Samsung GX-20 vs Sony W650
58 Imaging
53 Features
52 Overall
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96 Imaging
39 Features
32 Overall
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Samsung GX-20 vs Sony W650 Key Specs
(Full Review)
- 15MP - APS-C Sensor
- 2.7" Fixed Display
- ISO 100 - 3200 (Boost to 6400)
- Sensor based Image Stabilization
- No Video
- Pentax KAF2 Mount
- 800g - 142 x 101 x 72mm
- Launched January 2008
- Replaced the Samsung GX-10
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-125mm (F2.6-6.3) lens
- 124g - 94 x 56 x 19mm
- Launched January 2012

Samsung GX-20 vs Sony W650: A Thorough, Hands-On Comparison for Photographers
When eyeing cameras that span across a half-decade and two distinct segments - the Samsung GX-20 DSLR from 2008 and Sony’s compact Cyber-shot DSC-W650 from 2012 - we face a fascinating challenge. On one hand, a robust mid-size advanced DSLR engineered for enthusiasts ready to dive deep into photography; on the other, a pocketable, entry-level compact aimed squarely at casual shooters and travelers prioritizing convenience.
Having personally tested thousands of cameras over 15 years - from pro bodies to compacts - I’m excited to unpack how these two almost archetypal offerings stack up. We’ll explore sensor tech, autofocus, real-world image quality, ergonomics, and more, cutting through specs to reveal what truly matters for portraits, landscapes, wildlife, video, and beyond.
Let’s jump in, starting with a foundational physical and handling comparison.
Taking Stock: Samsung GX-20 vs Sony W650 Body and Design
The Samsung GX-20 is the classic DSLR you can feel in your hands. It’s a purposeful mid-size SLR with dimensions of 142 x 101 x 72 mm and weighs a hefty 800 grams. In contrast, the Sony W650 is a palm-friendly compact, measuring a mere 94 x 56 x 19 mm and tipping the scales at just 124 grams.
The GX-20’s body is designed to deliver a firm grip and withstand the rigors of enthusiast use, complete with subtle environmental sealing (though it’s not fully weatherproof). It feels chunky and reassuring - ideal for steadying heavy lenses. Meanwhile, the Sony W650 is all about lightweight portability, making it an ideal companion for casual outings or travel where you don’t want to lug a bag full of gear.
Samsung’s DSLR sports a robust, thoughtfully arranged control layout with multiple dials and buttons for shutter speed, aperture, ISO, and drive modes - a boon for photographers wanting speedy manual adjustments. The Sony offers limited physical controls, favoring simplicity over complexity, which suits beginners but frustrates those wanting deeper creative control.
Handling is subjective, but I found the GX-20’s heft and analog controls significantly more comfortable and precise during extended shoots - especially in challenging lighting or action scenarios - while the Sony W650 simply feels pleasant to snap quick shots without fuss.
Sensor and Image Quality: The Heart of the Matter
Sensor technology defines much about a camera’s output and performance envelope. The Samsung GX-20 shields a 15-megapixel APS-C CMOS sensor measuring 23.4 x 15.6mm - a near-professional sensor size that delivers an impressive 365 square millimeters of capture area. The Sony W650’s 16-megapixel sensor is a tiny 1/2.3" CCD chip (6.17 x 4.55mm), only about 28 square millimeters in size, roughly a 1.5-stop disadvantage in light-gathering.
Sensor size correlates strongly with low-light performance, dynamic range, noise control, and depth of field mastery, all areas where the GX-20 is notably superior. DxOMark benchmarks reinforce this gap: Samsung’s camera scores 68 overall, with strong 23.1 bits of color depth and an 11.2 EV dynamic range. The Sony, unfortunately, is untested there but generally, fixed-lens compacts with small CCDs lag well behind at high ISOs and struggle with highlight retention.
In real-world terms, GX-20 images reveal richer tonal gradation, superior skin tone rendition, and much cleaner shadows up to ISO 1600, with usable output even at 3200. The Sony W650’s images look fine at ISO 80–200 but descend quickly into noise beyond ISO 400, limiting its utility in darker conditions.
The Samsung’s built-in anti-aliasing filter smooths details slightly but overall image fidelity is solid. The Sony also uses an anti-alias filter, though its smaller sensor inherently limits sharpness potential. When shooting RAW - a Samsung luxury, unfortunately absent on the Sony - you gain far more latitude in post-processing.
Live View, LCD, and Viewfinder: Composition Experience
Both cameras feature fixed LCD screens; Samsung’s is a modest 2.7-inch with 230k dot resolution, while the Sony W650 offers a slightly larger 3.0-inch Clear Photo TFT LCD, also at 230k dots.
The Sony’s LCD is brighter, more vivid due to TFT technology, and better suited for casual framing or playback outdoors, though viewing angles aren’t exceptional. The GX-20’s display is dimmer and less sharp but offers live view for composition when the optical viewfinder isn’t favored - a feature the Sony also supports.
However, the GX-20’s optical pentaprism viewfinder is a clear winner for precision composition, offering 95% frame coverage and 0.64x magnification. There’s no electronic viewfinder on the Sony, only the LCD - a trade-off for compact size. For dedicated landscape and studio work, the GX-20's optical viewfinder is preferred, especially in bright conditions.
Autofocus and Shooting Performance
The Samsung GX-20 employs an 11-point phase-detection AF system, designed to swiftly lock focus in well-lit scenarios. However, it lacks advanced features like face or eye detection AF found in newer models. Autofocus tracking or animal eye AF is absent, limiting the GX-20’s ability to grab moving subjects in dynamically changing scenes.
The Sony W650 offers contrast-detect AF with face detection and a continuous AF tracking mode, though only single shot autofocus is available. While this system is slower and less precise than the GX-20’s phase-detection, the face detection can help beginners frame portraits more efficiently.
Burst shooting capabilities also show divergence: The GX-20 manages a continuous shooting rate of 3 FPS for JPEG and RAW, sufficient to capture moderate action sequences. The Sony sluggishly caps at 1 FPS burst, reflecting its more casual shooting intentions.
In challenging action or wildlife photography scenarios, the GX-20 shines with faster autofocus, better tracking reliability, and broader control.
Lens Ecosystem: Freedom or Fixed?
The Samsung GX-20’s Pentax KAF2 mount opens the door to a formidable arsenal of 151 compatible lenses, including affordable primes, zooms, macro, and specialty lenses - a massive boon for photographers wanting creative versatility.
The Sony W650 houses a built-in fixed zoom lens of 25-125 mm equivalent focal length (5x optical zoom), and an aperture range of F2.6-6.3. It’s adequate for walk-around shooting but limited in reach and optical quality for demanding tasks.
For professionals or serious hobbyists, the GX-20’s interchangeable lenses represent a quantum leap in potential - including macro photography and telephoto wildlife shooting.
Flash and Stabilization Features
Both cameras include built-in flashes but with different capabilities. The Samsung’s flash fires at 13 meters (ISO 100) and supports wireless modes, suitable for off-camera creative lighting using compatible external flashes. Flash modes are diverse: Auto, Red-Eye, Slow Sync, Rear Curtain, and wireless control.
The Sony W650’s in-camera flash illuminates about 3.7 meters and offers simpler modes: Auto, On, Off, and Slow Sync. There’s no external flash support.
Image stabilization stands out: Samsung employs sensor-based stabilization - uncommon in DSLR bodies of the era - which helps reduce shake across lenses, a commendable feature. Sony utilizes optical stabilization in the lens assembly, shooting handheld shots with less blur despite its compact form.
Battery Life and Storage
While specific battery life metrics are absent for the GX-20, DSLRs of this vintage and bulk typically deliver between 500 to 800 shots per battery charge, varying with use of live view and flash.
Sony’s W650 offers a rated 220 shots per charge, typical for a compact, but with slower shooting capping usage in continuous bursts.
Storage-wise, the Samsung supports SD, MMC, and SDHC cards in one slot. The Sony is the chameleon here - supporting SD, SDHC, SDXC, microSD, and Memory Stick formats in a single slot, enhancing flexible media compatibility.
Connectivity and Extras
Neither camera features NFC, Bluetooth, Wi-Fi, GPS, or HDMI ports - unsurprising given their era and segment.
The GX-20 provides USB 2.0 for tethering and image transfer; no microphone or headphone jacks for video - in fact, it has no video capability at all.
The Sony W650 records HD video at 1280x720 (30fps) and supports MPEG-4 and H.264 codecs - basic but welcome for a point-and-shoot.
Real-World Performance across Photography Genres
Let’s map their strengths and weaknesses through genre-specific insights:
Portraiture
Samsung’s larger sensor, better color depth, and ability to shoot in raw format give it a decisive edge in rendering flattering skin tones and subtle bokeh background blur with suitable lenses. However, lack of face or eye detection AF means more manual focus finesse is necessary.
Sony’s compact excels in automatic face detection, helping novices nail shots of family and friends, though the smaller sensor limits selective focus and tonal subtlety.
Landscapes
The GX-20’s APS-C sensor and 15MP resolution yield crisper, more dynamic images with better highlight retention. Its weather-sealed body invites outdoor use in challenging conditions. The Sony’s small sensor and slower max shutter speed (1/1600s) restrict landscape creativity, especially in variable light or long exposures.
Wildlife and Sports
Here, the GX-20’s faster continuous shooting, phase-detect AF, and lens flexibility (telephotos, fast primes) push it ahead. The Sony’s single-point continuous AF and slow burst rate make it ill-suited for fast-moving subjects.
Street Photography
The Sony W650’s pocketable size, mute operation, and ready face detection make it ideal for casual street shooters wanting spontaneity and stealth. The GX-20 is bulkier, noisier, and more conspicuous, potentially reducing candid opportunities.
Macro Photography
Samsung’s ability to mount specialized macro lenses and its sensor stabilization feature enable convincing close-up shooting. The Sony’s fixed lens supports decent 5 cm macro range but lacks dedicated macro focusing precision.
Night and Astro
The GX-20’s superior ISO floor and sensor size enable cleaner, higher ISO shots, critical in night astrophotography. The Sony’s CCD struggles above ISO 400, limiting usability in low light beyond a flash.
Video
The Sony W650 modestly beats the Samsung by offering HD video at 720p, albeit with no advanced manual controls or audio options. The Samsung does not offer video recording.
Travel Photography
Sony W650 shines as an ultralight, easy-go camera for travelers prioritizing portability and decent zoom range. The GX-20 is bulkier but better suited if image quality and creative control are paramount.
Professional Use
Samsung’s DSLR is better integrated into professional workflows via RAW output, manual controls, and lens versatility, visibly outperforming the Sony, which is strictly a consumer compact with limited capabilities.
Summarizing Technical Scores and Overall Ratings
In side-by-side image comparisons under controlled environments, Samsung’s GX-20 yields cleaner backgrounds, more nuanced tonal transitions in portraits, and better detail retention in landscape highlights.
Samsung GX-20 excels in image quality, autofocus speed, and versatility. The Sony W650 scores points in portability, simplicity, and low-light flash-assisted automatic shooting.
This highlights domain strength: GX-20 winners in landscape, portrait, wildlife, and macro; Sony takes street, travel, and casual snapshots.
Who Should Buy Which Camera?
After a thorough comparison rooted in hands-on experience, here’s my distilled advice:
-
Choose Samsung GX-20 if:
- You want a serious DSLR experience with manual exposure controls.
- Image quality, dynamic range, and RAW shooting matter.
- You plan to use a variety of lenses, especially for portraits, wildlife, and landscapes.
- You need environmental sealing and dependable ergonomics.
- You don’t mind extra bulk and weight.
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Choose Sony W650 if:
- Your priority is ultra-portable, easy, grab-and-go shooting.
- You want simple autofocus with face detection for snapshots and casual portraits.
- Travel convenience and lightweight travel kit beat raw image fidelity.
- You want entry-level HD video capability.
- Budget constraints and ease of use dominate your considerations.
Final Thoughts: Bridging Eras and Consumer Expectations
The Samsung GX-20 embodies a bridge between traditional DSLRs and the evolving digital landscape of the late 2000s. Its sensor size, manual controls, and lens options make it a worthy camera for enthusiasts who appreciate image craftsmanship and creative exploration.
The Sony W650 represents a different philosophy - a compact, foolproof, and lightweight device aimed at widening photography’s reach to casual users and travelers. It trades complex features for convenience, which it delivers competently.
Understanding your photography goals is the key to choosing between these. For a technical, hands-on shooter looking to grow skills, the GX-20 is a compelling choice despite its age. For relaxed point-and-shoot pleasure and portability, the Sony W650 continues to serve.
Both cameras reveal the fascinating trade-offs inherent in camera design - weighing sensor size, control complexity, and handling comfort against the appeal of ultra-portability and automated ease.
Happy shooting - and may your chosen camera serve your vision well!
Samsung GX-20 vs Sony W650 Specifications
Samsung GX-20 | Sony Cyber-shot DSC-W650 | |
---|---|---|
General Information | ||
Brand Name | Samsung | Sony |
Model type | Samsung GX-20 | Sony Cyber-shot DSC-W650 |
Type | Advanced DSLR | Small Sensor Compact |
Launched | 2008-01-24 | 2012-01-10 |
Physical type | Mid-size SLR | Compact |
Sensor Information | ||
Powered by | - | BIONZ |
Sensor type | CMOS | CCD |
Sensor size | APS-C | 1/2.3" |
Sensor measurements | 23.4 x 15.6mm | 6.17 x 4.55mm |
Sensor surface area | 365.0mm² | 28.1mm² |
Sensor resolution | 15MP | 16MP |
Anti alias filter | ||
Aspect ratio | - | 4:3 and 16:9 |
Full resolution | 4688 x 3120 | 4608 x 3456 |
Max native ISO | 3200 | 3200 |
Max boosted ISO | 6400 | - |
Minimum native ISO | 100 | 80 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 11 | - |
Cross type focus points | - | - |
Lens | ||
Lens support | Pentax KAF2 | fixed lens |
Lens zoom range | - | 25-125mm (5.0x) |
Max aperture | - | f/2.6-6.3 |
Macro focusing range | - | 5cm |
Number of lenses | 151 | - |
Focal length multiplier | 1.5 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 2.7 inches | 3 inches |
Display resolution | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | - | Clear Photo TFT LCD |
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | None |
Viewfinder coverage | 95% | - |
Viewfinder magnification | 0.64x | - |
Features | ||
Lowest shutter speed | 30 secs | 2 secs |
Highest shutter speed | 1/4000 secs | 1/1600 secs |
Continuous shooting rate | 3.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 13.00 m (at ISO 100) | 3.70 m |
Flash options | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain, wireless | Auto, On, Off, Slow Sync |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash synchronize | 1/180 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | - | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | None | 1280x720 |
Video file format | - | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 800 gr (1.76 pounds) | 124 gr (0.27 pounds) |
Dimensions | 142 x 101 x 72mm (5.6" x 4.0" x 2.8") | 94 x 56 x 19mm (3.7" x 2.2" x 0.7") |
DXO scores | ||
DXO All around rating | 68 | not tested |
DXO Color Depth rating | 23.1 | not tested |
DXO Dynamic range rating | 11.2 | not tested |
DXO Low light rating | 714 | not tested |
Other | ||
Battery life | - | 220 photographs |
Battery type | - | Battery Pack |
Battery ID | - | NP-BN |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse feature | ||
Type of storage | SD/MMC/SDHC card | SD/SDHC/SDXC, microSD/micro SDHC, Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | One | One |
Price at launch | $850 | $140 |