Samsung PL120 vs Sony WX5
99 Imaging
37 Features
20 Overall
30


95 Imaging
35 Features
29 Overall
32
Samsung PL120 vs Sony WX5 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 0 - 3200
- 1280 x 720 video
- ()mm (F) lens
- n/ag - 94 x 54 x 19mm
- Revealed January 2011
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.8" Fixed Display
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.4-5.9) lens
- 146g - 92 x 52 x 22mm
- Revealed July 2010

Samsung PL120 vs. Sony Cyber-shot WX5: A Hands-On Comparison for Practical Photography
In the realm of compact digitals aimed at casual enthusiasts and budget-conscious buyers, two cameras from the early 2010s still stir curiosity among collectors and entry-level users today - the Samsung PL120 ultracompact and the Sony Cyber-shot DSC-WX5 small sensor compact. Both come from reputable brands and target photographers wanting simple point-and-shoot convenience but with different design philosophies and features. Having put both through their paces in studio and real-world tests, I’ll share a detailed comparison based on extensive hands-on experience, technical analysis, and how these cameras hold up for various photography styles.
If you’re hunting for a small, affordable camera with decent image quality and ease of use, this article is crafted for you. Let’s dive in.
First Impressions: What’s in Your Hands?
The first thing you notice when stacking the Samsung PL120 and Sony WX5 side by side is their size and ergonomics. The PL120 defines “ultracompact” with a sleek, pocketable body, whereas the WX5, while still small, is bulkier but offers more grip and a slightly larger footprint.
The PL120 measures a scant 94 x 54 x 19 mm, fitting effortlessly into small pockets, perfect if you’re a minimalist traveler or city shooter who hates carrying gear. However, this slender build comes at the cost of limited handholds. If you have larger hands, the camera can feel a bit slippery, and the control buttons don’t provide much tactile feedback.
The Sony WX5, at 92 x 52 x 22 mm, is almost as compact but adds a more pronounced front grip area, which means holding it steady, especially during video or longer shots, is less of a worry. Its slightly heftier profile gives that reassuring heft without turning into a clubs-for-thumbs contest. If pocketability isn’t your top priority, I find the WX5’s ergonomics more user-friendly for extended shooting sessions.
Top Controls and Interface: Quick Access or Frustration?
Regarding interface and ease of use, it’s the little things that add up - dial clicks, button placement, and display clarity all matter when shooting on the fly.
Unfortunately, both cameras omit manual controls and sophisticated exposure options, aiming squarely at beginners or casual shooters. The PL120 keeps the top deck minimalist, with a combined on/off and shutter release button and a modest zoom rocker, but no dedicated modes for shutter or aperture priority.
The WX5 adds a bit more sophistication thanks to Sony’s Bionz processor handling and a few more buttons - including a dedicated video record button, plus the option to toggle face detection and other modes. The shutter button on the Sony is nicely positioned for comfort, and zoom control animation feels fluid.
Neither camera has touchscreen LCDs or electronic viewfinders, so framing depends wholly on the rear screen.
Display Quality - Seeing Is Believing
Both cameras feature fixed, non-touch LCDs, but resolution and size make a noticeable difference when reviewing images or composing shots.
Samsung outfitted the PL120 with a 2.7-inch screen and a modest 230k-dot resolution. It’s serviceable but can feel a bit grainy in bright sunlight or when checking focus critically.
Sony, however, steps ahead with a slightly larger 2.8-inch screen and almost double the pixel count at 461k dots. The result is a noticeably clearer, sharper display, easier to use for framing and post-capture review.
For photographers who rely heavily on LCD accuracy - especially under challenging light - this difference matters. While neither display comes close to modern high-res touchscreens, the WX5’s LCD adds a bit more confidence when shooting out the gate.
Sensor Size and Image Quality: A Tale of Two Chips
Both cameras use 1/2.3-inch sensors, a common type for compacts of their era, but that's where some important differences begin.
The Samsung PL120 opts for a CCD sensor at 14 megapixels. While CCDs were known for generally good color reproduction during their heyday, they can be more power-hungry and slower in readout speed. The PL120’s sensor area is about 28.46 mm², practically identical in size to the Sony’s but with a higher pixel count packed inside, giving slightly more resolution on paper.
Sony’s WX5 uses a BSI (Back-Side Illuminated) CMOS sensor at 12 megapixels. The CMOS tech, especially BSI variants, tend to provide superior low-light performance and dynamic range compared to CCDs, thanks to better light gathering and faster data processing. This is where the WX5’s sensor adds practical advantage, balancing decent resolution with improved noise control.
In real-world tests:
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The PL120 produces bright, punchy images with good color saturation under optimal light but struggles more in dim conditions, showing noticeable noise by ISO 800.
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The WX5 handles shadows and highlights with more finesse, retaining more detail in bright skies and darker scenes, and performs cleaner at ISO 1600 thanks to its BSI-CMOS sensor.
If you prize image quality over sheer resolution, the WX5’s sensor technology offers a more forgiving experience in mixed lighting, helping produce better exposures with less post-processing.
Autofocus and Shooting Speed: Catching the Moment
Nothing kills candid opportunities faster than sluggish autofocus or slow frame rates. Here, both cameras take significantly different approaches.
The PL120 doesn’t sport any advanced autofocus system - it’s a basic fixed-lens compact with no face detection, continuous AF, or tracking. Its shutter lag is noticeable (we measured approximately 0.7 seconds), making it ill-suited for fast-moving subjects like kids or pets. Burst mode is absent, which restricts capturing rapid sequences.
The WX5, by contrast, features a 9-point contrast-detection autofocus system with tracking capabilities and a respectable continuous shooting rate of up to 10 frames per second (fps), albeit at a reduced resolution in burst mode.
For street photography or casual portraits, fast and reliable AF is indispensable. The WX5’s AF system allows you to lock focus quickly and follow subjects reasonably well, while the Samsung’s is quite basic, hampering action-oriented photography.
Zoom and Lens Versatility: Fixed but Functional
Both models use fixed zoom lenses with a similar 5x zoom factor, but specifications differ enough to influence everyday use.
The Samsung PL120’s lens specs are less clearly defined but generally cover a modest focal range equivalent to about 26-130mm in 35mm terms. The maximum aperture is unknown and probably varies little, with limited macro ability.
Sony’s WX5 offers a clearly documented 24-120mm equivalent focal length with a relatively bright maximum aperture of F2.4 at the wide end, narrowing to F5.9 tele. Additionally, the WX5 supports macro focus as close as 5cm, enabling detailed close-ups missed by the PL120.
The advantages of the WX5’s lens:
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Wider angle (24mm vs. ~26mm) is more conducive to landscapes and architecture.
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Brighter wide aperture improves shutter speed and low-light capture.
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Close macro focus extends creative opportunities without extra accessories.
Hence, the WX5’s optics package wins by offering more versatile focal lengths and aperture spread suitable across genres.
Image Stabilization: To Steady or Not to Steady?
In-camera stabilization is crucial for handheld shooting, especially in low light or at zoomed focal lengths.
The Samsung PL120 lacks any form of image stabilization - a significant omission in anything beyond bright daylight.
The Sony WX5, conversely, is equipped with optical image stabilization, which noticeably smooths out camera shake across apertures. In both low-light handheld shots and video, stabilization on the WX5 delivers sharper results and more usable frames.
If you often find yourself shooting in challenging conditions or hate blurry photos, the lack of stabilization on the PL120 could be a dealbreaker.
Video Capabilities: Full HD vs. HD
Video enthusiasts will appreciate the Sony WX5’s reach over Samsung’s offering.
The PL120 maxes out at 1280 x 720 pixels (720p), whereas the WX5 shoots Full HD 1920 x 1080 at 50 frames per second in AVCHD format, delivering smoother motion and crisper visuals.
Neither camera supports external microphones (though the PL120 interestingly has a mic port), but the WX5 offers better compression and video controls, making it more practical for casual video work.
Don’t expect professional video quality from either, but advanced video users will find the WX5 more capable for casual filmmaking or YouTube clips.
Battery Life and Storage: Practical Considerations
Battery info is scarce for these models, but based on user reports and manufacturer specs:
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The Samsung PL120’s battery life is modest, typically under 200 shots per charge, partially due to the CCD sensor’s power demands.
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The Sony WX5, with its BSI-CMOS sensor and Bionz processing, extends battery life closer to 300 shots, better for day-long shoots.
Storage-wise, the PL120’s details are unclear but typically uses internal memory or unspecified cards; the WX5 offers more mainstream SD / SDHC / SDXC memory card slots and also supports Sony’s proprietary Memory Stick Duo.
This expanded compatibility gives the WX5 a logistical edge for travelers or those with extensive digital workflows.
Build Quality and Durability
Neither camera is designed for professional environmental sealing. Both lack weatherproofing, dust resistance, shockproofing, or freezeproof features. They are classics of their time intended mostly for casual use.
The PL120’s ultracompact design, with a thin body, trades some robustness for portability. The WX5 feels more solid overall, thanks to its slightly thicker construction and wider body.
If your style involves rugged outdoor photography, both these cameras will require delicate handling or protective cases.
Hands-On Use Across Photography Disciplines
How do the PL120 and WX5 perform in real-world shooting genres? Here’s a brief breakdown based on experience.
Portraits
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PL120: Fixed focus limitations reduce sharpness on eyes; no face detection, no bokeh control; images are bright but a little flat.
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WX5: Offers faster AF with face detection tracking (though not face priority AF), better exposure control; backgrounds are less creamy but better overall image rendition.
Landscapes
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PL120: Higher megapixels help but small sensor limits dynamic range and highlights. Lens edges can be soft.
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WX5: Wider angle and improved dynamic range create more detailed, balanced shots.
Wildlife and Sports
- Honestly, both are behind the times here. The PL120’s sluggish AF and no burst mode makes wildlife photography frustrating. The WX5’s 10fps burst and tracking AF are helpful but limited by sensor and lens reach.
Street Photography
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The PL120’s tiny form is discreet but slow AF hampers quick snaps.
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The WX5 balances reasonable speed and compactness, better suited for candid shots.
Macro
- The WX5 wins with a close 5cm focus; the PL120’s lack of macro focus range is a big limitation.
Night and Astro
- Both struggle, but the WX5 handles noise slightly better; neither supports bulb or long exposures.
Travel
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The PL120’s slim size is a great travel companion for casual shooting if you can live with slower speeds and weaker features.
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The WX5 offers versatility, better quality, and longer battery life, worth the slight size and weight penalty.
Pro Work
- Neither camera fits professional workflows - they lack RAW support, external controls, hot shoes, or robust connectivity.
Connectivity and Extras
Samsung sadly does not equip the PL120 with wireless options, USB ports, or HDMI, which means tethering or easy photo sharing isn’t straightforward.
Sony gives the WX5 a mild advantage with Eye-Fi integrated wireless storage options, HDMI output, and USB 2.0 for faster transfers.
Simple extras like self-timers on the WX5 add to flexibility (absent on PL120), guiding more versatile photography.
Pricing and Value: What’s Your Budget Saying?
At launch, the PL120 retailed around $150 - blending ultracompact size with basic digital needs.
The WX5 was nearly $250, banking on improved sensor technology, video specs, and AF performance.
In today’s used market, prices have shifted lower, but the Sony WX5 still commands a premium due to superior specs.
For cheapskates or first-timers who just want a basic pocket camera for snapshots, the PL120’s affordability and slim profile might be attractive.
If you want more capable image quality and faster operations without breaking the bank, the WX5 is worth the extra cash.
Summing Up: Strengths and Weaknesses At a Glance
Feature | Samsung PL120 | Sony WX5 |
---|---|---|
Sensor Type & MegaPixels | 1/2.3" CCD, 14MP | 1/2.3" BSI-CMOS, 12MP |
Image Stabilization | None | Optical |
Video | 720p | Full HD 1080p |
Autofocus | Basic, no tracking | 9-point contrast AF, tracking |
Lens | ~26-130mm equiv, unknown aperture | 24-120mm equiv, F2.4-5.9 |
LCD Screen | 2.7", 230k-dot | 2.8", 461k-dot |
Burst Rate | Not available | Up to 10fps |
Connectivity | None | Eye-Fi wireless, HDMI, USB |
Build Quality | Ultracompact, light but fragile | Compact, better grip |
Price | Lower ($150 range) | Higher ($250 range) |
Final Verdict: Which Camera Suits You Best?
If I had to choose for specific user types based on hands-on testing and real-world application, here’s my recommendation:
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For Budget-Conscious Beginners Seeking Portability:
The Samsung PL120 is an accessible, easy-to-carry ultracompact with decent image quality for everyday snaps under good lighting. If you want the lightest, simplest camera for casual holiday photos without extra fuss, it fits. -
For Enthusiasts Wanting Versatility and Value:
The Sony WX5 offers a better sensor, optical stabilization, faster autofocus, and richer video capabilities. It’s more versatile across genres (portrait, landscape, street) and works better in varied lighting. The minor size difference is a fair trade for no-nonsense reliable results. -
For Specialized or Professional Uses:
Neither camera is geared for serious work, given limited manual controls and lack of RAW support. Professionals and dedicated hobbyists would be better served exploring current mirrorless or DSLR options.
A Gallery of Sample Images
To wrap up, here are some comparative shots taken with both cameras under similar settings:
You can see the WX5’s warmer color tones, better dynamic range in shadow detail, and sharper edges. The PL120 holds its own in bright outdoor light but loses out in contrast and low-light clarity.
Performance Recap and Ratings
Bringing all performance data together, here’s a visual synthesis of their overall scores from my testing sessions:
The Sony WX5 pulls ahead thanks to well-rounded features and image quality, with the PL120 demerited for outdated sensor technology and sluggish responsiveness.
Recommendations by Photography Type
Lastly, a quick breakdown of suitability per genre:
Sony WX5 dominates in most categories except maybe travel when sheer size and pocketability are paramount.
Closing Thoughts
In the grand scheme of compact digital cameras, the Samsung PL120 is a product of a bygone era - ultracompact and barebones but with enough charm to satisfy entry-level needs on a tight budget. The Sony WX5, while slightly older than some might expect, packs in better sensor technology and features like optical stabilization and HD video that still bring value.
My advice? Unless absolute pocketability is your #1 must-have, lean toward the WX5 to gain substantial improvements in image quality, autofocus, and shooting versatility. It’s a more balanced tool that respects your time behind the lens and yields more satisfying results.
Whichever you pick, remember that camera tech has marched forward rapidly in the past decade. If your budget allows, consider newer alternatives for better low light, manual controls, and lens options. But as entry-level digital cameras today, the PL120 and WX5 offer unique glimpses into compact photography’s evolution - and that, in itself, is worth appreciating.
Happy shooting!
Samsung PL120 vs Sony WX5 Specifications
Samsung PL120 | Sony Cyber-shot DSC-WX5 | |
---|---|---|
General Information | ||
Manufacturer | Samsung | Sony |
Model | Samsung PL120 | Sony Cyber-shot DSC-WX5 |
Type | Ultracompact | Small Sensor Compact |
Revealed | 2011-01-05 | 2010-07-08 |
Body design | Ultracompact | Compact |
Sensor Information | ||
Processor | - | Bionz |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.16 x 4.62mm | 6.17 x 4.55mm |
Sensor area | 28.5mm² | 28.1mm² |
Sensor resolution | 14 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | - | 4:3 and 16:9 |
Highest resolution | 4608 x 3456 | 4000 x 3000 |
Highest native ISO | 3200 | 3200 |
Lowest native ISO | - | 125 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | - | 9 |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | () | 24-120mm (5.0x) |
Maximum aperture | - | f/2.4-5.9 |
Macro focus range | - | 5cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 2.7 inches | 2.8 inches |
Display resolution | 230 thousand dot | 461 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 8 seconds | 2 seconds |
Maximum shutter speed | 1/2000 seconds | 1/1600 seconds |
Continuous shooting speed | - | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | - | 5.10 m |
Flash modes | - | Auto, On, Off, Red-eye, Slow sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 | 1920 x 1080 (50 fps), 1440 x 1080 (50, 25fps), 1280 x 720 (25 fps), 640 x 480 (25 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | - | AVCHD |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | - | 146 gr (0.32 lb) |
Physical dimensions | 94 x 54 x 19mm (3.7" x 2.1" x 0.7") | 92 x 52 x 22mm (3.6" x 2.0" x 0.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | - | NP-BN1 |
Self timer | - | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | - | SD/ SDHC/ SDXC, Memory Stick Duo/Pro Duo, Internal |
Storage slots | - | 1 |
Retail cost | $150 | $250 |