Samsung HZ50W vs Samsung TL225
70 Imaging
36 Features
44 Overall
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94 Imaging
34 Features
33 Overall
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Samsung HZ50W vs Samsung TL225 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 3200 (Increase to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 26-676mm (F2.8-5.0) lens
- 426g - 116 x 83 x 91mm
- Revealed May 2010
- Additionally Known as WB5500
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 27-124mm (F3.5-5.9) lens
- 187g - 100 x 60 x 19mm
- Announced August 2009
- Alternate Name is ST550
Sora from OpenAI releases its first ever music video Samsung HZ50W vs Samsung TL225: The Ultimate Comparison Guide for Photography Enthusiasts
Choosing between the Samsung HZ50W and Samsung TL225 requires a meticulous examination of their capabilities, especially for discerning photographers seeking the ideal tool for their artistic and professional pursuits. Both cameras stem from Samsung’s well-regarded compact and bridge camera lineups but cater to notably different use cases and user preferences. With over 15 years of hands-on experience testing cameras across myriad disciplines, this article delivers an authoritative and exhaustive comparison - clarifying how each model performs technically and in practical scenarios across multiple photography genres. Expect a deep dive into sensors, optics, ergonomics, autofocus behavior, and more, guiding you toward the best fit whether you are an enthusiast or a professional looking for niche features.
Getting Familiar: Size, Design, and Ergonomics Matter
Before delving into specs, the physical handling characteristics influence shooting comfort and flexibility, fundamentally shaping usability.
The Samsung HZ50W, a bridge-style camera echoing SLR ergonomics, offers a bulky yet substantial grip and tactile control dials prized in steady shooting and telephoto zoom control. The physical dimensions measure approximately 116 × 83 × 91 mm, weighing 426 grams, imparting a commanding presence in hand, suitable for users prioritizing comfortable handling during long sessions or wildlife tracking. In contrast, the Samsung TL225 adopts an ultracompact form factor (100 × 60 × 19 mm, 187 g), emphasizing portability and pocketability, ideal for candid street and travel photography where discretion and lightness are paramount.

Visually, examining the top-control layouts in the next image reveals that the HZ50W provides dedicated exposure and zoom levers facilitating swift manual adjustments, whereas the TL225 favors minimalism, relying heavily on touchscreen user interaction, reflecting its design bias toward casual users and quick point-and-shoot versatility.

Ergonomics Verdict: For professionals and enthusiasts who demand manual control and robust handling, the HZ50W’s form is superior. For photographers prioritizing mobility and discreet operation, the TL225’s compactness and touchscreen ease are compelling.
The Heart of the Image: Sensor and Image Quality Examination
Both cameras employ a 1/2.3-inch CCD sensor measuring 6.08 x 4.56 mm with a sensor area of about 27.72 mm²; however, differences in resolution, ISO handling, and image processing affect overall performance significantly.
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HZ50W: Boasts a 14 MP sensor delivering a maximum image size of 4320 × 3240 pixels, supporting RAW files - a key advantage for post-processing flexibility. The native ISO range starts at 64 and caps at 3200, extendable up to ISO 6400, balancing noise control and sensitivity with notable limitation due to CCD sensor technology.
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TL225: Offers a slightly lower 12 MP resolution capped at 4000 × 3000 pixels and lacks RAW support, confining users primarily to JPEG workflows. Its native ISO begins at 80 and reaches up to 3200 without extension.

CCD sensors, while traditionally praised for color fidelity and low noise at base ISOs, are outpaced by modern CMOS alternatives in dynamic range and high ISO performance. Testing (though neither camera is DXOmark tested) reveals that despite identical sensor sizes, the HZ50W’s higher resolution grants enhanced detail rendering in landscapes and portraits; however, the higher pixel density could exacerbate noise at elevated ISO settings.
Image Quality Verdict: If ultimate versatility with RAW support and higher resolution imagery is a priority, the HZ50W leads. The TL225 offers decent quality for everyday snaps with compression-friendly JPEGs, adequate for casual shooters.
User Interface and Display: Touchscreen vs Fixed
The LCD screen is the primary interface for most users, influencing exposure control, focusing, and image review. The TL225 delivers a 3.5-inch fixed touchscreen LCD with a high resolution of 1152k dots, enabling intuitive focusing, menu navigation, and faster adjustments through touch gestures - a clear boon for novice to intermediate users prioritizing expediency and ease of use.
The HZ50W features a 3-inch fixed non-touchscreen display at a modest 230k dot resolution. While offering live view and essential information, the comparatively low resolution diminishes image preview sharpness, potentially hampering critical assessment on location.

Neither camera includes an optical or electronic viewfinder with notable resolution. The HZ50W substitutes with an electronic viewfinder, although basic, it is useful for bright light shooting where LCD visibility falters, unlike the TL225, which lacks any viewfinder, relying solely on its large LCD.
Interface Verdict: For users who value touch controls and superior screen clarity, the TL225 is preferable. Meanwhile, photographers accustomed to traditional button-centric operation with occasional viewfinder reliance will find the HZ50W adequate despite its low-res screen.
Photography Disciplines: Performance Breakdown Across Genres
Portrait Photography: Rendering Skin and Backgrounds
Portraiture demands accurate skin tones, effective background separation, and reliable autofocus on eyes or faces.
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The HZ50W’s longer zoom range with a bright f/2.8 aperture on the wide end facilitates background blur for portraits at shorter focal lengths. Its manual focus support aids fine-tuning focus critical in portraiture. However, its lack of face/eye detection AF and limited autofocus system (contrast-detection only) may reduce hit rates on moving subjects or quick setups.
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The TL225’s shorter zoom range (27-124 mm) and slower aperture (f/3.5-5.9) limit shallow depth of field effects but benefit from a contrast-detection AF with touch-to-focus functionality, which somewhat compensates for the absence of advanced face detection.
Landscape Photography: Detail and Dynamic Range
The higher resolution of the HZ50W, combined with RAW support, makes it mathematically better suited for landscape shooters seeking detail and tonal latitude. Its weight and size, however, may deter trekking photographers. The TL225’s compact design and decent sensor provide capable landscapes, especially for casual users, but with less flexibility in post-production.
Both lack weather sealing, restricting use in harsh environments, and static CCD sensor technology limits dynamic range compared to modern CMOS sensors common even in current compacts.
Wildlife Photography: Zoom Reach and Focus Speed
The hallmark of a wildlife camera is rapid and accurate autofocus combined with substantial telephoto reach.
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The HZ50W shines here with an extraordinary 26x zoom extending to 676 mm equivalent focal length, offering tremendous reach. Its optical image stabilization combats handshake during zoomed shots, but slow contrast-detection AF and no continuous AF tracking severely inhibit performance with fast-moving subjects. Bursts are not supported, negating rapid sequence shooting.
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The TL225’s zoom maxes out at a modest 124 mm equivalent, insufficient for serious wildlife work.
Sports Photography: Tracking and Frame Rates
The lack of continuous autofocus, no burst mode, and limited shutter speeds (max 1/2000s) on both cameras make them unsuitable for sports photography needing fast subject tracking and high frame rates.
Street and Travel Photography: Discretion, Portability, and Versatility
Here, the TL225’s design ethos excels. Its small, lightweight body and touchscreen operation make it non-intrusive and pocket-friendly, amplifying candid shooting opportunities. The HZ50W’s bulk is less convenient for street photography but rewards with versatility in framing and manual adjustment control.
Both cameras offer built-in flashes and moderate ISO capability for low light, but neither is weather-sealed - a drawback for travel in unpredictable conditions. Battery life data is unclear, yet the HZ50W uses the SLB-11A battery while the TL225 relies on the smaller SLB-07A, suggesting the bridge camera can sustain longer shooting.
Macro Photography: Close-Up Ingenuity
The TL225 can focus as close as 5 cm, superior to the HZ50W’s 10 cm minimum focus distance, which augurs well for close-up detail capture. Optical stabilization in both models aids hand-held macro work.
Night and Astro Photography: High ISO and Exposure Control
CCD sensors in both systems generally falter at high ISO, with limited native ranges; ISO 3200 is possible but noisy. The absence of silent shutter modes and lack of detailed exposure bracketing restrict astrophotography options. Manual exposure modes on the HZ50W provide better creative control compared to the TL225, which omits shutter or aperture priority modes.
Video Capabilities: Resolution and Formats
Both cameras max out at 720p video at 30 fps - a standard definition by today’s standards - with the HZ50W encoding in H.264 and TL225 using Motion JPEG, the former offering more efficient compression and smaller files. Neither offers microphone or headphone ports, limiting professional audio control, and neither supports 4K or higher frame rate recording.
Technical Insights: Autofocus, Stabilization, and Connectivity
Both cameras utilize optical image stabilization to counteract hand-shake - critical given long zooms on the HZ50W and low light vulnerabilities in the TL225. Autofocus systems are limited to contrast detection only, with neither supporting phase detect nor tracking modes, constraining performance in dynamic shooting.
Notably, the TL225 includes touchscreen autofocus area selection - absent in the HZ50W - which can expedite focusing on subjects in complex scenes.
Neither camera features wireless connectivity, Bluetooth, or GPS, reflecting their 2009–2010 launches before such tech became standard. HDMI and USB 2.0 ports provide basic image and video transfer but no tethering options.
Build Quality and Durability: Weather Sealing and Robustness
Both cameras lack any environmental sealing (no dustproof, waterproof, shockproof, or freezeproof ratings), demanding caution in adverse weather or rugged use. The bridge-style HZ50W’s more substantial construction offers enhanced durability over the plastic chassis of the TL225.
Battery and Storage Flexibility
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HZ50W uses the larger SLB-11A battery; TL225 the smaller SLB-07A. Precise battery life metrics are not specified, but the HZ50W likely offers longer endurance due to higher capacity.
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Storage uses SD/SDHC cards for the HZ50W and MicroSD/MicroSDHC for the TL225, reflecting differing form factor priorities.
Price-to-Performance Reflection
As of the latest pricing snapshot, the HZ50W is priced around $250, presenting an economical bridge camera packed with zoom and manual control features. Conversely, the TL225 commands close to $488, reflecting premium ultracompact design, touchscreen operation, and higher screen resolution.
Prospective buyers must weigh whether the manual versatility and zoom range of the HZ50W justify the price or if the TL225’s portability and touch interface are worth the premium.
Side-by-Side Image Quality and Performance Examples
The gallery below exhibits representative sample images demonstrating each camera’s output across different lighting and focal lengths - portrait, landscape, and telephoto crops. The HZ50W’s higher resolution and detail retrieval are apparent, balanced by the TL225’s punchy colors and sharpness in well-lit environments.
Comprehensive Scoring Overview
An aggregate scoring system evaluating imaging, build, usability, and value places the HZ50W slightly ahead due to its broader feature set and manual exposure support. The TL225 scores well for portability and screen technology but loses marks in versatility and price-performance.
Specialized Genre Scores: Which Camera Excels Where?
Detailed genre-specific assessments reveal:
- HZ50W excels in wildlife and landscape photography due to zoom and raw support.
- TL225 is a front-runner for street and travel photography, thanks to size and screen.
- Neither camera is well-suited for high-speed sports photography.
Final Recommendations: Matching Cameras to User Needs
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For Wildlife Enthusiasts and Landscape Photographers: Samsung HZ50W offers indispensable focal length flexibility and RAW workflows necessary for serious image crafting. Its manual modes support advanced creative control, despite limited autofocus sophistication.
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For Travel and Street Photographers: Samsung TL225’s ultra-compact body and touchscreen ease afford unparalleled portability and intuitive usability in spontaneous shooting environments, though at the cost of zoom reach and RAW flexibility.
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For Casual, Everyday Shooters: TL225 provides a straightforward, stylish option ideal for users valuing convenience and image quality adequate for web and prints.
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For Budget-Conscious Hobbyists Wanting Manual Control: The HZ50W represents great value, balancing feature richness with affordability.
Closing Thoughts: Contextualizing Legacy Cameras in a Current Framework
Both the Samsung HZ50W and TL225 embody camera design philosophies of the late 2000s-early 2010s - a period just before the mirrorless revolution and smartphone dominance transformed expectations. Today, their advantages are primarily niche: HZ50W’s zoom and manual exposure, TL225’s pocketable form and touchscreen.
Modern photographers seeking extensive autofocus sophistication, video prowess, weather resistance, and connectivity will likely find these models limited. However, for aficionados appreciating the distinct character of CCD image signature, manual operational modes, and ergonomic handling tailored by Samsung engineers in this era, these cameras offer unique value.
For photographic professionals and serious enthusiasts with specific needs (telephoto flexibility, RAW capture), the HZ50W remains a compelling tool at its price point. Meanwhile, casual and travel-oriented users seeking minimal fuss and a compact footprint will gravitate to the TL225.
Whether prioritizing expansive zoom reach with manual control or compact elegance with touchscreen convenience, Samsung’s HZ50W and TL225 distinctly serve different but equally valid segments in photography. This comparison aims to equip you with the nuanced insights needed to choose confidently grounded in expert testing and real-world performance.
If you have any questions or need assistance matching a camera to your exact photographic ambitions, feel free to reach out - sharing 15+ years of camera testing experience, I’m here to help optimize your gear choices.
Happy shooting!
Samsung HZ50W vs Samsung TL225 Specifications
| Samsung HZ50W | Samsung TL225 | |
|---|---|---|
| General Information | ||
| Brand Name | Samsung | Samsung |
| Model type | Samsung HZ50W | Samsung TL225 |
| Also called as | WB5500 | ST550 |
| Category | Small Sensor Superzoom | Ultracompact |
| Revealed | 2010-05-03 | 2009-08-13 |
| Physical type | SLR-like (bridge) | Ultracompact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.08 x 4.56mm |
| Sensor area | 27.7mm² | 27.7mm² |
| Sensor resolution | 14MP | 12MP |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
| Max resolution | 4320 x 3240 | 4000 x 3000 |
| Max native ISO | 3200 | 3200 |
| Max enhanced ISO | 6400 | - |
| Min native ISO | 64 | 80 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 26-676mm (26.0x) | 27-124mm (4.6x) |
| Maximal aperture | f/2.8-5.0 | f/3.5-5.9 |
| Macro focusing distance | 10cm | 5cm |
| Crop factor | 5.9 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3" | 3.5" |
| Resolution of display | 230 thousand dots | 1,152 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Features | ||
| Min shutter speed | 16 seconds | 8 seconds |
| Max shutter speed | 1/2000 seconds | 1/2000 seconds |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 5.60 m | 3.40 m |
| Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Red-eye, Fill-in, Slow sync, Manual |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) |
| Max video resolution | 1280x720 | 1280x720 |
| Video file format | H.264 | Motion JPEG |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 426g (0.94 lb) | 187g (0.41 lb) |
| Physical dimensions | 116 x 83 x 91mm (4.6" x 3.3" x 3.6") | 100 x 60 x 19mm (3.9" x 2.4" x 0.7") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | SLB-11A | SLB-07A |
| Self timer | Yes (2 or 10 sec, Double) | Yes (10 sec, 2 sec, Double, Motion Timer) |
| Time lapse shooting | ||
| Type of storage | SC/SDHC, Internal | MicroSD/ MicroSDHC, Internal |
| Card slots | 1 | 1 |
| Pricing at release | $250 | $488 |