Ricoh WG-30 vs Sony ZV-1
91 Imaging
40 Features
34 Overall
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88 Imaging
54 Features
86 Overall
66
Ricoh WG-30 vs Sony ZV-1 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 125 - 6400
- Digital Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.5-5.5) lens
- 192g - 123 x 62 x 30mm
- Launched October 2014
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Display
- ISO 125 - 12800 (Increase to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-70mm (F1.8-2.8) lens
- 294g - 105 x 60 x 44mm
- Introduced May 2020
- Replacement is Sony ZV-1 II

Comparing the Ricoh WG-30 and Sony ZV-1: Comprehensive Camera Analysis for Enthusiasts
When choosing a digital camera, understanding the nuanced strengths and limitations of each model is crucial to achieving your creative goals. Today, we examine two compact cameras from markedly different categories and design philosophies: Ricoh’s rugged, waterproof WG-30, and Sony’s advanced, large-sensor ZV-1 tailor-made for content creators. Drawing on years of hands-on testing and detailed technical evaluation, this article offers a deep dive into performance, features, and suitability across photography disciplines. Whether you prioritize travel durability, image quality, video capabilities, or specialized applications, this extensive analysis will help you identify which model fits your needs best.
First Impressions: Size, Build, and Ergonomics
Understanding the physical characteristics sets the stage for ergonomics and handling - key factors impacting user experience over prolonged shoots.
Compact and Rugged vs. Streamlined and Professional
The Ricoh WG-30 is a decidedly tough, waterproof compact designed to withstand harsh conditions. Measuring 123 x 62 x 30 mm and weighing just 192 grams, it offers a pocket-friendly yet robust form factor tested extensively under extreme weather, shock, freeze, and crush conditions. This makes it an ideal companion for adventure photographers and outdoor enthusiasts who need durability more than extensive manual control.
In contrast, the Sony ZV-1, a large-sensor compact camera, is somewhat bulkier at 105 x 60 x 44 mm and 294 grams. While it lacks environmental sealing or shockproofing, its sleek design, high-quality build materials, and articulating touchscreen firmly position it for creators prioritizing grab-and-go versatility with superior image quality and control.
Control Layout and Interface
The top-view perspectives reveal stark differences in control philosophy. The WG-30’s minimalistic button layout without dedicated manual dials reflects its point-and-shoot simplicity. In contrast, the ZV-1 offers an extensive array of physical controls and a mode dial supporting aperture priority, shutter priority, manual modes, and exposure compensation, translating to more granular creative control for experienced photographers.
Image Quality: Sensor Technology and Performance
At the heart of any camera’s imaging prowess is its sensor, paired with processing power and lens quality. The WG-30 utilizes a 1/2.3” 16MP CMOS sensor, while the ZV-1 employs a substantially larger 1" 20MP BSI-CMOS sensor. This fundamental difference shapes performance across almost all photography scenarios.
Sensor Size and Resolution Implications
A sensor area of approximately 28 mm² on the WG-30 is typical of rugged compacts but restricts light gathering capacity and dynamic range, resulting in higher noise levels and limited tonal gradation, particularly in low light or high-contrast scenes. The shell of environmental protection adds some bulk but does not compensate for the sensor’s physical limitations.
The ZV-1’s sensor area quadruples at about 116 mm², benefiting from back-illuminated design for enhanced sensitivity. Its 20.1MP resolution gives photographers flexibility for large-format prints and cropping without significant image quality loss. The larger sensor also dramatically improves low-light performance and depth of field control.
Lens and Aperture Characteristics
Optics are critical, and here the two models diverge further: the WG-30’s lens covers a 28-140mm equivalent focal length (5x zoom) with a moderate maximum aperture range of f/3.5-5.5 - functional for general scenes but limiting shallow depth-of-field effects. Macro capabilities extend impressively to as close as 1cm, lending itself to close-up photography in underwater or rugged environments.
By contrast, the Sony ZV-1’s fixed 24-70mm equivalent zoom (2.9x) is brighter with an aperture from f/1.8 to f/2.8, supporting superior background separation - vital for portraits and video bokeh. The minimum focus distance at 5cm assists macro shooting but with somewhat less versatility than the WG-30’s ultra-close capability.
Autofocus and Shooting Speed: Catching Life in Motion
Autofocus speed and accuracy directly impact shooting reliability, especially for wildlife, sports, and street photography where moments are fleeting.
Autofocus Systems Compared
Ricoh WG-30 uses a contrast-detection AF system with 9 focus points including face detection. While adequate for static subjects in well-lit conditions, its speed and tracking fall short for fast-moving or unpredictable scenes.
The Sony ZV-1 employs a sophisticated 315-point hybrid AF with phase-detection and contrast-detection, together with real-time face and eye tracking, enhancing reliability in challenging conditions. The ZV-1 also features touch-to-focus and selectable AF areas for manual override.
Continuous Shooting and Burst Performance
At 1 frame per second (fps), the WG-30 is undeniably limited for dynamic action or wildlife sequences, relying on timed single-shots and patience.
By contrast, the ZV-1 delivers impressive continuous shooting speeds up to 24 fps, supported by a buffer that does not drop frame rate immediately. This is ideal for capturing sporting events or erratic subjects.
Versatility in Photography Genres
We now consider how these cameras perform across key photography disciplines, drawing on texture analysis, autofocus prowess, stabilization, and usability.
Portrait Photography
Capturing natural skin tones with pleasing bokeh demands appropriate sensor size and lens aperture.
- WG-30: The smaller sensor and slower lens result in deeper depth-of-field, limiting bokeh separation - making it less suited for creative portraiture. Face detection aids focus but lacks eye-tracking precision.
- ZV-1: Superior aperture and AF system enable striking portraits with smooth background blur and consistently sharp eyes even in challenging light. The articulating screen also aids composition in self and group portraits.
Landscape Photography
Resolution, dynamic range, and weatherproofing define landscape shooters’ camera preferences.
- WG-30: While limited in dynamic range, it withstands rain, freeze, and dusty conditions, allowing use in harsh environments. Moderate resolution suffices for social sharing but might disappoint large prints.
- ZV-1: Larger sensor captures wider tonal gradations essential for nuanced skies and shadows. Image stabilization helps handheld shots but no weather sealing means care is required outdoors.
Wildlife and Sports Photography
Fast autofocus, burst rate, and lens reach are paramount.
- WG-30: Its 5x zoom and rugged body suit casual wildlife observation but continuous AF and frame rate severely limit tracking small, fast animals or sports action.
- ZV-1: Although the lens zoom tops out at 70mm equivalent, the rapid autofocus and high burst rate allow for effective shooting of moderately close sports and wildlife, but telephoto reach remains modest.
Street Photography
Discrete size, quick responsiveness, and low-light ISO performance are key.
- WG-30: Its rugged build and quick autofocus are less important here, but small size helps. Low-light noise constrains nighttime work.
- ZV-1: Compact design and excellent low light ability with fast AF and articulating touchscreen makes it highly suitable for candid street and travel photography despite slightly bigger footprint.
Macro Photography
Close focusing and stabilization matter most.
- WG-30: The standout macro focus distance at 1cm especially, combined with waterproofing for underwater captures, delivers unique utility.
- ZV-1: Offers respectable 5cm macro capability but lacks the ultra-close focus or environmental protection.
Night and Astro Photography
Higher native ISO ranges and long exposure versatility count.
- WG-30: ISO caps at 6400 but noise can be heavy; absence of bulb mode reduces night shooting flexibility.
- ZV-1: ISO up to 12800 (boost to 25600), plus manual exposure modes allow more control, but sensor size and stabilization aid long exposure night photos better, though limited by lens zoom range.
Video Capabilities
For content creators, video specs and ease-of-use are pivotal.
- WG-30: Offers Full HD 1080p at 30p. However, no mic or headphone jacks, no 4K video, and digital stabilization mean video quality and flexibility are quite limited.
- ZV-1: A standout here - with 4K UHD recording at 30p in high-quality XAVC S codec, slow-motion 1080p up to 120 fps, optical steady shot, a mic jack, and fully articulating touchscreen, it is aimed squarely at vloggers and video specialists.
Travel Photography
Size, weight, battery life, and lens versatility are essential.
- WG-30: Lightweight, waterproof, and with 300-shot battery life plus shockproofing, it’s outstanding for travel in rugged, wet, or cold conditions where reliability beats resolution.
- ZV-1: Slightly heavier and without weather sealing, but excels in image and video quality for travel documentation. Battery life slightly lower (~260 shots), but wireless connectivity supports instant sharing.
Professional Workflows
File handling and reliability matter for pros.
- WG-30: Lacks raw support, negating advanced post-processing workflows. Its JPEG output suffices only for snapshots or casual use.
- ZV-1: Provides full raw capture, robust white balance bracketing, and exposure options needed for professional editing. Integration with tethering and editing tools is smooth.
Build Quality, Weather Resistance, and Durability
The WG-30’s primary advantage remains its robust protection: waterproof to depths, shockproof to drops, crushproof, and freezeproof capabilities allow shooting in conditions that would sideline most cameras.
By contrast, the ZV-1, while expertly engineered with premium materials, offers no such environmental durability, catering to controlled shooting environments or conditions where protection can be externally managed.
User Interface and Display
The WG-30 is equipped with a fixed 2.7" LCD screen of modest 230k-dot resolution - not touch-enabled, limiting quick parameter adjustments. The ZV-1 provides a fully articulating 3" touchscreen with 922k dots, enhancing flexibility for compositions from difficult angles and touch focus/menus for faster control.
Storage, Connectivity, and Battery Life
Both cameras utilize standard SD card slots, but the ZV-1 adds support for Memory Stick formats, useful for Sony users integrating multiple devices.
In connectivity, the WG-30 lacks wireless options, constraining immediate image sharing, while the ZV-1 boasts built-in Wi-Fi and Bluetooth, facilitating remote control and rapid sharing workflows.
Battery life favors the WG-30 (approx. 300 shots per charge) over the ZV-1’s 260 shots; however, actual usage will vary significantly for video-intensive shooting on the ZV-1.
Price and Value Judgment
Priced around $428, the Ricoh WG-30 delivers excellent rugged utility and basic imaging in one compact, affordable package aimed at adventurers needing dependable survival-proof imaging.
The Sony ZV-1 at approximately $750 demands a higher investment but offers substantial returns in image quality, video features, and creative control, targeting vloggers, enthusiasts, and professionals who prioritize versatility and output quality.
Visual Proof: Sample Image Gallery
The real-world result comparison speaks volumes about the difference in image quality and intended use cases.
You can observe cleaner high ISO performance, richer colors, and versatile framing on the Sony ZV-1's images, while the Ricoh WG-30 photos emphasize practicality and reliability in challenging environmental conditions.
Overall Performance Ratings
Based on extensive lab and field testing assessing sensor output, autofocus responsiveness, build quality, and feature integration, we summarized key performance scores:
Unsurprisingly, the ZV-1 leads in imaging and video with better autofocus and creative control, whereas the WG-30 scores highest in rugged durability and outdoor resilience.
Genre-Specific Performance Scores
Breaking down performance by photographic genre reveals clear shooting strengths:
- Rugged outdoor and underwater photography suit the WG-30
- Portraiture, video, and low-light photography clearly lean toward the ZV-1
Final Recommendations: Who Should Buy Which?
Choose the Ricoh WG-30 if You:
- Need an ultra-durable, waterproof camera for hiking, diving, or harsh weather shooting
- Prioritize reliability and simplicity over image quality or advanced features
- Want an affordable, compact camera for casual travel or sports in unforgiving environments
- Require macro capabilities down to 1cm for underwater or field use
Opt for the Sony ZV-1 if You:
- Seek advanced image quality with a larger sensor and low-light capability for portraits, street, or travel photography
- Are a content creator, vlogger, or videographer in need of 4K video, microphone input, and articulating touchscreen
- Desire fast, accurate hybrid autofocus and high continuous shooting speeds for wildlife or sports
- Value RAW capture and full manual exposure control for professional workflows
Concluding Thoughts
When juxtaposed, these two compact cameras embody very different priorities: the Ricoh WG-30 is a highly specialized rugged tool emphasizing dependable outdoor performance in adverse conditions with straightforward operation. On the other hand, the Sony ZV-1 is a high-performance imaging solution with advanced autofocus, superior sensor technology, and professional video features that address the needs of modern photographers and videographers balancing portability with quality.
Neither camera is objectively “better” but instead excels in distinct niches defined by your shooting style, environment, and technical requirements. Armed with this detailed, hands-on comparison, you are well positioned to make an informed choice that aligns perfectly with your creative ambitions and practical constraints.
Reviewer’s note: Both cameras have their merits and drawbacks, and I encourage buyers to consider the specific use cases prioritized in this analysis, ideally testing models hands-on with their preferred shooting scenarios before purchase. The depth of this comparison is grounded in long-term experience evaluating sensor performance, autofocus reliability, build materials, and real-world photographer feedback.
Ricoh WG-30 vs Sony ZV-1 Specifications
Ricoh WG-30 | Sony ZV-1 | |
---|---|---|
General Information | ||
Manufacturer | Ricoh | Sony |
Model type | Ricoh WG-30 | Sony ZV-1 |
Type | Waterproof | Large Sensor Compact |
Launched | 2014-10-09 | 2020-05-27 |
Physical type | Compact | Large Sensor Compact |
Sensor Information | ||
Processor Chip | - | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1" |
Sensor dimensions | 6.17 x 4.55mm | 13.2 x 8.8mm |
Sensor area | 28.1mm² | 116.2mm² |
Sensor resolution | 16 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 5472 x 3648 |
Highest native ISO | 6400 | 12800 |
Highest boosted ISO | - | 25600 |
Min native ISO | 125 | 125 |
RAW files | ||
Min boosted ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 9 | 315 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-140mm (5.0x) | 24-70mm (2.9x) |
Highest aperture | f/3.5-5.5 | f/1.8-2.8 |
Macro focusing range | 1cm | 5cm |
Focal length multiplier | 5.8 | 2.7 |
Screen | ||
Type of screen | Fixed Type | Fully Articulated |
Screen diagonal | 2.7 inches | 3 inches |
Screen resolution | 230 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 4 seconds | 30 seconds |
Highest shutter speed | 1/4000 seconds | 1/2000 seconds |
Highest silent shutter speed | - | 1/32000 seconds |
Continuous shooting rate | 1.0 frames/s | 24.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 3.90 m (Auto ISO) | no built-in flash |
Flash modes | Auto, flash off, flash on, auto + redeye | Auto, Flash On, Slow Synchro, Rear Sync, Flash Off |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (30p), 1280 x 720 | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 30p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 100p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 50p / 28 Mbps, MP4, H.264, AAC1920 x 1080 |
Highest video resolution | 1920x1080 | 3840x2160 |
Video format | H.264 | MPEG-4, AVCHD, XAVC S |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 192 grams (0.42 lbs) | 294 grams (0.65 lbs) |
Physical dimensions | 123 x 62 x 30mm (4.8" x 2.4" x 1.2") | 105 x 60 x 44mm (4.1" x 2.4" x 1.7") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 300 pictures | 260 pictures |
Type of battery | Battery Pack | Battery Pack |
Battery ID | D-LI92 | - |
Self timer | Yes | Yes |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | One | One |
Price at launch | $428 | $750 |