Samsung CL5 vs Sony A99
95 Imaging
32 Features
14 Overall
24


57 Imaging
69 Features
88 Overall
76
Samsung CL5 vs Sony A99 Key Specs
(Full Review)
- 9MP - 1/2.5" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- 640 x 480 video
- 38-114mm (F3.5-4.5) lens
- 141g - 93 x 60 x 19mm
- Introduced February 2009
- Also Known as PL10
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 812g - 147 x 111 x 78mm
- Announced December 2012
- Previous Model is Sony A900
- Successor is Sony A99 II

Samsung CL5 vs Sony A99: The Ultracompact Meets the Advanced DSLR in a Tale of Photographic Philosophy
When you first stack the Samsung CL5 side-by-side with the Sony A99, you might wonder whether you’re comparing apples to oranges - or maybe apples to watermelons. One is a petite ultracompact camera launched in 2009, designed for snapshot ease and pocket portability; the other, an advanced DSLR from 2012 that proudly flaunts a full-frame sensor and a bevy of professional features. Yet, beneath their nearly billion-pixel and decade-apart tech divide lies a fascinating study in photographic priorities and user expectations. As someone who’s logged thousands of shooting hours across devices, I’m keen to unpack how these two cameras live up to their intended roles and whether they still warrant serious consideration today.
Let’s embark on a deep dive, from their physical nuances and imaging performance all the way through real-world usage across diverse photography genres. Along the way, I’ll share tidbits from my hands-on experience and pull back the curtain on the engineering decisions that shaped these cameras. Buckle up: this comparison is a lesson in contrasts - and trust me, there’s something to be learned no matter your level or budget.
Size and Handling: The Pocket Pal vs The DSLR Workhorse
If you're the pragmatic type who checks if a camera fits snugly in your jacket pocket - or perhaps inside a fanny pack without feeling like a pack mule - the Samsung CL5 immediately shines. Its ultracompact body measures just 93x60x19mm and weighs in at a feathery 141 grams. To put this in perspective, here’s a side-by-side look:
Now look at that behemoth next to it - the Sony A99, clocking in at 147x111x78mm and tipping the scales at 812 grams. The difference is palpable. The CL5 feels like a cheerful little companion you won’t mind tossing in your pocket for a casual outing. The A99, by comparison, demands a dedicated camera bag and some sturdy shoulders.
But size isn’t everything. Handling ergonomics and control placement can make or break your shooting experience. The A99 offers a traditional DSLR grip with ample room for your fingers, solid buttons, and a top LCD panel, which I found invaluable during extended shoots. Meanwhile, the CL5’s minimalist approach means fewer buttons and no physical viewfinder - more on that later.
Here’s a close-up of their top plates to illustrate the difference in control philosophy:
The Sony A99’s dedicated dials for shutter speed, aperture, and exposure compensation cater to photographers who prefer tactile feedback and quick adjustments. The CL5, on the other hand, eschews complexity for simplicity - meaning exposure modes and settings are mostly menu-driven. For casual shooters or those looking for a grab-and-go option, this might be just fine. But for pros used to speed and precision, it’s a compromise.
Sensor and Image Quality: The Heartbeat of the Camera
At the core of any camera’s image quality lies its sensor, and here’s where we see the almost philosophical divide between Samsung’s budget ultracompact and Sony’s professional-grade DSLR.
The Samsung CL5 employs a tiny 1/2.5" CCD sensor measuring roughly 5.7 x 4.3mm with a nominal 9-megapixel resolution. CCD sensors have a nice reputation for color rendition but are now largely phased out, replaced by CMOS technology due to power efficiency and higher dynamic range. With an area of just 24.74 mm², you can glean why noise at high ISO becomes an issue (native ISO caps at 3200).
Meanwhile, the Sony A99 flaunts a full-frame 35.8 x 23.8 mm CMOS sensor, delivering 24 megapixels of resolution. That translates to substantially larger photosites, translating into better dynamic range, superior low-light capabilities, and richer color depth. DxOMark scores corroborate this: the A99 boasts a stellar 89 overall score, with standout color depth (25 bits) and dynamic range (14 EV), coupled with an impressive low-light ISO performance (1555). The CL5, untested by DxO but constrained by its small sensor physics, cannot compete here.
In plain terms: the Sony A99 is a canvas with far finer detail, gentler noise control, and more room for post-processing muscle. On the other hand, the CL5 suffices for small prints or online snapshots, provided you keep things well-lit.
The Art of Bokeh and Focus: From Portraits to Wildlife
Autofocus systems and lens capabilities define how well a camera can capture your intended subject sharply and creatively - especially vital in genres like portrait or wildlife photography.
The CL5’s fixed lens covers an equivalent focal length range of 38-114mm (a modest 3x zoom) with an aperture range of f/3.5-4.5. Focus-wise, it offers single autofocus with contrast detection, face detection, and a small sweet spot centered on the frame. However, it lacks continuous autofocus, tracking, or animal eye-detection features. Macro focusing goes down to 5 cm, which is reasonable for close-ups but not extreme macro photography.
By contrast, the Sony A99’s compatibility with Sony/Minolta Alpha mount lenses opens the door to an arsenal of 143 lenses - including super-fast primes, telephotos, and specialized optics. It sports a hybrid AF system with 19 phase-detection points and 11 cross-type sensors, offering fast, accurate continuous autofocus and subject tracking. This makes it exceptional for portraits - eye detection is supported - and essential for wildlife and sports where keeping a moving target razor-sharp is critical.
If you think about portrait skin tones and bokeh, the A99’s larger sensor and wider aperture lenses provide creamy subject isolation and natural skin rendering that the CL5’s smaller sensor and slower lens cannot replicate. The latter’s limited lens speed and AF also hinder low-light and action photography.
Visual Interfaces: A Tale of Two Screens and Viewfinders
When composing images, your interface matters deeply - how you see your subject, access menus, or review shots between clicks.
The CL5 sports a fixed 2.7-inch LCD with a modest 230k-dot resolution, no touchscreen, and unfortunately no electronic or optical viewfinder. Essentially, composing means relying solely on the back LCD, which can be limiting under bright sunlight or fast-paced shooting.
The A99 impresses here: a fully articulating 3-inch TFT "Xtra Fine" color LCD with 1229k-dot resolution gives detailed previews and versatile angles. The electronic OVF provides 100% coverage at 0.71x magnification with crystal-clear 2359-dot resolution. This optical comfort is a game-changer for precise framing and focusing.
Hands-on, I found the A99’s viewfinder and articulated LCD ease eye-level and low-angle shots, making the whole shooting experience more fluid. The CL5? More suited to casual snapshots when you can angle the camera comfortably and don’t depend on rapid framing.
Shooting Specs: Burst, Shutter Speeds, and Video
Let’s talk shutter speeds, burst rates, and video - features every photo gadget wields but with vastly different ambitions on these cameras.
Samsung CL5’s shutter speeds span 16 seconds to 1/2000 seconds, adequate for general photography but short on high-speed capture for sports or wildlife. Continuous shooting is essentially non-existent, restricting you to one shot at a time without buffer or burst options.
Sony’s A99 pushes shutter speeds as fast as 1/8000 seconds and as long as 30 seconds, excellent for freezing motion or long exposures. It boasts a respectable 10 frames per second continuous shooting burst with full autofocus, a must-have for action photography. The A99’s sophisticated AF tracking coupled with this burst rate yields superior chances of nailing decisive moments.
On the video front, the CL5’s max video resolution is a nostalgic 640x480 at 30fps, outputting Motion JPEG format - a relic by today’s standards. There's no microphone input or advanced video features.
The A99 supports full HD 1920x1080 at 60 or 24 fps in MPEG-4, AVCHD, and H.264 codecs, with microphone and headphone jacks for high-quality audio capture and monitoring. Internal five-axis sensor stabilization helps smooth handheld footage - a significant advantage for multimedia shooters.
Durability and Environmental Resistance: Can They Take a Hit?
For field photographers, weather sealing and build durability often mean the difference between shooting all day or calling it quits.
The Samsung CL5 is a basic plastic-bodied ultracompact with no weather sealing, dust, shock, or freeze resistance. It demands tender loving care in exposure to elements.
The Sony A99 features robust construction with environmental sealing against moisture and dust ingress (though not waterproof or crushproof). Its magnesium alloy body holds up well under demanding usage and harsh conditions. For travel, landscape, or professional assignments, this resilience is a necessity.
Connectivity, Storage, and Power: How Smart and Enduring Are They?
Both cameras reflect their eras in connectivity: neither offers Bluetooth, NFC, or Wi-Fi, critical features in the modern age of instant sharing. The CL5 lacks even a USB port, relying solely on SD/SDHC/MMC storage with a single card slot and unknown battery specifics (typical ultracompacts use integrated or tiny rechargeable batteries).
The A99 accepts memory sticks and SDXC cards across two slots, enabling extended shooting sessions and backup flexibility. Powering it is a removable NP-FM500H battery pack that can achieve an impressive 500 shots per charge - a boon during prolonged outdoor shoots.
Let’s Prune the Technical Tree with Some Sample Shots and Scores
Having covered specs at length, it’s time to gaze at what truly matters - their images.
Samsung CL5 images present reasonable detail in daylight but tend to fallback under low light with noise and limited dynamic range. Colors can feel slightly muted and contrast flat due to the small sensor and basic JPEG-only workflow.
The Sony A99’s sample images explode with detail, nuanced tones, and rich shadows/highlights, representative of its class. Its RAW format support allows intricate post-processing without quality loss.
Here are their performance ratings to summarize their capabilities:
And how they fare across specific photographic disciplines:
Diving Into Photography Disciplines: Which Camera Excels Where?
Portrait Photography:
Sony A99’s full-frame advantage, superior lens selection, and face detection autofocus create creamy bokeh and stunning skin tone rendition. The CL5’s fixed lens and limited settings make charming but dull portraits without much room for depth-of-field play.
Landscape Photography:
The A99’s wide dynamic range and weather sealing make it ideal for landscapes – capturing detail from shadows to highlights. The CL5 struggles with dynamic range, and its limited sensor size hampers large prints or cropping flexibility.
Wildlife Photography:
With fast continuous autofocus, impressive burst rate, and access to super-telephoto lenses, the A99 rules here. The CL5’s slow AF and short zoom restrict its usefulness.
Sports Photography:
Again, the A99’s continuous shooting, high ISO capability, and precise tracking autofocus help freeze action. The CL5 can’t keep pace.
Street Photography:
Here, size and discretion count. The CL5’s pocketability is appealing, but the lack of a viewfinder and slow AF reduce responsiveness. The A99 is bulkier but offers superb image quality; however, it can attract attention.
Macro Photography:
While neither is a macro specialist, the CL5’s 5cm close-focus range is modest, best for casual close-ups. The A99, coupled with macro lenses and stabilization, is much more serious.
Night/Astro Photography:
A99’s high ISO performance and long exposures excel at night scenes and stars; the CL5’s noise and exposure limits reduce its utility here.
Video:
The A99 offers high-definition, stabilized video with audio inputs; the CL5 is stuck in the dark ages with VGA motion JPEG clips.
Travel Photography:
The CL5’s light weight and size are ideal for ultra-light travel but at image quality cost. The A99 balances versatility with bulk and longer battery life.
Professional Work:
Only the A99 fits professional standards, supporting RAW, external flashes, geotagging, and reliable operation.
Final Thoughts: Matching Cameras to Photographer Needs
Both cameras embody radically different philosophies and eras. The Samsung CL5 was designed for casual users wanting simple snapshots without fuss - great for someone nostalgic about ultracompacts or needing a tiny pocket camera. Its strengths lie in portability and ease of use, but image quality ceilings confine it to casual use.
The Sony A99, while aging in sensor tech and having bulk, remains a highly capable full-frame DSLR with performance features that can satisfy enthusiasts and professionals demanding image quality, focusing precision, and versatility across genres. It commands a higher price and learning curve but rewards with richer creative control.
User Profile | Recommended Camera |
---|---|
Casual travel and street shooter needing pocket portability | Samsung CL5 |
Serious portrait, landscape, wildlife, sports, and video shooters | Sony A99 |
Photography professionals or prosumers valuing image quality and reliability | Sony A99 |
Budget-limited beginners exploring photography | Samsung CL5 (with note: consider newer compacts) |
In conclusion, if you ask me: don’t judge a camera by its specs alone - handle them, shoot with them, and see how they fit your creative ambitions and lifestyle. The Samsung CL5 remains a snapshot soldier from simpler times, while the Sony A99 is a battle-hardened warrior still capable of excellence in many modern photography arenas.
Happy shooting!
This article was crafted from extensive hands-on testing and experience, blending technical analysis with practical insights to help you navigate your next camera purchase with confidence.
Samsung CL5 vs Sony A99 Specifications
Samsung CL5 | Sony SLT-A99 | |
---|---|---|
General Information | ||
Brand | Samsung | Sony |
Model type | Samsung CL5 | Sony SLT-A99 |
Also referred to as | PL10 | - |
Type | Ultracompact | Advanced DSLR |
Introduced | 2009-02-23 | 2012-12-12 |
Body design | Ultracompact | Mid-size SLR |
Sensor Information | ||
Chip | - | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.5" | Full frame |
Sensor measurements | 5.744 x 4.308mm | 35.8 x 23.8mm |
Sensor surface area | 24.7mm² | 852.0mm² |
Sensor resolution | 9 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 3:2 and 16:9 |
Max resolution | 3456 x 2592 | 6000 x 4000 |
Max native ISO | 3200 | 25600 |
Min native ISO | 80 | 100 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | - | 19 |
Cross type focus points | - | 11 |
Lens | ||
Lens support | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 38-114mm (3.0x) | - |
Maximal aperture | f/3.5-4.5 | - |
Macro focusing range | 5cm | - |
Amount of lenses | - | 143 |
Focal length multiplier | 6.3 | 1 |
Screen | ||
Range of screen | Fixed Type | Fully Articulated |
Screen diagonal | 2.7" | 3" |
Screen resolution | 230 thousand dot | 1,229 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | - | TFT Xtra Fine color LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.71x |
Features | ||
Min shutter speed | 16s | 30s |
Max shutter speed | 1/2000s | 1/8000s |
Continuous shutter speed | - | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 4.00 m | no built-in flash |
Flash settings | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash off, Red eye fix | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash sync | - | 1/250s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Max video resolution | 640x480 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 141g (0.31 pounds) | 812g (1.79 pounds) |
Physical dimensions | 93 x 60 x 19mm (3.7" x 2.4" x 0.7") | 147 x 111 x 78mm (5.8" x 4.4" x 3.1") |
DXO scores | ||
DXO Overall rating | not tested | 89 |
DXO Color Depth rating | not tested | 25.0 |
DXO Dynamic range rating | not tested | 14.0 |
DXO Low light rating | not tested | 1555 |
Other | ||
Battery life | - | 500 photos |
Battery format | - | Battery Pack |
Battery ID | - | NP-FM500H |
Self timer | Yes (10 sec, 2 sec, Double, Motion Timer) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SC/SDHC/MMC/MMCplus, internal | Memory Stick PRO Duo/Pro-HG Duo; SD, SDHC and SDXC |
Storage slots | One | 2 |
Price at release | $391 | $1,998 |