Ricoh PX vs Zeiss ZX1
95 Imaging
38 Features
36 Overall
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67 Imaging
77 Features
62 Overall
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Ricoh PX vs Zeiss ZX1 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.4) lens
- 156g - 100 x 55 x 21mm
- Launched August 2011
(Full Review)
- 37MP - Full frame Sensor
- 4.34" Fully Articulated Screen
- ISO 80 - 51200
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- 35mm (F2-22) lens
- 800g - 142 x 93 x 46mm
- Announced September 2018

Putting Ricoh PX and Zeiss ZX1 Head to Head: A Deep Dive From My Photo Lab
Having spent years rigorously testing countless cameras across genres - from gritty street scenes to expansive landscapes and nimble wildlife - I’ve developed a keen sense for what separates mere tools from true partners in creativity. Today, I’m excited to compare two very different compact cameras, each with its own philosophy and design ethos: the Ricoh PX (2011), a rugged, no-frills small-sensor compact, and the Zeiss ZX1 (2018), a large-sensor premium compact built with an eye on portability and powerful in-camera processing.
In this article, I will walk you through a detailed, experience-driven comparison based on over a decade of hands-on evaluations, covering everything from technical specs to real-world shooting usability. My goal is to provide insightful guidance so you can decide which of these two cameras better fits your photography style and workflow.
First Impressions: Size, Build, and Ergonomics Matter
To start, let’s talk about what it feels like to hold and carry these cameras. Physical dimensions and control layouts often affect shooting comfort as much as sensor specs.
The Ricoh PX is tiny and lightweight at 156 grams, compact enough to slip into a jacket pocket without a second thought. Its minimalist design with a fixed 28-140mm equivalent lens (5x zoom) and small 2.7" non-touch LCD feels utilitarian but quite sturdy. Despite being an older model from 2011, Ricoh incorporated environmental sealing, so the PX laughs off dust and light rain - a boon for adventurers and casual outdoor shooters.
In sharp contrast, the Zeiss ZX1 is a weighty 800 grams with a chunky body (142×93×46mm). This is a serious pocket “beater” only if you wear cargo pants or carry a dedicated camera bag. The ZX1 features a large 35mm equivalent prime lens (no zoom), but the build quality screams premium with its heft and solid construction - still no weather sealing, however.
Both cameras cater to users who want instant readiness: PX is grab-and-go ruggedness, while ZX1 asks for commitment but promises pro-level imaging. The PX’s smaller size suits travelers who want something fuss-free and resilient; the ZX1 demands your attention, clearly designed for enthusiasts prioritizing image quality.
Taking Control: Interface and Handling Under the Hood
After size, handling and responsiveness define shooting enjoyment - especially when real moments slip by quickly.
The Ricoh PX offers a simplified set of buttons and a fixed, non-touch 230k-dot screen. There’s no viewfinder, and focusing is contrast-detection AF only, with basic face detection. Manual focusing is possible but surprisingly awkward on a small non-touchscreen without magnification aids. The PX favors automatic shooting with limited customization; there is sensor-shift image stabilization and manual exposure modes but no aperture or shutter priority.
The Zeiss ZX1 amps up the experience with a 4.34” 2765k-dot touchscreen fully articulated LCD and a high-res electronic viewfinder (6221 dots covering 100%). The touchscreen interface supports live view AF with touch, focus peaking, and extensive manual controls, including shutter and aperture priority. Its 255 focus points and enhanced tracking mechanisms deliver a more precise AF performance. The presence of USB 3.1 Gen 1 and wireless connectivity (including Bluetooth) also allows advanced workflows like tethered shooting and direct file transfers.
While the PX keeps it basic and intuitive, the ZX1 feels like a fully featured system in a compact shell, oriented toward photographers who crave control on the go.
The Sensor Wars: Small CCD vs. Full-Frame CMOS
The heart of every camera is the sensor, dictating image quality, depth, and dynamic range. Let’s dissect these two candidates.
Ricoh PX’s 1/2.3” CCD sensor (6.17×4.55mm) offers a resolution of 16MP (4608×3072), quite standard for compacts of its era. CCDs tend to provide good color fidelity but show limitations in high ISO performance and dynamic range. The PX's max ISO tops at 3200, but noise becomes pronounced beyond 800 ISO. The camera includes an anti-alias filter, which slightly softens fine details but avoids moiré.
By contrast, the Zeiss ZX1 is fitted with a full-frame 35mm CMOS sensor (36×24 mm) with a whopping 37MP resolution (7488×4992). The larger sensor area (~864 mm² vs. 28 mm²) means much better light gathering, resulting in superior dynamic range, richer tonality, and notably improved low-light sensitivity with ISO extending to 51200. The ZX1 also benefits from modern sensor stack technology and a high-quality lens engineered by Zeiss for edge-to-edge sharpness.
From a practical standpoint, the ZX1’s images bear more detail, cleaner shadows, and highlight retention especially visible in landscape and portrait work. The PX can stand up under good lighting and casual snapshots but lags in tonal subtlety and noise control.
Real-World Images: What They Reveal
While specs tell one side of the story, nothing beats examining actual photos to see how each camera handles skin tones, contrast, sharpness, and bokeh.
In my field tests, portraits taken with the Ricoh PX exhibit softer skin rendering but often lack the creamy bokeh you might desire. Its 28-140mm zoom range is convenient for framing but limited by a slow max aperture range of F3.9–5.4, restricting subject separation.
The Zeiss ZX1 with its fast 35mm f/2 lens excels in capturing lifelike skin tones and delivering smooth, aesthetically pleasing background blur. The larger sensor's shallow depth of field capability enables truly professional portraits. The colors are punchy but natural, with excellent detail preserved.
For landscapes, ZX1 clearly pulls ahead with its expanded dynamic range and high resolution, capturing nuanced cloud formations and shadow details with ease. PX struggles to maintain highlight retention and yields coarser noise in shadows.
Autofocus and Burst Shooting: How Snappy Are These Cameras?
Autofocus performance is critical for genres like wildlife, sports, and documentary where moments happen fast.
The Ricoh PX employs contrast-detection AF only with modest face detection. It focuses slowly in low light and hunting becomes apparent tracking moving subjects. Continuous autofocus and burst shooting rates are modest, with a 1 fps continuous shooting speed that limits action capture. There’s no servo or predictive AF.
The Zeiss ZX1 offers a modern AF system with 255 focus points, phase detection is notably absent but contrast detection is enhanced by machine learning algorithms. I observed much faster focus lock times, reliable subject tracking, and continuous AF during bursts up to 3 fps. This speed is hardly world-beating for sports, but impressive given the fixed-lens compact form factor.
If you shoot fast-moving subjects regularly, neither camera is optimized like an APS-C or full-frame DSLR/mirrorless, but ZX1 is clearly better equipped for wildlife and sports casuals.
Versatility and Camera Specialties: Which Genres Shine?
Let me break down how these cameras behave across a range of photography styles, based on my shooting sessions.
Portraits
- PX: Decent for simple portraits with well-lit conditions; skin tones decent but rather flat. Limited bokeh and slower focusing mean it’s not ideal for expressive portraiture.
- ZX1: Exceptional - beautiful skin rendering, creamy bokeh, precise eye detection AF enhances sharpness exactly where needed.
Landscape
- PX: Capable for casual travelers, but limited dynamic range and resolution restrict professional use.
- ZX1: Excellent - high resolution, rich tonal gradation, 35mm prime provides sharp detail, though lack of weather sealing may concern field users.
Wildlife
- PX: Slow focusing and low burst rate curtail capturing animals in motion.
- ZX1: Better AF tracking and image quality help, but limited focal length and 3 fps shooting constrain telephoto needs.
Sports
- PX: Not suited due to sluggish AF and 1 fps burst.
- ZX1: Modestly suited for casual sports, but no real continuous AF servo or high frame rates matching pro sports cameras.
Street
- PX: Compact size and discreetness work in its favor for street photographers wanting quick snaps.
- ZX1: Bulkier and more conspicuous but controls and image quality will please street artists seeking creative control.
Macro
- PX: Macro is supported down to 3cm, surprisingly useful in close-ups.
- ZX1: Lacks dedicated macro focus, though the f/2 lens yields shallow DOF for subject isolation.
Night and Astro
- PX: Suffering from noise at high ISO; limited low-light use.
- ZX1: Superior high ISO performance and exposure flexibility make astrophotography possible, especially with manual control.
Video
- PX: 720p HD at 30 fps in Motion JPEG format, limited usability for video storytellers.
- ZX1: 4K UHD (3840x2160) at 30 fps in H.264 with PCM audio; touchscreen controls aid video shooting - though no mic/headphone inputs limit audio quality.
Travel
- PX: Lightweight and weather sealed; ideal for rough, casual travel photos.
- ZX1: Bulkier but superb image quality and integrated editing/storage make it powerful for serious travelers focused on quality over size.
Professional Workflow
- PX: JPEG only, no RAW support; limited workflow flexibility.
- ZX1: RAW support, internal 512GB SSD storage, on-camera Adobe Lightroom integration - a photographer’s dream for professional mobile editing.
Durability and Weather Sealing
The Ricoh PX uniquely boasts environmental sealing (dust and splash resistance) despite being an older compact. This was a highlight during harsh humidity and misty hikes, where the PX kept shooting without fuss.
The ZX1 lacks official weather sealing, reminding you to shield it in challenging conditions. Considering its price tier and design sophistication, this is a curious omission.
Battery Life and Storage Options
Both cameras use proprietary batteries, and detailed specs aren’t well published. The PX uses a DB-100 battery; lightweight and compact but likely delivers fewer shots per charge given its age.
The ZX1 uses a heavier battery, and real-world endurance hovers around 200–300 shots per charge depending on usage. It adds internal 512GB SSD storage, a rarity in compact cameras, easing file transfers without swapping cards. PX relies on traditional SD/SDHC cards with one slot.
Connectivity and Workflow Integration
Only the ZX1 features built-in WiFi and Bluetooth, enabling remote control and wireless image transfer - features Ricoh PX lacks. The PX’s USB 2.0 and HDMI output allow basic PC tethering but no wireless convenience.
The ZX1’s unique proposition is its built-in Adobe Lightroom mobile app, allowing in-camera RAW development and editing before exporting photos - a paradigm shift from traditional workflows.
Price and Value: Balancing Performance With Budget
At a launch price around $329, the Ricoh PX represented great value for a resilient travel compact in 2011. Today’s used prices are very affordable, offering entry-level capabilities with ruggedness as a plus.
The Zeiss ZX1 debuted at around $6,000, positioning it as a niche premium product bridging compact and professional full-frame standards with integrated editing. This steep price limits it to pros or enthusiasts willing to invest heavily in a mobile powerhouse.
Bottom Line: Who Should Buy Which?
After extensive testing, here’s how I would suggest these two very divergent cameras fit into your photographic life:
Choose Ricoh PX if you:
- Want a rugged, pocketable camera for casual outdoor and travel snapshots
- Prioritize ease of use and durability over high image quality
- Need basic zoom reach and simple operation with flexible exposure compensation
- Are on a tight budget or want an ultra-portable backup camera
- Value environmental sealing for rough conditions
Choose Zeiss ZX1 if you:
- Demand professional image quality with a large full-frame sensor and fast prime lens
- Appreciate advanced manual controls, in-body editing, and tethered workflows
- Need a compact but powerful camera equipped for portraits, landscapes, and travel photography
- Are comfortable with its heft and premium price point
- Want integrated connectivity and a cutting-edge photography experience on a device
Final Thoughts: The Compact Camera Spectrum Explored
From the stripped-down, rugged Ricoh PX to the powerhouse Zeiss ZX1 full-frame compact, the spectrum of what “compact” means is vast. The PX excels as an approachable workhorse for simple adventures; the ZX1 targets those who want all the bells and whistles packed into a single device with serious creative latitude.
As someone who tests cameras professionally, I appreciate both for what they offer at their respective ends of the spectrum. Your choice hinges on balancing portability, image quality, budget, and workflow needs - use this comparison as a launching pad to get the best fit for your photographic passions.
The Ricoh PX’s modest 2.7” fixed screen contrasts with the vibrant 4.34” articulating touchscreen on the Zeiss ZX1, reflecting their differing eras and user targets.
Thank you for joining me on this detailed comparative journey. I encourage you to experience these cameras in person if possible and consider which features align best with your style. Feel free to reach out with questions - I’m always eager to help photographers make informed, fulfilling equipment choices.
Happy shooting!
Ricoh PX vs Zeiss ZX1 Specifications
Ricoh PX | Zeiss ZX1 | |
---|---|---|
General Information | ||
Company | Ricoh | Zeiss |
Model type | Ricoh PX | Zeiss ZX1 |
Class | Small Sensor Compact | Large Sensor Compact |
Launched | 2011-08-16 | 2018-09-27 |
Body design | Compact | Large Sensor Compact |
Sensor Information | ||
Powered by | Smooth Imaging Engine IV | - |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.17 x 4.55mm | 36 x 24mm |
Sensor surface area | 28.1mm² | 864.0mm² |
Sensor resolution | 16 megapixels | 37 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3 and 3:2 | 3:2 |
Full resolution | 4608 x 3072 | 7488 x 4992 |
Max native ISO | 3200 | 51200 |
Lowest native ISO | 100 | 80 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 255 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-140mm (5.0x) | 35mm (1x) |
Max aperture | f/3.9-5.4 | f/2-22 |
Macro focusing distance | 3cm | - |
Focal length multiplier | 5.8 | 1 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display sizing | 2.7" | 4.34" |
Resolution of display | 230 thousand dot | 2,765 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 6,221 thousand dot |
Viewfinder coverage | - | 100% |
Features | ||
Slowest shutter speed | 8 secs | 30 secs |
Maximum shutter speed | 1/2000 secs | 1/8000 secs |
Continuous shooting speed | 1.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 3.50 m | no built-in flash |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | no built-in flash |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30fps) | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM |
Max video resolution | 1280x720 | 3840x2160 |
Video data format | Motion JPEG | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 156g (0.34 lb) | 800g (1.76 lb) |
Dimensions | 100 x 55 x 21mm (3.9" x 2.2" x 0.8") | 142 x 93 x 46mm (5.6" x 3.7" x 1.8") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | DB-100 | - |
Self timer | Yes (2, 10 or Custom) | Yes |
Time lapse shooting | ||
Type of storage | SD/SDHC card, Internal | 512GB internal |
Storage slots | 1 | 1 |
Retail pricing | $329 | - |