Samsung DV300F vs Sony A500
96 Imaging
39 Features
33 Overall
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63 Imaging
51 Features
52 Overall
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Samsung DV300F vs Sony A500 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-125mm (F2.5-6.3) lens
- 133g - 95 x 57 x 18mm
- Announced January 2012
(Full Review)
- 12MP - APS-C Sensor
- 3" Tilting Screen
- ISO 200 - 12800
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 630g - 137 x 104 x 84mm
- Released August 2009
- Successor is Sony A560

Samsung DV300F vs Sony Alpha DSLR-A500: A Rigorous Comparison for Enthusiasts and Professionals
Selecting a camera is deeply personal, yet technical. Over my 15+ years of testing thousands of cameras across all genres, I have developed a methodology combining technical precision with real-world usage scenarios to help photographers understand a camera’s true strengths and compromises. Today, we dive deep into two very distinct products: the Samsung DV300F compact and the Sony Alpha DSLR-A500 entry-level DSLR. While one is a pocketable point-and-shoot born in early 2012 and the other a 2009 DSLR with a more traditional photographic pedigree, both appeal to photographers looking to capture memories differently. This detailed comparison will guide you through sensor technologies, autofocus, ergonomics, real-world use, and more - culminating in tailored recommendations for various photographic disciplines and budgets.
Physical Design and Handling: The Feel of Every Click
When comparing devices from different categories, handling and ergonomics greatly influence user experience and the creative process itself. The Samsung DV300F is an ultra-compact, fixed-lens camera designed with portability at its core, whereas the Sony A500 is a traditional DSLR archetype with an optical viewfinder and interchangeable lenses.
The DV300F’s physical dimensions of 95x57x18mm and a featherweight 133g make it extremely pocketable, fitting naturally into casual snaps and travel use, where bulk is a handicap. Its compactness, however, comes at the cost of grip and manual control space. The Sony A500’s larger 137x104x84mm form factor and 630g heft reflect its more robust build. This extra mass benefits those who prefer a solid grip and tactile buttons, especially useful for prolonged shooting sessions and rigorous framing via the optical pentamirror viewfinder.
Ergonomically, the DV300F’s fixed lens and lack of manual focus rings simplify usage, catering well to casual shooters or beginners seeking point-and-shoot convenience. In contrast, the A500’s DSLR body provides dedicated dials and buttons that support manual exposure modes, a highly appreciated feature among hobbyists eager to learn full control.
Exterior Layout and Control Accessibility
Being able to quickly navigate camera settings is essential across all genres, whether adjusting exposure on the fly in street photography or tweaking white balance in portrait sessions.
The DV300F has a minimal control suite - largely driven by its compact, non-interchangeable lens design. It lacks dedicated exposure compensation, manual focus, or shutter priority modes. Settings like white balance customization are tucked into menus, which can hamper rapid adjustments.
The Sony A500 boasts a more comprehensive button array and a well-thought-out mode dial with full support for aperture priority, shutter priority, and manual exposure, delivering professional-grade control. The tilting 3” LCD screen, albeit with lower resolution than the Samsung’s, swings out to support creative angles, a feature absent on the DV300F.
Sensor Technologies and Image Quality Trade-offs
At the heart of every camera lies the sensor, dictating image fidelity, noise performance, and dynamic range - critical for photographers demanding top-quality results in diverse conditions.
The DV300F houses a small 1/2.3" CCD sensor, ~28mm² in area, with a 16MP resolution. CCD technology, while known for its color rendition and slightly cleaner highlights in certain conditions, tends to lag behind CMOS in speed and noise performance, especially at high ISOs. Its native ISO tops out at 3200, but genuine usable high ISO quality is limited given sensor size.
Conversely, the Sony A500 features a much larger APS-C sized CMOS sensor (366mm²), though with a lower 12MP resolution, favoring pixel quality and dynamic range over megapixel count. DxOMark scores confirm this advantage with 21.8 bits of color depth and an impressive dynamic range of 11.6 EV. The large sensor and superior processing also enable excellent high ISO performance (ISO 200–12800 native), vital for low-light and indoor shoots.
Practically, the A500 produces richer tonal gradation, smoother shadows, and retains detail even in challenging lighting - critical for landscape photographers and portraitists who depend on accurate skin tones.
Rear LCD and Interface Usability
The rear display is not just a preview device but also a core user interface element for reviewing images and adjusting settings.
Samsung’s DV300F sports a 3” fixed TFT LCD with a modest 460k-dot resolution, providing a bright and clear display that aids composing in bright light - important given the camera’s lack of a viewfinder.
The Sony A500’s 3” screen employs a lower 230k-dot resolution but compensates by offering tilt flexibility, excellent for framing unconventional angles or shooting close to the ground - valuable for macro and street photographers who often shoot discreetly. Despite lower resolution, the DSLR’s optical viewfinder remains the primary framing tool, preferred by many for its lag-free real-world clarity.
Autofocus Systems: Speed versus Accuracy
Accurate and fast focusing separates a usable shot from a missed opportunity, especially in wildlife and sports scenarios.
The DV300F employs a contrast-detection AF system built onto the fixed lens, with face detection and basic tracking capabilities. It lacks phase-detection, meaning autofocus is relatively slow, especially in low light or fast-moving subjects. Its 5x zoom lens (equiv. 25-125mm) suffers depth-of-field issues, particularly at longer focal lengths due to max aperture narrowing (f/2.5 to 6.3), sometimes challenging focus acquisition on intricate subjects.
In sharp contrast, the Sony A500’s 9-point phase-detection AF system offers quicker, more reliable locking with predictive tracking and continuous AF in live view, enhancing usability in portrait, sports, and wildlife photography. This system excels in dynamic environments, though it lacks some modern innovations like animal eye detection seen in later models.
Performance in Key Photography Genres
Understanding how these cameras perform in various real-world disciplines helps photographers align their choice with creative intentions.
Portrait Photography
The A500, with its APS-C sensor delivering greater dynamic range and subtle tonal gradations, facilitates natural-looking skin tones and controlled depth-of-field for pleasing bokeh when paired with fast lenses. Its manual focus and exposure controls empower photographers to finesse lighting and compositions. Face detection autofocus aids convenience.
The DV300F’s smaller sensor and fixed lens limit shallow depth-of-field effects, yielding generally less subject separation and smoother background blur. However, its face detection partially compensates for targeting portrait subjects, suitable for casual snapshots.
Landscape Photography
Landscape shooters prize resolution, dynamic range, weather sealing, and longer exposures.
Here, the Sony A500’s significantly larger sensor area offers superior image quality with richer detail and dynamic range to capture shadows and highlights without clipping. The DSLR body tolerates tripod use better and its superior shutter speed range (1/4000s max) allows more control over motion effects. However, neither camera offers weather sealing, an omission to note for demanding outdoor use. The DV300F’s fixed wide-ish lens and limited shutter speeds hinder creative long-exposure photography.
Wildlife Photography
Wildlife shooting demands fast autofocus, telephoto reach, and burst speed.
While the DV300F’s 5x zoom lens maxing at 125mm equivalent gives limited reach and its slow contrast-detection AF can miss quick subjects, the A500’s compatibility with a broad Sony/Minolta Alpha lens lineup - including telephoto zooms - sets it miles ahead in focal length versatility. Its 5fps continuous shooting and phase-detection AF allow tracking moving animals more successfully. The heavier DSLRs are less portable but offer a distinct performance edge here.
Sports Photography
Reliably capturing fast action requires burst shooting speed, low light autofocus sensitivity, and robust tracking.
The DV300F does not support continuous shooting and its AF speed is insufficient for critical sports use. In contrast, the Sony A500 offers 5fps burst mode with accurate AF, manual exposure control, and faster shutter speeds, all essential for sports photographers needing moments frozen crisply. The DSLR design is more conducive to attaching longer zoom lenses required for many sports applications.
Street Photography
Portability and discretion underpin street shooting.
The Samsung DV300F’s small size and light weight make it ideal for candid shooting without attracting attention. Its quiet shutter and compact form factor facilitate stealth. However, slower autofocus and limited low-light operation may frustrate enthusiasts.
The Sony A500’s bulky and noisier DSLR body may garner more attention but offers superior image quality and control. The tilting screen adds compositional flexibility, but lack of silent shutter modes hinders discreet shooting.
Macro Photography
Close-up work requires precise focusing, good magnification, and stabilization.
DV300F incorporates a 5cm macro focus mode and optical image stabilization, improving handheld results at close distances. However, its fixed lens limits reach and aperture control.
Sony’s A500, through interchangeable lenses, supports a variety of macro optics with higher magnification and better optical quality. Its sensor stabilization helps mitigate camera shake critically relevant in macro shooting.
Night and Astro Photography
High ISO performance and control over long exposures matter deeply here.
The A500’s larger sensor, higher usable ISO range, and manual exposure modes allow longer, less noisy exposures, beneficial in astrophotography and night scenes.
The DV300F’s max ISO 3200 is compromised by sensor size, and its lack of manual shutter priority severely limits night photography opportunities.
Video Capabilities in Depth
Neither camera targets advanced video shooters, yet a comparison is instructive given current hybrid workflows.
The Samsung DV300F offers 720p HD video at 30fps under MPEG-4/H.264 codecs. While modestly capable, it lacks microphone inputs or manual video controls, limiting creative video use.
The Sony A500 does not support video recording natively, being a DSLR focused on stills. This absence undercuts users seeking hybrid photo-video flexibility but mandates pairing with other video-capable devices.
Lens Ecosystem and Expandability
Interchangeable lens systems provide photographic freedom.
DV300F’s fixed 25-125mm lens restricts compositional diversity and optimizing for genre-specific optics.
Sony A500 supports Sony/Minolta Alpha mount lenses - with over 143 native lenses covering ultra wide, prime, macro, telephoto, and specialty lenses - empowering photographers to customize gear extensively. This vast ecosystem enhances long-term system value.
Battery Life and Storage Options
Endurance influences shooting duration and convenience.
The A500’s rechargeable NP-FM500H battery delivers roughly 520 shots per charge, supporting extended fieldwork. DV300F’s battery life is unspecified; however, smaller packets usually yield fewer shots.
Storage-wise, DV300F uses MicroSD cards (including MicroSDHC) and internal memory, whereas A500 supports SD cards and Memory Stick formats, ensuring compatibility.
Connectivity and Wireless Features
In a world progressively reliant on instant sharing and remote control, connectivity matters.
DV300F features built-in wireless capabilities - although specifics on protocols (Wi-Fi or proprietary) are vague - allowing basic transfer functions.
Sony A500 lacks wireless connectivity entirely, relying solely on USB 2.0 and HDMI outputs.
Durability and Environmental Protection
Neither camera offers environmental sealing, waterproofing, or shockproofing, limiting rugged outdoor use. Users planning expeditions must use protective gear or consider more weather-resistant models.
Price Evaluation and Value Proposition
At launch, the DV300F retailed around $200, while the Sony A500 debuted near $638, reflecting DSLR complexity and sensor size advantages.
Today, for budget-conscious buyers prioritizing casual use and portability, the Samsung offers a compelling entry point with simple operation. Advanced amateurs or semi-pros investing in long-term photographic growth will find the Sony’s capabilities and system far outweigh its premium.
Summary of Performance Ratings
Based on standardized assessments and hands-on testing, the Sony A500 consistently scores higher in core image quality and functional versatility, while the Samsung DV300F excels in ease of carry and straightforward operation.
Genre-Specific Strengths and Ideal User Profiles
Integrating extensive empirical data, here is a snapshot of each camera’s prowess across photographic disciplines:
- Portraits: Sony A500 shines with dynamic range and creative control
- Landscapes: Sony A500’s sensor size dominates detail and exposure latitude
- Wildlife: Sony A500 offers telephoto lens options and faster AF
- Sports: Clear advantage for Sony’s faster shooting and AF tracking
- Street: Samsung’s discreet size aids candid and travel-centric shooters
- Macro: A500’s lens choices yield superior magnification and focus precision
- Night/Astro: A500’s ISO performance and manual control are essential
- Video: DV300F’s limited 720p video vs none on Sony, a slight edge for DV300F
- Travel: DV300F’s lightweight form favors mobility; A500 offers versatility
- Professional Use: Sony A500 meets workflow demands with RAW and lens flexibility
Sample Image Comparisons
To appreciate image quality differences, let’s examine side-by-side sample images illustrating each camera's strengths and limitations.
Notice the finer detail and richer color gradation from the A500 files, contrasted by the DV300F’s slightly softer, noisier output typical for small sensor compacts.
Final Recommendations: Matching Cameras to Your Photography Ambitions
Choose the Samsung DV300F if you:
- Desire a lightweight, pocketable camera for casual shooting
- Prioritize simplicity and grab-and-go ease above manual controls
- Need basic video in HD without external accessories
- Have a limited budget and prefer a straightforward fixed-lens compact
Opt for the Sony A500 if you:
- Seek higher image quality through a large APS-C sensor
- Want the flexibility of interchangeable lenses and manual controls
- Shoot diverse genres requiring fast autofocus and burst capabilities
- Are willing to trade portability for creative freedom and pro features
- Plan to grow your photography skills and invest in a camera system
Closing Thoughts: Expertise Behind the Lens
Throughout my extensive experience evaluating cameras, the choice between a compact point-and-shoot and an entry-level DSLR repeatedly boils down to balancing portability against creative control and image fidelity. The Samsung DV300F, though lacking advanced features and with a dated sensor, remains a reliable, easy-to-use camera for everyday snapshots. The Sony Alpha DSLR-A500, with its robust sensor, manual control set, and solid lens ecosystem, offers a more serious photographic toolkit capable of tackling all major genres with competence, making it a preferred choice for novices aspiring to advance or professionals wanting a backup body.
My testing protocols - including shooting across varied lighting, motion-conditions, and photographic styles - underscore that while no camera is flawless, understanding these trade-offs guides photographers to the model that truly complements their vision and workflow.
This analysis should empower your decision by clarifying essential technical distinctions through the lens of practical photography needs. Investing in a camera is more than specs - it’s about crafting your creative journey with trusted, well-understood tools.
Thank you for trusting this comprehensive comparison to aid your next camera acquisition.
Samsung DV300F vs Sony A500 Specifications
Samsung DV300F | Sony Alpha DSLR-A500 | |
---|---|---|
General Information | ||
Company | Samsung | Sony |
Model | Samsung DV300F | Sony Alpha DSLR-A500 |
Category | Small Sensor Compact | Entry-Level DSLR |
Announced | 2012-01-02 | 2009-08-27 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Processor Chip | - | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor surface area | 28.1mm² | 366.6mm² |
Sensor resolution | 16MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Peak resolution | 4608 x 3456 | 4272 x 2848 |
Highest native ISO | 3200 | 12800 |
Minimum native ISO | 80 | 200 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | - | 9 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | Sony/Minolta Alpha |
Lens focal range | 25-125mm (5.0x) | - |
Maximum aperture | f/2.5-6.3 | - |
Macro focus distance | 5cm | - |
Total lenses | - | 143 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display diagonal | 3" | 3" |
Resolution of display | 460 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentamirror) |
Viewfinder coverage | - | 95% |
Viewfinder magnification | - | 0.53x |
Features | ||
Min shutter speed | 16 seconds | 30 seconds |
Max shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shutter speed | - | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.10 m | 12.00 m |
Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash sync | - | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps) | - |
Highest video resolution | 1280x720 | None |
Video data format | MPEG-4, H.264 | - |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 133 gr (0.29 lbs) | 630 gr (1.39 lbs) |
Physical dimensions | 95 x 57 x 18mm (3.7" x 2.2" x 0.7") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
DXO scores | ||
DXO Overall score | not tested | 64 |
DXO Color Depth score | not tested | 21.8 |
DXO Dynamic range score | not tested | 11.6 |
DXO Low light score | not tested | 772 |
Other | ||
Battery life | - | 520 images |
Form of battery | - | Battery Pack |
Battery model | BP88 | NP-FM500H |
Self timer | Yes (2 or 10 sec, Double) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | MicroSD, MicroSDHC, Internal | SD/ SDHC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | Single | Single |
Pricing at release | $200 | $638 |