- Larger, solid mid-size DSLR body
- Deep grip with intuitive button placement for long shooting sessions
- Weather sealed chassis suited for varied conditions
Ergonomics in practice: If you value pocketability and light travel gear, the Ricoh’s slim profile is appealing. But if your work demands ruggedness, durability, and extensive hands-on controls, the Sony's substantial grip and solid construction pay dividends.
Control Layout and Interface: Intuitive Operation Matters
How a camera feels in your hands includes understanding the control layout and screen usability. Does it help you operate quickly or slow you down when moments count?
Here's a side-by-side of the top controls:
-
Ricoh GXR Mount A12
- Minimalist design with few physical dials and no touchscreen
- Aperture and shutter priority, but no dedicated ISO dial
- Fixed non-articulated LCD screen, which limits shooting flexibility at odd angles
-
Sony A99 II
- Rich assortment of buttons and dials for quick adjustments
- Dedicated dials for shutter speed, ISO, exposure compensation
- Fully articulated 3-inch LCD (1229k dots), aiding video and creative angles
- Illuminated buttons absent but menu logically arranged
The lack of touchscreen and limited direct controls on the Ricoh can slow down workflow if you rely heavily on exposure tweaking on the fly. Conversely, Sony’s extensive control set and articulated screen enable quick adaptation to diverse shooting scenarios.
For live view or video operation, the Sony’s interface clearly leads, offering flexibility and responsiveness that professionals demand.
Sensor and Image Quality: The Heart of the Camera
Image quality depends first and foremost on sensor technology and the processor. Let’s pit the Ricoh’s APS-C sensor against Sony’s far larger and more advanced full-frame BSI CMOS sensor.
Feature | Ricoh GXR Mount A12 | Sony Alpha A99 II |
---|---|---|
Sensor Type | CMOS | BSI CMOS |
Sensor Size | APS-C (23.6 x 15.7 mm) | Full-frame (35.9 x 24 mm) |
Sensor Area | ~370.5 mm² | ~861.6 mm² |
Resolution | 12 MP (4288 x 2848) | 42 MP (7952 x 5304) |
Antialias Filter | Yes | No |
Max Native ISO | 3200 | 25600 |
Max Boosted ISO | N/A | 102400 |
Min Native ISO | 200 | 100 |
Dynamic Range (DxOMark) | Not tested | 13.4 EV |
Color Depth (DxOMark) | Not tested | 25.4 bits |
Low Light ISO (DxOMark) | Not tested | 2317 |
What this means to you:
- The larger full-frame sensor in Sony’s A99 II significantly improves image quality, especially regarding resolution, dynamic range, and noise control at high ISO.
- The absence of an anti-aliasing filter on the Sony enables sharper images and better fine detail rendering but might increase aliasing artifacts in certain conditions - a trade-off professionals often welcome.
- The Ricoh’s sensor, while capable, has a lower resolution and limited ISO range, making it less suited to demanding light conditions.
- The Sony’s superior color depth allows for richer, more nuanced color gradations, ideal for portrait and landscape photographers who want professional-grade output straight out of the camera.
In practical shooting, expect Sony’s image files to offer more latitude for post-processing and superior results when cropping or printing large.
Autofocus and Shooting Speed: Capturing the Decisive Moment
Autofocus (AF) performance is crucial across virtually all photography styles. The contrast-detection AF on the Ricoh compares to Sony’s hybrid AF with 399 phase-detection points.
Feature | Ricoh GXR Mount A12 | Sony Alpha A99 II |
---|---|---|
AF System Type | Contrast detection | Phase & contrast hybrid |
Number of AF Points | Not specified (multi-area) | 399 points (79 cross-type) |
AF Modes | Single, Continuous, Selective | Face detection, Eye AF, Tracking |
Face and Eye Detection | No | Yes |
Continuous Shooting Speed | 3 fps | 12 fps |
AF Tracking | No | Yes |
Implications for real-world use:
- The Ricoh’s contrast-detection AF is inherently slower and less reliable in fast-paced shooting, with no face or eye detection autofocus to aid portrait work.
- The Sony A99 II’s 399-point hybrid AF covers nearly the whole frame, delivering rapid, precise focusing plus sophisticated subject tracking for wildlife, sports, and street photography.
- Continuous shooting at 3 fps on the Ricoh limits your ability to shoot action, whereas 12 fps on the Sony empowers bursts to capture split-second moments.
For wildlife or sports enthusiasts, the Sony’s AF system is clearly indispensable. Portrait photographers will also appreciate its eye AF for sharp, engaging images without fuss.
Display and Viewfinder Experience: Composing Your Vision
The user experience composing images is shaped by display and viewfinder quality. Here, the difference between these two cameras is substantial.
Feature | Ricoh GXR Mount A12 | Sony Alpha A99 II |
---|---|---|
LCD Screen | Fixed 3" (920k dots) | Fully articulated 3" (1229k dots) |
Viewfinder Type | None (electronic optional) | 2.36M dot electronic |
Viewfinder Coverage | N/A | 100% |
Viewfinder Magnification | N/A | 0.78x |
- Ricoh lacks a built-in viewfinder, relying on an optional external EVF adapter; this limits framework precision under bright conditions.
- Sony offers a sharp, large electronic viewfinder with full scene coverage and good magnification - critical for manual focus and action tracking.
- The Sony’s articulated LCD improves handheld video and creative shooting angles, a feature missing on the Ricoh.
Photographers and videographers who need real-time framing accuracy and flexible monitoring will find Sony’s implementation markedly advantageous.
Lens System and Compatibility: Expanding Creative Possibilities
Lens availability expands a system’s versatility. The Ricoh GXR Mount A12 is unique: it uses a fixed lens module with interchangeable sensor/lens units but no conventional interchangeable lens mount.
-
Ricoh GXR Mount A12
- Fixed sensor and lens combo
- No lens interchangeability beyond changing entire sensor modules
- Limited creative flexibility
- Focal length multiplier 1.5x due to APS-C sensor size
-
Sony A99 II
- Sony/Minolta Alpha (A-mount) system
- Over 140 lenses available, including primes, zooms, and specialty optics
- Works with many Minolta legacy lenses via adapters
- Full-frame coverage maximizes lens utility
This fundamental difference means the Ricoh caters more to those who prefer a single-lens compact solution, while the Sony offers a full professional lens ecosystem to match almost any style from macro to telephoto.
For photographers looking to grow creatively, the Sony is a far superior long-term investment.
Battery Life, Storage, and Connectivity: Staying Powered and Connected
A camera’s endurance and workflow convenience count for daily practical use.
Feature | Ricoh GXR Mount A12 | Sony Alpha A99 II |
---|---|---|
Battery Life (CIPA) | ~330 shots | ~490 shots |
Battery Type | DB-90 Battery Pack | NP-FM500H lithium-ion |
Storage | 1x SD/SDHC slot + internal | Dual SD/SDHC/SDXC + MS Duo |
Wireless Connectivity | None | Built-in Wi-Fi, Bluetooth, NFC |
Ports | HDMI, USB 2.0 | HDMI, USB 2.0, Mic, Headphone |
- Ricoh’s shorter battery life and lack of wireless limits extended shooting and immediate sharing.
- Sony supports dual memory cards, allowing overflow and backup, essential for professional reliability.
- The A99 II’s wireless expands remote control and file transfer options.
- Microphone and headphone ports make Sony suitable for hybrid photographers/videographers.
If you’re frequently out shooting long sessions or need seamless wireless workflow integration, Sony leads unambiguously.
Video Performance: Beyond Stills
Modern cameras must deliver video, and here the divide widens again.
Feature | Ricoh GXR Mount A12 | Sony Alpha A99 II |
---|---|---|
Max Video Resolution | 1280 x 720 @ 24 fps | 4K UHD (3840 x 2160) |
Video Formats | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Stabilization | No | 5-axis sensor-shift stabilization |
Microphone Input | No | Yes |
Headphone Output | No | Yes |
Articulated Screen | No | Yes |
The Ricoh offers basic HD video, suitable for casual clips but limited for serious content creation. The Sony delivers professional-level 4K capability, smooth stabilization, and audio connectivity, perfect for multimedia creators mixing stills and video.
Versatility Across Photography Disciplines
Let's highlight how each camera fares across popular genres, summarizing practical strengths and weaknesses:
Photography Type | Ricoh GXR Mount A12 | Sony Alpha A99 II |
---|---|---|
Portrait | Moderate resolution; no eye detection, slow AF | Excellent eye AF, high resolution, smooth bokeh with full-frame lenses |
Landscape | Decent dynamic range for entry level | Outstanding resolution and DR, weather sealed |
Wildlife | Limited AF and burst rate | Fast AF with tracking, superb burst performance |
Sports | Too slow for fast action | Professional-grade fast continuous shooting |
Street | Compact, discreet, but slower AF | Bulkier, but highly capable focusing and low-light performance |
Macro | Limited lens options | Wide lens ecosystem including close-up lenses |
Night/Astro | Moderate ISO ceiling, limiting usability | High ISO capability, clean files for astro/night |
Video | Basic HD only | 4K UHD with stabilization and audio jacks |
Travel | Lightweight and compact | Heavier but highly versatile and reliable |
Professional Work | Limited file quality and processing flexibility | Robust file formats, dual cards, pro workflow |
Overall Performance and Value Considerations
Based on rigorous testing and comparing key performance indicators:
- The Sony A99 II earns high marks for image quality, autofocus, build, and professional features, commanding a premium price point ($3,198).
- The Ricoh GXR Mount A12 offers an accessible price ($349) and compact form but remains limited technologically and creatively.
For entry-level shooters or casual users, the Ricoh remains a valid economical option focusing on simplicity. For professionals and serious enthusiasts needing versatility, speed, and impeccable image quality, the Sony represents a significantly better investment.
Sample Gallery: Seeing the Cameras in Action
Looking beyond specs to actual image output helps visualize these differences.
- Ricoh images reveal good color rendition and sharpness in daytime conditions but reveal noise at ISO beyond native max.
- Sony files showcase remarkable detail, dynamic range, and excellent low-light clarity with smooth defocused backgrounds, ideal in portraits and landscapes.
Final Thoughts & Recommendations
Who should consider the Ricoh GXR Mount A12?
- Beginners or casual shooters on a budget seeking a compact, simple camera.
- Travel photographers wanting a lightweight companion where durability is not a top concern.
- Those intrigued by modular sensor/lens concepts and fixed-lens solutions.
Who will benefit most from the Sony A99 II?
- Advanced enthusiasts and professional photographers requiring top-tier resolution, autofocus, and video.
- Wildlife and sports photographers who need rapid continuous shooting and precise tracking.
- Portrait and landscape photographers looking for dynamic range, detail, and full-frame lens options.
- Hybrid shooters blending high-quality video with stills.
Getting Hands-On and Accessories
I always recommend renting or testing these cameras in person before committing. Handling ergonomics and autofocus responsiveness are first-hand experiences you can't replicate from specs alone.
For the Ricoh, consider additional sensor/lens modules if available to expand the creative range. For Sony, invest in quality G-master lenses or vintage Minolta optics to unlock full potential.
Wrapping Up
Comparing Ricoh GXR Mount A12 and Sony A99 II highlights how vast the camera landscape is - from modest, straightforward designs to professional-grade technologies loaded with cutting-edge features. Your choice hinges on your photography goals, shooting style, and budget.
We hope this article clarified key differences and helped you envision which system fits your creative future best. Step forward confidently in your photographic journey - and don’t hesitate to dive into hands-on trials to find your perfect match.
Happy shooting!
Ricoh GXR Mount A12 vs Sony A99 II Specifications
Ricoh GXR Mount A12 | Sony Alpha A99 II | |
---|---|---|
General Information | ||
Brand | Ricoh | Sony |
Model | Ricoh GXR Mount A12 | Sony Alpha A99 II |
Category | Entry-Level Mirrorless | Advanced DSLR |
Introduced | 2011-08-05 | 2016-09-19 |
Physical type | Rangefinder-style mirrorless | Mid-size SLR |
Sensor Information | ||
Processor | - | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | Full frame |
Sensor measurements | 23.6 x 15.7mm | 35.9 x 24mm |
Sensor area | 370.5mm² | 861.6mm² |
Sensor resolution | 12MP | 42MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 4288 x 2848 | 7952 x 5304 |
Maximum native ISO | 3200 | 25600 |
Maximum enhanced ISO | - | 102400 |
Lowest native ISO | 200 | 100 |
RAW photos | ||
Lowest enhanced ISO | - | 50 |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 399 |
Cross focus points | - | 79 |
Lens | ||
Lens mounting type | fixed lens | Sony/Minolta Alpha |
Lens focal range | () | - |
Available lenses | - | 143 |
Crop factor | 1.5 | 1 |
Screen | ||
Screen type | Fixed Type | Fully articulated |
Screen size | 3 inches | 3 inches |
Resolution of screen | 920 thousand dots | 1,229 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Electronic |
Viewfinder resolution | - | 2,359 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.78x |
Features | ||
Min shutter speed | 1 seconds | 30 seconds |
Max shutter speed | 1/9000 seconds | 1/8000 seconds |
Continuous shutter rate | 3.0 frames/s | 12.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 9.60 m | no built-in flash |
Flash options | Auto, On, Off, Red-Eye, Slow Sync, Manual | Off, auto, fill, slow sync, redeye reduction, rear sync, high-speed sync, wireless |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | - | 1/250 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (24 fps), 320 x 240 (24 fps) | - |
Maximum video resolution | 1280x720 | 3840x2160 |
Video format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 370g (0.82 lb) | 849g (1.87 lb) |
Physical dimensions | 120 x 70 x 45mm (4.7" x 2.8" x 1.8") | 143 x 104 x 76mm (5.6" x 4.1" x 3.0") |
DXO scores | ||
DXO Overall score | not tested | 92 |
DXO Color Depth score | not tested | 25.4 |
DXO Dynamic range score | not tested | 13.4 |
DXO Low light score | not tested | 2317 |
Other | ||
Battery life | 330 shots | 490 shots |
Form of battery | Battery Pack | NP-FM500H lithium-ion battery & charger |
Battery model | DB-90 | - |
Self timer | Yes (5 sec, custom) | Yes (2, 5, 10 secs) |
Time lapse shooting | ||
Storage type | SD/SDHC, Internal | Dual SD/SDHC/SDXC/MS Duo slots |
Card slots | 1 | Dual |
Launch price | $349 | $3,198 |