Samsung PL200 vs Sony H55
94 Imaging
36 Features
22 Overall
30
92 Imaging
36 Features
28 Overall
32
Samsung PL200 vs Sony H55 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 31-217mm (F3.3-5.5) lens
- 170g - 100 x 60 x 21mm
- Announced July 2010
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.5-5.5) lens
- 200g - 103 x 58 x 29mm
- Revealed June 2010
Photobucket discusses licensing 13 billion images with AI firms Choosing between compact cameras with small sensors can be challenging, especially as the market offers a variety of closely competing models. Today, I’m diving into a hands-on comparison of two 2010-era compact superzooms: the Samsung PL200 and Sony Cyber-shot DSC-H55. Both share similar sensor technology and belong to the “small sensor compact” class but bring unique design choices and performance nuances to the table. Drawing on my experience testing hundreds of cameras across disciplines, I’ll break down how these two perform in real-world shooting, dissect their technical strengths and weaknesses, and guide you toward which might fit your style and needs best.
Let’s start by looking under the hood and at the hands-on feel.
Compact Contenders: Physical Size and Ergonomics in Hand
Starting with the physical aspect, handling is a significant part of any photographic experience, especially when portability and comfort come into play. The Samsung PL200 sports a notably slim and lightweight profile at 100x60x21 mm and 170 grams, whereas the Sony H55 comes in a little chunkier and heavier at 103x58x29 mm and 200 grams.
My first impression when holding these cameras was that the PL200’s slender frame makes it ideal for slipping into a jacket pocket or purse without bulk, perfect for street and travel photography where discretion and ease-of-carry matter. The top-down Sony H55 feels a bit chunkier but offers a slightly deeper grip that facilitates steadier handling during telephoto shots. Both cameras lack an electronic viewfinder, relying solely on their rear LCDs - a common trait at their price point and category.

Ergonomically, neither model has a pronounced manual control layout - a reflection of their budget, entry-level positioning. Buttons are small and somewhat minimalistic, but the Sony’s slightly more generous grip nearly compensates during extended handheld sessions. For users preferring a lighter grab-and-go option, the PL200 stands out; for those favoring a bit more substantial hand presence, the Sony edges ahead.
Design Details: Control Layout and Usability Up Close
The control scheme is another critical usability factor I evaluate during testing. Both cameras feature fixed 3-inch LCDs with a 230k-dot resolution - adequate but nowhere near what modern displays provide for reviewing detail or manual focusing accuracy.
Looking at the top panels, the Samsung PL200 embraces a simpler, cleaner design while the Sony H55 integrates a few more physical controls including mode dials and a dedicated zoom toggle.

The PL200’s lack of manual exposure modes or even shutter/aperture priority signals a shift towards full auto or scene modes, which could disappoint users seeking creative control. Sony’s H55 also does not provide those manual shooting options, but its AF modes and continuous shooting capabilities (up to 10 fps) hint at a slightly more action-oriented use case potential.
From my practical usage, the PL200 leans toward casual shooters and travel enthusiasts wanting simplicity. The H55, while still beginner-friendly, offers more scope to experiment within limited autofocus and burst capabilities.
Sensor and Image Quality: The Heart of the Matter
At the core, both cameras pack 14-megapixel CCD sensors of identical physical dimensions (1/2.3", 6.17 x 4.55 mm sensor area). While CCDs have fallen somewhat out of favor compared to CMOS sensors for noise performance and speed, they still deliver pleasing color rendition and sharpness at base ISOs.

The pixel density is pushing the limits of this small sensor size, which my tests confirmed results in moderate noise levels emerging at ISO 800 and beyond. The maximum native ISO for both cameras is 3200, but in practical terms, image quality deteriorates notably beyond ISO 400.
Dynamic range, a vital metric for landscape and high-contrast scenes, was limited as expected from a compact CCD sensor of this era. Both cameras exhibit a gentle highlight roll-off but reward users who expose carefully to preserve shadow detail, with Sony’s Bionz processor handling noise reduction marginally better.
My test photos illustrate similar sharpness and saturation between the two models, but Sony’s sensor processing paired with the Bionz engine delivers slightly cleaner images in low-light and better color consistency across varied lighting conditions.
Seeing the World Through Their Screens
Both cameras rely exclusively on the rear 3-inch LCD for composition and playback with no electronic viewfinder option. The screen resolution is basic (230k dots), making manual focus or pixel-peeping challenging.

Samsung’s menu system is straightforward but somewhat spartan, reflecting the camera’s automatic focus and exposure design. Sony's interface provides more AF mode selections and continuous shoot settings but shares the limitations in overall screen quality and interface responsiveness typical for this price bracket.
In daylight, screen glare severely impacts visibility on both devices, emphasizing the need to get comfortable with shooting via liveview in shaded or controlled lighting conditions. Additionally, neither model supports touchscreen operation, limiting quick adjustments on the fly.
Real-World Shooting: Image Sample Gallery from Both Cameras
To go beyond specs, I captured identical scenes with both cameras across lighting conditions and subject types.
In bright daylight landscapes, both deliver decent detail and realistic colors, though Sony’s images appear slightly sharper with finer details resolved in foliage and fine textures. Portraits taken with both showed modest background blur due to their small sensor and lens aperture limits, but skin tones were rendered naturally in both cameras with a subtle warmth in the Samsung.
In low light indoor shooting, Sony’s better noise handling and steadier autofocus resulted in fewer blurred shots compared to the Samsung, which occasionally hunted for focus. Sports or wildlife action shots were not really the strong suit of either model; continuous shooting and AF tracking are quite limited or absent.
Performance Overview and Ratings
I compiled overall performance ratings based on my comprehensive lab and field testing covering image quality, autofocus, speed, usability, and value.
Sony H55 outperforms the PL200 slightly due to better autofocus capabilities, faster continuous shooting, and improved noise management. The Samsung, however, scores favorably in portability and ease of use, indicating a tailored appeal for casual shooters and travel photographers prioritizing simplicity and small form factor.
How They Measure Against Different Photography Styles
Let’s analyze their suitability across various popular photography disciplines:
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Portraits: Both provide adequate skin tone reproduction, but neither produces substantial bokeh given small sensor size and limited aperture. The Sony autofocus with 9 focus points is preferable for locking focus on the eyes in singles, while the Samsung’s single-point contrast-detect focus is less reliable.
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Landscape: Dynamic range constraints and sensor noise limit versatility, but both deliver pleasing daytime results. Neither offers weather sealing, so shooting in adverse conditions requires caution.
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Wildlife: Telephoto reach favors Sony (10x zoom, 25-250mm) over Samsung (7x zoom, 31-217mm), complemented by faster continuous shooting. Neither is ideal for fast, erratic animal movement due to slow AF.
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Sports: Burst shooting up to 10 fps on Sony is a clear advantage over Samsung’s absence of continuous capture; autofocus tracking is limited on both.
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Street: The PL200’s smaller size and weight make it a more inconspicuous street camera, better suited for candid shots. The Sony is bulkier but still pocketable.
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Macro: Both achieve 5 cm minimum focusing distance with similar performance; image stabilization helps keep handheld macro shots sharper.
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Night/Astro: High ISO noise limits star field clarity. Neither provide bulb mode or long exposure noise reduction features.
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Video: Sony supports 720p HD video at 30 fps, yielding better video utility than Samsung’s low-resolution ~640x480 VGA footage. No external mic or headphone jacks on either.
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Travel: The Samsung’s compactness and ease of use make it excellent for travelers who prioritize convenience over versatility. The Sony’s broader zoom range and faster capture options suit more enthusiastic travelers wanting to cover varied scenarios.
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Professional Work: Neither camera can shoot RAW, nor do they support manual exposure control, limiting professional workflow integration.
Autofocus: Speed and Accuracy in Practice
Autofocus performance is often critical. Both use contrast-detection AF, typical for compact cameras of this era, lacking phase detection’s speed and precision.
The Sony’s 9-point AF system with multi-area and center focusing modes provides better flexibility for composition, while Samsung’s single-point AF is more limited and slower to lock focus.
From experience, Sony also exhibits smoother focus hunting and more consistent success under moderately low light conditions, whereas Samsung can falter, requiring multiple refocus attempts. Neither fare well in continuous AF or tracking, constraining their usefulness for subjects in motion.
Build Quality and Weather Resistance
Neither camera offers weather sealing, dustproofing, or other ruggedization. Plastic body shells with matte finishes characterize both, signaling their budget and consumer-level approach. Despite this, both felt reasonably solid in hands, but I would advise extra care in harsh environments or rough handling.
Lens and Zoom Versatility
The Samsung PL200 offers a 7x optical zoom (31-217 mm equivalent) with an aperture range of f/3.3-5.5, whereas the Sony H55 sports a 10x zoom (25-250 mm equivalent) at f/3.5-5.5.
Practically, Sony’s longer reach is beneficial for telephoto shots like wildlife and sports, while Samsung’s slightly tighter wide-angle start at 31mm may feel restrictive for landscapes or interiors compared to the Sony’s 25mm start.
Both lenses are fixed and non-interchangeable, limiting flexibility but simplifying operation for casual use.
Battery Life and Storage Options
Samsung uses the BP70A battery, and Sony the NP-BG1 battery; both proprietary with similar life spans around 200-250 shots per charge based on manufacturer specs. In real use, I experienced moderate battery longevity but recommend carrying spares for extended outings, especially if shooting video or continuous bursts.
Storage-wise, Samsung supports SD/SDHC/MMC cards, while Sony is more versatile, accepting Memory Stick Duo variants in addition to SD/SDHC. This added flexibility can benefit users migrating from older Sony systems or those who already own Memory Sticks.
Connectivity and Extras
Neither camera offers wireless connectivity options; no Wi-Fi, Bluetooth, GPS, or NFC. USB 2.0 ports provide basic file transfers only. No HDMI output or external microphone/headphone jacks limits multimedia interface potential.
For flashes, both have built-in units with limited range (Samsung 4.6 m, Sony 3.8 m) and modes, with no option for external flash units, restricting flash photography creativity.
Value Proposition: Price and Performance Balance
At current used prices (Samsung PL200 often found below $150, Sony H55 around $230), Sony’s better zoom range, improved autofocus, continuous shooting, and HD video justify the higher cost in my assessment.
The Samsung PL200, with its smaller form and simple operation, offers solid value to those prioritizing ease and portability over performance.
Final Thoughts: Which Camera Fits Your Needs?
Both the Samsung PL200 and Sony Cyber-shot DSC-H55 serve as entry-level compact cameras designed for users seeking straightforward photographic tools without manual complexity. Based on my extensive testing, here is how I’d recommend them:
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Choose the Samsung PL200 if: You want a lightweight, pocketable camera with simple controls, primarily for casual travel, street, and snapshot photography. Its smaller size and decent 7x zoom uniquely appeal to those prioritizing portability and ease.
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Choose the Sony DSC-H55 if: You desire superior zoom range, better autofocus capabilities, and HD video recording in a compact body. It suits casual enthusiasts who might occasionally tackle action, wildlife, or diverse subjects requiring a bit more reach and speed.
Neither camera fits professional needs or advanced creative control, but for their class, I trust Sony edges ahead on versatility and performance, while Samsung rewards minimalists with a more discreet form factor.
In-Depth Testing Methodology Disclosure
My tests covered lab measurements of sensor noise, dynamic range via standardized charts, and real-world shooting scenarios including portrait setups, landscape excursions, wildlife action shots, street candid captures, low-light indoor environments, macro racks, and video recording in varied lighting. I used consistent lighting setups and multiple exposures to compare sharpness, color rendition, and autofocus reliability.
Summary Table of Key Differences
| Feature | Samsung PL200 | Sony DSC-H55 |
|---|---|---|
| Sensor | 14 MP CCD 1/2.3" | 14 MP CCD 1/2.3" |
| Zoom Range | 31-217 mm eq. (7x) | 25-250 mm eq. (10x) |
| Max Aperture | f/3.3-5.5 | f/3.5-5.5 |
| Autofocus Points | Single-point contrast detect | 9 points contrast detect |
| Continuous Shooting | No | 10 fps |
| Video | VGA (640x480) ~30 fps | HD 720p 30 fps |
| Screen Size | 3" fixed, 230k dots | 3" fixed, 230k dots |
| Weight | 170 g | 200 g |
| Dimensions (mm) | 100 x 60 x 21 | 103 x 58 x 29 |
| Storage | SD/SDHC/MMC | Memory Stick/SD/SDHC |
| Price (Used) | ~$150 | ~$230 |
I hope this detailed comparison helps you understand where these two similar-looking compacts diverge and which camera might best serve your photography journey. If you prioritize portability and straightforward operation over speed or zoom, Samsung’s PL200 is a solid choice. If you want more zoom reach and faster autofocus with better video, Sony’s H55 is worth the extra investment.
Questions? Thoughts? I’d love to hear about your experiences with these cameras or compact superzooms in general. Drop a comment or reach out!
Happy shooting!
Samsung PL200 vs Sony H55 Specifications
| Samsung PL200 | Sony Cyber-shot DSC-H55 | |
|---|---|---|
| General Information | ||
| Brand | Samsung | Sony |
| Model | Samsung PL200 | Sony Cyber-shot DSC-H55 |
| Type | Small Sensor Compact | Small Sensor Compact |
| Announced | 2010-07-21 | 2010-06-16 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | - | Bionz |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14MP | 14MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
| Full resolution | 4320 x 3240 | 4320 x 3240 |
| Max native ISO | 3200 | 3200 |
| Min native ISO | 80 | 80 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | - | 9 |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 31-217mm (7.0x) | 25-250mm (10.0x) |
| Maximal aperture | f/3.3-5.5 | f/3.5-5.5 |
| Macro focus distance | 5cm | 5cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen diagonal | 3" | 3" |
| Screen resolution | 230k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 8 secs | 30 secs |
| Highest shutter speed | 1/1500 secs | 1/1600 secs |
| Continuous shooting rate | - | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 4.60 m | 3.80 m |
| Flash options | Auto, On, Off, Red-eye, Fill-in, Slow sync | Auto, On, Slow Syncro, Off |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 800 x 592 (20 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 640x480 | 1280x720 |
| Video data format | H.264 | MPEG-4 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 170 grams (0.37 lb) | 200 grams (0.44 lb) |
| Physical dimensions | 100 x 60 x 21mm (3.9" x 2.4" x 0.8") | 103 x 58 x 29mm (4.1" x 2.3" x 1.1") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | BP70A | NP-BG1 |
| Self timer | Yes | Yes (2 or 10 sec, portrait1/ portrait2) |
| Time lapse feature | ||
| Type of storage | SD/SDHC'/MMC, Internal | Memory Stick Duo / Pro Duo/ PRO HG-Duo, SD/SDHC, Internal |
| Card slots | Single | Single |
| Launch cost | $0 | $235 |