Samsung SL30 vs Sony NEX-5T
95 Imaging
32 Features
14 Overall
24
89 Imaging
57 Features
79 Overall
65
Samsung SL30 vs Sony NEX-5T Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.5" Fixed Display
- ISO 80 - 1600
- 640 x 480 video
- 38-114mm (F2.8-5.7) lens
- 140g - 94 x 61 x 23mm
- Introduced February 2009
- Also referred to as ES15
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600
- 1920 x 1080 video
- Sony E Mount
- 276g - 111 x 59 x 39mm
- Launched August 2013
- Previous Model is Sony NEX-5R
President Biden pushes bill mandating TikTok sale or ban Samsung SL30 vs Sony NEX-5T: A Hands-On Comparison Across the Photography Spectrum
Choosing the right camera is a pivotal decision for photography enthusiasts and professionals alike, especially when contrasting two markedly different models like the 2009 compact Samsung SL30 and the 2013 mirrorless powerhouse Sony NEX-5T. With a near five-year gap, these two represent distinct eras and design philosophies in digital imaging. Yet both continue to attract interest, whether for budget solutions or as an introduction to interchangeable lens systems. After hours of methodical testing - both in the lab and on location - this comprehensive comparison reveals how these cameras perform under a broad range of photographic disciplines, and what they offer in terms of technology, usability, and value.
Let’s delve in.
First Impressions: Size, Build, and Handling
From the moment you lift the Samsung SL30 and the Sony NEX-5T side by side, their physical differences become immediately apparent. The SL30 is a compact, pocketable point-and-shoot designed for casual ease, while the NEX-5T is a more substantial mirrorless camera with interchangeable lenses and a sophisticated control layout.

The SL30’s dimensions (94x61x23mm) and weight (140g) make it incredibly portable - but the squeeze of that small chassis translates into limited grip and minimal tactile controls. The body feels light but plasticky, typical for entry-level compacts of its time. Conversely, the Sony NEX-5T is almost double the weight at 276g, housed in a more robust rangefinder-style body (111x59x39mm). It offers a firmer grip, well-placed buttons, and a more confident in-hand experience. The camera’s build quality isn’t weather-sealed, but its metal accents and hand-friendly design set it apart from its predecessor’s barebones ergonomics.

On top, you’ll appreciate the NEX’s well-thought-out dial system for exposure settings - something the SL30 entirely lacks. Samsung’s compact’s design emphasizes simplicity over manual control, catering primarily to automatic shooters.
Sensor Technology and Image Quality: The Heart of the Matter
The starkest technical contrast lies in the sensor technology and overall imaging potential.

The Samsung SL30 features a 1/2.3-inch CCD sensor measuring roughly 6.08x4.56mm with a modest 10-megapixel resolution. This sensor size, typical for compact cameras in 2009, inherently limits dynamic range, low-light performance, and depth-of-field control. The fixed 38-114mm equivalent lens with f/2.8-5.7 aperture restricts creative flexibility, and the sensor’s small size predisposes results to noise above ISO 400 - an important consideration depending on your shooting conditions.
The Sony NEX-5T radically improves on this with its APS-C sized CMOS sensor measuring 23.4x15.6mm and boasting 16 megapixels. This translates into a sensor area over 13 times larger than Samsung’s SL30, offering a substantial leap in image quality. The sensor not only yields higher resolution (max 4912x3264 pixels) but also exhibits superior dynamic range, better color depth (DxO Mark 23.6 bits vs. untested but lower for the SL30), and cleaner high ISO performance up to ISO 25600 native sensitivity.
In real-world testing, the NEX-5T’s images demonstrate far richer tonal gradations and noticeably less noise starting even at ISO 800 - a crucial advantage for low-light and indoor shooting. The SL30’s output is serviceable for snapshots under bright daylight but loses detail and clarity quickly under dimmer conditions.
Navigating the User Interface and Display Capabilities
When reviewing cameras, the user interface and rear display provide a tactile window into usability and shooting confidence.

The SL30 sports a fixed 2.5-inch LCD with a meager 230k-dot resolution - typical for its generation. Its viewing angles are limited, and it cannot flip or tilt, which hinders composition flexibility. The lack of touchscreen input further detracts from quick adjustments.
In contrast, the Sony NEX-5T’s rear screen is a 3-inch Tilting TFT LCD with a sharp 922k-dot resolution and capacitive touchscreen capabilities. This screen tilts 180° upward and 50° downward - catering well to low-angle shots, selfies, or video blogging. Touch controls include autofocus point selection and menu navigation, increasing operational speed and intuitive handling.
Moreover, the NEX-5T supports an optional electronic viewfinder (EVF) attachment for precise framing in bright conditions - a feature entirely missing in the SL30, which relies solely on LCD preview.
Autofocus Systems Put to the Test
Autofocus performance is paramount across nearly all photographic genres. Comparing the Samsung SL30’s modest system and the Sony NEX-5T’s advanced hybrid AF provides insight into their real-world applicability.
The SL30 depends on contrast-detection autofocus centered on a single active area. This method is relatively slow and prone to “hunting,” especially in low light or low contrast scenes. Face detection is present but basic, and there’s no continuous AF or tracking.
By contrast, the NEX-5T boasts a sophisticated 99-point hybrid autofocus system combining fast contrast and phase detection (particularly impressive for its time). Its 25 cross-type focus points deliver excellent accuracy. The camera supports continuous AF and tracking, ideal for moving subjects - crucial for wildlife, sports, and street photography.
In my testing, the SL30 falls behind during action sequences and quick subject acquisition. The NEX-5T’s autofocus locks swiftly and consistently, even tracking erratic motion with reliability. It also offers touch AF on the LCD for intuitive focus placement.
Photography Disciplines: Strengths and Limitations Explored
Portrait Photography: Skin Tones and Bokeh
The SL30’s fixed zoom and smaller sensor yield images with reasonably natural skin tones under controlled lighting but lack the smooth background separation achievable with larger sensors. The max aperture of f/2.8 (at the wide end) is adequate for some background defocus but limited by depth of field inherent in small sensor designs.
The NEX-5T, in tandem with fast prime lenses from Sony’s extensive E-mount lineup, enables creamy bokeh and excellent subject isolation. Its accurate eye-detection AF aids in pin-sharp portraits, a distinct advantage for professional and enthusiast portraiture.
Landscape Photography: Resolution and Dynamic Range
Here, the NEX-5T shines, thanks to its higher resolution and dynamic range of approximately 13 EV stops per DxO Mark, allowing detailed shadow and highlight recovery. The SL30’s limited dynamic range coupled with 10 megapixels restricts cropping flexibility and post-processing latitude.
However, both cameras lack environmental sealing - a consideration if shooting in adverse weather. For serious landscape photographers, integrating robust lenses with the NEX system adds versatility heavy compacts like the SL30 cannot match.
Wildlife and Sports Photography: Burst and Tracking
The SL30 offers no continuous shooting frames-per-second specification, effectively disqualifying it for fast action capture. The NEX-5T, with 10 fps continuous shooting, combined with its superior autofocus tracking, is far better suited to wildlife and sports, even if it doesn’t reach pro-level DSLR fps ratings.
Its interchangeable lens system accommodates telephotos with image stabilization, enabling close approach to subjects. Meanwhile, the SL30’s 38-114mm fixed lens (roughly 210-640mm equivalent due to its crop factor) is optically less capable and slower.
Street Photography: Discretion and Low Light
The small size and quiet operation of the SL30 could appeal for discreet street photography - although in low light it suffers due to small sensor noise and slower lenses. Conversely, the NEX-5T’s shutter noise is slightly louder, and the bulkier body may draw attention, but its superior low light capabilities and faster lenses mean better image quality after dark.
Macro Photography: Detail and Focusing
The SL30’s macro mode down to 5 cm is typical but optical limitations prevent truly sharp results at close range. The NEX-5T, relying on dedicated macro lenses with close focusing abilities, offers superior detail capture and bokeh control.
Video Capabilities: Basic to Advanced
Video is a crucial factor for many, so evaluating these cameras’ video performance is revealing.
The Samsung SL30 shoots very basic video at 640x480 max resolution (VGA) and just 30 fps, saved as Motion JPEG - an outdated and large file format with limited recording options. Audio and stabilization features are absent as well.
The NEX-5T is more advanced, supporting Full HD 1920x1080 recording at 60p/60i/24p frame rates with MPEG-4, AVCHD, and H.264 compression. While lacking microphone and headphone jacks limits pro audio control, digital image stabilization and tilting touch screen contribute to a more versatile hybrid shooter experience.
Connectivity and Storage: Keeping Up With Modern Needs
Connectivity reflects the camera’s ability to integrate with workflows and share content.
The SL30 has no wireless features - typical of its generation - and relies solely on USB 2.0 for data transfer.
The Sony, however, benefits from built-in Wi-Fi and NFC, facilitating wireless image transfer to smartphones and remote control via apps. Storage-wise, the SL30 uses SD/SDHC/MMC cards, while the NEX-5T supports SD, SDHC, SDXC, and Memory Stick Pro Duo formats. Both have single card slots.
Battery Life: Endurance Differences
Measured battery life strongly correlates with sensor size, processing power, and usage patterns.
The Samsung SL30’s battery capacity data is unspecified, but compacts generally last 200–300 shots per charge. The Sony NEX-5T, with a larger battery pack (NPFW50), officially lasts approximately 330 shots per charge - sufficient for a full day of moderate shooting. Mirrorless cameras generally consume more power, but the larger battery here makes a significant difference.
Price-to-Performance Ratio: Weighing Value
At time of writing, the SL30 retails around $90, while the NEX-5T sits near $400. This price gap is substantial but reflects the vast technological differences.
For casual shooters on a strict budget seeking a basic, pocketable snapshot camera, the SL30 remains appealing. However, for enthusiasts wanting growth potential, superior image quality, and more creative control, the Sony NEX-5T - and by extension, the E-mount system - delivers vastly greater long-term value.
Performance Ratings and Genre-Specific Scores
After extensive testing, our performance scoring reflects an authoritative synthesis of lab and field results.
The Sony NEX-5T receives a robust total score of 78 points, excelling in image quality, autofocus, and video capabilities. The Samsung SL30, unsurprisingly, scores lower with basic competence suitable for everyday snapshots.
Breaking it down by photography genres:
- Portrait: Sony vastly outperforms with sharpness and eye AF.
- Landscape: Sony’s dynamic range and resolution are head and shoulders above.
- Wildlife/Sports: Sony’s autofocus and burst speed dominate.
- Street: Samsung’s discreet size is a slight edge, though image quality lags.
- Macro: Sony’s lens options make it the clear winner.
- Night/Astro: Sony’s high ISO strength is decisive.
- Video: Sony’s Full HD beats Samsung’s VGA output handily.
- Travel: Sony’s versatility and battery life provide more flexibility.
- Professional Work: Sony supports RAW shooting and integrates well with workflows; Samsung does not.
Summing It Up: Who Should Buy Which?
Choose the Samsung SL30 if:
- You want a simple, ultra-compact camera that fits easily in your pocket.
- Your photography is limited to daylight snapshots and casual family photos.
- Budget is a primary constraint - under $100 buys you a fully functional point-and-shoot.
- Video is not a key concern, and you’re okay with basic VGA movies.
Opt for the Sony NEX-5T if:
- Image quality, especially in low light and dynamic range, is important.
- You want manual exposure controls, RAW support, and interchangeable lens flexibility.
- You appreciate advanced autofocus for portraits, sports, or wildlife.
- Full HD video recording with better codecs is valuable.
- Wireless connectivity, touchscreen operation, and tilting LCD boost your shooting speed.
- You’re aiming for growth in your photographic skills and eventual lens upgrades.
Final Thoughts From the Field
Having pushed both cameras through a variety of testing scenarios, I can confidently say that the Samsung SL30 embodies the simplicity and convenience of early compact digital cameras but is today very limited by its dated sensor technology and feature set.
The Sony NEX-5T, meanwhile, remains surprisingly capable today despite its age. Its APS-C sensor and E-mount lens ecosystem bring versatility usually reserved for far more expensive cameras. The impressive autofocus, image quality, and video capabilities make it an excellent choice for enthusiasts stepping up from smartphone or compact cameras.
While I’m going to need a lot more time with modern successors, for those balancing budget, portability, and quality, the NEX-5T still strikes a compelling balance. The SL30 is more a nostalgia pick or strictly casual shooter.
Whether you prioritize size, price, or professional-grade output will ultimately guide your choice. Whichever path you choose, understanding these cameras’ technical and practical differences ensures your investment matches your photographic aspirations.
Happy shooting!
Samsung SL30 vs Sony NEX-5T Specifications
| Samsung SL30 | Sony Alpha NEX-5T | |
|---|---|---|
| General Information | ||
| Company | Samsung | Sony |
| Model | Samsung SL30 | Sony Alpha NEX-5T |
| Alternative name | ES15 | - |
| Type | Small Sensor Compact | Entry-Level Mirrorless |
| Introduced | 2009-02-17 | 2013-08-27 |
| Body design | Compact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Powered by | - | Bionz |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.08 x 4.56mm | 23.4 x 15.6mm |
| Sensor area | 27.7mm² | 365.0mm² |
| Sensor resolution | 10 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | - | 3:2 and 16:9 |
| Full resolution | 3648 x 2736 | 4912 x 3264 |
| Max native ISO | 1600 | 25600 |
| Lowest native ISO | 80 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | - | 99 |
| Cross focus points | - | 25 |
| Lens | ||
| Lens mount | fixed lens | Sony E |
| Lens focal range | 38-114mm (3.0x) | - |
| Maximal aperture | f/2.8-5.7 | - |
| Macro focus range | 5cm | - |
| Number of lenses | - | 121 |
| Focal length multiplier | 5.9 | 1.5 |
| Screen | ||
| Range of display | Fixed Type | Tilting |
| Display sizing | 2.5 inches | 3 inches |
| Resolution of display | 230k dot | 922k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display tech | - | Tilt Up 180° Down 50° TFT LCD |
| Viewfinder Information | ||
| Viewfinder | None | Electronic (optional) |
| Features | ||
| Lowest shutter speed | 8s | 30s |
| Highest shutter speed | 1/1500s | 1/4000s |
| Continuous shooting speed | - | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 4.60 m | 7.00 m (ISO100) |
| Flash settings | Auto, On, Off, Auto & Red-Eye reduction, Slow Sync, Fill-in Flash, Flash Off, Red-Eye Fix | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Highest flash sync | - | 1/160s |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 800 x 592 (20 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) | 1920 x1080 (60p/60i/24p) |
| Max video resolution | 640x480 | 1920x1080 |
| Video data format | Motion JPEG | MPEG-4, AVCHD, H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 140 grams (0.31 pounds) | 276 grams (0.61 pounds) |
| Physical dimensions | 94 x 61 x 23mm (3.7" x 2.4" x 0.9") | 111 x 59 x 39mm (4.4" x 2.3" x 1.5") |
| DXO scores | ||
| DXO All around score | not tested | 78 |
| DXO Color Depth score | not tested | 23.6 |
| DXO Dynamic range score | not tested | 13.0 |
| DXO Low light score | not tested | 1015 |
| Other | ||
| Battery life | - | 330 images |
| Form of battery | - | Battery Pack |
| Battery model | - | NPFW50 |
| Self timer | Yes | Yes ((10/2 sec. delay), Self-timer (Cont.) (with 10 sec. delay; 3/5 exposures)) |
| Time lapse shooting | ||
| Storage media | SD/MMC/SDHC card, Internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | Single | Single |
| Retail price | $93 | $400 |