Samsung SL720 vs Sony A9 II
94 Imaging
34 Features
14 Overall
26
62 Imaging
74 Features
93 Overall
81
Samsung SL720 vs Sony A9 II Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600
- 640 x 480 video
- 28-102mm (F2.8-5.7) lens
- 168g - 92 x 61 x 23mm
- Introduced July 2009
- Additionally referred to as PL70
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 51200 (Raise to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 678g - 129 x 96 x 76mm
- Announced October 2019
- Old Model is Sony A9
President Biden pushes bill mandating TikTok sale or ban Choosing Between Two Worlds: Samsung SL720 vs Sony A9 II - A Deep Dive for Photographers
Whether you’re an enthusiast searching for your next pocket companion or a professional ready to invest in a flagship powerhouse, comparing cameras that inhabit vastly different categories can be a challenge. In this article, we’ll unpack the essentials of the Samsung SL720, a compact classic from 2009 with its simplicity and portability, and the Sony Alpha A9 II, a 2019 professional-grade mirrorless beast engineered for speed and precision.
Our in-depth comparison spans everything from sensor tech and autofocus performance to usability across various photography genres. Along the way, we'll help you understand how the specs translate into real-world results, and who each camera truly suits.
First Impressions: Size, Ergonomics, and Build
When deciding on a camera, how it feels in your hands and how portable it is should never be underestimated. The Samsung SL720 and Sony A9 II sit at opposite ends of the size spectrum, designed for utterly different use cases.
| Feature | Samsung SL720 | Sony A9 II |
|---|---|---|
| Dimensions (mm) | 92 x 61 x 23 | 129 x 96 x 76 |
| Weight | 168 g | 678 g |
| Body Type | Ultracompact | SLR-style mirrorless |
| Build | Plastic lightweight | Robust magnesium alloy, weather sealed |

The ultra-compact SL720 fits comfortably in your pocket and is ideal for grabbing quick snaps without bulk. It’s lightweight and discreet, perfectly suited to casual photography or travel where space is at a premium.
In contrast, the Sony A9 II is designed with a substantial grip and a robust chassis that feels solid and reassuring, built to withstand professional use including challenging environments (it’s weather sealed). Its size and heft accommodate a wide range of lenses and controls, providing the stability and comfort pro shooters demand in long sessions.
If you cherish portability, the SL720 shines. If durability and comfortable-handling during fast-paced shoots are vital, the Sony A9 II stands out.
The Heart of the Camera: Sensor and Image Quality
At the core, sensor technology profoundly impacts image quality, dynamic range, and low-light performance. Let’s compare the SL720’s compact CCD sensor against the A9 II’s full-frame BSI CMOS.
| Specification | Samsung SL720 | Sony A9 II |
|---|---|---|
| Sensor Type | 1/2.3" CCD | Full-frame 35.6 x 23.8 mm BSI CMOS |
| Sensor Area | 27.72 mm² | 847.28 mm² |
| Resolution | 12 MP (4000 x 3000) | 24 MP (6000 x 4000) |
| Max ISO | 1600 | 51200 native (expandable to 204800) |
| Anti-Aliasing Filter | Yes | Yes |

Sensor Size and Resolution
The Sony A9 II’s sensor is over 30 times larger in area than the SL720’s sensor - this difference is fundamental. It allows the A9 II to capture more light, improving image quality, especially in low-light conditions, and providing better control over depth of field. This also enables the A9 II to produce higher-resolution images with more detail, crucial for professional-grade editing and large prints.
Conversely, the SL720's smaller sensor limits its dynamic range and noise performance. Expect acceptable daylight images but significantly reduced image quality when working with challenging lighting or higher ISO settings.
Image Processing and Noise Handling
The A9 II’s BIONZ X processor pairs with the sensor to deliver cleaner images at high ISOs, smooth gradations, and faithful color reproduction. The SL720’s CCD sensor and dated processor design cannot compete with modern standards.
In practical terms, the A9 II offers much more creative latitude and image fidelity. The SL720 is tailored to casual snapshots where convenience outweights ultimate picture quality.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus performance dramatically influences your shooting success, particularly in genres requiring fast reactions like wildlife and sports.
| Feature | Samsung SL720 | Sony A9 II |
|---|---|---|
| Focus Type | Contrast detection (single AF) | Hybrid AF (693 phase + contrast points) |
| Number of AF Points | Not specified (few zones) | 693 (with wide-area coverage) |
| Eye/Face Detection | No | Yes (human and animal eye AF) |
| AF Modes | Single AF only | Single, continuous, tracking, touch AF |
| Burst Rate (fps) | N/A (no continuous shooting) | Up to 20 fps with full AF/AE tracking |
The SL720 employs a modest contrast-detection autofocus limited to a single autofocus mode, making it slow and prone to hunting, especially in low light or moving subjects. This restricts its suitability to static compositions and general-purpose snapshots.
The Sony A9 II features a state-of-the-art autofocus system with 693 phase-detection points that cover nearly the entire frame, combined with 425 contrast points. The inclusion of real-time eye autofocus for humans and animals significantly simplifies portrait, wildlife, and event photography. Continuous autofocus paired with a lightning-fast 20 fps burst rate ensures you never miss critical moments.
For dynamic photography, fast action, and precision-focus work, the A9 II is in a league of its own. The SL720, however, remains an easy point-and-shoot option for relaxation and simplicity.
Handling and User Interface: Controls, Screens, and Viewfinders
Ease of use impacts creative flow as much as technical specs. Let’s see how these cameras stack up in terms of controls, LCD screens, and viewfinders.
| Feature | Samsung SL720 | Sony A9 II |
|---|---|---|
| Screen Size & Type | 2.7" fixed, 230k dots | 3" tilting touchscreen, 1.44M dots |
| Viewfinder | None | Electronic (3.7M dots, 100% coverage) |
| Touchscreen | No | Yes |
| Physical Controls | Minimal, no manual dials | Multiple customizable buttons and dials |
| Top Screen / Info Panel | No | No |


The SL720’s simple fixed screen and lack of a viewfinder mean you compose solely via the LCD, which is fairly dim and low-resolution by modern standards. The limited controls steer it firmly toward point-and-shoot use, with no manual exposure options, apertures, or shutter priority modes.
Sony’s A9 II boasts a bright, high-resolution tilting touchscreen for flexible live view framing and quick menu navigation. The large electronic viewfinder delivers an excellent real-time preview with exposure simulation and 100% frame coverage, vital for professional workflows. Its extensive physical control layout, including exposure compensation, shutter speed, and aperture dials, provides intuitive, one-handed operation in demanding environments.
If you prefer quick simplicity, the SL720’s minimalism is appealing. Professionals and enthusiasts looking for flexible, tactile control will find the A9 II much more empowering.
Lens Compatibility and Accessories
Your lens choices shape your photographic flexibility. The product ecosystem matters.
| Aspect | Samsung SL720 | Sony A9 II |
|---|---|---|
| Lens Mount | Fixed lens (non-interchangeable) | Sony E-mount |
| Native Lens Focal Range | 28-102 mm (equiv.) | Supports 121+ native E-mount lenses |
| Aperture Range | f/2.8–5.7 | Depends on lens |
| Stabilization | None | In-body 5-axis stabilization |
| External Flash Support | No | Yes, hot shoe compatible |
| Storage Slots | Single SD/SDHC/MMC | Dual SD/SDHC/SDXC (UHS-II) |
The SL720’s fixed optical zoom limits you to its built-in 28-102mm lens with moderate aperture values - fine for casual photos but not flexible for specialized tasks like macro or super-telephoto wildlife work.
The Sony A9 II’s E-mount system offers a vast, diverse lens lineup from Sony and third-party manufacturers, including fast primes, macro lenses, super-telephoto zooms, tilt-shifts, and cine lenses for video. Furthermore, the camera’s 5-axis in-body image stabilization works with any lens, a huge advantage for sharper handheld shots at slower shutter speeds.
For flash, the A9 II supports high-end external units with wireless TTL, second curtain sync, and high-speed modes, giving you creative lighting control absent in the SL720.
When growth and lens variety matter, the A9 II is a platform for your evolving creativity. The SL720 is really a self-contained package.
Battery Life and Storage Considerations
Practical aspects like battery endurance and storage options influence usability in the field.
| Feature | Samsung SL720 | Sony A9 II |
|---|---|---|
| Battery Model | SLB-10A | NP-FZ100 |
| Estimated Battery Life | Not specified (~~120 shots typical) | Approx. 690 shots (CIPA) |
| Storage Media | Single SD/SDHC/SD card | Dual SD/SDHC/SDXC (UHS-II) |
| Ports | USB 2.0 | USB 3.1 Gen 1, HDMI, mic, headphone |
Battery life is understandably modest on the SL720, enough for casual usage but insufficient for more extended shoots. Storage is limited to a single standard SD card slot without fast UHS-II support.
The A9 II impresses with long endurance suitable for professional workflows. Dual card slots provide fail-safe backup or overflow storage with UHS-II speeds for rapid write performance, essential for working with superfast burst shooting and high bitrate 4K video.
Connectivity includes modern options for tethering, wired and wireless transfer, and professional audio input/output - a significant advantage for hybrid photo/video creators and studio tethering over the SL720's minimal USB 2.0 port.
Shooting Modes, Video, and Creative Features
Let’s see how the cameras perform across common photography situations and video capability.
| Feature | Samsung SL720 | Sony A9 II |
|---|---|---|
| Exposure Modes | Fully automatic; no manual modes | Full manual, aperture/shutter priority, program |
| Video Resolution | 640 x 480 max (MJPEG) | 4K UHD (3840 x 2160) @ 30p, Full HD 120fps |
| Video Features | No mic input, no stabilization | 5-axis IBIS, microphone & headphone jacks |
| Time-lapse | No | Yes |
| Self Timer & Bracketing | Self timer only, no bracketing | Bracketing and customizable timers available |
For video creators, the A9 II’s 4K UHD at 30fps with modern codecs, combined with excellent stabilization and professional audio input/output, is a serious production tool. The SL720’s video capacity is basic - and limited to low-res VGA quality - hardly suited for anything other than casual home movies.
Manual exposure control, bracketing for HDR, and specialized modes on the A9 II facilitate creative exploration absent or extremely limited on the SL720.
Recap with Sample Images and Practical Uses
Seeing the cameras’ results side by side can illustrate their real-world strengths.
- Samsung SL720: Works well for casual daylight shots, street photos, and travel snapshots where size and simplicity matter most.
- Sony A9 II: Excels in portraits with precise eye focus, wildlife tracking, sports action with rapid bursts, night photography with high ISO, and serious video productions.
How These Cameras Perform Across Photography Genres
To help pinpoint which camera suits your creative focus best, here’s a concise breakdown by genre:
| Photography Type | Samsung SL720 Strengths | Sony A9 II Strengths |
|---|---|---|
| Portrait | Simple point-and-shoot ease | Superior eye-AF, bokeh control, full manual settings |
| Landscape | Compact for travel | Wide dynamic range, high resolution, weather sealed |
| Wildlife | Limited reach & AF speed | Fast AF, telephoto lenses, high burst fps |
| Sports | Not suitable | Best-in-class tracking and speed |
| Street | Discreet size, ease of carry | Professional image quality, silent shutter |
| Macro | Macro mode at 5cm | Supports specialized lenses, stabilization |
| Night/Astro | Limited ISO & exposure control | High ISO performance, exposure flexibility |
| Video | Basic VGA recording | Professional 4K recording and monitoring |
| Travel | Lightweight, pocketable | Versatile, durable but heavier |
| Professional Work | Not designed | Dependable reliability, tethering, workflow integration |
Overall Performance and Final Thoughts
After testing extensively in studio and field conditions, here’s our overall assessment:
| Category | Samsung SL720 | Sony A9 II |
|---|---|---|
| Image Quality | Basic | Outstanding |
| Autofocus | Limited | Industry-leading |
| Handling | Minimalist | Ergonomic Professional |
| Features | Basic | Rich and versatile |
| Video | Low-res | Broadcast quality |
| Price | $119 | $4,498 |
Who Should Buy Which Camera?
Samsung SL720:
- Great for absolute beginners or casual shooters seeking a lightweight, pocket-friendly camera.
- Perfect for travel photography when you want to keep gear minimal.
- Budget-friendly choice for simple snapshots without fuss or complexity.
Sony A9 II:
- Designed for working professionals and serious enthusiasts who demand speed, precision, and image quality.
- Ideal for sports, wildlife, portrait, and event photographers needing cutting-edge autofocus and high burst frame rates.
- Suited for hybrid shooters wanting strong video capabilities integrated with pro photography features.
Wrapping Up: Matching Your Creativity with the Right Tool
Our extensive hands-on testing confirms these cameras serve two distinct creative journeys:
-
The Samsung SL720 invites you to explore photography with a compact companion that fits anywhere. It keeps things simple, focusing on ease and portability, perfect for everyday moments and casual hobbyists.
-
The Sony A9 II is a professional instrument crafted for decisive, demanding situations where every frame counts - unlocking your full creative potential across genres with high fidelity and speed.
If you’re starting out, seeking simplicity, or need something that tucks easily in your bag, try the Samsung SL720. If you aim to push creative boundaries, work professionally, or capture fleeting moments with unmatched reliability, the Sony A9 II is an investment into your craft.
Don't just take specs at face value - get hands-on experience. Check out each camera in store, test the feel and interface, and consider renting before committing to your decision. Paired with the right lenses and accessories, the right camera can open doors to your best work yet.
Ready to explore further? Find lens guides and workflow tips tailored to your chosen camera platform, and begin your photographic adventure with confidence. Whether compact simplicity or professional excellence, there’s a perfect camera for your creative vision.
This comparison is built upon extensive real-world evaluations of thousands of cameras and lenses spanning over 15 years. We uphold honesty, practical insight, and user-centered guidance to empower your photography journey.
Samsung SL720 vs Sony A9 II Specifications
| Samsung SL720 | Sony Alpha A9 Mark II | |
|---|---|---|
| General Information | ||
| Company | Samsung | Sony |
| Model | Samsung SL720 | Sony Alpha A9 Mark II |
| Also referred to as | PL70 | - |
| Class | Ultracompact | Pro Mirrorless |
| Introduced | 2009-07-14 | 2019-10-03 |
| Physical type | Ultracompact | SLR-style mirrorless |
| Sensor Information | ||
| Chip | - | BIONZ X |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | Full frame |
| Sensor measurements | 6.08 x 4.56mm | 35.6 x 23.8mm |
| Sensor surface area | 27.7mm² | 847.3mm² |
| Sensor resolution | 12 megapixels | 24 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 3:2 |
| Maximum resolution | 4000 x 3000 | 6000 x 4000 |
| Maximum native ISO | 1600 | 51200 |
| Maximum boosted ISO | - | 204800 |
| Minimum native ISO | 80 | 100 |
| RAW pictures | ||
| Minimum boosted ISO | - | 50 |
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Number of focus points | - | 693 |
| Lens | ||
| Lens mounting type | fixed lens | Sony E |
| Lens focal range | 28-102mm (3.6x) | - |
| Maximal aperture | f/2.8-5.7 | - |
| Macro focus range | 5cm | - |
| Amount of lenses | - | 121 |
| Focal length multiplier | 5.9 | 1 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen size | 2.7 inch | 3 inch |
| Screen resolution | 230 thousand dots | 1,440 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 3,686 thousand dots |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.78x |
| Features | ||
| Lowest shutter speed | 8 seconds | 30 seconds |
| Highest shutter speed | 1/1500 seconds | 1/8000 seconds |
| Highest silent shutter speed | - | 1/32000 seconds |
| Continuous shooting rate | - | 20.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | - | Yes |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 4.60 m | no built-in flash |
| Flash options | Auto, On, Off, Red-eye, Fill-in, Slow sync | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction, Wireless, Hi-speed sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 800 x 592 (20 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Maximum video resolution | 640x480 | 3840x2160 |
| Video data format | Motion JPEG | MPEG-4, AVCHD, H.264 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 168 gr (0.37 pounds) | 678 gr (1.49 pounds) |
| Physical dimensions | 92 x 61 x 23mm (3.6" x 2.4" x 0.9") | 129 x 96 x 76mm (5.1" x 3.8" x 3.0") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 690 shots |
| Form of battery | - | Battery Pack |
| Battery model | SLB-10A | NP-FZ100 |
| Self timer | Yes | Yes (2, 5, 10 secs + continuous, 3 or 5 frames) |
| Time lapse recording | ||
| Storage type | SD/MMC/SDHC card, Internal | Dual SD/SDHC/SDXC slots (UHS-II compatible) |
| Card slots | Single | 2 |
| Cost at launch | $119 | $4,498 |