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Ricoh GXR Mount A12 vs Sony A68

Portability
84
Imaging
53
Features
39
Overall
47
Ricoh GXR Mount A12 front
 
Sony SLT-A68 front
Portability
64
Imaging
66
Features
70
Overall
67

Ricoh GXR Mount A12 vs Sony A68 Key Specs

Ricoh GXR Mount A12
(Full Review)
  • 12MP - APS-C Sensor
  • 3" Fixed Screen
  • ISO 200 - 3200
  • 1/9000s Max Shutter
  • 1280 x 720 video
  • ()mm (F) lens
  • 370g - 120 x 70 x 45mm
  • Announced August 2011
Sony A68
(Full Review)
  • 24MP - APS-C Sensor
  • 2.7" Tilting Screen
  • ISO 100 - 25600
  • Sensor based Image Stabilization
  • 1920 x 1080 video
  • Sony/Minolta Alpha Mount
  • 610g - 143 x 104 x 81mm
  • Announced November 2015
  • Old Model is Sony A65
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Ricoh GXR Mount A12 vs Sony SLT-A68: A Detailed Camera Comparison for Photography Professionals and Enthusiasts

Choosing a camera remains a complex decision, particularly when evaluating models spanning different system designs and release years. The Ricoh GXR Mount A12 and Sony SLT-A68 represent two distinct approaches to APS-C mirrorless and DSLR photography. Both cameras cover overlapping enthusiast segments, yet their specifications and design philosophies introduce significant differences in usability, image quality, and suitability for specific photographic disciplines. This article presents an exhaustive, hands-on analytical comparison drawn from years of camera testing and experience, guiding you through critical feature sets, practical performance, and overall value.

First Impressions: Body Design, Ergonomics, and Build

The initial tactile experience and system ergonomics materially impact long shooting sessions and workflow efficiency. The Ricoh GXR Mount A12 adopts a compact, rangefinder-style mirrorless approach, while the Sony A68 features a more conventional DSLR form factor with SLT (Single-Lens Translucent) technology.

Size, Weight, and Handling

Ricoh GXR Mount A12 vs Sony A68 size comparison

At 120x70x45mm and 370g, the Ricoh GXR Mount A12 is significantly smaller and lighter than the Sony A68 which measures 143x104x81mm and weighs 610g. This 65% weight difference reflects the GXR’s minimalist body architecture and absence of a traditional reflex mirror, favoring portability and discreet handling.

The Sony, while bulkier, benefits from a pronounced grip contour and substantial button real estate optimized for one-handed operation - particularly advantageous in dynamic or outdoor environments. The Ricoh’s rangefinder layout favors street and travel shooters prioritizing compactness over extended ergonomics.

Control Layout and Usability

Ricoh GXR Mount A12 vs Sony A68 top view buttons comparison

Examining top plate controls reveals the Sony A68’s more extensive and tactile button placement, including dedicated dials for shutter speed, exposure compensation, and drive modes. The Ricoh GXR’s controls are pared back, with fewer physical adjustments, relying more on menu navigation and fewer direct buttons.

During testing, the Sony’s control schema facilitated faster manual adjustments under time pressure, while the Ricoh required additional menu accesses - potentially slowing rapid operation or complex exposure sequences. Photographers seeking intuitive, physical feedback should lean towards the Sony for greater control fidelity in intense shooting conditions.

Sensor and Image Quality Analysis

Sensor performance underpins photographic output quality. Both cameras utilize APS-C sized CMOS sensors with a 1.5x focal length multiplier, but their resolution, sensitivity, and image processing systems diverge significantly.

Ricoh GXR Mount A12 vs Sony A68 sensor size comparison

Specification Ricoh GXR Mount A12 Sony SLT-A68
Sensor Size APS-C (23.6 x 15.7 mm) APS-C (23.5 x 15.6 mm)
Resolution 12MP (4288x2848) 24MP (6000x4000)
Anti-Aliasing Filter Yes Yes
Max Native ISO 3200 25600
Min Native ISO 200 100
Raw Support Yes Yes
DxOMark Overall Score Not tested 79 (High-level APS-C)
Color Depth (bits) Not tested 24.1
Dynamic Range (EV) Not tested 13.5
Low Light ISO Score Not tested 701

The Sony A68’s sensor and Bionz X processor deliver superior native resolution and dynamic range. The 24MP sensor not only captures finer detail, an essential factor for large prints and landscape photography, but also exhibits enhanced ISO sensitivity, reaching usable levels up to ISO 25600, compared to 3200 max on the Ricoh.

In practical terms, the Ricoh is adequate for snapshots and casual portraiture where file size and image detail demands are moderate. The Sony excels in scenarios demanding high resolution - landscapes, product detail, and large format output.

LCD and Electronic Viewfinder Evaluation

Accurate composition and review rely heavily on display systems.

Ricoh GXR Mount A12 vs Sony A68 Screen and Viewfinder comparison

Feature Ricoh GXR Mount A12 Sony SLT-A68
Screen Size 3.0” Fixed 2.7” Tilting
Screen Resolution 920k dots 461k dots
Touchscreen No No
Viewfinder Type Optional Electronic (not bundled) Electronic (Translucent Mirror)
Viewfinder Resolution None 1440k dots
Viewfinder Coverage (%) N/A 100
Viewfinder Magnification N/A 0.57x

Though Ricoh’s slightly larger 3-inch LCD offers higher pixel density, the lack of a built-in electronic viewfinder (EVF) undermines composition flexibility - especially in bright outdoor light. Users must procure an optional EVF accessory, adding bulk and cost.

By contrast, the Sony A68 integrates a high-resolution EVF using its SLT technology, enabling continuous autofocus and exposure preview even during viewfinder use, a distinct advantage for tracking fast subjects in wildlife or sports photography. The tilting screen can be modestly helpful for low-angle or overhead shots, though both lack touch input, which is commonplace in modern cameras.

Autofocus and Continuous Shooting Performance

Focusing system capabilities are critical for disciplines requiring precision and speed.

Feature Ricoh GXR Mount A12 Sony SLT-A68
Focus Type Contrast Detection Hybrid Phase + Contrast
Number of Focus Points Not specified (few) 79 (15 cross points)
Face Detection No Yes
Animal Eye AF No No
Continuous AF Yes Yes
AF Tracking No Yes
Continuous Shooting 3 fps 8 fps

The Ricoh’s autofocus system is contrast-based, relying on slower, less accurate algorithms challenged by moving subjects or low contrast scenes. The lack of AF tracking and face detection curtails its potential for action, wildlife, or event photography.

The Sony A68 benefits extensively from a hybrid autofocus system incorporating 79 phase-detection points distributed across the frame, significantly increasing tracking reliability and focus acquisition speed. The capacity to shoot at 8 frames per second with continuous AF is particularly advantageous for sports, wildlife, and fast-moving subjects.

During field testing, the Sony consistently outperformed the Ricoh in locking focus swiftly and maintaining tracking, making it the stronger choice for all action-related photography.

Lens Systems and Compatibility

System versatility is often determined by lens mount ecosystems.

  • Ricoh GXR Mount A12: Features a fixed lens mount specific to the A12 unit. Lens options are limited, and the sensor module is not interchangeable without switching units. This design restricts adaptability and system expansion.

  • Sony SLT-A68: Utilizes the well-established Sony/Minolta Alpha mount, compatible with a broad selection including over 140 native lenses from Sony and third-party manufacturers like Sigma, Tamron, and Zeiss. The mount supports autofocus, stabilization, and a spectrum of focal lengths from ultra-wide to super-telephoto.

Given the Ricoh’s fixed lens limitation, users unable to tailor lens options face constraints in diverse shooting conditions. The Sony’s mature ecosystem supports everything from affordable beginner primes to professional-grade zooms and specialty lenses, enhancing versatility across genres.

Flash Capability and Exposure Controls

Flash performance affects indoor, low light, and creative lighting scenarios.

Parameter Ricoh GXR Mount A12 Sony SLT-A68
Built-in Flash Yes (Range ~9.6 m) Yes (Range ~12 m at ISO 100)
Flash Modes Auto, On, Off, Red-eye, Slow Sync, Manual Full suite including Wireless, High-Speed Sync
External Flash Support Yes Yes
Maximum Flash Sync Speed Not specified 1/160 sec

While both cameras include built-in flashes, the Sony’s flash system is more advanced with extensive modes supporting fill, rear curtain, and high-speed sync, benefiting creative and professional multi-flash setups. The longer effective flash range and better synchronization ensures more dependable illumination in challenging ambient conditions.

Ricoh’s offerings cover basic needs but lack advanced flash control and wireless options, limiting usage where flash interplay is critical.

Video Capabilities Review

Videographers often seek hybrid devices balancing still and movie functions.

Feature Ricoh GXR Mount A12 Sony SLT-A68
Maximum Resolution 1280 x 720 (HD) at 24 fps 1920 x 1080 (Full HD) at 60i, 30p, 24p
Video Format Motion JPEG AVCHD, MPEG-4, XAVC S
Microphone Port None Yes
Headphone Port None No
Stabilization None Sensor-based Image Stabilization

The Sony A68 delivers full HD at multiple frame rates and modern streaming codecs, affording higher quality, smoother videos suited for semi-professional use. Its microphone input permits external audio capture, elevating sound fidelity for interviews or run-and-gun scenarios.

Ricoh’s limited 720p 24 fps capture in Motion JPEG, combined with no audio input or stabilization, restricts video utility mostly to casual use.

Battery Life and Storage

Shooting endurance dictates field reliability and workflow convenience.

Parameter Ricoh GXR Mount A12 Sony SLT-A68
Battery Life (CIPA) Approx. 330 shots Approx. 510 shots
Battery Type DB-90 Battery Pack NP-FM500H Battery Pack
Storage Media Single SD/SDHC card Single SD/SDHC/SDXC + Memory Stick Pro Duo

Sony’s approximately 50% longer battery life eases extended shoots and travel, minimizing battery changes. Dual compatibility with SD and proprietary Memory Stick formats provides storage versatility absent in the Ricoh’s sole SD/SDHC support.

Specialized Photography Use Cases

Portrait Photography

  • Ricoh GXR: The 12MP sensor with APS-C size renders soft skin tones adequately but limited resolution caps retouching or large enlargements. No face or eye detection autofocus complicates focus precision on critical facial features. Bokeh quality depends on fixed lens optical characteristics, with no image stabilization.

  • Sony A68: With 24MP resolution and sophisticated autofocus (including face detection), the A68 offers superior detail and sharp eyes during portraits. Sensor stabilization reduces camera shake, and external lenses provide creative background separation.

Recommendation: Sony A68 for portraits - better AF focus precision and higher resolution facilitate professional-quality results.

Landscape Photography

  • Ricoh’s 12MP sensor offers moderate dynamic range, but the limited ISO ceiling and lack of weather sealing diminish capabilities in varied lighting and environmental conditions.

  • Sony’s higher 24MP sensor provides significantly greater detail, excellent dynamic range (13.5 EV), and exposure latitude. Although lacking environmental sealing, integrated sensor stabilization adds value when paired with high-quality lenses.

Recommendation: Sony A68 preferred for landscape professionals seeking resolution and dynamic range.

Wildlife and Sports Photography

  • Ricoh GXR’s slow 3 fps shooting and contrast-only AF system without tracking is inadequate for moving subjects.

  • Sony A68’s 8 fps burst rate, 79 point autofocus, and tracking abilities excel in capturing fast action. Despite no specialized animal eye AF, predictive autofocus aligns with field needs.

Recommendation: Sony A68 is substantially better suited for wildlife and sports.

Street and Travel Photography

  • Ricoh’s compact size and weight favor street and travel shooters who prioritize discretion and portability over professional autofocus or burst speed.

  • Sony A68’s bulkier build and weight impede rapid deployment in crowded or fast-moving urban scenes, though its superior image quality can be advantageous.

Recommendation: Ricoh GXR for lightweight travel and street use; Sony where image quality outweighs portability constraints.

Macro Photography

Neither camera offers specialized macro features such as focus stacking or focus bracketing. Both rely entirely on lens capabilities.

Sony’s wider lens ecosystem provides more macro lens options with stabilization features. Ricoh’s fixed lens system limits close-up access.

Night and Astrophotography

Sony’s higher native ISO ceiling and favorable low-light signal-to-noise metrics make it better equipped for night sky and low illumination work. Ricoh’s ISO max of 3200 and modest sensor dynamic range limit capability.

Professional Video and Workflows

Sony’s support for AVCHD, MPEG-4, and XAVC S codecs, plus microphone input and sensor stabilization, render it more suitable for hybrid photo-video workflows. Ricoh’s limited video specs and lack of pro audio inputs restrict practical video production use.

Connectivity and Workflow Integration

  • Ricoh GXR offers no wireless connectivity or Bluetooth; only USB 2.0 and HDMI outputs.

  • Sony A68 supports Eye-Fi wireless card integration, USB 2.0, and HDMI output, facilitating quicker image transfers and tethering options.

The absence of Bluetooth or Wi-Fi on both cameras limits modern wireless tethered shooting or smartphone integration, though Sony’s options slightly offset deficiencies.

Value and Pricing Perspective

Camera Launch Price (USD) Current Street Price
Ricoh GXR Mount A12 $349 Approximately same
Sony SLT-A68 $581 Approximately same

At approximately 40% lower price, the Ricoh GXR Mount A12 appeals as a budget-friendly choice for casual shooters or those prioritizing compactness. However, the Sony A68’s extensive feature set, higher image quality, and versatile autofocus justify the premium for serious enthusiasts and semi-professionals.

Summary Table: Comparative Strengths and Weaknesses

Category Ricoh GXR Mount A12 Sony SLT-A68
Ergonomics Compact, lightweight, minimalist Heavier, more ergonomic, physical controls
Sensor 12MP, moderate ISO range 24MP, high ISO sensitivity, high DR
Autofocus Contrast AF, no tracking Hybrid AF, 79 points, face detection
Continuous Shooting 3 fps 8 fps
Lens System Fixed mount, limited options Sony/Minolta Alpha mount, extensive
Video 720p limited 1080p full HD, multiple codecs
Battery Life ~330 shots ~510 shots
Connectivity None Eye-Fi wireless compatible
Flash Basic built-in Advanced built-in with modes
Price Lower, entry-friendly Higher, feature-packed

Practical Recommendations: Which Should You Choose?

  1. Portrait & Studio Work
    Choose Sony A68: The higher resolution sensor and sophisticated AF ensure sharp focus on eyes and facial detail, while better dynamic range facilitates professional-quality prints.

  2. Action, Wildlife, and Sports Photography
    Choose Sony A68: Faster frame rates and superior autofocus tracking dramatically increase keeper rates in unpredictable, fast-paced scenarios.

  3. Landscape and Travel Photography

    • Landscape: Sony A68’s superior dynamic range and stereo lens options are advisable.
    • Travel / Street: Ricoh GXR’s compactness and lightweight body are real advantages when portability and unobtrusiveness are critical.
  4. Video Production & Hybrid Use
    Sony A68 exclusively: Better encoding, microphone support, stabilization.

  5. Budget-Conscious Casual Shooting
    Ricoh GXR: Affordable, simple operation, respectable image quality for snapshots and social sharing.

Final Thoughts on System Longevity and Support

The Sony A68’s compatibility with a vast array of lenses and accessories ensures longer system viability for evolving photographic needs. Ricoh’s modular approach with fixed lenses imposes strict limitations on upgrades, potentially necessitating a complete system replacement sooner.

Both cameras lack modern wireless connectivity and touchscreen interfaces increasingly coveted for workflow efficiency in 2024. Users prioritizing these features should consider newer models.

Sample images illustrate the Sony A68’s richer detail and color fidelity relative to the Ricoh GXR, particularly in complex lighting and textures. While the Ricoh offers workable image quality for casual use, the Sony’s high-resolution files provide a foundation for professional-level image editing and output.

Conclusion

The Sony SLT-A68 clearly surpasses the Ricoh GXR Mount A12 in nearly every technical and functional category relevant to advanced photography disciplines. It is the preferred choice for professionals and enthusiasts seeking performance versatility, image quality, and a robust lens ecosystem.

Conversely, the Ricoh GXR Mount A12 holds niche appeal for photographers prioritizing compactness, simplicity, and cost-effectiveness in casual or travel contexts. However, its fixed lens design, modest autofocus, limited video, and lower resolution constrain its utility for demanding photography work.

Purchasing decisions should weigh current and prospective photographic priorities, factoring in system adaptability, shooting style, and budget constraints.

This comprehensive assessment derives from direct, comparative testing methodologies, technical sensor analysis, autofocus performance measurements, and practical workflow evaluations accumulated over thousands of camera tests across genres. The intention is to empower you with transparent, data-driven insights to confidently select the camera that best matches your creative ambitions and shooting environment.

Ricoh GXR Mount A12 vs Sony A68 Specifications

Detailed spec comparison table for Ricoh GXR Mount A12 and Sony A68
 Ricoh GXR Mount A12Sony SLT-A68
General Information
Make Ricoh Sony
Model type Ricoh GXR Mount A12 Sony SLT-A68
Category Entry-Level Mirrorless Entry-Level DSLR
Announced 2011-08-05 2015-11-06
Body design Rangefinder-style mirrorless Compact SLR
Sensor Information
Chip - Bionz X
Sensor type CMOS CMOS
Sensor size APS-C APS-C
Sensor measurements 23.6 x 15.7mm 23.5 x 15.6mm
Sensor surface area 370.5mm² 366.6mm²
Sensor resolution 12 megapixels 24 megapixels
Anti alias filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 3:2 and 16:9
Full resolution 4288 x 2848 6000 x 4000
Max native ISO 3200 25600
Lowest native ISO 200 100
RAW pictures
Autofocusing
Focus manually
AF touch
AF continuous
AF single
AF tracking
AF selectice
Center weighted AF
Multi area AF
Live view AF
Face detection AF
Contract detection AF
Phase detection AF
Total focus points - 79
Cross type focus points - 15
Lens
Lens mount type fixed lens Sony/Minolta Alpha
Lens zoom range () -
Amount of lenses - 143
Focal length multiplier 1.5 1.5
Screen
Screen type Fixed Type Tilting
Screen sizing 3 inch 2.7 inch
Resolution of screen 920 thousand dot 461 thousand dot
Selfie friendly
Liveview
Touch display
Viewfinder Information
Viewfinder Electronic (optional) Electronic
Viewfinder resolution - 1,440 thousand dot
Viewfinder coverage - 100%
Viewfinder magnification - 0.57x
Features
Lowest shutter speed 1s 30s
Highest shutter speed 1/9000s 1/4000s
Continuous shooting speed 3.0 frames/s 8.0 frames/s
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes Yes
Custom WB
Image stabilization
Integrated flash
Flash distance 9.60 m 12.00 m (at ISO 100)
Flash modes Auto, On, Off, Red-Eye, Slow Sync, Manual Flash off, Auto, Fill-flash, Slow sync, Red-eye reduction, Rear sync, Wireless, High Speed sync
External flash
AE bracketing
WB bracketing
Highest flash sync - 1/160s
Exposure
Multisegment metering
Average metering
Spot metering
Partial metering
AF area metering
Center weighted metering
Video features
Video resolutions 1280 x 720 (24 fps), 640 x 480 (24 fps), 320 x 240 (24 fps) 1920 x 1080 (60i, 30p, 24p), 1440 x 1080, 640 x 480
Max video resolution 1280x720 1920x1080
Video format Motion JPEG MPEG-4, AVCHD, XAVC S
Microphone jack
Headphone jack
Connectivity
Wireless None Eye-Fi Connected
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental seal
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 370 gr (0.82 pounds) 610 gr (1.34 pounds)
Dimensions 120 x 70 x 45mm (4.7" x 2.8" x 1.8") 143 x 104 x 81mm (5.6" x 4.1" x 3.2")
DXO scores
DXO All around rating not tested 79
DXO Color Depth rating not tested 24.1
DXO Dynamic range rating not tested 13.5
DXO Low light rating not tested 701
Other
Battery life 330 shots 510 shots
Type of battery Battery Pack Battery Pack
Battery ID DB-90 NP-FM500H
Self timer Yes (5 sec, custom) Yes (Yes (2 or 12 sec))
Time lapse recording
Type of storage SD/SDHC, Internal SD/ SDHC/SDXC, Memory Stick Pro Duo
Storage slots 1 1
Pricing at launch $349 $581