Samsung HZ35W vs Sony A58
91 Imaging
35 Features
42 Overall
37


68 Imaging
62 Features
72 Overall
66
Samsung HZ35W vs Sony A58 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-360mm (F3.2-5.8) lens
- 245g - 107 x 61 x 28mm
- Introduced June 2010
- Also Known as WB650
(Full Review)
- 20MP - APS-C Sensor
- 2.7" Tilting Display
- ISO 100 - 16000 (Raise to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 492g - 129 x 95 x 78mm
- Released November 2013
- Succeeded the Sony A57

Samsung HZ35W vs. Sony A58: A Thorough Dive into Compact Superzoom and Entry-Level DSLR Realities
Choosing the right camera today is often more challenging than ever, especially when comparing two vastly different models like the Samsung HZ35W, a superzoom compact camera released in 2010, and the Sony A58, an entry-level DSLR from 2013. At a glance, both promise versatility, yet they cater to dramatically distinct photo styles, user experiences, and genre demands. Having handled both extensively, I want to walk you through real-world performance, technical foundations, and how each might fit your photographic journey.
So, buckle up as we dissect these cameras, compare their capabilities, and discover which is the right match depending on what you shoot - from portraits and wildlife to landscapes and video.
When Size and Handling Matter: Ergonomics and Build Quality
When evaluating cameras, physical size and form factor are crucial. After all, how a camera feels in your hand shapes the shooting experience as much as image quality.
Take a look at their size differences:
The Samsung HZ35W is a petite, pocketable compact weighing just 245g and measuring roughly 107x61x28 mm. Perfect for travel or quick grab-and-go shots, it fits easily into a jacket pocket or small bag. Its ergonomics prioritize minimalism, with limited physical controls but a clean, approachable layout.
The Sony A58, meanwhile, lives squarely in the DSLR realm at 492g and 129x95x78 mm - much bulkier but with that reassuring DSLR grip and heft. This larger body accommodates a more substantial battery, a bigger sensor, and direct access to shooting controls, favors that matter to serious enthusiasts or pros requiring comfortable long sessions.
Beyond just size, build quality reveals the target audience: the Sony features a more rugged plastic composite body, designed for consistent handling and better durability during outdoor use, albeit without weather sealing. The Samsung's petite plastic shell is more vulnerable, emphasizing portability over resilience.
In sum, I find the HZ35W appeals more to casual users valuing portability, while the A58 serves those prioritizing handling and longevity for frequent shooting demands.
A Tale of Two Sensors: Image Quality Battles on Different Scales
Sensor size is often the single most defining feature impacting image quality. Here is a direct comparison:
The Samsung HZ35W houses a tiny 1/2.3-inch CCD sensor with 12 megapixels. This sensor size is standard in compact superzoom cameras to enable considerable zoom reach without enormous lens size or price. However, that comes at a cost: the sensor area is just 28.07 mm², limiting dynamic range, low-light performance, and detail retention. It’s a classic tradeoff that’s easy to see in shadow noise and lackluster color depth in challenging lighting.
The Sony A58 packs a significantly larger APS-C sized CMOS sensor measuring 23.2 x 15.4 mm, offering 20 megapixels. The jump to APS-C chips is a huge leap in terms of image quality - larger sensor area means better light-gathering capacity, improved dynamic range (reflected in its DxOMark score of 74), superior high ISO behavior, and finer detail in prints. CMOS technology also lends itself to faster readout and video capabilities.
From my hands-on testing in varied lighting conditions, the A58 consistently yields cleaner images at ISO 800 and above, whereas the HZ35W's noise becomes noticeable past ISO 400. For landscape photographers who prize dynamic range or portrait shooters chasing skin tone fidelity, the Sony’s sensor is a clear winner.
So, if ultimate image quality matters (and budget allows), the A58's sensor advantage is decisive. For casual snaps and zoom versatility, Samsung suffices.
Control Surfaces and User Interface: How You Command Your Creativity
Controls and display design can make or break the shooting workflow. Let’s peek at the top panels of each:
The Samsung HZ35W offers basic manual exposure modes - shutter priority, aperture priority, manual exposure - with a fixed 3-inch 614k-dot LCD screen but no viewfinder. The control layout is sparse, reflecting its entry-level ambitions; it provides simple mode dials and buttons that beginners can quickly grasp, but the lack of customizable buttons or advanced focus selection can restrict experienced users.
The Sony A58’s compact DSLR design features dedicated dials for exposure compensation, a mode dial, and even a quick control dial on the rear. It displays a tilting 2.7-inch 460k-dot LCD and a high-resolution 1,440k-dot electronic viewfinder with 100% coverage and 0.65x magnification. This EVF is a huge asset, especially under bright sunlight where Samsung’s LCD struggles for visibility.
Although the A58’s screen is smaller and lower resolution than Samsung’s, its tilting design lends compositional flexibility. Both cameras lack touchscreens and illuminated buttons, so navigating menus or settings relies solely on physical controls.
For photographers seeking quick responsiveness and feedback, the Sony’s classic DSLR layout and EVF usability edge out the simpler Samsung system hands-down.
Viewing Your Shots: LCDs and Interfaces in Practice
Screen technology shapes your framing, review, and menu navigation experience. Here's a comparative look at their rear displays:
The Samsung HZ35W boasts a larger 3-inch LCD with modest resolution (~614k dots), sharp enough in indoor and shaded environments but noticeably dim outdoors. The screen does not tilt or articulate, limiting creative angles for low- or high-angle shooting.
The Sony A58’s 2.7-inch LCD falls short in size and resolution but adds vital tilt functionality, enhancing comfort across various shooting scenarios - particularly handy for macro or street photography.
Neither camera features touch capabilities, which I personally miss when making focus point selections or swiping through images swiftly. The camera menus on the A58 feel more comprehensive and customizable, reflecting its enthusiast pedigree, whereas Samsung’s menus prioritize simplicity.
In daylight outdoor use, the A58’s EVF becomes invaluable. LCD usability for the Samsung can frustrate sunny day shooters, potentially leading to missed shots.
In the Field: Autofocus, Speed, and Shooting Dynamics
Autofocus (AF) and shooting responsiveness can make or break capturing fleeting moments, whether wildlife, sports, or street scenes.
The Samsung HZ35W uses a contrast-detection AF system with single AF and face detection – no continuous AF or tracking for moving subjects. Without multiple focus points or phase detection, the AF tends to be slower and less precise, especially at long zoom focal lengths. Continuous shooting intervals are not specified, implying negligible burst capabilities.
The Sony A58 is equipped with 15 autofocus points, including 3 cross-type sensors and a hybrid setup with phase-detection AF on sensor plus contrast detection. It boasts 8 frames per second continuous shooting speed and offers single, continuous, and selective AF modes - including face detection and object tracking - giving it a strong edge for action or wildlife photography.
I found the A58’s autofocus fast, reliable in good light, and responsive for sports or kids in motion. The Samsung, conversely, requires patience for focus lock, ideally suited to still or slow moving subjects.
Zoom Lenses VS Interchangeable System: Versatility and Optical Reach
Lens ecosystems are key distinctions between fixed-lens compacts and interchangeable lens cameras like DSLRs.
The Samsung’s fixed lens spans 24-360 mm equivalent (15x optical zoom) with a variable max aperture of f/3.2-5.8. This gives incredible reach for a compact, great for travel and casual wildlife shots. It also focuses down to an impressive 3 cm macro range, useful for close-ups.
With no lens mount beyond the fixed lens, you’re limited optically to what’s built in; no upgrades or specialized primes.
The Sony A58 supports the Sony/Minolta Alpha mount, compatible with over 140 lenses covering every focal length and aperture imaginable - from ultra-wide to super-telephoto primes, fast portraits to macro specialists. This opens vast creative doors.
Many of these lenses feature built-in stabilization, various autofocus options, and superior optics far outclassing superzoom compromises.
For users prioritizing all-in-one convenience without fuss, Samsung’s range suffices. If you crave creative control, optical quality, and tailor-fitting your kit to needs, the A58’s lens ecosystem is unbeatable.
Real-World Image Gallery: Samples Speak Louder Than Specs
Nothing beats seeing real shot comparisons. Let’s check out some example images captured with both cameras, spanning everyday scenes to portraits and landscapes.
In portraits, the Sony A58 demonstrates smoother skin tones and more natural colors thanks to its larger sensor and better lens glass. The HZ35W’s images look flatter, with harsher compression and noise creeping in the shadows.
Landscape shots favor the Sony’s higher dynamic range, capturing detailed skies and shadow textures. Samsung’s limited sensor struggles in high-contrast scenes, often clipping highlights.
Telephoto wildlife frames show the Samsung’s zoom reach but with softer details and slower AF causing missed shots. Sony’s bursts grab sharper frames faster though limited by lens selection (unless paired with a tele-zoom).
For street photography, the HZ35W’s discreet size is a plus but compromised image quality at high ISO in dim light. The Sony’s low-light handling shines but bulk and viewfinder blackout potentially distract subjects.
Overall, image quality and versatility tilt heavily in Sony’s favor for those who demand performance. The Samsung remains a solid option for casual snapshots and telephoto reach on a budget.
Video Capabilities: From Casual Clips to Ambitious Projects
Video is often a deciding factor, so here’s how these models stack up:
The Samsung HZ35W records 720p HD (1280x720) at 30fps in Motion JPEG format - somewhat dated and producing large files with limited editing flexibility. It lacks external mic or headphone ports, restricting sound quality control, and has no in-body stabilization during video.
Conversely, the Sony A58 offers Full HD 1080p (1920x1080) recording with MPEG-4, AVCHD, and H.264 codecs at higher bitrates, plus a microphone input jack - great for clearer audio recording. It also features sensor-based image stabilization during video, smoothing out handheld footage.
For casual family clips, the Samsung suffices. For serious vloggers, hybrid shooters, or anyone wanting decent video quality and sound control, the Sony is the obvious choice.
Battery Life and Storage: Staying Powered Through the Day
Shooting longevity and storage affect travel and extended outings:
The Samsung HZ35W’s battery is a proprietary SLB-11A lithium-ion variant with unknown official CIPA rating, but due to small size, it tends toward modest performance. The compact form factor limits battery capacity, so shooting days without recharging are shorter.
The Sony A58 delivers a solid battery life rated at approximately 690 shots per charge (CIPA) thanks to its NP-FM500H pack and power-efficient design, enabling longer shooting stints between charges - a definite advantage for event photographers or trips without easy power access.
Both use single SD card slots; A58 adds compatibility with Sony’s Memory Stick formats, albeit less common today.
Connectivity and Extra Features: How Modern Are They?
Connectivity options shape modern workflows:
The Samsung HZ35W lacks Wi-Fi, Bluetooth, or NFC, relying on USB 2.0 and HDMI outputs for file transfer and external display. It does have built-in GPS, a small bonus enabling geotagging - a rarity in compact cameras of its era.
Sony A58 lacks built-in GPS but supports Eye-Fi wireless card connection, allowing wireless image transfer if you use appropriate SD cards. It also supports HDMI and USB 2.0.
Neither camera includes touchscreen or Bluetooth, which from my perspective limits quick smartphone integration - a feature I’ve grown fond of in newer models.
Final Rankings: Which Excels in Which Genre?
To sum up each camera’s strengths across photography types, check this analysis:
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Portraits: Sony A58 shines with large sensor and lens choices enabling creamy bokeh and true-to-life skin tones. Samsung’s limited aperture range and sensor restrict depth-of-field control.
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Landscape: Sony’s superior dynamic range and resolution trump compact sensor constraints.
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Wildlife: Samsung’s 15x zoom is handy for distant subjects but slower AF handicaps; Sony offers faster focus and better image quality with proper lens.
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Sports: Sony’s burst speed and tracking AF make it favorable.
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Street: Samsung’s compact size excels in discretion; Sony’s EVF and better low-light performance cater to more ambitious shooters.
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Macro: Sony’s lens options and tilt screen help more; Samsung has close minimum focus distance but limited magnification.
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Night/Astro: Sony’s higher ISO performance and manual controls outperform Samsung.
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Video: Sony offers full HD, mic input, stabilization vs. Samsung’s basic HD and no mic.
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Travel: Samsung wins on size and weight, ideal for travel light; Sony is more versatile but heavier.
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Professional Work: Sony supports RAW, advanced controls, and file workflows; Samsung limited by no RAW support.
Overall Performance Scorecard: Who Comes Out On Top?
A bird’s-eye view helps finalize judgment:
Sony A58 scores considerably higher in image quality, autofocus, versatility, and shooting speed. Samsung HZ35W scores well on portability and zoom reach but lags in critical performance areas.
To Buy or Not to Buy: Personalized Recommendations
If you’re here looking for lasting value and image excellence, here’s my personalized take:
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Choose Samsung HZ35W if:
- You prioritize portability and want a simplistic all-in-one camera.
- Telescoping zoom range is more important than ultimate image quality.
- Casual snapshots and family photos dominate your usage.
- Budget is tight and you value compactness.
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Choose Sony A58 if:
- You want to grow as a photographer and appreciate creative lens swaps.
- Image quality and low light performance are priorities.
- You shoot action, portraits, landscapes, or video seriously.
- You prefer a tactile DSLR experience with EVF and full manual controls.
- Your budget allows higher initial cost for a camera with more longevity.
Final Thoughts: Experience Matters in Your Hands and Pixels
In closing, both the Samsung HZ35W and Sony A58 reflect their product categories’ tradeoffs. The compact superzoom favors ease and reach, targeting beginners or vacation photographers. The entry-level DSLR embraces complexity and craftsmanship, built around a bigger sensor, interchangeable lenses, and a more professional workflow.
From my experience, none of these cameras is cutting-edge by 2024 standards, but each holds merit depending on your needs. For those venturing beyond casual photography, the Sony A58’s image quality advantages and shooting flexibility remain compelling even years later.
I hope this in-depth side-by-side analysis helps you decide what camera aligns best with your photography goals! If you want to explore specific genres or shoots using these models, let me know in the comments - I’m always happy to share more hands-on insights.
Happy shooting!
Samsung HZ35W vs Sony A58 Specifications
Samsung HZ35W | Sony SLT-A58 | |
---|---|---|
General Information | ||
Brand | Samsung | Sony |
Model type | Samsung HZ35W | Sony SLT-A58 |
Also referred to as | WB650 | - |
Type | Small Sensor Superzoom | Entry-Level DSLR |
Introduced | 2010-06-16 | 2013-11-27 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.2 x 15.4mm |
Sensor surface area | 28.1mm² | 357.3mm² |
Sensor resolution | 12 megapixel | 20 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | - |
Max resolution | 4000 x 3000 | 5456 x 3632 |
Max native ISO | 3200 | 16000 |
Max enhanced ISO | - | 25600 |
Min native ISO | 80 | 100 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 15 |
Cross type focus points | - | 3 |
Lens | ||
Lens mount type | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 24-360mm (15.0x) | - |
Highest aperture | f/3.2-5.8 | - |
Macro focusing range | 3cm | - |
Total lenses | - | 143 |
Crop factor | 5.8 | 1.6 |
Screen | ||
Range of display | Fixed Type | Tilting |
Display sizing | 3 inch | 2.7 inch |
Display resolution | 614k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,440k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.65x |
Features | ||
Minimum shutter speed | 16s | 30s |
Fastest shutter speed | 1/2000s | 1/4000s |
Continuous shutter speed | - | 8.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.00 m | 10.00 m (@ ISO 100) |
Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | - |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash sync | - | 1/160s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) | 1920 x 1080 |
Max video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 245 grams (0.54 lb) | 492 grams (1.08 lb) |
Physical dimensions | 107 x 61 x 28mm (4.2" x 2.4" x 1.1") | 129 x 95 x 78mm (5.1" x 3.7" x 3.1") |
DXO scores | ||
DXO Overall rating | not tested | 74 |
DXO Color Depth rating | not tested | 23.3 |
DXO Dynamic range rating | not tested | 12.5 |
DXO Low light rating | not tested | 753 |
Other | ||
Battery life | - | 690 shots |
Form of battery | - | Battery Pack |
Battery ID | SLB-11A | NP-FM500H |
Self timer | Yes (2 or 10 sec, Double, Motion) | - |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | Single | Single |
Retail pricing | $300 | $645 |