Ricoh WG-6 vs Sony A7S
89 Imaging
47 Features
46 Overall
46


77 Imaging
59 Features
73 Overall
64
Ricoh WG-6 vs Sony A7S Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Digital Image Stabilization
- 3840 x 2160 video
- 28-140mm (F3.5-5.5) lens
- 246g - 118 x 66 x 33mm
- Released February 2018
- Previous Model is Ricoh WG-5 GPS
(Full Review)
- 12MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 409600
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 489g - 127 x 94 x 48mm
- Revealed April 2014
- Renewed by Sony A7S II

Ricoh WG-6 vs Sony Alpha A7S: A Comprehensive Camera Comparison for Enthusiasts and Professionals
Choosing the right camera often hinges on a thorough understanding of how a model’s technical specifications align with your shooting preferences, demands, and budget. In this detailed comparison, we pit two cameras that could not be more different in category and design: the rugged Ricoh WG-6 compact waterproof camera versus the high-performance, full-frame Sony Alpha A7S mirrorless system. Drawing from over a decade and a half of hands-on camera testing, we explore their sensor technology, autofocus capabilities, build quality, shooting disciplines, and more - to help you discern which investment best suits your photographic aspirations.
Making Sense of their Design Philosophies: Compact Rugged vs Pro Mirrorless
At the outset, appreciating the fundamental design intent behind these two models lays the groundwork for understanding their divergent strengths.
-
The Ricoh WG-6 (announced February 2018) embodies a hardy pocketable companion built to withstand extreme environments. Its compact fixed-lens body is shockproof, crushproof, freezeproof, dustproof, and waterproof down to 20m, clearly targeting adventurers and specialty use cases where durability is paramount.
-
The Sony A7S (a 2014 flagship in the Alpha mirrorless range) is a professional-grade, full-frame mirrorless camera tailored largely toward videographers and low-light portrait or event shooters who require sophisticated imaging endurance and interchangeable lens versatility.
Let’s start by visually appreciating their physical differences:
Despite the similar 3-inch LCD screen size, the WG-6’s diminutive form (118x66x33mm, 246g) contrasts sharply with the relatively bulky 127x94x48mm, 489g Sony A7S. This size and weight gap alone foreshadows wide usability and portability differences - key for travel or street photographers debating convenience versus capability.
Sensor Technology and Image Quality: Tiny Sensor Meets Full-Frame Giant
The sensor lies at a camera’s heart, dictating image quality, dynamic range, and noise performance. Here, the contrast is stark, with significant implications for photographic outcomes.
The Ricoh WG-6 sports a 1/2.3-inch BSI-CMOS sensor measuring 6.17x4.55mm, offering 20MP resolution (max 5184x3888 pixels). Its smaller sensor area (approximately 28.07 mm²) and presence of an anti-alias filter reflect conventional compact camera design, which trades ultimate image quality for size and ruggedness. It lacks RAW support and makes do with JPEG compression, limiting post-processing latitude.
The Sony A7S, by contrast, features a full-frame 35.8x23.9mm CMOS sensor delivering only 12MP (4240x2832) but excels in light sensitivity, with a staggering max native ISO of 409,600. This ultra-large sensor area (over 855.6 mm²) yields superior dynamic range, deeper tonal gradation, and exceptional low-light performance, facilitated by the BIONZ X processor and no AA filter, which sharpens detail retention.
From industry-standard DxOMark tests and extensive shooting trials, the Sony A7S’s ability to produce clean, high-fidelity images in night or studio conditions cannot be overstated - the Ricoh WG-6, while serviceable in bright daylight and underwater snapshots, shows significant image noise creeping upwards of ISO 1600.
Autofocus Systems: Speed, Accuracy, and Tracking Across Scenarios
Autofocus capabilities often separate professional-grade bodies from casual compacts, impacting successful captures in dynamic situations.
-
Ricoh WG-6 uses a contrast detection AF system of 9 focus points, offers single, continuous, and center autofocus modes, along with face detection but lacks phase-detection or advanced tracking such as animal eye AF. It features digital image stabilization but no optical IS.
-
Sony A7S employs a more sophisticated system with 25 AF points (focusing on contrast detection as phase detection was not implemented in this model), and supports selective AF, AF tracking, face detection, continuous autofocus, and center-weighted AF. Although lacking on-sensor phase detection, calibrated firmware compensates with relatively swift and precise tracking performance, especially in low light.
For wildlife and sports photographers requiring fast autofocus and reliable subject tracking, the Sony A7S pulls ahead clearly, delivering consistent focus acquisition even with long telephoto lenses - a domain where the Ricoh WG-6’s autofocus falls short due to limited focal length and slower contrast detection.
Build Quality, Weather Resistance, and Ergonomics
One of the WG-6’s defining attributes is its environmental sealing, offering waterproof capabilities to 20 meters, freezeproof to -10°C, crushproof to 100kgf, shockproof from drops of 1.6m, as well as dustproofing. This robustness makes it uniquely fit for underwater photography, extreme sports, and adventure travel without cumbersome cases.
Meanwhile, the Sony A7S, although equipped with weather sealing to a professional standard suitable for outdoor shoots in rain or dust, is not designed for submersion or rugged impact resistance, requiring more careful handling.
User interface also matters: a glance at the top decks highlights key ergonomic differences.
The WG-6 offers a simplified control scheme aimed at quick access, including dedicated waterproof mode buttons and a fixed 5x zoom; the Sony A7S integrates more customizable dials, an electronic viewfinder (EVF) of 2.36M dots with 100% coverage and 0.71x magnification, and a tilting 3” rear LCD with 1.23M dot resolution - facilitating flexible framing in complex lighting.
For those prioritizing precise manual control and critical framing, the Sony’s EVF and interface design clearly serve workflow better; the WG-6’s fixed screen and absence of EVF place it firmly in outdoor snapshot territory.
Lens Ecosystem and Compatibility: Fixed Zoom vs Full Interchangeability
The Ricoh WG-6 comes with a fixed 28-140mm (equivalent) f/3.5–5.5 zoom lens (not interchangeable), optimized for rugged use but limited flexibility. The minimum focusing distance of 1cm allows respectable macro close-ups underwater or in the field, but the aperture range restricts low-light versatility and depth-of-field control.
In contrast, the Sony A7S supports the extensive Sony E-mount lens lineup, with compatibility for over 120 native lenses plus third-party options, from ultra-wide angles to super-telephotos. This flexibility is a decisive advantage for portraits, sports, wildlife, landscape, and specialized applications, enabling photographers to tailor optics for specific creative or technical demands.
The Sony’s system supports larger apertures (f/1.2–f/2.8 primes, for instance), albeit at the expense of cost and weight, but delivering superior subject isolation and low-light capacity.
Real-World Photography Performance Across Genres
Below, we dissect each camera’s suitability for major photography disciplines, synthesizing technical data with user experience derived from extensive field tests.
Portrait Photography
The Sony A7S’s full-frame sensor excels in rendering natural skin tones with minimal noise, delivering creamy bokeh even with moderate apertures. Its selective AF and face detection provide reliable eye focusing, enhancing sharpness where it matters most.
The Ricoh WG-6’s smaller sensor produces noisier images, and the limited f/3.5–5.5 zoom lens offers less control over subject-background separation. While face detection assists casual portraits, lack of RAW support and moderate ISO range inhibit professional retouching.
Landscape Photography
The higher pixel count of the WG-6 notwithstanding, the Sony’s superior dynamic range (13.2 EV vs unspecified but lower on the WG-6) and full-frame sensor yield richer shadow detail and highlight retention, vital for expansive landscapes.
Weather sealing on both helps in challenging conditions, but the WG-6’s waterproofing provides an edge for underwater or extreme wet environments.
Wildlife and Sports Photography
Burst rates and tracking autofocus are critical here. The Sony A7S shoots at 5 fps with continuous AF tracking and superior AF customization, accommodating telephoto lenses essential for distant subjects.
The WG-6’s continuous shooting is not rated (reported as “n/a”), implying limited capability; its 5x zoom equates to a max of 140mm on a crop factor of 5.8, insufficient for many wildlife situations.
Street Photography
Portability and discretion favor the WG-6, which is compact, lightweight, and rugged. However, low-light shooting is challenged by sensor limitations and absence of an EVF, requiring reliance on rear LCD, which may be inadequate under bright sun.
The Sony A7S, larger and heavier, nevertheless provides an advantage in low-light urban environments due to exemplary ISO performance and an EVF enabling quick framing and exposure checks.
Macro Photography
The WG-6 impresses with a 1cm macro focus distance and digital image stabilization that enhances handheld close-ups - a practical boon underwater or on the move.
The Sony A7S’s macro ability depends on lens choice; macro primes offer superior image quality but limit portability and increase overall system bulk.
Night and Astrophotography
This is where Sony A7S dominates - its max native ISO of 409,600 and excellent long exposure control open up astrophotography and low-light night scenes like few others.
The WG-6’s smaller sensor struggles at high ISO, with noise artifacts appearing quickly; however, its built-in GPS and waterproof features do make it amenable to adventurous night shooting in rugged environments, albeit with technical compromises.
Video Capabilities
Both cameras offer 4K video capture at 3840x2160 resolution:
-
The WG-6 records 4K (likely capped at 30 fps) with MPEG-4 and H.264 codecs, but lacks external mic and headphone ports, limiting sound monitoring options critical for professional videography.
-
The Sony A7S provides 4K capture up to 30 fps with versatile codecs (MPEG-4, AVCHD, XAVC), plus 1080p at 60 and 120fps for slow-motion. Importantly, it features microphone and headphone jacks, tilting LCD, and professional video tools, making it a renowned video hybrid.
Travel Photography
The WG-6’s ruggedness and lightweight nature make it an excellent travel companion for active lifestyles, especially for those expecting water, shock, or dust.
The Sony A7S is heavier but offers greater image quality and creative flexibility, better suited for travelers wanting to capture a wide range of subjects with precision.
Professional Use and Workflow Integration
The Sony A7S supports RAW file capture, works seamlessly with professional post-processing, tethering, and supports numerous accessories. Its reliability, along with firmware and lens system updates, add to long-term value.
The WG-6’s lack of RAW format, simplified controls, and fixed lens limit its appeal for professional workflows, relegating it mostly to enthusiast or specialty use cases - outdoor, underwater, or adventure documentation.
Battery Life, Storage, and Connectivity
Both cameras support a single memory card slot, accommodating SD cards, with the Sony also supporting Memory Stick Duo formats.
-
Battery life: Sony A7S marginally outperforms the WG-6 (approx. 360 shots vs 340 shots per charge based on CIPA standards), though real-world usage varies dramatically with electronic viewfinder, video, and wireless features.
-
Connectivity: The Sony A7S has built-in Wi-Fi and NFC for image transfer and remote control; the WG-6 supports wireless FlashAir SD cards but lacks Bluetooth or NFC.
Summary of Strengths and Weaknesses
Feature | Ricoh WG-6 | Sony Alpha A7S |
---|---|---|
Sensor | 1/2.3" 20MP BSI-CMOS, no RAW | Full-frame 12MP CMOS, RAW support |
Lens | Fixed 28-140mm f/3.5–5.5, 1cm macro | Interchangeable Sony E-mount lenses |
Autofocus | 9 pts contrast AF, face detection | 25 pts contrast AF, face detection, AF tracking |
Video | 4K UHD, no mic/headphone ports | 4K UHD + Full HD slow-mo, mic & headphone jacks |
Build & Weather Seal | Waterproof (20m), shockproof, freezeproof | Weather-sealed, not waterproof |
Screen/Viewfinder | Fixed LCD 3", no EVF | Tilting LCD 3", 2.36M-dot EVF |
Weight & Size | 246 g, compact rugged | 489 g, larger mirrorless |
Price (Approx.) | $270 | $2,000 |
Key Strengths | Ruggedness, macro, portability | Low light, video, dynamic range, lens system |
Key Limitations | Small sensor, fixed lens, no RAW, limited AF | Larger size, cost, no in-body stabilization |
Sample Images Showcase: Visualizing Differences in Real-World
To round off the technical analysis, let’s view how these cameras perform with practical imagery - portrait shots, landscapes, macro, and low light samples all recorded in field conditions.
The Sony A7S images demonstrate superior detail rendition, cleaner high ISO performance, and tonal depth, whereas the Ricoh WG-6 delivers surprising versatility for a compact rugged camera, though with perceptible noise and less sharpness.
Verdict: Matching Cameras to Photographic Needs and Budgets
-
Choose the Ricoh WG-6 if your priority is an ultra-rugged, waterproof companion for adventuring, underwater documentation, or casual travel photography that can withstand punishment without fuss, and you accept compromises in image quality and limited controls.
-
Opt for the Sony Alpha A7S if you are a professional or advanced enthusiast demanding industry-standard image quality, a full-frame sensor optimized for very low light and video work, interchangeable lenses, and comprehensive manual controls for portraits, events, wildlife, and creative video.
Final Thoughts
While it may be tempting to pit these two cameras as rivals, in practice, they serve fundamentally different photographic niches. The Ricoh WG-6’s engineering caters to specialized scenarios where resilience trumps image quality, whereas the Sony A7S remains a workhorse for demanding shooters striving for artistic and technical excellence.
Understanding such nuances is critical in navigating the crowded camera market, and with our detailed, experience-based insights, we trust you will make a choice both smart and satisfying - empowered by knowledge that goes beyond specs sheets, grounded in real-world photographic performance.
All data referenced are as of mid-2024, aligning with the latest available information and hands-on evaluations. For those seeking further technical depth, consult individual model manuals and industry test reports.
Ricoh WG-6 vs Sony A7S Specifications
Ricoh WG-6 | Sony Alpha A7S | |
---|---|---|
General Information | ||
Company | Ricoh | Sony |
Model | Ricoh WG-6 | Sony Alpha A7S |
Class | Waterproof | Pro Mirrorless |
Released | 2018-02-21 | 2014-04-06 |
Physical type | Compact | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | - | Bionz X |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.8 x 23.9mm |
Sensor area | 28.1mm² | 855.6mm² |
Sensor resolution | 20 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3 and 3:2 | 3:2 and 16:9 |
Full resolution | 5184 x 3888 | 4240 x 2832 |
Max native ISO | 6400 | 409600 |
Minimum native ISO | 125 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 9 | 25 |
Lens | ||
Lens mount | fixed lens | Sony E |
Lens focal range | 28-140mm (5.0x) | - |
Maximum aperture | f/3.5-5.5 | - |
Macro focus range | 1cm | - |
Total lenses | - | 121 |
Crop factor | 5.8 | 1 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 3 inches | 3 inches |
Resolution of screen | 1,040 thousand dots | 1,230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.71x |
Features | ||
Lowest shutter speed | 4 seconds | 30 seconds |
Highest shutter speed | 1/4000 seconds | 1/8000 seconds |
Continuous shooting rate | - | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.50 m (with Auto ISO) | no built-in flash |
Flash settings | Flash on, flash off | no built-in flash |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840x2160 | 3840 x 2160, XAVC S 1080 60p(50Mbps), 30p (50Mbps), 24p (50Mbps). 720 120p (50Mbps). AVCHD 60p (28Mbps), 60i (24Mbps/17Mbps), 24p (24Mbps/17Mbps) |
Max video resolution | 3840x2160 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Supports FlashAir SD cards | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | DB-110 lithium-ion battery & USB charger | USB 2.0 (480 Mbit/sec) |
GPS | Built-in | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 246g (0.54 lbs) | 489g (1.08 lbs) |
Dimensions | 118 x 66 x 33mm (4.6" x 2.6" x 1.3") | 127 x 94 x 48mm (5.0" x 3.7" x 1.9") |
DXO scores | ||
DXO All around score | not tested | 87 |
DXO Color Depth score | not tested | 23.9 |
DXO Dynamic range score | not tested | 13.2 |
DXO Low light score | not tested | 3702 |
Other | ||
Battery life | 340 photographs | 360 photographs |
Style of battery | Battery Pack | Battery Pack |
Battery model | - | NP-FW50 |
Self timer | Yes | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | With downloadable app | |
Storage type | Internal + SD/SDHC/SDXC card | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | Single | Single |
Pricing at launch | $271 | $1,998 |