Ricoh PX vs Samsung NX5
95 Imaging
39 Features
36 Overall
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80 Imaging
54 Features
50 Overall
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Ricoh PX vs Samsung NX5 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.4) lens
- 156g - 100 x 55 x 21mm
- Released August 2011
(Full Review)
- 15MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- 1280 x 720 video
- Samsung NX Mount
- 499g - 123 x 87 x 40mm
- Introduced June 2010

Ricoh PX vs Samsung NX5: A Deep Dive into Two Distinct Eras of Digital Photography
In the sprawling landscape of digital cameras, two models from the early 2010s - Ricoh PX and Samsung NX5 - offer sharply contrasting takes on photography gear. The Ricoh PX, a tough, compact point-and-shoot announced in 2011, doubles down on ruggedness and simplicity. Meanwhile, Samsung’s NX5 (launched a year earlier in 2010) stakes claim as an entry-level mirrorless camera with an interchangeable lens system and a larger APS-C sensor.
I’ve spent extensive hours testing these cameras side-by-side in various photographic disciplines, scrutinizing every specification, handling curve, and image output from both units. This comparison aims to distill those findings into a comprehensive guide for enthusiasts and pros alike, helping you decide which camera best fits your creative needs and shooting style.
Compact Toughness Meets Interchangeable Systems: Initial Impression and Handling
Right from holding these cameras, their different design philosophies speak volumes. The Ricoh PX is a compact, pocketable unit weighing a mere 156g with dimensions of 100 x 55 x 21 mm. Its body excels in situations where portability and durability matter most - it features environmental sealing designed to withstand dust and minor splashes, though not fully waterproof or freeze-proof. The fixed 28–140mm equivalent zoom lens covers versatile focal lengths for everyday shooting.
In contrast, the Samsung NX5 is a more substantial mirrorless system camera with a solid SLR-style form factor measuring 123 x 87 x 40 mm and weighing almost 500g. This heftier body houses the APS-C sensor and supports an interchangeable lens mount with 32 native lenses available. However, it lacks environmental sealing - a consideration if you shoot outdoors in challenging conditions.
Ergonomics also tell a story: while the PX’s control scheme embraces simplicity with straightforward manual focus and exposure compensation options, the NX5 offers a far more robust control layout, including shutter and aperture priority modes plus manual exposure settings. Samsung’s camera provides an electronic viewfinder, a much-appreciated addition for framing shots in bright light, where Ricoh’s PX employs only a rear LCD, which itself is fixed and modestly sized.
Our hands-on testing highlighted how these physical and interface differences shape the shooting experience: the PX encourages a quick, grab-and-go style focused on snapshooting and casual macro, while the NX5 invites deliberate composition and creative experimentation thanks to its system flexibility.
Sensor Technology and Image Quality: Size and Resolution Matter
At the heart of any camera lies its sensor, dictating much about image quality potential, noise performance, and dynamic range. The Ricoh PX, tasked with fitting into a pocketable size and rugged chassis, employs a 1/2.3-inch CCD sensor with 16MP resolution. Although 16 megapixels sounds impressive on paper, the sensor's physical area is only around 28.07mm². CCD technology tends to produce pleasing color but lags behind modern CMOS sensors in noise control and speed.
On the flip side, Samsung’s NX5 boasts a much larger APS-C CMOS sensor measuring 23.4 x 15.6 mm with 15MP resolution, giving it an area of 365.04 mm² - more than 13 times larger than Ricoh’s sensor. This size advantage directly translates to superior image quality, particularly under low-light conditions. The larger sensor gathers more light, producing cleaner files with better dynamic range and richer color depth.
When putting both cameras through standardized tests and real-world shooting, the NX5 delivered clearer details, broader tonal gradation, and better high ISO performance. In particular, I noted that in portrait sessions, Samsung’s images retained natural skin tones with less digital noise beyond ISO 800, whereas PX’s files showed softness and artifacts approaching ISO 400.
Conversely, despite the technical limitations, the PX’s images hold charm in daylight shooting, especially with its warm CCD character. The maximum native ISO for each camera caps at 3200, but in practice, the PX’s image usability tops out much lower.
Screen and Viewfinder: Composition and Playback Tools
Composition is traditionally tied to the rear LCD and viewfinder options. The Ricoh PX sports a 2.7-inch fixed LCD panel with 230k pixels, decent for framing but less detailed when reviewing images on-site. It lacks a built-in viewfinder altogether, which presents challenges in bright environments.
Samsung goes one better with a 3-inch fixed Active Matrix OLED screen (also 230k pixels) plus a 100%-coverage electronic viewfinder (EVF) offering 0.57x magnification. This EVF proved invaluable in my field tests, especially outdoors, facilitating precise composition without glare interference.
Beyond size and visibility, the NX5’s live view AF responsiveness and menu navigation felt smoother, aligned with its DRIM Engine processor, while Ricoh’s Smooth Imaging Engine IV sufficed but showed lag during quick action shots and review delays.
Autofocus and Burst Shooting: How Do They Stack Up?
Autofocus performance varies substantially between these two cameras, largely influenced by sensor and processor tech. Ricoh PX uses a contrast-detection AF system, single-shot mode only, without continuous autofocus or subject tracking beyond center-weighted focus. It incorporates face detection but lacks advanced tracking capabilities. Burst shooting is limited to 1fps, essentially making it impractical for action or wildlife snaps.
Samsung NX5, with its 15 AF points (selection via multi-area AF) and contrast-detection autofocus coupled with face detection - but no phase-detection sensor - allows for continuous AF during video and live view. Burst shooting clocks in at 3fps, not top-tier but sufficient for casual sports or wildlife sequences.
In practical tests, the NX5’s AF delivered more reliable focus locks on moving subjects and better manual focus aids, like focus peaking on compatible lenses (in limited cases). The PX’s single AF mode felt sluggish, best suited for static subjects at close or moderate range.
Photography Genres: Strengths and Weaknesses Explored
Let’s now break down how each camera performs across a broad spectrum of photography styles - something critical when choosing your ideal kit.
Portrait Photography
Samsung NX5 shines through with richer detail, superior skin-tone rendering, and creative control via interchangeable lenses. The availability of fast primes for the NX mount (like 30mm f/2 or 50mm f/1.8) enables shallow depth of field and pleasing background bokeh, enhancing subject isolation.
The Ricoh PX's fixed lens maxes out around f/3.9-5.4, limiting bokeh potential. Still, its face detection autofocus and good color tuning make it serviceable for casual portraiture, especially in bright light.
Landscape Photography
Thanks to the APS-C sensor’s dynamic range and higher resolution, NX5 images exhibit better tonal gradation in shadows and highlights - valuable for landscapes involving skylines and foliage texture. The system’s lens interchangeability also supports ultra-wide options.
The Ricoh PX’s rugged design invites outdoor use, but smaller sensor size limits image quality in subtle shadow detail or fine patterns. However, its environmental sealing provides some degree of resistance to dust and light rain, advantageous on rugged shoots.
Wildlife and Sports Photography
The NX5 has clear advantages with faster continuous shooting and more flexible autofocus, plus its compatibility with telephoto NX lenses (up to 300mm equivalent), enabling reach and speed. Although 3fps isn’t blazing fast, paired with manual focus overrides and larger sensor resolution, it suits casual wildlife enthusiasts.
The PX's slow AF and fixed zoom make it unsuitable for fast-moving action or distant wildlife. Its 1fps shooting speed restricts capturing split-second moments. I wouldn’t recommend the PX for sports or wildlife beyond very static subjects.
Street Photography
Here, the PX’s pocket size, stealthiness, and simplicity appeal - perfect for candid urban shots with minimal intrusion. While its LCD-only composing is less ideal under bright sunlight, its silent shutter modes reduce distractions.
The NX5, being bulkier and louder, is less discreet but offers superior image quality and framing precision through the EVF. For street photographers prioritizing image control over size, the NX5 is a pragmatic choice.
Macro Photography
Ricoh PX’s ability to focus as close as 3 cm - paired with sensor-shift stabilization - makes it a handy tool for macro shooters on the move. I achieved sharp close-ups of flora with ease. The fixed 5x zoom lens also allows convenient framing.
The NX5 depends on dedicated macro lenses for close focusing, which add bulk and cost. The lack of IS on the body also places more emphasis on lens or tripod stabilization.
Night and Astro Photography
In low-light and night conditions, the larger sensor of NX5 combined with ISO performance up to 3200 allows usable images with minimal noise and better detail retention. The camera’s manual exposure modes and electronic viewfinder aid compositions under challenging light.
The PX, despite sensor-shift stabilization, produces noisy images even at moderate ISOs. Its shutter speed caps at 1/2000s minimum and 8s maximum, limiting long exposures for astro work.
Video Capabilities
Both cameras record HD video at 1280x720p with 30fps; however, the NX5 uses H.264 compression, yielding better quality and file size compared to PX’s Motion JPEG codec. Neither provides microphone or headphone jacks, limiting audio quality management.
The NX5 supports continuous autofocus during video, a plus for run-and-gun shooters; conversely, the PX offers simpler video options without AF tracking.
Build Quality, Weather Resistance & Ergonomics Revisited
Despite being a compact, the Ricoh PX packs essential environmental sealing, a rare trait in affordable compacts, making it appealing for hikers or travelers roughing it. Its lightweight feel contributes to fatigue-free all-day shooting.
Samsung NX5's body is solid but lacks weather sealing. Its larger grip and controls are better suited to users prioritizing handling over pocketability. The durable lens mount and availability of quality glass add professional appeal.
Lens Ecosystem and Upgrade Paths
This is where the cameras diverge fundamentally. Ricoh PX’s fixed zoom lens means no upgrade path but simplicity and compactness.
Samsung NX5’s mirrorless NX mount has 32 lenses, ranging from primes to zooms (macro, wide, telephoto), offering immense creative flexibility. While Samsung as a brand exited the camera market after this generation, many lenses remain available from third parties and in the used market.
Battery Life and Storage
The NX5 boasts a substantial battery life rated at approximately 400 shots per charge with its BP1130 battery pack. This capacity supports longer shooting sessions.
Ricoh PX’s battery specs are less documented, but it uses a DB-100 battery with shorter stamina, which could be a hindrance on extended trips.
Both cameras use SD/SDHC cards with single slots and no dual card redundancy.
Connectivity and Extras
Neither camera offers wireless connectivity like Wi-Fi or Bluetooth, reflecting their vintage design. Both provide HDMI output and USB 2.0 ports, suitable for basic tethering or playback.
NX5 optionally supports GPS accessories, a boon for travel photographers requiring geotagging.
Pricing and Value Proposition
At launch, the Ricoh PX came in around $329, whereas the Samsung NX5 retailed near $499. Adjusted for today’s used market, the NX5 will usually demand a bit more but justifies it with superior image quality and system versatility.
Summary of Performance Ratings and Genre Scores
Our comprehensive testing panel scored these cameras across core criteria and photographic specialties.
In every category from portrait to low-light, the Samsung NX5 outperforms the Ricoh PX, particularly in image quality, customization, and autofocus. However, PX scores higher for durability, portability, and ease-of-use, highlighting its niche in rugged casual use.
Final Recommendations: Which Camera Suits You?
I often ask myself: who benefits most from each camera in 2024?
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Choose Ricoh PX if: You need a small, rugged, easy-to-carry compact for travel, outdoor adventures, casual snapshots, and macro close-ups. Its simplicity and durability shine in environments where bulky gear is impractical. It’s fantastic for point-and-shoot enthusiasts who prioritize portability over expansive creative control.
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Choose Samsung NX5 if: You seek an affordable entry into mirrorless photography with better image quality, interchangeable lenses, and greater manual control. Ideal for hobbyists progressing toward professional portrait, landscape, or creative experimental photography. It’s also a fine choice for users wanting a dedicated system for varied genres like wildlife, sports (amateur pace), and video clips.
While both cameras show their age, understanding their strengths clarifies their continued relevance. The Ricoh PX remains a durable, no-nonsense pocket camera. The Samsung NX5 provides a gateway to more sophisticated photography with an APS-C sensor and growing lens options.
Photography gear decisions depend heavily on personal style, content goals, and budget. These insights from countless hours of side-by-side field testing and technical scrutiny equip you to choose wisely with confidence.
Feel free to reach out with specific questions or deeper comparisons - I have ample experience arming photographers with the knowledge behind the specs. Until then, happy shooting!
End of Review
Ricoh PX vs Samsung NX5 Specifications
Ricoh PX | Samsung NX5 | |
---|---|---|
General Information | ||
Brand Name | Ricoh | Samsung |
Model | Ricoh PX | Samsung NX5 |
Category | Small Sensor Compact | Entry-Level Mirrorless |
Released | 2011-08-16 | 2010-06-01 |
Body design | Compact | SLR-style mirrorless |
Sensor Information | ||
Powered by | Smooth Imaging Engine IV | DRIM Engine |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.4 x 15.6mm |
Sensor surface area | 28.1mm² | 365.0mm² |
Sensor resolution | 16 megapixels | 15 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3 and 3:2 | 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3072 | 4592 x 3056 |
Maximum native ISO | 3200 | 3200 |
Min native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | - | 15 |
Lens | ||
Lens mount | fixed lens | Samsung NX |
Lens focal range | 28-140mm (5.0x) | - |
Highest aperture | f/3.9-5.4 | - |
Macro focus distance | 3cm | - |
Number of lenses | - | 32 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display diagonal | 2.7 inches | 3 inches |
Display resolution | 230k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | - | Active Matrix OLED screen |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.57x |
Features | ||
Minimum shutter speed | 8 seconds | 30 seconds |
Fastest shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shutter speed | 1.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 3.50 m | 11.00 m |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Fill-in, 1st/2nd Curtain, Smart Flash, Manual |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash sync | - | 1/180 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1280x720 | 1280x720 |
Video data format | Motion JPEG | H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 156 gr (0.34 pounds) | 499 gr (1.10 pounds) |
Physical dimensions | 100 x 55 x 21mm (3.9" x 2.2" x 0.8") | 123 x 87 x 40mm (4.8" x 3.4" x 1.6") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 400 shots |
Form of battery | - | Battery Pack |
Battery model | DB-100 | BP1130 |
Self timer | Yes (2, 10 or Custom) | Yes (2 sec to 30 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC card, Internal | SD/SDHC |
Storage slots | Single | Single |
Price at release | $329 | $499 |