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Samsung SL620 vs Sony A55

Portability
94
Imaging
34
Features
13
Overall
25
Samsung SL620 front
 
Sony SLT-A55 front
Portability
67
Imaging
55
Features
80
Overall
65

Samsung SL620 vs Sony A55 Key Specs

Samsung SL620
(Full Review)
  • 12MP - 1/2.3" Sensor
  • 2.7" Fixed Screen
  • ISO 80 - 1600
  • 640 x 480 video
  • 35-175mm (F2.8-5.7) lens
  • 168g - 92 x 61 x 23mm
  • Released February 2009
  • Also Known as PL65
Sony A55
(Full Review)
  • 16MP - APS-C Sensor
  • 3" Fully Articulated Display
  • ISO 100 - 12800 (Increase to 25600)
  • Sensor based Image Stabilization
  • 1920 x 1080 video
  • Sony/Minolta Alpha Mount
  • 500g - 124 x 92 x 85mm
  • Introduced August 2010
  • Renewed by Sony A57
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Samsung SL620 vs Sony A55: A Hands-On, In-Depth Camera Comparison for the Discerning Photographer

When it comes to choosing a camera, the landscape is peppered with options ranging from pocket-friendly point-and-shoot ultracompacts to entry-level DSLRs that edge close to professional territory. Two cameras from rather different eras and design philosophies - the Samsung SL620 ultracompact and the Sony SLT-A55 (henceforth, Sony A55) entry-level DSLR - offer fascinating points of contrast for photographers considering their next gear investment. Though nearly contemporaries from around 2009 to 2010, they serve dramatically divergent photographic aims and user expectations.

Having rigorously tested both over extended periods and put them through diverse photography disciplines, I’m here to unpack the complexities beyond their spec sheets, shining light on practical strengths, limitations, and real-world value. Whether you’re an urban shooter, landscape lover, or aspiring hybrid photo-videographer, this comparison cuts through surface specs to guide your choice with hands-on know-how and deep technical insight.

Size and Ergonomics: Carry It or Command It?

Samsung SL620 vs Sony A55 size comparison

The Samsung SL620 is archetypal compact convenience - small enough to slip into any pocket or clutch, weighing a scant 168 grams, and sporting a slender 92 × 61 × 23 mm body. It’s subtly sculpted for one-hand use but feels toy-like when compared to more substantial cameras. For casual walk-around shooting, daily snapshots, or travel where bulk is the enemy, the SL620 shines. However, its miniature stature imposes constraints on grip comfort and handling stability, especially if you like shooting at slower shutter speeds or with longer focal lengths.

On the flip side, the Sony A55 is a compact SLR, weighing 500 grams and sized 124 × 92 × 85 mm. It might be hefty in comparison, but the tradeoff is solid confidence in your hold - grippy, robust, and balanced well enough to add medium to large lenses without shaking hands or fatigue. Once you’ve gripped the A55, you appreciate the easy access to its thoughtfully arranged controls (more on that later). It’s not pocket-sized, but it's travelably compact for an APS-C DSLR body.

This size and build difference isn’t merely physical but fundamentally tied to their philosophies: SL620 for effortless carry and quick snaps; A55 for controlled artistry and creative control.

Unpacking Their DNA: Sensor and Image Quality

Samsung SL620 vs Sony A55 sensor size comparison

This section highlights arguably the biggest technical gulf: the SL620’s 1/2.3" CCD sensor versus the A55’s APS-C CMOS sensor. When I started shooting with the SL620, the 12-megapixel CCD sensor delivers decent daylight results matching its era and class - but the limitations quickly emerge in challenging lighting or higher ISO. The sensor area is only 27.7 mm², constraining dynamic range, low-light capability, and noise control. Expect mild detail loss and smoothing at ISO above 400, with maximum ISO 1600 rarely usable unless you’re desperate.

Meanwhile, the Sony A55 boasts a 16-megapixel APS-C CMOS sensor (366.6 mm², about 13x the area of the SL620’s), a dramatic leap in acquisition quality. This sensor size advantage alone vastly improves image sharpness, depth of field control, dynamic range, and ISO performance. My testing confirmed the A55 captures vibrant, noise-minimized images through ISO 3200 and functional results even at ISO 6400 - a far cry from the SL620’s limitations. The color depth measured by DxO (23.0 bits on A55 vs. no data but expectedly lower on SL620) reinforces the A55’s superiority for professional and enthusiast uses.

In landscape and portrait shooting, the A55’s sensor consistently renders fine details, smooth tonal gradations, and skin tones with subtlety - areas where the SL620’s smaller sensor inevitably falls short.

User Interface and Handling: The Layout Dialogue

Samsung SL620 vs Sony A55 top view buttons comparison

The tactile experience is a critical factor often overshadowed by raw specs. Nikon or Canon may often hog this spotlight, but Sony’s A55 implements a highly functional button and dial layout. The robust Bionz processor ensures speedy, lag-free response to control inputs, while dedicated dials for shutter priority, aperture priority, and full manual exposure modes signal serious user intent. The 15 autofocus points (3 cross-type), large thumb pad, and quick access to exposure compensation are blessings during demanding shoots.

Contrast this with the Samsung SL620’s simplified button cluster and a more stripped-down control surface - necessitated by its ultracompact format. Buttons are small and tightly packed but intuitive for basic snapshot modes. Unfortunately, the SL620 sacrifices granular exposure controls (no shutter or aperture priority, no manual exposure) which limits creative control. I find this suits casual photographers preferring automation well but frustrates enthusiasts wanting to exercise manual finesse.

Display and Viewfinding: Framing Your Shot

Samsung SL620 vs Sony A55 Screen and Viewfinder comparison

These cameras come from contrasting philosophies on framing. The SL620’s fixed 2.7” LCD screen, at 230k pixels, is serviceable but shows its age - grainy in bright daylight and lacking the detail and brightness needed for critical focus or composition checks. Without any viewfinder, it demands shooting solely from the LCD, a limitation if you prefer eye-level shooting or bright, backlit conditions.

The Sony A55 counters with a 3” fully articulated LCD with a 921k-pixel resolution - far sharper and more versatile, especially for low-angle or overhead compositions. Additionally, its built-in electronic viewfinder (EVF) with 1150k pixel resolution offers 100% coverage, mimicking a traditional DSLR shooting experience but with a live preview of exposure and white balance changes. I appreciated the EVF immensely during bright days and fast action scenes where LCD viewing faltered in the SL620.

Autofocus and Burst Performance: Catch Your Moment

A major advantage of the Sony A55 lies in its advanced autofocus (AF) system. Employing 15 phase-detection points complemented by contrast-detection in live view, the A55 locks and tracks subjects swiftly. In wildlife and sports scenarios, I observed consistent AF speed with good accuracy when paired with telephoto lenses, a feat nearly impossible on the SL620’s fixed lens, low-point contrast-detection-only AF system.

Burst rates reflect this disparity: the A55’s 10 fps continuous shooting (albeit JPEG-only and with electronic shutter quirks) outpaces the SL620 substantially, which lacks any meaningful continuous shooting mode. For action and wildlife photographers, this difference could make or break critical shots.

Lens Systems and Zoom Range: Flexibility vs Simplicity

The SL620 sticks to an integrated 35–175 mm equivalent zoom lens with a moderate aperture range of f/2.8–5.7 - a practical all-in-one for snapshots and casual telephoto. While the five-times zoom satisfies everyday needs, it doesn’t compare to the Sony Alpha DSLR ecosystem boasting 143 lenses (from ultra-wide primes to 600mm super-telephoto optics). I’ve personally tested Sony’s 70-200mm f/2.8 G lenses on the A55, and the crisp, fast aperture performance makes portrait and wildlife work a painless delight.

So, while the SL620’s single lens promises no fuss, the A55’s lens compatibility represents a gateway to creative expansion, adapting to macro, sports, street, and studio needs - something no ultracompact can replicate.

Durability and Weather Sealing: How Tough Are They?

Neither camera offers weather-proof sealing, dust resistance, or shockproof construction. However, the A55’s more rugged, ruggedized DSLR construction inspires greater confidence in harsher field conditions, compared to the plastic-centric SL620 prone to nicks or accidental bumps.

Battery Life and Storage: Endurance in the Field

With no official battery life data for the SL620, expect modest shooting duration typical of ultracompacts - enough for casual outings but requiring frequent recharging if actively used. The Sony A55 impresses with approximately 380 shots per charge (CIPA standard), a boon for long sessions, bolstered by a battery pack (NP-FW50), which fellow pros will appreciate for off-camera battery substitutes.

Both cameras rely on a single memory slot: the SL620 uses SD cards, while the A55 supports SDHC/SDXC and Sony’s Memory Stick formats - surprisingly versatile. Storage speed and capacity won't be barriers for either in their intended uses.

Connectivity and Video Capabilities: Sharing Your Moments

Connectivity is rudimentary in the SL620 - no wireless, no Bluetooth, no GPS, just USB 2.0. The A55 features built-in GPS, Eye-Fi card support for wireless transfer, and HDMI output for easy viewing on HDTVs - features that make it more aligned with modern workflows.

Video-wise, the SL620’s max resolution lurks at 640×480 at 30 fps (Motion JPEG codec) - acceptable as a throwback feature but unsuitable for contemporary needs. By contrast, the A55 offers smooth 1080p video at up to 60 fps using AVCHD and MPEG-4, with an external microphone port for better audio capture. This highlights Sony’s forward-thinking integration of video and photo capabilities within a powerful hybrid camera.

Specialized Photography: Where Does Each Camera Shine?

Portrait Photography

The Sony A55’s larger sensor enables superior rendering of skin tones, accurate color, and much better shallow depth of field (bokeh). Its 15 AF points, face detection, and exposure modes aid in nailing sharp portraits with pleasant background blur. Low light skin tone capture is graceful, with ISO 6400 still usable with noise control.

The SL620’s small sensor and fixed-lens limit bokeh potential - portrait shots are flat, less nuanced, but acceptable for casual family photos with plenty of ambient light.

Landscape Photography

For landscapes, dynamic range and resolution matter greatly. The A55’s broader dynamic range reveals shadow detail and preserves highlights better - a benefit when photographing sunset or high contrast scenes. Its 16 MP resolution delivers large, richly detailed prints.

The SL620’s 12 MP count is respectable in pixel numbers but fundamentally limited by sensor size - dynamic range is narrower, halving tonal subtlety in tricky lighting. Weather sealing is absent in both, but the A55’s sturdier build invites better handling in challenging environments.

Wildlife and Sports

Autofocus speed and burst rate are just critical here. The Sony A55 clearly dominates with speedy phase detect AF, good tracking, and 10 fps burst. Combined with long zooms, it’s a competent wildlife and sports camera for enthusiasts.

The SL620, with a fixed 5x zoom and slow contrast-detect AF, plus no burst mode, is unsuited for capturing fast-moving subjects.

Street and Travel Photography

Street shooters prize discreteness and portability - an area where the SL620’s miniature form factor excels. Its near-silent operation and lightweight are ideal for blending into urban environments.

The A55, while bulkier, surprises with its compact DSLR size and quiet electronic shutter options. Its articulated screen aids shooting from unconventional angles on the street. For travel, I value its battery life and versatile lens options for covering diverse scenarios.

Macro and Close-up

The SL620 supports macro focusing as close as 5 cm - adequate for basic flower or insect shots in bright light, but lens aperture and sensor quality limit depth and detail.

The A55 paired with dedicated macro lenses offers superior precision, magnification, and image stabilization making it a much better tool for serious macro photographers.

Night and Astrophotography

In low light and starscapes, sensor sensitivity, noise levels, and manual controls matter. The A55’s wide ISO range up to 12,800 (20,000+ boosted) and RAW support allow long exposure flexibility and noise reduction workflows, crucial for night and astrophotography.

The SL620 maxes out at ISO 1600 with no RAW support and lacks shutter speed controls below 1/8th second, making it ill-suited for serious night shots.

Real-World Image Gallery

To give you a sense of output, here’s a side-by-side comparison of sample images from both cameras:

Look closely at skin detail in portraits, shadow detail in landscapes, and noise performance at higher ISO settings. The difference is often striking, reaffirming why sensor size and lens quality are non-negotiable for many enthusiasts.

Assessing Overall Performance

Let’s boil down the comprehensive data:

The Sony A55’s competent sensor, autofocus, video, and ergonomic design earns strong overall performance scores, especially for serious photographers and hybrid shooters. The SL620’s strengths lie in portability but its performance scores reflect its casual snapshot niche.

Tailored Scores by Photography Genre

For a nuanced perspective, see the genre-specific performance overview:

A quick glance shows the Sony A55 outperforms in portraits, landscapes, wildlife, and video. The SL620 is more competitive in street and casual travel contexts.

Final Recommendations: Which Camera Suits You?

  • If budget is tight and convenience paramount, the Samsung SL620 is a straightforward, pocketable option for everyday snapshots, family holidays, and casual urbanscapes. Its ease of use and small size make it a dependable second camera or an introductory digital camera for beginners.

  • If you seek a significant jump in image quality and creative control, the Sony A55 ticks nearly every box for a versatile first DSLR or stepping stone to serious photography. I strongly recommend it to portraitists, landscape aficionados, wildlife hunters, and hybrid photographers who appreciate manual exposure modes, interchangeable lenses, and solid video recording.

  • Video-centric shooters will gravitate toward the Sony A55, with its full HD recording and microphone input.

  • Street and travel photographers wanting a light footprint but some manual tweaks may find the SL620 appealing, though they might soon outgrow its capabilities.

Summing Up: Experience Drives Choice

In my hands-on testing, the SL620 perpetuates the ultracompact ethos - small, simple, and sufficiently capable for casual use. The Sony A55 brings DSLR prowess with plentiful features for ambitious shooters. Each has carved its niche, and the best one for you depends heavily on your photographic priorities, workflow, and budget.

In the current market, where smartphones encroach on ultracompact roles, the SL620 holds nostalgic and specific appeal, while the Sony A55 remains a relevant entry-level DSLR offering appreciable image quality and flexibility. For everyone aiming beyond snapshots, the Sony’s APS-C sensor, lens ecosystem, and ergonomic design mark a critically important step forward in photographic expression.

If you want an affordable, pocketable camera just for light photo duties, the SL620 is a faithful companion. But if your ambitions include portraits with beautiful background separation, landscapes with stunning detail, or capturing fleeting wildlife action, I urge you to consider the Sony A55 - it’s a far more future-proof investment backed by years of professional-grade imaging technology.

Happy shooting, whichever path you choose!

This comprehensive comparison is based on exhaustive hands-on testing, industry-standard technical benchmarks, and real-world usage across all major photography disciplines. For updates on camera news and reviews, stay tuned to our expert reviews.

Samsung SL620 vs Sony A55 Specifications

Detailed spec comparison table for Samsung SL620 and Sony A55
 Samsung SL620Sony SLT-A55
General Information
Company Samsung Sony
Model type Samsung SL620 Sony SLT-A55
Otherwise known as PL65 -
Type Ultracompact Entry-Level DSLR
Released 2009-02-17 2010-08-24
Body design Ultracompact Compact SLR
Sensor Information
Chip - Bionz
Sensor type CCD CMOS
Sensor size 1/2.3" APS-C
Sensor dimensions 6.08 x 4.56mm 23.5 x 15.6mm
Sensor area 27.7mm² 366.6mm²
Sensor resolution 12 megapixels 16 megapixels
Anti alias filter
Aspect ratio - 3:2 and 16:9
Max resolution 4000 x 3000 4912 x 3264
Max native ISO 1600 12800
Max enhanced ISO - 25600
Min native ISO 80 100
RAW format
Autofocusing
Focus manually
Autofocus touch
Autofocus continuous
Single autofocus
Tracking autofocus
Autofocus selectice
Autofocus center weighted
Multi area autofocus
Live view autofocus
Face detection focus
Contract detection focus
Phase detection focus
Total focus points - 15
Cross type focus points - 3
Lens
Lens support fixed lens Sony/Minolta Alpha
Lens zoom range 35-175mm (5.0x) -
Largest aperture f/2.8-5.7 -
Macro focusing distance 5cm -
Amount of lenses - 143
Focal length multiplier 5.9 1.5
Screen
Screen type Fixed Type Fully Articulated
Screen diagonal 2.7 inch 3 inch
Resolution of screen 230 thousand dot 921 thousand dot
Selfie friendly
Liveview
Touch friendly
Viewfinder Information
Viewfinder type None Electronic
Viewfinder resolution - 1,150 thousand dot
Viewfinder coverage - 100%
Viewfinder magnification - 0.73x
Features
Min shutter speed 8s 30s
Max shutter speed 1/2000s 1/4000s
Continuous shutter speed - 10.0 frames per second
Shutter priority
Aperture priority
Manual exposure
Exposure compensation - Yes
Custom white balance
Image stabilization
Inbuilt flash
Flash distance 4.60 m 10.00 m (@ ISO 100)
Flash options Auto, On, Off, Auto & Red-Eye reduction, Slow Sync, Fill-in Flash, Flash Off, Red-Eye Fix Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless
Hot shoe
AE bracketing
White balance bracketing
Max flash sync - 1/160s
Exposure
Multisegment
Average
Spot
Partial
AF area
Center weighted
Video features
Video resolutions 800 x 592 (20 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps)
Max video resolution 640x480 1920x1080
Video data format Motion JPEG MPEG-4, AVCHD, H.264
Mic input
Headphone input
Connectivity
Wireless None Eye-Fi Connected
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None BuiltIn
Physical
Environmental seal
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 168 grams (0.37 lb) 500 grams (1.10 lb)
Physical dimensions 92 x 61 x 23mm (3.6" x 2.4" x 0.9") 124 x 92 x 85mm (4.9" x 3.6" x 3.3")
DXO scores
DXO Overall rating not tested 73
DXO Color Depth rating not tested 23.0
DXO Dynamic range rating not tested 12.4
DXO Low light rating not tested 816
Other
Battery life - 380 shots
Battery format - Battery Pack
Battery ID - NP-FW50
Self timer Yes Yes (2 or 10 sec)
Time lapse feature
Type of storage SD/MMC/SDHC card, Internal SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo
Storage slots Single Single
Cost at release $200 $800