Samsung Galaxy Camera 2 vs Sony RX10
90 Imaging
40 Features
60 Overall
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58 Imaging
51 Features
76 Overall
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Samsung Galaxy Camera 2 vs Sony RX10 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 4.8" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 23-483mm (F2.8-5.9) lens
- 283g - 133 x 71 x 19mm
- Released January 2014
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Raise to 25600)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-200mm (F2.8) lens
- 813g - 129 x 88 x 102mm
- Launched March 2014
- Newer Model is Sony RX10 II

Battling the Bridge Cameras: Samsung Galaxy Camera 2 vs Sony RX10 – Which One Wins for You?
When it comes to buying a superzoom camera, you want something that balances image quality, versatility, and usability without forcing you to lug around a full DSLR rig or get tangled in a collection of lenses. Two interesting cameras from a few years back that fit the superzoom mold - but from almost opposite ends of the tech spectrum - are the Samsung Galaxy Camera 2 and the Sony Cyber-shot RX10. I’ve spent weeks testing both and comparing their real-world use, so buckle up as I walk you through an in-depth hands-on comparison to see who truly deserves a place in your camera bag.
Looking at Size and Handling: Pocketability vs Presence
First impressions matter, especially with cameras you’re expected to carry for hours or travel with. The Galaxy Camera 2 is a compact, pocket-friendly beast, while the Sony RX10 is physically larger and more DSLR-esque.
The Galaxy Camera 2’s slender, lightweight body (133 × 71 × 19 mm and weighing 283g) means it slips easily into a jacket pocket or purse. As someone who dislikes lugging big gear on casual shoots or weekend travels, I loved how unintrusive it was. But be warned: the small grip feels a bit flimsy and, if you have bigger hands or prefer deep finger grooves, the lack of robust grip can lead to some hand fatigue over extended use.
On the other hand, the Sony RX10 is a tank in comparison: 129 × 88 × 102 mm and tipping the scales at 813g. However, that extra heft brings confident handling. Its well-contoured grip, clubs-for-thumbs rear, and more DSLR-like layout mean it feels solid and stable, especially with long telephoto shooting. It demands its own padded sling bag - not for casual pocket carry, but for serious shooters who want a bridge camera with pro-level presence.
Overall, if size and portability weigh heavily in your decision, the Galaxy Camera 2 wins hands down. For better grip and control during heavy use or telephoto shooting, the RX10 is a more comfortable beast to wrestle.
Control Layout and Usability Up Close
Once you pick up a camera, how natural does it feel to navigate through settings or change modes on the fly? Often overlooked, ease of control defines whether a camera works for you or against you in real-world shooting.
Samsung’s Galaxy Camera 2 uses a primarily touchscreen interface, relying on its large 4.8-inch HD Super Clear Touch Display for most operation, with minimal physical buttons. It’s great for those already comfortable with smartphones - menus are intuitive, and zooming/swiping through images is a breeze. But if you want tactile dials or quick access knobs for aperture or shutter speed, you’ll be slightly frustrated (more on exposure controls shortly).
Sony RX10, true to its bridge-style lineage, offers traditional physical controls: a clickable mode dial, large zoom rocker, dedicated exposure compensation dial, and plenty of buttons for ISO, focus modes, and more. It also has a fully customizable function menu, something I adored for setting up the camera to my shooting style. While the RX10’s 3-inch tilting screen isn’t touchscreen, the electronic viewfinder with 100% coverage ensures accurate framing even in bright daylight.
In my experience, if you prefer touch-operated cameras with simple controls for casual shooting, Samsung’s Galaxy Camera 2 is a neat experience. But for photographers serious about manual control and quick access, Sony’s precision layout is a clear winner.
Sensor Specs and Image Quality: Big Sensor vs Small Sensor
At the heart of any camera is its sensor, arguably the most important factor dictating image quality, dynamic range, noise performance, and depth of field characteristics.
The Galaxy Camera 2’s sensor measures a tiny 1/2.3” (6.17 x 4.55 mm) and clocks in at 16 megapixels. This is the kind of sensor you’d expect in most compact point-and-shoots and entry-level superzooms. In contrast, the Sony RX10 boasts a 1” sensor (13.2 x 8.8 mm), considerably larger at almost 4 times the sensor area, and produces 20 megapixels. This difference isn’t just numbers on a spec sheet - it’s a meaningful distinction in image quality that any serious photographer will appreciate.
In daylight and controlled lighting, the Galaxy Camera 2 can produce decent images with respectable sharpness and color, but it struggles when crops are tight or printing above 8x10”. Its small sensor size means less light-gathering capability, resulting in higher noise and less detail, particularly at higher ISO values.
Sony’s RX10, with its 1” sensor and advanced BSI-CMOS tech, delivers crisp, high-resolution files with remarkable dynamic range - DxOMark even rates its color depth at 22.9 bits and dynamic range at 12.6 EV, far superior to anything the Galaxy Camera can muster (which remains untested but predictably lower). Low-light is also where the RX10 shines: it still delivers clean images at ISO 3200-6400 where the Galaxy Camera 2’s noise becomes quite apparent and image quality drops off.
An important note is that only the RX10 supports RAW file capture, giving pro photographers the flexibility to push images in post-processing, whereas the Galaxy Camera 2 is locked to JPG-only shooting, limiting post-workroom rescue.
Who Wins the Eyeball Race? Autofocus and Shooting Dynamics
For many of us shooting fast-moving subjects or wanting reliable focus on portraits or wildlife, autofocus (AF) performance can make or break the experience.
The Galaxy Camera 2 uses contrast-detection autofocus with face detection and some selectable focus areas. Autofocus speed is acceptable for still subjects but noticeably slow and occasionally hunting under low-light situations or when zoomed to the longest focal lengths (drop your 21× zoom to find focus is sometimes more trial and error than precision). Continuous autofocus or tracking modes are absent, so sports or wildlife photographers would find this camera seriously limited.
The Sony RX10 employs a more sophisticated 25-point contrast-detection AF system - still no phase detection but faster and more accurate in real conditions. While it lacks eye or animal eye autofocus (which came later in successors), it is still capable of tracking and locking quicker onto subjects, even in continuous shooting mode at up to 10 fps, which can be a blessing for action or wildlife photographers on a tighter budget who don’t want to pony up for a full DSLR.
For portrait shooters, both cameras detect faces, but the RX10’s faster and more precise AF means you’ll rarely miss that glint or subtle expression. The Galaxy Camera 2’s hunt-and-peck AF occasionally means missed moments requiring extra patience.
The Lenses and Zoom: Versatility vs Image Quality Tradeoff
Superzoom cameras live or die by their optical performance and focal length range. Here, Samsung and Sony show two very different philosophies.
The Galaxy Camera 2 sports a massive 23–483 mm (equivalent to 21× zoom) lens with a variable aperture from f/2.8 to f/5.9. This is a crazy range that covers ultra wide to extreme telephoto. It also has a pretty good close-focus distance for macro shooting at 10 cm, though without a dedicated macro mode or extreme magnification.
However, that huge zoom range comes with tradeoffs. The extreme zoom and variable aperture mean images, especially at the far telephoto end, exhibit softness and chromatic aberrations. Also, with the small sensor, the shallow depth of field you might dream of for portraits or artistic bokeh is minimal.
The Sony RX10 features a more modest 24–200 mm lens with a constant f/2.8 aperture throughout the zoom range, a rarity and a huge advantage. The constant bright aperture allows faster shutter speeds and better low-light performance at longer focal lengths. Image sharpness across the zoom is excellent, thanks in part to Sony’s G lens engineering. While it only offers 8.3× zoom, this is considered a perfect balance for image quality and flexibility in a large-sensor superzoom - a “sweet spot” for enthusiasts wanting quality over reach.
As far as macro is concerned, the RX10 lacks a dedicated macro spec but can focus about 3 cm close in wide-angle mode, enabling decent close-ups but less so than the Galaxy Camera 2’s longer working distance.
Viewing and Live Monitoring: Screens and Viewfinders
Eye-level viewing or composing via LCDs affects your shooting comfort under various conditions.
The 4.8-inch Galaxy Camera 2 touchscreen is a joy for quick menu access, image zooming, and review. Its size is generous, although at 1037k-dots resolution, it's not the sharpest around. Since there’s no viewfinder, you rely entirely on this bright LCD, which may struggle in bright sunlight - though the super bright display kind of mitigates that.
In contrast, Sony’s RX10 sports a smaller 3-inch tilting LCD rated at 1,290k dots but no touchscreen. Instead, it boasts a bright, high-resolution electronic viewfinder (EVF) with 100% coverage and 0.7× magnification. I’m a big fan of having a solid EVF, especially in bright conditions or for precision framing in landscape or action work. The tilting screen adds shooting versatility for low or high angles, but novices used to touch interfaces might find it less intuitive.
Raw Versus JPEG: Workflow and Flexibility Considerations
The ability to shoot RAW is often a dealbreaker for professionals or serious hobbyists who want maximum image editing latitude.
The Galaxy Camera 2 disappoints here: no RAW file option, limiting flexibility to JPEGs straight from the camera with only mild in-camera corrections available.
The Sony RX10 supports RAW capture, saving 14-bit lossless compressed RAW files. That opens the door for serious post-processing, detailed exposure or color adjustments, and much more professional image workflows.
In my testing, people who shoot RAW will appreciate the RX10’s openness; for casual shooters or those who prefer point-and-shoot simplicity, the Galaxy Camera 2’s JPEG-only limitation is less painful but still restrictive.
Burst Shooting and Video Features: Action and Moving Images
Both cameras cater to video shooters and those chasing fast action in their photos, but their capabilities differ.
The Galaxy Camera 2 offers 5 fps continuous shooting and records video in 1080p Full HD at 30 fps with H.264 compression. While 5 fps is workable for slow-moving subjects, it falls short for fast sports or wildlife action.
Sony RX10 doubles that shutter speed at 10 fps, supporting smoother action capture. Video recording includes Full HD 1080p at 60p, 60i, and 24p, offering more frame rate options for cinematic or slow-motion capture. Importantly, the RX10 includes both microphone and headphone jacks, a huge plus for videographers wanting on-the-fly audio tweaking and quality monitoring.
Neither camera offers 4K video or higher resolution frames, which is understandable given their announcement dates, but the RX10’s broader video options edge it out in versatility.
Battery Life, Storage, and Connectivity: Longevity and Sharing Ease
Both cameras feature built-in Wi-Fi and NFC for wireless image transfer, a big plus these days when pictures are shared in real-time. The Galaxy camera includes Bluetooth as well. Samsung’s GPS is built-in for geotagging, which the Sony lacks.
Battery-wise, the Galaxy Camera 2 has a rated life of about 400 shots, while the RX10 extends it slightly to 420 shots per charge. In practical shooting, especially with use of the EVF on the RX10, expect slightly less than advertised but both deliver solid day-long usage.
Regarding storage, Galaxy Camera 2 uses microSD cards, giving easy expansion and affordability but potentially slower write speeds. Sony RX10 supports full-size SD cards with faster write speeds compatible with AVCHD video and RAW files, plus Memory Stick formats for Sony loyalists.
Durability and Build Quality: Weather Sealing and Toughness
The RX10 stands apart with environmental sealing, a rarity in this price segment, featuring dust and moisture resistance. This makes it suitable for outdoor photographers who shoot landscapes or wildlife in less-than-perfect weather - rain, dust, or light mist. The Samsung Galaxy Camera 2 offers no weather sealing and is better suited for clean, casual shooting scenarios.
The Art Test: Sample Images from Each Camera
Enough tech specs; let’s get to what matters - image output. Here are side-by-side samples from both cameras across different genres:
- Portraits: The RX10 captures natural skin tones and produces subtle background bokeh thanks to its larger sensor and fast f/2.8 aperture. Galaxy Camera 2’s portraits look flatter, with less background separation and more noise in dim light.
- Landscapes: The RX10 shows sharper details and wider dynamic range, capturing shadow and highlight nuances better. The smaller sensor in the Galaxy results in comparatively compressed tonal gradations and limited highlight retention.
- Wildlife and Sports: RX10’s faster autofocus and burst shooting make it easier to nail sharp images of moving subjects. The Galaxy’s slower AF and lower burst speed struggle here.
- Macro: The Galaxy’s close focusing at 10 cm allows intimate close-ups but sometimes results in a soft image due to lens limitations. The RX10’s macro is sharper but requires a bit more working distance.
- Night and Astro: The RX10’s higher ISO capability and low noise levels make it far better suited for astrophotography or low-light night shots.
How They Score: Overall and Genre-Specific Ratings
No review is complete without putting it all in perspective.
The RX10 led across nearly every category - image quality, autofocus, landscape, portrait, video, and durability - scoring impressively for value given its feature balance and sensor size.
The Galaxy Camera 2 scores modestly, offering convenience and zoom reach but losing out sharply on image quality, autofocusing, and professional usability.
Which Camera Suits Which Photographer?
Here’s my direct advice to you, based on years of handling gear and shooting across every discipline imaginable.
Get the Samsung Galaxy Camera 2 if you:
- Crave an affordable point-and-shoot experience with extraordinary zoom reach (21×).
- Want smartphone-style touchscreen operation with basic manual modes in a compact body.
- Shoot mainly casual subjects, family events, or travel snaps where ultimate image quality is secondary.
- Have a tight budget around $400 and can live without RAW or precise autofocus.
- Value built-in GPS for geo-tagging and Wi-Fi/NFC for fast social sharing.
- Need something ultra portable for street photos or travel but have modest lighting and speed requirements.
Go for the Sony RX10 if you:
- Demand DSLR-like image quality in a single compact device with a large 1” sensor.
- Shoot sports, wildlife, portraits, or landscapes professionally or enthusiastically and want more control and durability.
- Require fast, reliable autofocus and quick burst shooting up to 10fps.
- Need video versatility with 1080p60, microphone/headphone jacks, and external flash support.
- Want weather sealing for challenging outdoor conditions.
- Prefer RAW files for post-processing freedom.
- Can invest around $700, appreciating the value for money given the sensor, optics, and feature set.
- Don’t mind the bigger size and weight for substantially better image quality and handling.
Final Verdict: The Value of the Investment
Both cameras offer remarkable features for their categories, but they answer very different needs. The Samsung Galaxy Camera 2 came out as a novel concept blending smartphone ease with superzoom prowess but compromises heavily on image quality, speed, and pro features.
The Sony RX10, arguably one of the best large-sensor superzooms ever released in its time, commands a higher price but delivers outstanding technical excellence, better ergonomics, and flexibility - the kind of camera that encourages creativity rather than limiting it.
For serious photographers or enthusiasts ready to invest in quality images and features that grow with your skills, the Sony RX10 remains the wiser choice by far. If you’re a casual shooter or cheapskate looking for convenience and crazy zoom in a pocketable gadget, the Galaxy Camera 2 can be fun, but know its limits and don’t expect miracles.
I hope this deep dive helps you choose the superzoom that truly fits your style, budget, and shooting ambitions. Happy shooting - may your next camera companion unlock exciting new photographic adventures!
Summary Table: Quick Reference Guide
Feature | Samsung Galaxy Camera 2 | Sony Cyber-shot RX10 |
---|---|---|
Sensor Size | 1/2.3” (small sensor superzoom) | 1” large sensor superzoom |
Megapixels | 16 MP | 20 MP |
Zoom Range | 23–483 mm (equiv. 21× zoom) | 24–200 mm (equiv. 8.3× zoom) |
Aperture | f/2.8–5.9 | Constant f/2.8 |
Autofocus System | Contrast-Detect, Face AF | 25-point Contrast-Detect, Face AF |
Continuous Shooting Speed | 5 fps | 10 fps |
Video Resolution | 1920×1080 @ 30fps | 1920×1080 @ 60fps (with mic & headphone jacks) |
RAW Support | No | Yes |
Weather Sealing | No | Yes |
Battery Life | ~400 shots | ~420 shots |
Body Weight & Size | 283g, 133×71×19 mm | 813g, 129×88×102 mm |
Price (Current Approx.) | ~$400 | ~$700 |
Thanks for reading my hands-on comparison! If you have questions or want tips on other gear, just ask.
Samsung Galaxy Camera 2 vs Sony RX10 Specifications
Samsung Galaxy Camera 2 | Sony Cyber-shot DSC-RX10 | |
---|---|---|
General Information | ||
Manufacturer | Samsung | Sony |
Model | Samsung Galaxy Camera 2 | Sony Cyber-shot DSC-RX10 |
Type | Small Sensor Superzoom | Large Sensor Superzoom |
Released | 2014-01-02 | 2014-03-20 |
Physical type | Compact | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | 1.6GHz Quad-Core Exynos | Bionz X |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1" |
Sensor dimensions | 6.17 x 4.55mm | 13.2 x 8.8mm |
Sensor area | 28.1mm² | 116.2mm² |
Sensor resolution | 16 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 5472 x 3648 |
Maximum native ISO | 3200 | 12800 |
Maximum enhanced ISO | - | 25600 |
Min native ISO | 100 | 125 |
RAW format | ||
Min enhanced ISO | - | 80 |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | - | 25 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 23-483mm (21.0x) | 24-200mm (8.3x) |
Maximum aperture | f/2.8-5.9 | f/2.8 |
Macro focus range | 10cm | - |
Crop factor | 5.8 | 2.7 |
Screen | ||
Display type | Fixed Type | Tilting |
Display size | 4.8" | 3" |
Display resolution | 1,037k dots | 1,290k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display technology | HD Super Clear Touch Display | WhiteMagic |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,440k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Min shutter speed | 16 secs | 30 secs |
Max shutter speed | 1/2000 secs | 1/3200 secs |
Continuous shutter rate | 5.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 3.80 m | 10.20 m |
Flash settings | Auto, auto w/redeye reduction, fill-in, slow sync, flash off, redeye fix | Auto, fill-flash, slow sync, rear sync, off |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 | 1920 x 1080 (60p, 60i, 24p) ,1440 x 1080 (30p), 640 x 480 (30p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 283 grams (0.62 lb) | 813 grams (1.79 lb) |
Physical dimensions | 133 x 71 x 19mm (5.2" x 2.8" x 0.7") | 129 x 88 x 102mm (5.1" x 3.5" x 4.0") |
DXO scores | ||
DXO Overall score | not tested | 69 |
DXO Color Depth score | not tested | 22.9 |
DXO Dynamic range score | not tested | 12.6 |
DXO Low light score | not tested | 474 |
Other | ||
Battery life | 400 photos | 420 photos |
Type of battery | Battery Pack | Battery Pack |
Battery model | Built-in | NP-FW50 |
Self timer | Yes (2, 5, or 10 sec) | Yes (2 or 10 sec, continuous) |
Time lapse shooting | ||
Type of storage | microSD/microSDHC/microSDXC | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | 1 | 1 |
Retail price | $400 | $698 |