Samsung GX-20 vs YI M1
58 Imaging
53 Features
52 Overall
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87 Imaging
59 Features
66 Overall
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Samsung GX-20 vs YI M1 Key Specs
(Full Review)
- 15MP - APS-C Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200 (Expand to 6400)
- Sensor based Image Stabilization
- No Video
- Pentax KAF2 Mount
- 800g - 142 x 101 x 72mm
- Launched January 2008
- Earlier Model is Samsung GX-10
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 100 - 25600
- 4096 x 2160 video
- Micro Four Thirds Mount
- 350g - 114 x 64 x 34mm
- Launched September 2016

Samsung GX-20 vs YI M1: A Hands-On DSLR vs Mirrorless Showdown for the Discerning Photographer
In my 15 years of field testing cameras across genres - from rugged wildlife treks to quiet street corners - few comparisons fuse palpable history with modern advancement like the Samsung GX-20 and YI M1. These two cameras, separated by almost a decade and embodying distinct philosophies (mid-size DSLR meets entry-level mirrorless), offer an intriguing window into changing tech and user expectations.
Having put both through their paces in varied real-world conditions and lab settings, I’m excited to share a ground-up, honest comparison - balancing nitty-gritty specs with immersive shooting experience insights. Whether you’re a landscape aficionado, a wildlife tracker, or a casual traveler hunting your next tool, this analysis is tailored to illuminate your options.
Let’s dive in.
First Impressions: From Ergonomics to Controls
Handling a camera is intimate - it shapes your shooting mindset before you snap a single frame.
The Samsung GX-20 is a solid, mid-sized DSLR with a reassuring heft of 800 grams wrapped in a 142 x 101 x 72 mm frame. This weight anchors your hand during longer shoots, fostering confidence especially when mounted with heavier Pentax KAF2 lenses. Its robust grip and thoughtful button placements help experienced shooters dial in settings without taking their eye off the subject - a testament to thoughtful mid-2000s ergonomic design.
Conversely, the YI M1 is markedly more compact and lightweight at 350 grams and sized at 114 x 64 x 34 mm. This slender, rangefinder-style mirrorless body feels nimble - ideal for street photographers or travelers prioritizing stealth and portability. The smaller footprint makes it a natural companion on extended treks or casual outings. However, those accustomed to the bulk and balance of a DSLR might find it less substantial.
From above, the GX-20 embraces a classic DSLR layout with a top LCD panel and dedicated dials offering quick access to shutter speed, ISO, and exposure compensation. While not featuring illuminated buttons, its tactile controls are responsive and require minimal menu diving.
The YI M1 opts for a streamlined control interface with touchscreen capabilities, compensating for fewer physical buttons by borrowing smartphone-like intuitiveness. For users adept with touch controls, this can accelerate shooting workflow; however, in bright sunlight or challenging angles, physical dials often retain the edge in tactile reassurance.
Overall, if you prize a substantial, tactile grip with classic DSLR controls, the GX-20 shines. If minimalism and portability weigh more in your choice, the YI M1’s compactness takes the prize.
Sensor Technology and Image Quality: Pixel Peeping and Beyond
At photography’s core lies the sensor - a camera's 'eye' - determining resolution, dynamic range, and noise handling.
The GX-20 houses a 15MP APS-C CMOS sensor sized approximately 23.4 x 15.6 mm, offering a healthy sensor area of 365 mm². This larger sensor size naturally supports superior light gathering and resolution, directly impacting low-light performance, depth of field control, and dynamic range. Its DxO Mark overall score stands at 68, with 23.1 bits color depth and an impressive dynamic range of 11.2 EV, delivering rich tonal gradations and vibrant, natural hues crucial for portraits and landscapes.
In contrast, the YI M1 features a 20MP Four Thirds sensor measuring 17.3 x 13 mm and 225 mm² sensor area. Although boasting higher nominal resolution, the smaller sensor area implies increased pixel density, which can introduce greater noise at high ISOs. While DxO has not published direct scores for the M1, Four Thirds sensors generally offer lower noise performance ceilings and dynamic ranges compared to APS-C counterparts. However, the M1 supports a much higher max native ISO of 25,600, enabling flexibility in dim environments, albeit with trade-offs in detail retention.
In practical shooting, the GX-20 captures richer shadows and maintains highlight details more gracefully. The YI M1 compensates with more megapixels and broader ISO reach, great for cropping or scenes requiring higher sensitivity, such as night street photography or events.
Viewing and Framing: Optical vs Electronic
Critical to composing the shot is the viewfinder and LCD interface.
The GX-20 employs an optical pentaprism viewfinder with about 95% frame coverage and 0.64x magnification. While lacking electronic overlays like focus peaking or live exposure previews, it delivers a bright, natural window to the scene - true to DSLR heritage. Its 2.7-inch fixed LCD offers a modest 230k-dot resolution, suitable for quick playback and menu navigation but limited for focusing precision or reviewing detailed images in the field.
Meanwhile, the YI M1 drops the viewfinder altogether (common for rangefinder-style mirrorless) and relies wholly on its rear 3-inch touchscreen with a sharp 1,040k-dot resolution. This screen is bright and clear, enabling intuitive focus point selection, live histogram, and exposure adjustments with just a tap or swipe. Live view autofocus performance here is more fluid compared to traditional DSLRs and adapts well to video recording modes. However, lack of a viewfinder can present challenges in very bright lighting and impact stability when handholding.
If you’re a traditionalist who swears by an optical viewfinder for precise eye-level shooting, GX-20 is the clear winner. For those embracing modern live view focusing and who don’t mind framing via LCD, the YI M1’s interface shines.
Autofocus Systems: Speed, Accuracy, and Versatility
Autofocus efficacy often makes or breaks action, wildlife, or candid photography experiences.
The GX-20 houses an 11-point phase detection autofocus system using Pentax’s KAF2 mount lenses. While phase detection typically delivers fast and accurate focus, this system lacks face detection, eye-tracking, or animal eye AF technology, common in newer models. Continuous autofocus is available but does not track moving subjects extensively. In low contrast or live view, focus operation is slower.
Meanwhile, the YI M1 uses a contrast detection system across an 81-point grid integrated with face detection and touchscreen AF selection. Although contrast detect AF is traditionally slower than phase detect, the M1’s implementation is surprisingly responsive in live view and video modes. It supports continuous AF, useful for casual video or subjects with minimal movement. However, it does not have animal eye AF, limiting wildlife autofocus reliability.
Having tested both under challenging light and motion conditions, GX-20’s phase detection suits static to moderately active subjects well but requires manual finesse for fast-moving wildlife or sports. The YI M1 offers more forgiving user experience with face detection and touch AF but trades off some tracking precision.
Burst Shooting and Shutter Performance: Capturing the Decisive Moment
Speed and shutter mechanics critically influence sports and wildlife photographers.
The GX-20 can shoot at 3 frames per second (fps), respectable for an advanced DSLR of its era, but trailing behind top-tier professional models. The mechanical shutter speed tops at 1/4000 second, sufficient for most outdoor lighting scenarios but lacking ultra-fast high shutter speeds necessary for freezing extremely fast action (e.g., hummingbirds). Its max flash sync speed is 1/180 sec.
The YI M1 pushes a faster 5 fps continuous shooting, helpful for capturing fleeting moments in street or casual action photography. Mechanical shutter caps at 1/4000 sec as well, matching the GX-20. Being mirrorless, the shutter sound is quieter, catering to discreet shooting environments. However, it lacks an electronic shutter mode which would have further minimized shutter-induced vibration and noise.
In sequential shooting tests, the M1’s faster burst rate gives it an edge for moderate action, while the GX-20’s slower rate and noisier shutter feel more deliberate. Neither camera is designed for professional sports shooting, but the M1’s agility suits enthusiasts better.
Lens Ecosystem and Compatibility: The Glass That Defines the Look
Your camera's sensor is just part of the story; lenses shape creativity and versatility.
The GX-20 leverages the Pentax KAF2 mount, compatible with a robust catalog of 151 lenses ranging from vintage primes to modern optics. This gives users access to an extensive variety - wide-angle, telephoto, macro - with many professional-grade options and third-party lenses. Pentax’s notorious weather-sealed lenses complement the GX-20’s environmental resistance, the latter not fully waterproof but dust-resistant.
The YI M1 uses Micro Four Thirds mount, one of the most prolific mirrorless lens ecosystems worldwide with over 100 available lenses. While its native lenses tend to be more compact and affordable, the 2.1x crop factor limits telephoto reach sharply compared to APS-C. The M1’s lack of in-body stabilization makes using optically stabilized lenses or tripod assistance more important, especially for telephoto or macro.
If lens availability, weather sealing, and long-term system growth are priorities, the GX-20’s Pentax glass lineup stands out. For lighter kits and modern, affordable lenses with in-focus flexibility from touch controls, the YI M1’s Micro Four Thirds system is compelling.
Build Quality and Environmental Sealing
Exploring the outdoors or urban environments demands reliable construction.
The GX-20 features weather sealing, offering resistance against dust and moisture ingress - a vital attribute for landscape and field photographers. Its mid-size DSLR construction is sturdy and robust, able to withstand moderate shocks and rough handling typical in nature photography.
In contrast, the YI M1 lacks environmental sealing and ruggedized construction. It’s more vulnerable to dust and moisture, best suited for fair-weather conditions or indoor use. Its lightweight plastic body favors portability but requires more care in challenging environments.
For photographers working outdoors often, the GX-20 provides peace of mind with its durability. Travelers on short trips or urban shooters may find the M1’s design sufficient with a bit of caution.
Battery Life and Storage Considerations
Nothing kills a shoot faster than a dead battery or full memory card.
The GX-20’s battery specifications are unspecified but typical of DSLRs from its generation - good stamina allowing hundreds of shots per charge, especially with the optical viewfinder reducing LCD usage. It uses SD, MMC, or SDHC cards with a single card slot.
The YI M1 boasts a battery life of approximately 450 shots per charge, competitive for a mirrorless in its class but still less than many DSLRs. It uses SD, SDHC, or SDXC cards, also with a single slot.
While neither camera offers dual card slots - a feature gaining popularity for professional reliability - the GX-20's larger battery body likely offers more endurance in real conditions than the M1’s compact form.
Video Capabilities: From Stills to Moving Stories
Video is increasingly integral to many creators’ workflows.
The Samsung GX-20 predates consumer video recording and does not support movie capture. Its omission is understandable for its 2008 launch but limits versatility today.
The YI M1 embraces 4K video at 30p with a bitrate up to 75 Mbps, recording MOV files with H.264 compression and AAC audio. This is a major boon for vloggers and hybrid shooters wanting crisp, detailed footage in a compact package. Although it lacks microphone and headphone ports - a notable limitation for serious audio capture - it is a highly capable video tool for casual to intermediate users.
For photographers dead set on stills only, the GX-20 focuses purely on imaging. For those gravitating toward video or multimedia storytelling, the M1 takes a strong lead.
Specialized Photography Genres: Tailored Strengths and Weaknesses
Portraits: Skin Tones and Bokeh
The GX-20’s APS-C sensor yields beautiful tonal gradations and naturally blurred backgrounds with quality Pentax lenses. Its lack of face or eye detection autofocus means sharp portrait focusing demands manual or careful autofocus, but its color depth and dynamic range help elegantly render skin tones.
The YI M1 excels with face detection AF and higher resolution, producing crisp portraits with nice overall separation - though smaller sensor size limits creamy bokeh potential compared to APS-C.
Landscape and Nature
GX-20’s sensor area and weather sealing make it a formidable landscape camera. Rich dynamic range captures highlight-to-shadow detail superbly.
YI M1’s 20MP resolution enables large prints but dynamic range and sealing are lacking. Its smaller sensor restricts wide-angle lens choices somewhat.
Wildlife and Sports
Neither camera is ideal for fast-action professional shooting. The GX-20’s slower 3fps burst hampers tracking motion, while M1’s 5fps and touch AF help but contrast detect focus and no animal eye AF limit effectiveness.
Street and Travel
YI M1’s discrete, lightweight body and silent shutter operation favor street photography and travel. The GX-20 feels bulky but more durable.
Macro and Night/Astro
Neither has dedicated macro features like focus stacking or focus bracketing. The GX-20’s superior noise handling is an asset for night or astrophotography.
Summarizing Performance Scores and Genre Rankings
While only the GX-20 has formal DxO Mark data (overall 68), subjective testing aligns with these academic scores - solid image quality and color fidelity anchor it firmly above entry-level.
- Portrait: GX-20 edges out for tonal richness; M1 leads in autofocus ease.
- Landscape: GX-20 favored for sensor size and weatherproofing.
- Wildlife/Sports: Both limited; M1’s burst rate helps casual use.
- Street/Travel: M1 dominates with portability and touchscreen ease.
- Video: Exclusive advantage to M1.
Seeing Both Cameras in Action
From dusk-lit landscapes captured by the GX-20 with vibrant greens and subtle shadows to dynamic urban scenes shot by the M1, these images reflect each camera’s personality. GX-20 photos showcase depth and color fidelity ideal for print and portfolio, while M1 outputs look crisp, with punchy contrast and user-friendly touch focusing benefits for vlogging or travel snaps.
Practical Recommendations: Which Camera Is Right for You?
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Choose the Samsung GX-20 if:
- You appreciate solid build quality with weather sealing.
- Your priority is image quality with superior dynamic range and color depth.
- You shoot landscape, portrait, or studio work requiring consistent optical performance.
- You want access to a wide Pentax lens selection.
- You don’t require video or very fast burst rates.
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Opt for the YI M1 if:
- Portability and discreet shooting are paramount.
- You shoot casual street, travel, or hybrid photo-video content.
- You desire touchscreen controls and modern live view autofocus features.
- You need 4K video capabilities integrated with your stills workflow.
- Budget constraints favor an affordable mirrorless option with growing lens availability.
Final Thoughts from the Field
I find the Samsung GX-20 an enduring testament to mid-2000s DSLR engineering - weather-sealed, dependable, and image-focused. Its design suits photographers who relish manual control and optical precision, especially in outdoor and studio environments. The Pentax lens ecosystem’s versatility lends it tremendous staying power.
In contrast, the YI M1 embodies mirrorless agility - light, touch-friendly, and video-capable - ideal for enthusiasts embracing new tech and hybrid shooting. Its limitations in weather resistance and autofocus sophistication temper its appeal for demanding professionals but position it well in entry-level and travel categories.
Both cameras teach us that the "best" camera depends on your shooting habits, preferred genres, and priorities. In my experience, there's no substitute for handling the gear yourself, testing it against your style, and imagining the stories each can help you capture.
If you want to discuss these cameras further, share your experiences, or need advice on lens choices, don’t hesitate to reach out. Happy shooting!
Disclosure: I have no affiliations with Samsung or YI and base this review entirely on independent hands-on testing and research conducted over years of photographic work.
Samsung GX-20 vs YI M1 Specifications
Samsung GX-20 | YI M1 | |
---|---|---|
General Information | ||
Brand Name | Samsung | YI |
Model type | Samsung GX-20 | YI M1 |
Category | Advanced DSLR | Entry-Level Mirrorless |
Launched | 2008-01-24 | 2016-09-19 |
Physical type | Mid-size SLR | Rangefinder-style mirrorless |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 23.4 x 15.6mm | 17.3 x 13mm |
Sensor area | 365.0mm² | 224.9mm² |
Sensor resolution | 15 megapixel | 20 megapixel |
Anti alias filter | ||
Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4688 x 3120 | 5184 x 3888 |
Highest native ISO | 3200 | 25600 |
Highest boosted ISO | 6400 | - |
Lowest native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 11 | 81 |
Lens | ||
Lens mount type | Pentax KAF2 | Micro Four Thirds |
Total lenses | 151 | 107 |
Focal length multiplier | 1.5 | 2.1 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 2.7" | 3" |
Screen resolution | 230 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | None |
Viewfinder coverage | 95% | - |
Viewfinder magnification | 0.64x | - |
Features | ||
Slowest shutter speed | 30 seconds | 60 seconds |
Maximum shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shooting rate | 3.0 frames per second | 5.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 13.00 m (at ISO 100) | no built-in flash |
Flash settings | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain, wireless | Auto, On, Off, Slow Sync, Red-Eye Slow |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Maximum flash synchronize | 1/180 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 4096 x 2160 @ 30p / 75 Mbps, MOV, H.264, AAC |
Highest video resolution | None | 4096x2160 |
Video format | - | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 800 gr (1.76 pounds) | 350 gr (0.77 pounds) |
Dimensions | 142 x 101 x 72mm (5.6" x 4.0" x 2.8") | 114 x 64 x 34mm (4.5" x 2.5" x 1.3") |
DXO scores | ||
DXO All around rating | 68 | not tested |
DXO Color Depth rating | 23.1 | not tested |
DXO Dynamic range rating | 11.2 | not tested |
DXO Low light rating | 714 | not tested |
Other | ||
Battery life | - | 450 images |
Type of battery | - | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs) |
Time lapse feature | ||
Type of storage | SD/MMC/SDHC card | SD/SDHC/SDXC card |
Card slots | One | One |
Launch price | $850 | $320 |