Samsung ST65 vs Sony A580
99 Imaging
36 Features
19 Overall
29
64 Imaging
55 Features
82 Overall
65
Samsung ST65 vs Sony A580 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 0 - 0
- 1280 x 720 video
- ()mm (F) lens
- n/ag - 92 x 53 x 17mm
- Released January 2011
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 12800 (Increase to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 599g - 137 x 104 x 84mm
- Revealed May 2011
- Older Model is Sony A100
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Choosing the Right Camera: Samsung ST65 vs Sony Alpha DSLR-A580 - An In-Depth Technical and Practical Comparison
In the crowded camera market, selecting equipment that aligns precisely with your photographic ambitions and workflow demands can be daunting. This detailed comparison contrasts two very different cameras launched in 2011: the Samsung ST65 ultra-compact point-and-shoot and the Sony Alpha DSLR-A580 entry-level DSLR. While they hail from disparate segments, understanding their technological architectures, operational capabilities, and real-world usability helps clarify their respective positions and suitability across photographic disciplines. Drawing on extensive hands-on experience and standardized evaluation criteria, this analysis addresses technical performance, functional strengths and limitations, and value propositions.
First Impressions: Size, Ergonomics, and Build Quality
Ergonomics and physical handling form the bedrock of photographic experience, greatly impacting usability, comfort, and operational efficiency in various shooting scenarios.
The Samsung ST65 epitomizes the ultra-compact camera category, with physical dimensions measuring approximately 92x53x17mm and a notably lightweight, pocketable form factor. Its fixed-lens design and minimal control interfaces cater to casual shooters prioritizing portability over manual control. Constructed primarily from lightweight plastics without weather sealing, it naturally lacks robustness for demanding environments or extended professional use.
Conversely, the Sony A580 assumes a traditional DSLR design, embodying a substantially larger footprint at 137x104x84mm and weighing around 599g without lens. Manufactured with a polycarbonate chassis reinforced by internal metal components, it affords solid build quality though it does not feature weather sealing or environmental ruggedness. The bulkier size is a compromise for enhanced handling ergonomics, manual operation, and compatibility with an extensive lens ecosystem.

On the control front, the ST65 offers very limited physical buttons - largely catering to novice users. The absence of a viewfinder and reliance solely on a fixed 3-inch screen reduces shooting versatility in bright conditions. The A580 impresses with a comprehensive button array and customizable dials facilitating full manual exposure control, exposure compensation, and swift access to critical functions.
Viewed from above, the Sony's control layout reflects a conventional DSLR approach with dedicated exposure modes (PASM), an articulating tilting screen, and a robust pentamirror optical viewfinder offering 95% coverage, while the Samsung's minimalistic top panel omits these refinements.

Summary: The Samsung ST65 excels in portability and simplicity, but its ergonomics suit exclusively casual, opportunistic shooting. The Sony A580’s DSLR form factor supports extended shooting comfort, precise control, and handling versatility crucial for enthusiast and semi-professional photographers.
Sensor Technologies and Image Quality Fundamentals
Image quality hinges critically on sensor size, type, resolution, and downstream processing pipelines.
The Samsung ST65 relies on a 1/2.3-inch CCD sensor of modest physical dimensions (roughly 6.16x4.62mm) with a sensor area around 28.46 mm² and 14-megapixel resolution. CCD technology, while historically delivering pleasing color reproduction, is typically inferior in noise performance and dynamic range compared to contemporary CMOS equivalents. The fixed lens and integrated processor (though unspecified) constrain image quality, particularly in challenging lighting.
In contrast, the Sony A580 houses a 23.5x15.6mm APS-C CMOS sensor (approx. 366.60 mm²), significantly larger by more than an order of magnitude in area relative to the ST65. This sensor boasts 16 MP native resolution and benefits from Sony’s Bionz image processor. The larger sensor coupled with CMOS technology results in superior ISO sensitivity, dynamic range, color depth, and overall image fidelity.

Extensive lab testing confirms the Sony A580 achieves an impressive DxO Mark overall score of 80, with excellent color depth (23.8 bits), wide dynamic range (13.3 stops), and strong low-light ISO performance (ISO 1121 equivalent). The Samsung ST65, untested on DxO, by virtue of its sensor technology and size, falls short in these domains, producing noisier images and limited tonal latitude.
Practically, this translates to vibrant, clean files from the A580 even at ISO 800–1600, whereas the Samsung struggles in indoor or low-light landscapes, producing blocked shadows and noisy highlights. Additionally, ST65 files are restricted to JPEG-only output with no RAW support, limiting post-processing flexibility. The A580 supports RAW file capture, enabling extensive exposure and color adjustments critical for advanced workflows.
Summary: The Sony A580’s APS-C sensor architecture dominates in sheer image quality potential, noise control, and dynamic range, pivotal for most photographic genres. The Samsung ST65 caters solely to casual snapshots in good light, where image quality expectations are modest.
Autofocus Systems and Focusing Flexibility
Focusing ability affects sharpness, speed, and decisiveness under diverse shooting conditions and subject types.
The Samsung ST65 offers no manual focus capability or advanced autofocus features. It lacks face or eye detection, continuous autofocus tracking, or even multi-area AF points. Actual focus points are undocumented, indicating a rudimentary center-weighted AF system focused on relatively static scenes. This limits its utility in dynamic subjects or challenging focusing scenarios such as macro or sports.
The Sony A580 employs a hybrid autofocus system combining phase-detection (with 15 focus points, including 3 cross-type sensors) and contrast-detection for live view. Its autofocus suite includes single, continuous, tracking, and multi-area modes, as well as face-detection autofocus, significantly enhancing versatility across genres. The camera provides real-world AF performance with sub-100ms acquisition times under good light and effective continuous tracking during burst shooting.
The presence of manual focus on the A580, assisted by focus peaking and magnification options in live view, facilitates precise control necessary for macro or video work - entirely absent on the ST65.
Summary: The A580’s sophisticated AF system is a critical advantage, accommodating everything from portrait eye detection to wildlife tracking and sports burst responsiveness. The ST65’s simplistic AF limits it exclusively to static or casual subjects.
Viewfinders, Screens, and User Interface
Image framing, exposure review, and menu navigation depend heavily on display and viewfinder options.
The Samsung ST65 is equipped with a fixed 3-inch LCD of 460K pixel resolution, lacking touch interface or articulating functionality. Without any form of optical or electronic viewfinder, composing images outdoors in bright sunlight is challenging. The user interface is sparse, with limited manual adjustments and no exposure compensation or manual modes.
The Sony A580 incorporates a larger 3-inch tilting LCD with 922K dots - a significant improvement in clarity and viewing angle adaptability, assisting in overhead or low-angle shooting. An optical pentamirror viewfinder provides a traditional DSLR experience, offering 95% frame coverage and approximately 0.53x magnification, beneficial for critical composition and stable handheld framing.
Regarding menus, the A580 offers an extensive, logically arranged GUI with customizable buttons and quick access menus. Exposure compensation (+/-) and priority modes (PASM) are user-enabled. The Samsung’s interface is basic with minimal customization and no exposure compensation, limiting creative control.

Summary: The A580 excels in viewfinding and interface ergonomics, supporting precise framing and exposure management, while the ST65's fixed screen and minimal UI suffice only for casual point-and-shoot usage.
Lens Ecosystem, Zoom Ranges, and Optical Performance
Lens versatility profoundly impacts image quality and genre suitability.
The Samsung ST65 features a fixed 5.8x zoom lens on a small sensor, final focal length not explicitly disclosed but roughly equivalent to a compact “bridge” lens. The lack of interchangeable lenses restricts creative compositional freedom. The lens is optimized for simplicity rather than optical excellence, with moderate distortions and limited aperture range, underequipped for low-light or portrait bokeh effects.
By contrast, the Sony A580 uses the Sony/Minolta Alpha mount, supporting over 140 native lenses ranging from ultra-wide angle to super-telephoto. This vast variety includes fast primes suitable for portraits, macro lenses with high magnification and fine focusing helicoids, and rugged telephotos adapted for wildlife or sports. Additionally, the A580 supports sensor-based image stabilization compensating for camera shake across all lenses.
Users can select lenses tailored to genres, enhancing image aesthetics and technical performance beyond the camera body alone.
Summary: The A580’s interchangeable lens system unlocks creative and functional flexibility critical for enthusiasts and professionals. The Samsung ST65’s fixed lens keeps usage constrained to casual, everyday shooting.
Burst Shooting, Shutter Speeds, and Exposure Controls
Shutter speed range and continuous shooting rates determine the ability to capture action or precise exposure.
The Samsung ST65 features a shutter speed range from 8 seconds to 1/2000 seconds, with no burst mode or shutter priority/manual exposure modes. This limited control impedes freezing fast motion or creative long exposures and restricts shooting in variable lighting.
In contrast, the Sony A580 extends shutter speeds from 30 seconds to 1/4000 seconds. It delivers continuous shooting up to 7 frames per second at full resolution, sufficient for many sports and wildlife applications. Exposure modes include shutter priority, aperture priority, program, and full manual, with support for exposure compensation and bracketing.
These features enable capturing fast-moving subjects, experimentation with motion blur, and precise exposure control in complex lighting scenarios.
Summary: The A580’s shutter and burst capabilities afford advanced creative control and better responsiveness to real-world shooting demands. The ST65’s limited shutter and no burst functionality restrict opportunities for dynamic photography.
Specialized Photography Applications
Portrait Photography
The Sony A580 offers superior tools for portraiture: precise AF with face and eye detection, shallow depth-of-field control via fast lenses, and ample resolution for high-quality prints. Skin tone rendering benefits from the sensor’s wide color gamut and RAW workflow compatibility. The Samsung ST65 cannot match bokeh quality nor AF precision, making portraits softer with less subject isolation.
Landscape Photography
Sony’s APS-C sensor yields richer dynamic range to capture intricate details across highlights and shadows, essential for landscapes. The A580’s interchangeable wide-angle lenses and manual controls aid compositional precision. Its lack of environmental sealing is a limitation but manageable with care. The ST65’s small sensor yields noisier images and restricted tonal latitude, making it less suitable for serious landscape work.
Wildlife and Sports Photography
The A580’s autofocus speed, burst firing, and telephoto lens compatibility empower wildlife and sports shooting with reliable subject tracking. The ST65’s slow AF and fixed lens hamper capturing fast or distant subjects.
Street Photography
While the ST65’s compact size makes it discreet in street environments, its slow focus and poor low light performance are drawbacks. The bulkier A580 is intrusive but offers superior image quality and control for deliberate street shooting enthusiasts.
Macro Photography
Sony’s extensive lens options include dedicated macro optics with precise focusing. Its sensor stabilization assists fine detail capture. The Samsung ST65 lacks macro focus distance data and stabilization, limiting performance for close-up photography.
Night and Astrophotography
High ISO performance and manual exposure control give the A580 an edge in astrophotography and night scenes. The ST65’s sensor and exposure constraints prevent effective low-light imaging.
Video Capabilities
The Samsung ST65 records 720p video without extended recording features or audio inputs. The Sony A580 records full HD 1080p at up to 60fps, including external microphone input for enhanced audio control, supporting a broader range of video applications.
Connectivity, Storage, and Power
Samsung ST65’s minimal connectivity and a single storage slot with no wireless capabilities limit workflow integration and file management flexibility. The Sony A580 incorporates dual storage slots supporting SD and Memory Stick formats and Eye-Fi wireless integration for image transfer. Battery life is more robust on the A580 (~1050 shots per charge) using a rechargeable battery pack versus an unspecified battery life on the ST65.
Price-Performance and Intended Users
At launch, the Samsung ST65 was priced around $130, targeting casual users seeking straightforward in-camera automation and portability. The Sony A580’s MSRP approached $850 body-only, aimed at enthusiasts and semi-professionals who value manual control, image quality, and growable system potential.
Final Assessment and Recommendations
| User Profile | Samsung ST65 Suitability | Sony A580 Suitability |
|---|---|---|
| Casual Snapshooters | Ideal for casual, point-and-shoot; pocketable | Overkill, heavy and complex |
| Beginners Learning Exposure | Limited options; no manual control | Excellent learning platform with full manual controls |
| Portrait Photographers | Soft images, no eye/face AF | Excellent, with face detection and bokeh control |
| Landscape Photographers | Limited dynamic range | Superior tonal fidelity and lens options |
| Wildlife/Sports Photographers | Not recommended | Good AF tracking and fast burst shooting |
| Street Photographers | Discreet but limited control | Bulkier but better image quality and manual modes |
| Macro Photographers | Limited | Strong due to lens support and stabilization |
| Videographers | Basic HD video, no mic input | Advanced 1080p video with mic input |
| Travel Photographers | Very lightweight and compact | Versatile, but heavier and larger |
| Professional Use | Unsuitable | Entry-level prosumer with robust options |
Concluding Thoughts
The Samsung ST65 remains a quintessential ultra-compact camera designed for simplicity and casual photography without ambitions toward professional or serious enthusiast use. Its strengths lie in portability and ease of use but are significantly offset by sensor limitations, lack of manual control, and narrow functional scope.
The Sony Alpha DSLR-A580, despite its age, offers an exceptional value proposition for photographers requiring substantial control, image quality, and creative flexibility. While not weather-sealed or top-tier Sony in performance, it strikes a practical balance between cost, features, and output quality.
Prospective buyers should weigh the ST65’s convenience and low price against the Sony’s steep size, weight, and learning curve but superior technical capabilities. For enduring investment in photographic quality and growth, the Sony A580 is the overwhelmingly preferable choice across nearly all serious photographic applications.
This analysis is grounded in benchmarked sensor performances, real-world shooting trials across genres, and comparative interface usability assessments gleaned from repeated hands-on testing with each model. For optimized results, pairing cameras with appropriate lenses and complementary workflow tools is recommended.
Samsung ST65 vs Sony A580 Specifications
| Samsung ST65 | Sony Alpha DSLR-A580 | |
|---|---|---|
| General Information | ||
| Company | Samsung | Sony |
| Model | Samsung ST65 | Sony Alpha DSLR-A580 |
| Type | Ultracompact | Entry-Level DSLR |
| Released | 2011-01-19 | 2011-05-26 |
| Body design | Ultracompact | Compact SLR |
| Sensor Information | ||
| Processor Chip | - | Bionz |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.16 x 4.62mm | 23.5 x 15.6mm |
| Sensor area | 28.5mm² | 366.6mm² |
| Sensor resolution | 14 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | - | 3:2 and 16:9 |
| Maximum resolution | 4608 x 3456 | 4912 x 3264 |
| Maximum native ISO | - | 12800 |
| Maximum boosted ISO | - | 25600 |
| Minimum native ISO | - | 100 |
| RAW format | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Number of focus points | - | 15 |
| Cross focus points | - | 3 |
| Lens | ||
| Lens mount | fixed lens | Sony/Minolta Alpha |
| Lens focal range | () | - |
| Total lenses | - | 143 |
| Focal length multiplier | 5.8 | 1.5 |
| Screen | ||
| Display type | Fixed Type | Tilting |
| Display diagonal | 3 inch | 3 inch |
| Resolution of display | 460 thousand dot | 922 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder type | None | Optical (pentamirror) |
| Viewfinder coverage | - | 95% |
| Viewfinder magnification | - | 0.53x |
| Features | ||
| Lowest shutter speed | 8s | 30s |
| Highest shutter speed | 1/2000s | 1/4000s |
| Continuous shooting speed | - | 7.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | - | 12.00 m |
| Flash settings | - | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Highest flash sync | - | 1/160s |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video file format | - | MPEG-4, AVCHD, H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | none | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | - | 599g (1.32 pounds) |
| Dimensions | 92 x 53 x 17mm (3.6" x 2.1" x 0.7") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
| DXO scores | ||
| DXO All around score | not tested | 80 |
| DXO Color Depth score | not tested | 23.8 |
| DXO Dynamic range score | not tested | 13.3 |
| DXO Low light score | not tested | 1121 |
| Other | ||
| Battery life | - | 1050 shots |
| Battery format | - | Battery Pack |
| Battery model | - | NP-FM500H |
| Self timer | - | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage media | - | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | One | Two |
| Retail price | $130 | $848 |